Kranky Vinyl, CD & Tape 46 Items

LP | 2025 | US | Original (Kranky)

Shards

£ 28.98*

Release: 2025 / US – Original

Genre: Electronic & Dance

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Shards is a collection of pieces originally written for various film and TV soundtracks

Tim Hecker has scored over the last half decade.

These compositions were originally written for scoring projects including Infinity Pool, The North Water, Luzifer, and La Tour.

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2LP | 2023 | US | Original (Kranky)

No Highs

£ 32.32* £ 35.91 -10%

LP | 2024 | UK | Original (Kranky)

Release: 2023 / US – Original

Genre: Electronic & Dance

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The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue. Whether taken as warning or promise, No Highs delivers—this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined. Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts—the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.

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Clinic Stars

Only Hinting

£ 28.15*

Loscil // Lawrence English

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The full-length debut by Detroit duo Giovanna Lenski and Christian Molik aka Clinic Stars both refines and redefines their pitch-perfect fusion of downer-pop balladry and featherweight shoegaze: Only Hinting.

Recorded and produced at the band’s home studio, the album was crafted across 2022 and 2023, patiently layering FX and spatial depths to give each song a swirling, subconscious undertow. From the strummed whirlpool of “I Am The Dancer” to the gated reverb of “Remain” to the greyscale guitar reverie of “Isn’t It,” the record aches as much as moves, daydreaming of escape and transcendence.

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Colours Of Air

2LP | 2024 | UK | Original (Kranky)

£ 39.75*

LP | 2022 | US | Original (Kranky)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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First vinyl issue for this 2023 release with bonus track not available on CD.

Nine majestic electro-acoustic threshold devotionals. The union of composers Lawrence English and loscil aka Scott Morgan is seamless, sublime, and long overdue.

Born of a conversation centered on the notion of “rich sources” as a forge for electronic music, Colours Of Air is a collection of recordings of a century old pipe organ housed at the historic Old Museum in Brisbane, Australia, which were then processed, transformed, and elevated into eight majestic electro-acoustic threshold devotionals. The timbre of the instrument and spatial fluctuations of room tone infuse the music with a subdued, sacred feel, like vaulted light in a nave of stained glass. They describe the album as “an iterative project, a reduction and eventual expansion,” sifting the swells and drones of the organ for every shivering shade of radiance.

The tracks are named for the hue each piece suggests – from the gauzy levitational miasma of “Yellow” to the pulsing melancholic mirage of “Violet” to the seething twilit sandstorm of “Magenta.” Morgan and English are both adept at conjuring moods of muted grandeur, like landscapes veiled in dusk, still looming and luminous.

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Christina Vantzou

No5

LP | 2011 | US | Reissue (Kranky)

Release: 2022 / US – Original

Genre: Electronic & Dance

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While on the island of Syros in the Aegean Sea for a film festival performance, Christina Vantzou experienced what she characterized as “a moment of focus”—a specific vision for the sprawl of raw recordings she’d been amassing for her fifth album. Upon relocating to the Cycladic island of Ano Koufonisi, she situated herself outside at a patio table with a laptop and headphones, taking brief breaks to swim, and began the “reductive process” of shaving and shaping the source material into uneasy but lyrical movements, alternately austere and adorned with strange inflections: glottal groaning, cavernous water, glittering eddies of modular synth, languorous silences. Mixing the pieces herself without outsourcing to an engineer compounded the intimacy and autobiographical dimension of the music; she refers to Nº5 as “almost like a first album.” Drawing on sessions staged in February 2020, Vantzou’s editing instincts emphasize process and isolation, spotlighting resonance and restraint, liquidity and long tails. Fleeting configurations of piano, wind, strings, synthetics, and field recordings, these are spaces as much as compositions, surreal grottos of shifting light, suffused with a sense of invisible divinity. Although seventeen musicians appear on the record, the proceedings feel minimalist and malleable, sculpted from interstitial moments and oblique synchronicities. The definition of a composer as “one who joins things” is here both plumbed and proven; Vantzou describes Nº5 as “a letting go,” a place of “soft borders,” unfixed and undefinable.

