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Frankie Knuckles Presents Directors Cut
Hollis Parker
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Hollis Parker - Newscapism
Hollis Parker
Newscapism
LP | 2020 | EU | Original (Sosure)
£ 16.56*
Release: 2020 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Pure House from an emerging name is rare – the kind of sound that you would expect to hear from the greats, Masters at Work, Dennis Ferrer, Honey Dijon, Kerri Chandler, CJ Mackintosh… This is the authentic real deal from Hollis Parker and his new album Newscapism. He is a unique DJ who crafts his productions with a touch of the old-school NYC production style with added hip hop feel and jazz fusion style, but with a totally contemporary and fresh approach, effortlessly holding his own against the above greats and an artist to take note of. New York (Queens) born and London based, his roots really shine through with regards to his production style. This new album Newscapism is a natural extension of his last album, continuing the story, reflecting his final 24 hours in the city and his move away to a new life. The tracks individually examining what was holding him there and why he had to move away. Continuing the narrative, naturally bringing you to the next chapter in his life with a new city, new loves and new adventures. Using samples to create a collage of different feels and structures in his tracks like ‘Can’t Let Go’ exhibiting the emotion of a reluctance to leave, full of energy, pace and floating piano keys and a driving kick, house production at its finest. With diverse tempo’s and feels featuring throughout ‘The Way You’re Making Me Feel’ is slightly low slung but still dreamy in its feel. Moving onto ’Uptown Sunday Morning (aka Flashback), with more sub-bass, spoken word and jazz elements, it is then followed by the interlude ‘Reasons For Leaving’ giving further insight int the city. Further pace, guitar licks and house mastery are introduced on City Blues, and a homage to the big apple in ‘A Page About Manhattan’ and then onto ‘A Fair Goodbye’ closing out his NYC story and bringing his album to a subtle end. This is a cohesive and emotional collection of pure house tracks and joy to hear in its entirety. Hollis Parker has managed to consistently put out material that pays homage to his roots both in Hip Hop, Jazz, Jazz Fusion and House, garnering support from heavyweights such as Larry Heard, DJ Sneak, Charles Webster and Joyce Muniz to name a few. This is undoubtedly a name that many of you will first discover and subsequently pay attention to.
Frankie Knuckles Presents Directors Cut - Baby Wants To Ride Feat. Jamie Principle
Frankie Knuckles Presents Directors Cut
Baby Wants To Ride Feat. Jamie Principle
12" | 2019 | EU | Original (Sosure)
£ 12.42*
Release: 2019 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A never before released version of a truly, legendary house record from the late great Frankie Knuckles…working in collaboration with The Frankie Knuckles Foundation who will receive 50% of the profits from this project, SoSure Music is proud to present the Director’s Cut re-production of ‘Baby Wants To Ride’. Alongside this, a vinyl exclusive edit by Jimmy Edgar, which was originally a tribute release after Frankie’s passing in 2014, finally gets an official release.
2011 saw the launch of Frankie and long-time production partner Eric Kupper’s ‘Director’s Cut’ project, with the aim to release new music, whilst re-producing classic cuts to fit with the modern dancefloor. SoSure Music is now working alongside Eric Kupper and Hector Romero, with the blessing of both Def Mix and The Frankie Knuckles Foundation, to bring a renewed focus to some of this material.
First up, the illustrious, evocative 1987 anthem, ‘Baby Wants To Ride’. Rightly regarded as a masterpiece of early Chicago house and a pioneering classic through and through. Knuckles and Kupper extend the intro and outro to allow for those sweeping blends, whilst adding deft touches and reprogrammed lines to give a crisper, more detailed feel to this sumptuous slice of definitive house music. Couple that with newly spiritualised vocals and fresh erotic ad libs from Jamie Principle and prepare to rekindle that infectious energy 32 years down the line.
On the B side, Jimmy Edgar showcases his trademark touch to provide a fresh spin on the original whilst staying true to its essence. Reworking the arps, adding atmospheric drops and crunchy percussive elements, whilst holding off on the iconic vocal till the last section, all combine to give this version a unique, big room character that nods to the past, yet reinterprets for the present. A fitting tribute from an artist whose own productions are clearly laced with influence from Frankie Knuckles.
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