Eabs HHV Records 3 Items

f one was to interpret the whole output of Eabs in general, an inquisitive listener would notice that each subsequent album stems from the previous one. The overtones are similar and they can be treated as variations on the same theme. The only thing that changes is the background of the story. It is all about life and death, the beginning and the end of the world, and the role of human beings entangled in all this existentially. Following the futurism lessons from Sun Ra, the band travels to the year 2061, continuing their mission in space in the company of a living legend, Jan Ptaszyn Wróblewski.

"all These Worlds ARE Yours – Except Europa. Attempt NO Landing THERE." – this was the ominous message from the mythical Monolith of Arthur C. Clarke's 2001: A Space Odyssey. The quote became a metaphor for the situation the Eabs crew found themselves in when the pandemic hit. It was not only Europe that became inaccessible, the whole world shut down. A reflection emerged that only empathy and cooperation could save humanity. We will not be able to face the greater threat that may come from the outside together by fighting wars among ourselves on Earth. A similar analogy can be seen in Arthur C. Clarke's book series, which was made even more famous by Stanley Kubrick with his iconic screen adaptation, 2001: A Space Odyssey. Released in 1986, the third part of the series has served as an inspiration for the fourth Eabs album titled 2061, a soundtrack to the film that hasn't been made yet.

Collaborative work has always been the domain of Eabs, which is even more audible with their new album as most of the instrumentalists brought their own compositions to the recording session. As a result, the album oscillates in orbits of many genres such as jazz, electronica and hip hop, in such mutations as Miami bass, trap and drill. It might come as a surprise that the role of the spiritual guide and mentor here is played by Jan Ptaszyn Wróblewski who has taken part in all the quests in the history of Polish jazz, just like Dr Heywood Floyd traversing the galaxy aboard the Universe spacecraft.

The year 1986 is symbolic for Eabs. Poland was then visited by Sun Ra with his Arkestra carrying a prophecy: "We are living in End Time, all right, but in the last daze. It’s after the end of the world. Don’t you know that yet?" – these words of the Saturnian alien were hovering over the group's previous project. That year Halley's Comet flew close to Earth, inspiring Arthur C. Clarke to write the third installment of A Space Odyssey. The next time we will be able to see this celestial body is not until the eponymous year 2061. In his book, the author envisioned the current decade as full of crises, scandals and disasters. Having been in space for years, Dr Heywood Floyd would observe cities in flames, a nuclear war outbreak, and all the other horrific events from his monitor window. With the nightmare unfolding on Earth, the cultural and linguistic differences that had arisen over the millennia began to disappear, and the appearance of a new sun named Lucifer only accelerated the process. The superpowers, destroyed by warfare against each other, achieved reconciliation and reunification, making the outbreak of further wars of this kind impossible. At last, the existing peace machinery began to choose life over death. The disintegration of the enormous parasitic military business resulted in the acceleration of world economic development. The moral equivalent of war has led to the undoing of centuries of damage and neglect caused by it. This latest Eabs album stands for the time when Halley's Comet will again fly by very close to Earth. We should hope that in the light of recent events, the utopian vision of the author of A Space Odyssey will come true and peace will come to our planet. Fortunately, there will be no need to wait another 40 years for the album.

2023 was a breakthrough year for Eabs in many ways. It was all thanks to the well received, fully self-produced album entitled In Search of a Better Tomorrow, recorded in collaboration with the Pakistani band Jaubi. The record provided the opportunity to tour in France, Italy, the Netherlands, Belgium and China. It was praised by media outlets such as Le Monde, L'Echo, Politis, Stern, Bandcamp and Gazeta Wyborcza, while The Guardian included the release in its 'The Best Global Albums of 2023'. Eabs' forthcoming sixth album is a return to their roots – literally and figuratively. It is an in-depth study on rhythm, which materialised in the form of the album titled Reflections of Purple Sun.

The back to the roots part not only manifests itself in the lack of guest instrumentalists, but also in a renewed focus on the history of Polish jazz. The band's debut album Repetitions... was dedicated to Krzysztof Komeda. This time, the band picked up the entire Purple Sun album, which Tomasz Stańko recorded half a century ago. From the POV of Purple Sun fans, a hard-to-find and somewhat forgotten album, it may seem like a doomed undertaking. However, in order to pay tribute to one of the most iconic figures of Polish jazz, it was worth embarking on this mission and attempting to engage in a non-verbal conversation with the Slavic spirit that Master Tomasz Stańko undoubtedly was.

What was the essence of Purple Sun? Tomasz Stańko's record relied heavily on rhythm, one could even say that it was its central element. The Eabs version is thus a study in rhythm. In other words, it is a reflection on rhythm. Therefore, the metaphor hidden in the word Reflections appears in the title, referring to the reflection of light – a reflex, representing a different energy enclosed in time and space, but half a century later.

The material recorded on 9 March 1973 at the Munich Conservatory under the watchful eye and ear of Ulrich Kraus made up the final album of the legendary Stańko's quintet, released on vinyl in a rather limited edition a few months later on the small German label, Calig. The album produced by the Eabs ensemble came nearly exactly 50 years later and is titled Reflections of Purple Sun. The concept of the recording had been brewing among the Eabs members since as early as 2017, yet the band had their final rehearsals between 23 and 25 March 2023 to play a preview concert at Wrocław’s National Forum of Music on 26 March. The energy that had been accumulating within the group over that short period of time reached its peak a few days later, when on the 5th and 6th of April the musicians got together in Rozbrat Street in Warsaw, where Tomasz Stańko’s flat used to be, and where the foundation named after him has its headquarters today – to build a home studio there and record tracks. In retrospect, it is hard to believe that the album was made on such a round anniversary of the recording of Purple Sun.