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Grouper

Aia: Alien Observer

£ 23.18*

2LP | 1996 | US | Reissue (Kranky)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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“This sound / synapse transposition is as haunting as it is beautiful—surely Grouper’s best.” -Tiny Mix Tapes

“If past Grouper releases have inhabited abyssal trenches and damp backwoods, here Harris takes us journeying across constellations and stars. Two of the most beguiling albums of the year, exquisitely realized and singularly evocative.” - The Quietus

“This music feels both spacey and expansive and also oddly intimate and grounded, the work of someone who has mastered her tools and knows how to get the most out of them.” - Pitchfork

“Harris finds a way to dive deeper in simple and unassuming ways.” - NPR

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Bowery Electric

Beat

£ 39.75*

Release: 1996 / US – Reissue

Genre: Electronic & Dance

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Kranky re-release Bowery Electric's second long-player, their 1996 album, Beat. Its horizontal, morphine-drip trip hop and drone-gazing really don't sound like something that could have come from the mid-nineties. But for the very Bristolian title track the tone of the album is actually far more in-keeping with either Spacemen 3-style eighties indie or modern day dream-pop. In addition to soaring effects-laden epics like 'Empty Words' and 'Fear Of Flying' there's some sensitive minimalism afoot on the self-explanatory ambience of 'Looped' and the sixteen-minute 'Postscript', all of which helps make Beat a worthy and seasonable reissue. A secret Downbeat gem from the middle of the 90s.

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CD | 2025 | US | Original (Kranky)

Shards

£ 15.73*

Release: 2025 / US – Original

Genre: Electronic & Dance

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Shards is a collection of pieces originally written for various film and TV soundtracks Tim Hecker has scored over the last half decade. These compositions were originally written for scoring projects including Infinity Pool, The North Water, Luzifer, and La Tour.

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2LP | 2011 | US | Reissue (Kranky)

Ravedeath, 1972

£ 35.61*

Release: 2011 / US – Reissue

Genre: Electronic & Dance

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TIM HECKER’s classic Ravedeath 1972 approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wooden room, and also a pagan work of physical resonance within a space once reserved for the hallowed breath of the divine. While the title of the piece “Hatred of Music” might be a clue, the album is also partly an attempt to confront a pervasive negativity surrounding music. Historical rituals of destroying pianos, mountains of pirated CDRs pushed by bulldozers in Eastern Europe, or the melancholy of the digital music era began as sideline motifs which quickly informed the work on this record. They also really didn't at all. Despite that the context is wide open in such a form of musical abstraction, the substance of these immersive compositions showcases Hecker s continued mastery of organizing sound into a visceral near entity. It is an almost physical presence that the listener feels as much as hears. This work is a significant contribution to Hecker's oeuvre, one which spans over ten years of musical production. Ravedeath is an enigmatic document of beauty and force. The album was recorded mostly over the period of one day in July of 2010. Iceland-based musician BEN Frost assisted with the engineering and performs on this recording.

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CD | 2023 | UK | Original (Kranky)

No Highs

£ 14.90*

Allegiance And Conviction

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The latest by Canadian composer Tim Hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue.

Whether taken as warning or promise, No Highs delivers – this is music of austerity and ambiguity, purgatorial and seasick. A jagged anti-relaxant for our medicated age, rough-hewn and undefined.

Morse code pulse programming flickers like distress signals while a gathering storm of strings, noise, and low-end looms in the distance. Processed electronics shiver and shudder against pitch-shifting assemblages of crackling voltage, mantric horns (including exquisite modal sax by Colin Stetson), and cathedral keys. Throughout, the pieces both accrue and avoid drama, more attuned to undertow than crescendo. Hecker mentions “negation” as a muse of sorts – the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.

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Windy & Carl

LP | 2020 | US | Original (Kranky)

LP | 2019 | US | Original (Kranky)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Legendary Dearborn duo Windy & Carl have been crafting inner space electric guitar and bass vistas for nearly three decades now, but their latest feels as vital and vaporous as any peak opus in their vast catalog. Written and recorded across six years, the songs swirl between shoegaze minimalism and stargaze drift, over which Windy Weber whispers veiled poetic narratives of transformation, isolation, and escape.

