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VHF
Mike Gangloff - April Is Passing
Mike Gangloff
April Is Passing
LP | 2025 | US | Original (VHF)
£ 22.36*
Release: 2025 / US – Original
Genre: Rock & Indie
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Second VHF solo LP from the Pelt/Black Twigs mainstay, following 2022's acclaimed "Evening Measures." "April is Passing" builds on the striking solo Hardanger-style fiddle performances on the previous LP to take the music even further out, with deep drones and extended techniques defining a vocabulary that is Americana-adjacent, but a unique and special sound that Mike is pursuing almost alone. Joined on selected tracks by Cara Gangloff's Sruti and Kaily Shenker's sonorous Cello, the all-original, all-live performances are resonant with both overt melody and a cloud of thick string overtones, whether on the more upbeat tunes like "Ironto Dancer" or the epic 11+ minute LP closer "Helen's Song." "September Air" is a mournful slow build, the fiddle embroidering a minor-key melody over the drone of the Surti box and a low cello counter point. "A Fallen Palace of Snowville" is a solo performance where the additional sympathetic strings of the hardanger fiddle are strongly heard as a ghostly accompaniment, as Mike's elegant melody switches back and forth from minor to major. "Helen's Song" closes side 2 with a complex, ever-changing swirl of melodic and harmonic invention, with Mike's keening, languorous bowing leading the way through multiple moods and sounds.
Liam Grant - Prodigal Son
Liam Grant
Prodigal Son
LP | 2025 | US | Original (VHF)
£ 22.36*
Release: 2025 / US – Original
Genre: Rock & Indie
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VHF debut and second widely-available LP by Liam, part of a new generation of underground "American primitive" guitar players serving the traditions and smashing them up simultaneously. Prodigal Son is a portrait of an artist on the road, changing fast, recording things as they spring from the fountain. The sound here is raw - grass and dirt instead of pre-fab; homemade/handmade instead of high-tech, etc. There's a visceral quality and immediacy of culture that's being lost every day in modern life - Prodigal Son is a chance to grab some of it back. "Palmyra" has Liam on weissenborn-style lap steel, the sound fuzzed out and distorted by the guerilla recording technique. "Salmon Tails Up The River" stretches out to nearly 13 minutes, a dense meditation on 12 string that sustains a dark and heavy mood for the entire duration. On the B side, "Insult to Injury" reverses the mood, with an elegant and unhurried 12 string sequel of deep beauty. Liam's unexpected take on Loren Conners' "A Moment at the Door" is a perfect translation of Loren's reverb-heavy electric drift to unadorned acoustic (and tape hiss) - a frozen moment of absolute grace. Wrapping things up is a take on "Old Country Rock," with fiddle and banjo, just a brief taste of the barnstorming old-time sound of Liam's touring trio.
Flying Saucer Attack - In Search Of Spaces
Flying Saucer Attack
In Search Of Spaces
2LP | 2017 | US | Original (VHF)
£ 27.33*
Release: 2017 / US – Original
Genre: Rock & Indie
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First ever reissue and first time on vinyl for this unique Flying Saucer Attack live album, expanded with additional material and a new side four mix from Jim O’Rourke. Produced in collaboration with Dave Pearce / FSA and Bruce Russell (compiler of the original CD release for his Corpus Hermeticum label), featuring new artwork by Bruce Russell as well.

While rightly known for the folk-influenced songs and spacey instrumentals of their proper albums, the briefly active live version of FSA unexpectedly delivered a blistering wave of electric sound. Recorded at various shows in 1994, In Search Of Spaces heaves with long passages of feedback guitar racket, broken up by sections of surging rock music. The live band focused almost exclusively on visceral, trebly guitar noise—which, while always a key element in their sound, was greeted by audiences with total mystification (and often disapproval). Following a few brief attempts to settle a lineup and play songs from their records, Dave Pearce / FSA abandoned live performance altogether, leaving behind this album (and the barely available P. A. Blues CDR) as the sole document of his in-person delivery.

Originally compiled and released in 1996, this reissue adds several minutes of music back to the original program that had been edited out by FSA for being “too rock.” For side four, Jim O’Rourke revisited the original 1994 live tapes and has made a spooky and brooding new mix of music exclusive to this release.
Acid Mothers Reynols - Vol. 3
Acid Mothers Reynols
Vol. 3
LP | 2024 | US | Original (VHF)
£ 23.18*
Release: 2024 / US – Original
Genre: Rock & Indie
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Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aires on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/’70s Euro-classic vibe, with Satoshima Nani getting to swing on the drums in a way that isn’t always part of AMT’s steamroller, while the rest of the gang layers in abstract piano, percussion, glissando guitar, etc. “Multiverse Turtle Reflex” closes the side with a thick drone coda. Side two starts with Miguel Tomasin’s gentle vocal and organ accompaniment on “Smelling Oneiric Asado” before the group gradually gathers momentum with Wolf’s thick bass anchoring layers of clean and loose guitar interplay. “Lemurian Tsunami Inside A Hat” is a thriteen-minute heavy rock epic, with the Reynols’ guitars going head to head with Makota Kawabata’s easily recognized interjections, ramping up into a riffy crescendo.
Richard Youngs - No Fans Compendium
Richard Youngs
No Fans Compendium
7CD | 2015 | US | Reissue (VHF)
£ 23.18* £ 33.12 -30%
Release: 2015 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
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