The low-ceilinged flat in which the trumpeter lived, donned with an assortment of carpets, now lingers in a hushed ambiance, as if he had momentarily stepped out for errands. Sadly, he never returned. His recent musical, literary, and cinematic influences linger palpably in the aftermath of his passing, revealing a distinct imprint on the space he once inhabited. The piano he played and composed on still stands in the living room, with a small practice room where he kept his trumpet collection adjacent. Marek Pędziwiatr decided to use the available piano, and Jakub Kurek picked one of the trumpets.

It’s worth taking a moment to spotlight the trumpet chosen by Jakub Kurek. Kuba says: The trumpet I went with is the last one Tomasz Stańko picked for his collection – the Monette Xlt+. I found this trumpet the most interesting and inspiring because of its lively and spacious sound, and its technologically developed construction. It was also conceptually suitable for playing pieces based on the music from the Purple Sun album, recorded 50 years ago, which in the Eabs interpretation took on an electronic character within the context of contemporary instrumental music. Tomasz Stańko intended to use this instrument in his work. He started working with it, but did not actually make any recordings using it. [...] I’ve also chosen this trumpet from among others because of its timbre, which has not yet been identified with the expression of Stańko’s strong artistic personality.

You can learn more about Reflections of Purple Sun through the comprehensive booklet accompanying the record. Astigmatic Records will unveil the album in digital, CD, and LP formats, available in both standard and limited editions. The cover art was created by the label's regular collaborator, Animisiewasz, whose design pays tribute to Pia Burri's original Purple Sun concept. Pre-sales begin on 5 April and the release date is 10 May 2024.

2023 was a breakthrough year for Eabs in many ways. It was all thanks to the well received, fully self-produced album entitled In Search of a Better Tomorrow, recorded in collaboration with the Pakistani band Jaubi. The record provided the opportunity to tour in France, Italy, the Netherlands, Belgium and China. It was praised by media outlets such as Le Monde, L'Echo, Politis, Stern, Bandcamp and Gazeta Wyborcza, while The Guardian included the release in its 'The Best Global Albums of 2023'. Eabs' forthcoming sixth album is a return to their roots – literally and figuratively. It is an in-depth study on rhythm, which materialised in the form of the album titled Reflections of Purple Sun.

The back to the roots part not only manifests itself in the lack of guest instrumentalists, but also in a renewed focus on the history of Polish jazz. The band's debut album Repetitions... was dedicated to Krzysztof Komeda. This time, the band picked up the entire Purple Sun album, which Tomasz Stańko recorded half a century ago. From the POV of Purple Sun fans, a hard-to-find and somewhat forgotten album, it may seem like a doomed undertaking. However, in order to pay tribute to one of the most iconic figures of Polish jazz, it was worth embarking on this mission and attempting to engage in a non-verbal conversation with the Slavic spirit that Master Tomasz Stańko undoubtedly was.

What was the essence of Purple Sun? Tomasz Stańko's record relied heavily on rhythm, one could even say that it was its central element. The Eabs version is thus a study in rhythm. In other words, it is a reflection on rhythm. Therefore, the metaphor hidden in the word Reflections appears in the title, referring to the reflection of light – a reflex, representing a different energy enclosed in time and space, but half a century later.

The material recorded on 9 March 1973 at the Munich Conservatory under the watchful eye and ear of Ulrich Kraus made up the final album of the legendary Stańko's quintet, released on vinyl in a rather limited edition a few months later on the small German label, Calig. The album produced by the Eabs ensemble came nearly exactly 50 years later and is titled Reflections of Purple Sun. The concept of the recording had been brewing among the Eabs members since as early as 2017, yet the band had their final rehearsals between 23 and 25 March 2023 to play a preview concert at Wrocław’s National Forum of Music on 26 March. The energy that had been accumulating within the group over that short period of time reached its peak a few days later, when on the 5th and 6th of April the musicians got together in Rozbrat Street in Warsaw, where Tomasz Stańko’s flat used to be, and where the foundation named after him has its headquarters today – to build a home studio there and record tracks. In retrospect, it is hard to believe that the album was made on such a round anniversary of the recording of Purple Sun.

The low-ceilinged flat in which the trumpeter lived, donned with an assortment of carpets, now lingers in a hushed ambiance, as if he had momentarily stepped out for errands. Sadly, he never returned. His recent musical, literary, and cinematic influences linger palpably in the aftermath of his passing, revealing a distinct imprint on the space he once inhabited. The piano he played and composed on still stands in the living room, with a small practice room where he kept his trumpet collection adjacent. Marek Pędziwiatr decided to use the available piano, and Jakub Kurek picked one of the trumpets.

It’s worth taking a moment to spotlight the trumpet chosen by Jakub Kurek. Kuba says: The trumpet I went with is the last one Tomasz Stańko picked for his collection – the Monette Xlt+. I found this trumpet the most interesting and inspiring because of its lively and spacious sound, and its technologically developed construction. It was also conceptually suitable for playing pieces based on the music from the Purple Sun album, recorded 50 years ago, which in the Eabs interpretation took on an electronic character within the context of contemporary instrumental music. Tomasz Stańko intended to use this instrument in his work. He started working with it, but did not actually make any recordings using it. [...] I’ve also chosen this trumpet from among others because of its timbre, which has not yet been identified with the expression of Stańko’s strong artistic personality.

You can learn more about Reflections of Purple Sun through the comprehensive booklet accompanying the record. Astigmatic Records will unveil the album in digital, CD, and LP formats, available in both standard and limited editions. The cover art was created by the label's regular collaborator, Animisiewasz, whose design pays tribute to Pia Burri's original Purple Sun concept. Pre-sales begin on 5 April and the release date is 10 May 2024.