Allegiance And Conviction is their first album since 2012’s We Will Always Be. The six compositions are something of outlier in their catalog, shorter in nature than most on their previous releases. All of the tracks are saturated with Carl Hultgren’s signature guitar work, intimate constructions of murmurs, drones and his trademark layered filigree, gently amassed into alternately lighter and heavier than air atmospheres.

Despite being their first full-length in more than half a decade, the album fully belongs to the bewitching galaxy of sound Windy & Carl innovated and within which they remain the sole occupants: music of thresholds and peripheries and eternities. Allegiance And Conviction is the multifaceted, contemporary take on their sound.

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Loscil

Equivalents

£ 25.67*

2LP | 2017 | US | Original (Kranky)

Release: 2019 / US – Original

Genre: Rock & Indie

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Canadian composer Scott Morgan’s 12th long-player as loscil takes its title from an influential series of early 20th century photographs by Alfred Stieglitz, abstracting clouds into miasmic, painterly canvases of smoke and shadowplay. It’s a deeply fitting analog for Morgan’s own musical process across the past two decades, fraying forms and tones into widescreen mirages of opaque texture and negative space. The name Equivalents referred to Stieglitz’s notion of the photographs as being equivalent to his “philosophical or emotional states of mind;” the same could be said of these eight weighty, shivering chiaroscuros of sound. Each piece unfolds and evolves enigmatically, adrift in low oxygen atmospheres, shifting dramatically from pockets of density to dissipated streaks of moonlit vapor.
The entirety of the record was created specifically for the album with the exception of “Equivalent 7,” which began as a dance score for frequent collaborator Vanessa Goodman. The album version of this track was reworked with Vancouver musician Amir Abbey aka Secret Pyramid. Cloud photographs taken by Scott Morgan at various locations throughout Cascadia in 2018.

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Anjou

Epithymia

£ 27.33*

Release: 2017 / US – Original

Genre: Electronic & Dance

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Ambient power duo Anjou’s sophomore statement continues in the vein of their 2014 debut, unfurling a full hour of mesmeric synthetic drift and veiled melodic undertow. Comprised of Mark Nelson (of pioneering post-rock experimentalists Labradford and Pan·American) and Robert Donne (of Labradford, Aix Em Klemm, Cristal), the group works largely in long-form suites of sound, alternately spacious and dense.

Epithymia’s six pieces embrace flux and ambiguity: drones swell and shudder, hushed currents of noise glitch and dissolve, atmospheres congeal and liquify. As with the participants’ prior projects, Anjou evokes a shadowed, mysterious mood, variously melancholy and transcendent. The album is an accumulation of craftsmanship and experience, blurred forms traced in light and fog.

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Earthen Sea

An Act Of Love

£ 19.87*

LP | 2012 | US | Original (Kranky)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Received an 8.1. rating from Pitchfork.

Jacob Long's newest recordings under the Earthen Sea moniker deepen his compelling synthesis of shadowy rhythms and opaque atmospherics, drawing on the most potent qualities of melancholic ambient and dub techno. An Act Of Love follows 2015’s Ink, released via Ital’s Lovers Rock imprint, and was inspired by internal tribulations and the experience of exploring an empty nocturnal metropolis. Careful waves of tones drift and decay; beats materialize and pulse across twilit landscapes; a noir mood reigns. Given Long’s background as bassist for revelatory tribal-punk trio Mi Ami, An Act Of Love showcases a musician in the midst of transcendent redefinition, crafting an immersive language of texture and motion.

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Mirrorring

Foreign Body

Release: 2012 / US – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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2LP | 2024 | UK | Original (Kranky)

Loscil

Triple Point

£ 37.27*

LP | 2024 | US | Original (Kranky)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Completing Kranky's chronologically reverse reissue program of the earlier loscil albums on vinyl, the 2001 debut album is issued on the format for the first time with the addition of three bonus tracks from the same sessions that produced the original release.

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Belong

Realistic IX

Eleven Fugues For Sodium Pentothal

Release: 2024 / US – Original

Genre: Electronic & Dance

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Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft.

Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk and microtonalities, electricity liberated back into infinite night.

