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Wild Pink - Dulling The Horns Blue And Yellow Splatter Vinyl Edition

Dulling The Horns Blue And Yellow Splatter Vinyl Edition

LP | 2025 | US | Original (Fire Talk)

Incl. VAT plus Shipping Costs

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-28

“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

Wild Pink - Dulling The Horns Black Vinyl Edition

Dulling The Horns Black Vinyl Edition

LP | 2024 | US | Original (Fire Talk)

Incl. VAT plus Shipping Costs

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.

Wild Pink - Yolk In The Fur

Yolk In The Fur

LP | 2018 | UK | Reissue (Tiny Engines)

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Release: 2018 / UK – Reissue

Genre: Rock & Indie

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With Yolk In The Fur, Wild Pink's much-anticipated follow-up to its eponymous 2017 debut full-length, the three piece again takes its listeners to a place of sonic placidity. Frontman John Ross and his bandmates trade what sparing crunch they did use on the self-titled LP for lush, balmy synths that lift their sound upwards and out, rather than forward and down. Any traces of slowcore and grunge are gone here, replaced by the angelic airiness of Cocteau Twins and Red House Painters, but with the modern crispness of LAKE or Japanese Breakfast. Sporadic splashes of electronic drums and emphasized basslines add fascinating new dimensions to their already-diverse palette, but no instrument or tone ever feels shoehorned in. Each part is stitched seamlessly into the other, and the band's aptitude for unexpected changeups is only heightened with the ability to shift from artificial to natural instrumentation.
Although it's both the shortest and most straightforward cut in the tracklist, closer 'All Some Frenchman's Joke' is a satisfying thematic knot for what Ross says is an album about protecting something vulnerable. Letting go of youth after the time is due/feels like relief/like when something stuck is freed, he sings. To call this album a maturation for Wild Pink is to not only recycle a long-frayed cliche, but to neglect the musical and lyrical wiseness they already possessed on their debut. But if Ross really did quell an existential crisis during the making of Yolk In The Fur, and managed to finally scrub the gunk clean, the fresh coat that grew back took form as one of the purest, fleeciest, most lavish rock albums of 2018. (bio by Eli Enis)

Wild Pink - A Billion Little Lights Light Blue Vinyl

A Billion Little Lights Light Blue Vinyl

LP | 2020 | Original (Royal Mountain)

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Release: 2020 / Original

Genre: Rock & Indie

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Wild Pink - Wild Pink

LP | 2017 | US | Original (Tiny Engines)

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Release: 2017 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Americana - Red/White/Blue Clear Vinyl

Wild Pink - Strawberry Eraser "Beer" Color Vinyl Edition

Strawberry Eraser "Beer" Color Vinyl Edition

LP | 2024 | US | Original (Fire Talk)

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Release: 2024 / US – Original

Genre: Rock & Indie

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Though Wild Pink are known for their collaborations — among which include Julien Baker, Ryley Walker, Jasmin WIlliams, Ratboys’ Julia Steiner, and J. Mascis of Dinosaur Jr.— “Air Drumming Fix You” showcases Ross unadorned and singular, reinforcing him as "a truly gifted songwriter, one able to contain vast vistas within single songs” (Under the Radar). As Ross connects associative ideas of VR worlds, church pews, and “baby’s breath just like creme fraiche,” the track transforms into something truly anthemic. With spaced-out synths and saxophone, it conjures open and unexplored terrains, a natural extension of Wild Pink’s “vast and swooning” (The FADER) sound.

Wild Pink - Wild Pink

LP | 2017 | US | Original (Tiny Engines)

Incl. VAT plus Shipping Costs

Release: 2017 / US – Original

Genre: Rock & Indie

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