Lebanon Hanover

Lebanon Hanover HHV Records 4 Items

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Lebanon Hanover

Why Not Just Be Limited Edition

LP | 2012 | EU | Reissue (Fabrika)

£ 24.01*

Incl. VAT plus Shipping Costs

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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The album opens with the Saddest Smile whose minimal guitar is overlaid with a lamentational vocal. It is a pensive, introspective exploration of disenchantment, isolation, and the self-hatred projected on others that sets the tone for the rest of the record. A Very Good Life proceeds with a crunchy snare, and plodding bass that leads into Larissa Iceglass's melancholic vocal style, already evolved in both production and range highlighted by a haunting echo, and spectral effects, lyrically continuing the theme of loathing and projection explored in the previous track. The word Albatross is often used as a metaphor for a curse-like psychological burden. It is an allusion to Samuel Taylor Coleridge's poem The Rime of the Ancient Mariner. Here in a song propelled forward with strumming guitar, bass, and scratchy backing percussion, icy vocals, and introspective pauses, Larissa Iceglass grapples with the warring between two internal factions: the head and the heart. I'm A Reject changes it up with a more upbeat tempo, bigger sound, and almost tribal melody, sculpting a mood that's heavy on the echoey distortion. Sounding like she's singing in a mausoleum, Iceglass's rich vocals wryly recount an anthem of pale faces laughing at banality as they triumphantly wear black and haunt cemeteries. Cadaverously Quaint opens with a very unsettling synth staccato rhythm that launches into early-80s snare infused dance track, evoking the early years of Mute and Some Bizzare. Maybelline's blood-curdling vocal is both ghostly and vampiric in its own almost indecipherable language.The song's nightmarish, howling wind effects add to the overarching atmosphere of what it might be like if Mary Shelly were to merge the myths of both Pygmalion and her Modern Prometheus. Bring Your Own Wine opens with a marching drumline leading into a classic guitar post-punk guitar riff, overlaid with Iceglass growling and purring her disgust toward humanity both inward and outward. Northern Lights is a defiantly romantic song, written as a...

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Lebanon Hanover

Tomb For Two Gold Vinyl Edition

LP | 2023 | Original (Fabrika)

£ 28.15*

Incl. VAT plus Shipping Costs

Release: 2023 / Original

Genre: Rock & Indie

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Sadness is Rebellion is a powerful anthem that brilliantly opens the album with its quirky ghost-like and windswept synth with Larrisa Iceglass lyrical lamentation set to a jangly bass, and languid guitar solo. This is a pleasantly peculiar and empowering song celebrating the merits of sorrows and grief emotions we all feel, yet are quick to deny. Kindness is rationed so sparsely, and compassion is often denied. But is nostalgia denial? Or is it important as means to know that happiness can return? Regardless, the only path forward to move on from sadness is directly through it, and in this 21st century digital age, that truly is a rebellious act. Your Fork Moves is a German language philosophical thought experiment set to a darkwave dance groove led by dark bass and medieval organ synths. Here Iceglass ponders the meaning of existence in relation to the movement of utensils as a metaphor for agency, or a willing lack thereof. Stahlwerk is William Maybelline's gloomy encomium on the industrial landscapes of Berlin during Winter months where the days are short, the skies are grey, and the suns veiled until the return of spring. With it's eerie Steel drum intro, the song perfectly conveys the depressing atmosphere set to the Kraftwerkian precision of synthesizers and percussion. Hall of Ice is a frosty callback to the band's first album languidly sung by Miss Iceglass herself. The song beings with simple bass and drum machines giving way to the mesmerizing twinkle of xylophones. All of this amidst a romantic song entreats a partner to pirouetting on a pair of skates, celebrating the anthem "lose your digital life", if all but for a moment while engaging an icy interlude face to face. Gallowdance is perhaps Lebanon Hanover's magnum opus, their most well-known song whose artwork is the de facto logo for the band. It is a bass-driven Memento Mori. A sombre reminder to gather ye roses while ye may, as we all are dancing on the precipice of death, so we might as well dance together. And it is thus that Laris...