Although it’s been thirteen years since Belong’s prior Kranky offering, Common Era, none of the duo’s rare synergy has decayed in the interim. Jones and Dietrich’s commitment to oblique states of motorik drone and liminal emotion continues to evolve and unfold, increasingly tactile and unreal, an alluring glow glimpsed through fogged windows at witching hours.

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Adam Wiltzie

LP | 2024 | UK | Original (Kranky)

£ 28.98*

Michael Grigoni And Pan American

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The latest suite by composer (and Stars Of The Lid co-founder) Adam Wiltzie took shape following a move north from Brussels into the Flemish countryside, although it was initially inspired by a recurring dream wherein “if someone listened to the music I created, then they would die.”

The album uniquely evokes and evades the allure of oblivion, keening between beauty and ruin, forever unresolved. Wiltzie cites the barbiturate of the title as both muse and sacred escape: “When you are sitting face forward on the daily emotional meat grinder of life, I always wished I could have some, so I could just fall asleep automatically and the feeling would not be there anymore.”

Recorded at Wilzie’s home studio, with strings added in Budapest at the old Hungarian National radio facility (Magyar Radio), the tracks feel simultaneously intimate and infinite, unfolding vistas glimpsed in an inner space.

Robert Hampson of English drone rock icons Loop mixed the album, further lending the music a sense of cinematic expanse and oblique hypnosis.

These are fugue states as much as fugues in a literal classical music sense—smeared epiphanies of uncertain memory and spatial dislocation, coaxed from the unconscious and set aloft.

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New World, Lonely Ride

LP | 2025 | US | Original (Kranky)

£ 22.36*

LP | 2022 | US | Original (Kranky)

Release: 2025 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-04-11

Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence of a common ground, a shared political vision, have contributed to the affective landscape of contemporary American life—of what it feels like to live in the United States today.

Using instrumental voices and textures drawn from the traditional American forms of folk, country, bluegrass and blues, and informed with a modern sense of ambience and space, the sound is both contemporary and deeply rooted. With New World, Lonely Ride, Grigoni and Pan American join countless American artists who have drawn upon this landscape—physical and affective—giving it a voice and shape, listening to its character. And in starting there, with listening, offer a response for the future.

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Earthen Sea

Ghost Poems

£ 21.53*

LP | 2020 | US | Original (Kranky)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Jacob Long’s third Earthen Sea outing for Kranky, Ghost Poems, further refines his fragile, fractured palette into fluttering arrythmias of dust, percussion, and yearning. Composed during the first wave of lockdowns in New York, the pieces took shape patiently from samples of piano, texture, and domestic sounds (sink splashing, room tone, clinking objects), filtered through live FX to imbue them with an intuitive, immaterial feel. Wisps of melody splinter, shimmer, and refract, like light on water; pulses accrue and dissipate, as if mapping shifting sands. Throughout, there’s a sense of matter made animate, of absences felt. Long cites notions of “the studio as a dub instrument” and the melancholy of “7th chords on a fake Rhodes patch” as central elements in his process, transforming raw materials into rare thresholds of symbiosis and hypnosis. This is music for night skies in hollowed-out cities, for views across rivers towards unknown shores: restless, placeless, and profound.

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MJ Guider

Sour Cherry Bell

LP | 2018 | US | Original (Kranky)

Release: 2020 / US – Original

Genre: Electronic & Dance

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Melissa GUION’s second offering for Kranky retains the glassy gauze of her debut, 2016’s Precious Systems, but shaded starker and darker, framed by mechanical rhythms and humid industrial moods. She speaks of Sour Cherry Bell as something of a reckoning with her tools of creation: “I was curious to see how far I could go with them, even if that meant reaching the ends of their capacity to do what I wanted. But I never exhausted them and they never exhausted me.” Utilizing her trusted combination of instrumentation, Guion tracked the record between her New Orleans home and rehearsal space, capturing chemistries both intimate and expansive. The songs sway between twilit shoegaze, downer ballads, and gothic pop, mapping a delicate palette of electric melancholies, though in retrospect she cites as her primary muse the notion of power: “lost and found, corporeal and cerebral, harnessed and exploited, of one and many, in this reality and the next.” Sour Cherry Bell reverberates beyond the here and now into scenes unseen, worlds unheard.

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Saloli

The Deep End

LP | 2018 | US | Original (Kranky)

Release: 2018 / US – Original

Genre: Electronic & Dance

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Portland, Oregon resident Mary Sutton’s solo debut materialized in the wake of a performance she gave at a clothing-optional soaking-pool sauna: “I had never composed for synth before but wanted to make something people sitting motionless and naked in hot bubbly water would want to hear.” It was while in this headspace that she reconnected with Satie’s entrancing cyclical motifs, particularly the way “he subtly spins melodic fragments, and pivots harmonies and phrases so the repetitions feel new and surprising yet soothingly familiar, as if casting a spell.”

The nine intuitive instrumentals comprising The Deep End accomplish exactly that, threading complementary shades of soft-hued hypnosis, dazed modal introspection, icy amusement park reverie, and lunar lullaby into a prismatic suite of contemplative melody and synthetic communion. Sutton’s songs are active rather than ambient yet their structure is more suggestive than scripted, full of lulls, asymmetries, and daydreams. Each track was written specifically to be played live on an analog synthesizer, with no overdubs or post-production wizardry. The sound of Saloli is one of warm-blooded wiring, turned on and tapped into, emotive and electric, storied machines speaking through all too human hands.

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Grouper

Grid Of Points

£ 19.87*

LP | 2018 | EU | Original (Kranky)

Release: 2018 / US – Original

Genre: Rock & Indie

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Not long after recording her 10th album, Ruins, Liz Harris traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. From Liz Harris: Grid Of Points is a set of songs for piano and voice. I wrote these songs over a week and a half; they stopped abruptly when I was interrupted by a high fever. Though brief, it is complete. The intimacy and abbreviation of this music allude to an essence that the songs lyrics speak more directly of. The space left after matter has departed, a stage after the characters have gone, the hollow of some central column, missing.

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Christina Vantzou

No. 4

£ 17.39*

Release: 2018 / EU – Original

Genre: Electronic & Dance

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12" | 1997 | US | Original (Kranky)

Low

Songs For A Dead Pilot

Release: 1997 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

VInyl has surface stains, which are slightly audible

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Justin Walter

Unseen Forces

Release: 2017 / US – Original

Genre: Electronic & Dance

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Michigan trumpeter Justin Walter’s solo work centers on evocative, intuitive explorations of the EVI (Electronic Valve Instrument), a rare wind-controlled analog synthesizer from the 1970s. Its unique, smeared tonality allows for an expressive range of glassy, jazz-like textures, which Walter loops and layers with hushed electronics and twilit trumpet, painting opaque landscapes of resonant beauty.

Walter’s 2013 debut, Lullabies & Nightmares, included a handful of collaborations with percussionist Quin Kirchner, but Unseen Forces finds him fully solo, refining the project to its essence: shape-shifting watercolors of pastel haze, lit by the soft synthetic glow of electric breath. It’s a sound both modern and timeless, fusing emotion and technology, gauze and melody, force and fragility.

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High Plains

Cinderland

LP | 2016 | US | Original (Kranky)

Release: 2017 / US – Original

Genre: Electronic & Dance

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High Plains is the duo of Scott Morgan and Mark Bridges. Morgan, based in the Canadian Pacific Northwest, is predominantly known for his drifting, textured soundscapes released under the pseudonym Loscil. Bridges is an accomplished, classically-trained cellist residing in Madison, Wisconsin. The two met in Banff, Alberta, while they were there on residencies at the Banff Centre for the Arts in 2014.

In early 2016, the duo embarked on a collaborative set of compositions in the oxygen thin air of Wyoming, spending two weeks holed up in a refurbished school house in the town of Saratoga, where this album was recorded. Inspired by Schubert’s Die Winterreise and the rolling landscapes of their surroundings, the recordings evoke a shadowy, introspective and dizzying winter journey. Cinderland takes cues from classical, electronic and cinematic musical traditions but is mostly a product of the rugged, mythic landscape: vast and sprawling with a wild, uncertain edge.

The recording was made with a portable studio and all sounds were sourced on site, most notably from Bridges’ cello, the resident Steinway D piano, and field recordings collected from the local soundscape.