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Lebanon Hanover

The World Is Getting Colder Limited Edition

LP | 2022 | EU | Original (Fabrika)

£ 24.01*

Incl. VAT plus Shipping Costs

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The album beings with the Die World, led by its minimalist instrumental overture of guitar and bass, with sparse echoes highlighting the isolated nature as Iceglass recites the chants "Die Welt." Haunting strains of synth are peppered throughout the track with despondent urgency through lyrics alluding to a dying love adrift at sea like a lonely iceberg. Ice Cave, the album's de facto title track as it relates to the sleeve, reverberates with peculiar and sonorous echoes effects, with Maybelline's bellowing vocals resounding off the cavernous walls of ice, while the bass relentless pulses, ominous guitar chords While his thundering voice brings a gravitas to the track...he is trapped in the ice cave. No1 Mafioso is Tarantino Gothique. This is a crime noir thriller, about a made man being interrogated. The song's bassline ties the track together like Lebowski's lamented rug. Eerie guitar effects resembling Dick Dale meet The Munsters are woven in conversation with Larissa's deep-throated declaration of "I'm just doing my job," augmented by her cavalier swagger in the song's music video. In defiant contrast to the rest of the album, Sand, and its accompanying music video, is a day at the beach. A melody ensues that is slow and bubbly like the foam of waves dissolving on the shoreline. This reverie is Led by a languid Gothic-rock bassline and a jerky and spasmodic interplay between the treble and low frequencies. As a result, the song evokes a windswept atmosphere that borders on No Wave instrumentation but is brought down to earth with Larissa's stoic German language vocals. "He's dead, Jim." Totally Tot is trademark Lebanon Hanover wit, refurbishing valley parlance into uber goth sarcasm with Maybelline bellowing the Chants over and over that he is dead. Ghostly synths march in quickened procession reminiscent of 70s BBC sci-fi soundtracks, lurching around on the dancefloor, cumbersome yet confident. This is underscored by the accompanying video where Maybelline convulsively gyrates in the woods, while...

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Lebanon Hanover

Better Than Going Under

12" | 2024 | EU | Original (Fabrika)

£ 22.36*

Incl. VAT plus Shipping Costs

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of Europe's most popular alternative / dark wave bands. Lebanon Hanover have over one million monthly listeners on Spotify. Following their first US tour in over a decade, Lebanon Hanover returns with a soul-stirring double A-side single release, marking their first new material since the captivating 2020 album, 'Sci-Fi Sky.' Now, the enigmatic duo of William Maybelline and Larissa Iceglass beckons listeners into unventured sonic domains, intricately weaving folk-driven acoustic dream pop with the vulnerable essence of post-punk in a contemplative exploration of life's ephemeral yet profound nature. Embarking on a Cure-like sonic voyage reminiscent of the 'Head on the Door' and the 'Kiss Me' era, title track 'Better Than Going Under' manifests as a romantic, sombre daydream. William Maybelline's brooding baritone intertwines with sighing back vocals, narrating an ode to life's fleeting yet boundless vistas. The acoustic strums initiate a folk-driven narrative which, when coupled with a celestial choir, crafts a contemplative soundscape of cautious optimism, reminiscent of Echo and the Bunnymen or The Church.. KYIV: Bearing the name of Ukraine's capital, 'KYIV,' voiced by Larissa Iceglass, delves into a narrative reflective of the sorrow and despair entwined within war-torn regions like Ukraine and beyond. The acoustic guitar and drum machine create a Cocteau Twins' 'Treasure'-esque soundscape, evoking a melancholic yet beautiful auditory journey. Iceglass's voice, transitioning from her husky baritone to a more resigned lament, embodies a poignant reflection on the harsh realities faced by those embroiled in conflict-ridden landscap

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