The results are a site-specific, wide-scope view of the high valley terrain — a mix of analog and digital, neoclassical and modern electronic sounds, a complementary series of tracks to become absorbed in, a truly deep listening experience.

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MJ Guider

Precious Systems

£ 19.87*

LP | 2015 | US | Original (Kranky)

Release: 2016 / US – Original

Genre: Electronic & Dance

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Melissa Guion is Mj Guider. She lives and works in New Orleans and previously released the Green Plastic extended play cassette in early 2014 on the Constellation Tatsu label. Employing heavy washes of bass and a deft touch in mixing, she uses stark contrasts to construct a semi-surreal aural space. What results are songs that exist in a wholly contained sound environment, minimal yet lush, spare yet saturated, and most importantly, entirely compelling. Having recently expanded to a trio, the group will be making select live appearances following Precious Systems release.

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Helen

The Original Faces

£ 23.18*

Stars Of The Lid & Their Refinement Of The Decline

Release: 2015 / US – Original

Genre: Rock & Indie

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Helen is a pop group from Oregon. Liz Harris (vocals/ lead guitar - aka Grouper), Jed Bindeman (drums/ tambourine), Scott Simmons (bass/ guitar), & Helen (back up vocals). "The Original Faces" was recorded over a period of several years in Portland by the band members, their friends Nick, Chris &, largely, Justin Higgins. Written together, some songs based on Liz & Scott's demos.

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Stars Of The Lid

3LP | 2007 | US | Reissue (Kranky)

£ 67.08*

A Winged Victory For The Sullen

Release: 2007 / US – Reissue

Genre: Rock & Indie

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Back in print for the 1st time in 5 years! "I simply feel that they are making the most important music of the 21st century." - Ivo Watts Russell (4AD label founder). "Crushingly sad, lightly melancholic, or even uplifting, depending on the state of mind of the hearer...a sound divorced from intention & its ambiguity is its strength." - Pitchfork.

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Atomos

2LP | 2014 | US | Original (Kranky)

LP | 2004 | US | Reissue (Kranky)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

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Keith Fullerton Whitman

Antithesis

£ 15.78* £ 17.54 -10%

Cryptograms / Flourescent Grey

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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REISSUED ON VINYL!!! Antithesis is an LP-only release of material from KEITH FULLERTON WHITMAN's archives that doesn't fit aesthetically with his Multiples studio album. The theme for the album is "ensemble works," that is, a combination of instruments played by Whitman himself with no computer interaction. Each piece was recorded in one of the different apartments Whitman has rented since he lived in Boston. Four tracks performed with Fender Rhodes piano, viola, guitar, and percussion.

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Deerhunter

2LP | 2007 | US | Original (Kranky)

Rainwater Cassette Exchange

Release: 2007 / US – Original

Genre: Rock & Indie

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Deerhunter are the most highly tipped new signing to Kranky for many, many years. 'Cryptograms', their second full length, is a massive priority for the label in 2007. Their live performances almost always leave audiences polarized, and have been referred to by Karen O of the Yeah Yeah Yeah's in NME as bordering on a religious experience. Deerhunter began in 2001 with the ambition of fusing the lulling hypnotic states induced by ambient and minimalist music with the klang and propulsion of garage rock. 'Cryptograms' first side begins with an introduction leading to the title track, and ends with the tape literally spinning off the end of the reel in the middle of a drone layered with bells and accordion. The second half of the record, also recorded in one day, in November of 2005, represents the band in an entirely different state, focusing on a more psyche-pop angle. This limited double album from Deerhunter pairs the critically acclaimed Cryptograms album with the all new Fluorescent Grey EP.

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Deerhunter

12" | 2009 | US | Original (Kranky)

£ 14.07*

Release: 2009 / US – Original

Genre: Rock & Indie

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LP | 2008 | US | Original (Kranky)

Deerhunter

Microcastle

£ 33.95*

LP | 2009 | US | Original (Kranky)

Release: 2008 / US – Original

Genre: Rock & Indie

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Vinyl LP pressing of the 2008 release from one of the most exciting new bands currently coming out of the U.S. Microcastle is the follow-up to the critically lauded Cryptograms and was recorded over the course of a week at the Rare Book Studios in Brooklyn, NY with studio proprietor Nicolas Verhes (Les Savy Fav, Silver Jews). Kranky.

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Felix

You Are The One I Pick

£ 13.24*

LP | 2024 | US | Original (Kranky)

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to NM.

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Earthen Sea

Recollection

£ 26.50*

CD | 2006 | US | Original (Kranky)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Jacob Long’s fourth full-length for Kranky began as a notion to reimagine Earthen Sea as a “piano trio,” inspired by a year-long immersion in the ECM label catalog, but the compositions soon grew more complex. Elements were chopped and resampled, then layered with bass, drums, percussion, and additional keys. The result is a fusion of live band acoustics and downtempo loops, sculpted into nine smoke-and-mirror dubs of fractured jazz, soft-focus noir, and trip-hop dust: Recollection.

Like the title implies, Long’s playing and production share a mood of pensive movement, shuffling and rippling like uncertain memories at strange hours. From looming fog (“Present Day,” “Neon Ruins”) and shadowy breaks (“Another Space,” “Cloudy Vagueness”) to rosy glows (“Clear Photograph”) and smeared reverie (“White Sky”), Recollection deftly wields its palette of gradient color and subdued states of beauty. His is a music of reduction and reflection, kinetic but oblique, attuned to the silhouettes of sound.

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Benoit Pioulard

Précis

£ 6.62*

Release: 2006 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2001 | US | Reissue (Kranky)

Windy & Carl

Consciousness

Release: 2001 / US – Reissue

Genre: Electronic & Dance

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The fourth album from Michigan’s premier space duo, again delivers their shimmering trademark wall of sound, beautiful vocalization, and delicate songcraft. Six sweet and easy new tracks recorded in their home studio in Dearborn, that drift and dream with layered guitars, keyboards, bass and a love-arsenal of delicious effects and distortion.

“These two won’t be happy until they find a combination of sounds that encompasses all feeling, at which point they will then stretch that chord to the vanishing point.” —Pitchfork

“Perhaps it’s a prayer, perhaps a blessing, perhaps a poem full of questions—it hardly matters. Humble, moving, and brilliant.” —All Music

“The Windy & Carl listening experience is akin to the period of peace when one is about to succumb to slumbering; the body is hypnotized yet the mind becomes more and more lucid.” —Tape Op

“There is an airy shaft of light that extends straight through these six extended pieces, offsetting the density of sound with a breezy loveliness that’s almost impossible to articulate, towering on a floating sea of mesmerising, sub-level sounds.” —Boomkat

“Genre descriptions such as ‘ambient guitar soundscape’, ‘wall of sound’ and ‘drone’ fail miserably to capture the astonishing, magical emotional beauty of their pieces.” —Cyclic Defrost

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Demen

Nektyr

£ 15.73*

Release: 2017 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Allegiance And Conviction

Windy & Carl

LP | 2020 | US | Original (Kranky)

£ 17.39*

Release: 2020 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2024 | US | Original (Kranky)

Roy Montgomery

Temple IV

£ 35.61*

12" | 2023 | US | Original (Kranky)

Release: 2024 / US – Original

Genre: Rock & Indie

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This is the first vinyl issue of Temple IV, arguably Roy Montgomery’s finest solo album, originally released in 1996 on CD. The original album has been enhanced with two newer tracks that constitute side four of the album. Montgomery states: “The two new tracks recorded in 2018 were about asking the question “Can you step into the same river twice?” Heraclitus said you cannot. I say you can…”

From the original press release:

Few recording artists have aligned the quantity and quality of their releases as well as New Zealand singer /guitarist Roy Montgomery has in 1995. Beginning with kranky’s release of the soundtrack for an imaginary film That That Is...Is(Not) by Montgomery’s duo Dissolve early in the year, a series of superb albums and singles have been issued by a variety of labels across the world. Each one of them is a must have. Most recently, the Drunken Fish label released a collection of pastoral drones entitled Scenes From The South Island, singles have appeared on the Roof Bolt and gyttja labels, and further singles are scheduled with Ajax, Siltbreeze and others.

Temple IV is the first solo recording by Roy Montgomery on kranky. The album was recorded by Montgomery on a four-track tape deck and then thickened up with monophonic moog. The tracks on the album are thick with interwoven guitar lines and moog drone, inspired by the Guatemalan rain forests and the mysterious ruins of the temple and ruins Montgomery visited there.

Roy Montgomery spent the past year in New York, Chicago and London before returning to New Zealand. While in the UK he played live with Flying Saucer Attack and collaborated with spoken word performer Kirk Lake. A brief tour across the United States in September saw him performing before enraptured audiences in New York, Boston, Chicago, Detroit and Los Angeles.

The long overdue recognition of Roy Montgomery as a crucial figure in New Zealand’s musical history as a member of The Pin Group, Shallows and Dadamah, is now augmented by his new recordings. Temple IV will serve to extend and deepen that appreciation.

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Niecy Blues

Exit Simulation

12" | 2023 | UK | Original (Kranky)

Release: 2023 / US – Original

Genre: Electronic & Dance

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South Carolina singer and producer Niecy Blues describes her songwriting process like an undertow: “I feel a strange pull, and let it carry me, following swirling leaves... whole days roll by, forgetting about the body.” Their full-length debut, Exit Simulation, captures this sense of deep-rooted divination, cycling between simmering ballads, ghosted R&B, downtempo gospel, and looped vocal improvisations – often within the same track. The title is taken from a science fiction novel she read during the purgatory of the pandemic, alluding to a dimensional ideation of departure – “the permission to imagine leaving.”

Recorded in her current home of Charleston, she characterizes the album’s mood in terms both reflective and raw: an exploration of things suppressed, foundations beginning to crack, “talking myself off a ledge.”

The music of Niecy Blues transposes reverie and reckoning into emotive devotionals of keys, guitar, bass, synth, and bewitched voice, steeped in sacred atmospheres gleaned from a youth spent in a religious Oklahoma household: “My first experience with ambient music was church – slow songs of worship, with delay on the guitar... even if you don’t believe, you feel something.”

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Justin Walter

Destroyer

CD | 2023 | UK | Original (Kranky)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The music of Justin Walter veers between nebulous and numinous, coaxed from the translucent tonalities of his signature instrument, the EVI (Electronic Valve Instrument).

Destroyer, his latest, and third for Kranky, marks his most multifaceted work yet. Inspired by minimalistic urges (evading grandiosity, condensing scope, embracing spatial restraint) tempered with the drama of triptychs (becoming, destruction, aftermath), the album's 11 tracks thread a keening suite of aching, opaque beauty, traced in absence and breath.

First begun in the no man's land summer of 2020, Walter gradually amassed nearly two hours of demos, drafts, and ideas, then steadily whittled them to their essence. Destroyer enlists the sounds of a recently restored pump organ, adding pulses and quaking texture, but otherwise the album is a shimmering showcase of the EVI: miasmic, melodic, intuitive, infinite. It's music of fraught devotion and uneasy peace, questing yet languorous, forever rapt and untethered.

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Bowery Electric

Beat 2023 Repress

12" | 2023 | US | Original (Kranky)

Release: 2023 / UK – Original

Genre: Rock & Indie

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2023 Repress OF Long OUT OF Print CD…

The second album from New York City's Bowery Electric was released in late 1996, less than 15 months after their self-titled debut, but it found them having traveled light years musically in the interim, the group having seemingly decided to see how far they could take the guitar/ bass / drums / vocal setup into the atmosphere.

Every aspect of their approach had been refined and focused: squalling, distorted guitars had been transformed into hazy, sensual sheets; the live drums transmuted to sampled rhythms more in debt to the blossoming downtempo sound of the day; bass lines reduced to their most basic diagrams; vocals submerged to become one with the narcotized fog of the instruments; even the lyrics were reduced to a few minimal lines used sparingly so as not to overshadow the dynamic.

Beat is a lush and dense mantra of shadowy percussion, barely-there vocals and immersive drones that envelops the listener in an opiated blanket of sound. Includes the bonus track "Low Density," not featured on the original U.S. releas

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Saloli

Canyon

£ 23.18*