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Haruomi Hosono Vinyl, CD & Tape 5 Items

Vinyl, CD & Tape 5 Rock & Indie 1 Electronic & Dance 3 Soundtracks 1
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Haruomi Hosono
Haruomi Hosono - Tale Of Genji Clear Vinyl Edtion
Haruomi Hosono
Tale Of Genji Clear Vinyl Edtion
LP | 1987 | EU | Reissue (Victory)
£ 17.37*
Release: 1987 / EU – Reissue
Genre: Electronic & Dance
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Originally released in 1987 as a film soundtrack, this expressly ambient work by the Japanese composer is based on the Gagaku style of ancient Japanese court music, but with a shimmer of tones created by one person using a computer. Unlike much of Hosono's catalogue, here the synthesiser acts mostly as an atmospheric texture and instead focuses on traditional Japanese instruments, particularly koto, flute and drums. The truly striking aspect of this soundtrack is the layering of the instruments, which accumulate to the point of becoming unfamiliar: throngs of finger-beaten strings sound like a beehive of insects, waves of gentle hand percussion sound like the swell of inhalations and exhalations, the elaborate flute suggests the howl of the wind.
Haruomi Hosono - Omni Sight Seeing White Marbled Vinyl Edition
Haruomi Hosono
Omni Sight Seeing White Marbled Vinyl Edition
LP | 1989 | EU | Reissue (Victory)
£ 17.37*
Release: 1989 / EU – Reissue
Genre: Electronic & Dance
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This was his first studio album in four years since his last album, "Endless Talking", and the first release since moving to Epic/sony Records. This work was the result of sessions and collaborations with Arabian musicians, with an inclination towards the 'world music' that was gaining attention at the time. Deployed often in pop culture as punchline, Hosono takes such sight-seeing and transforms it into a metaphor for sample-heavy electronic music, drawing from various cultures and weaving them together into a new holistic vision. Omni Sight Seeing is the clearest iteration of this concept, as he alights on Algerian raï, Martin Denny exotica, and acid house, too. It’s one part Jon Hassell-esque Fourth World, one part Duke Ellington “jungle music,” with Hosono’s singular outlook running through it all.
Haruomi Hosono - Medicine Compilation From The Quiet Lodge Green Vinyl Edtion
Haruomi Hosono
Medicine Compilation From The Quiet Lodge Green Vinyl Edtion
2LP | 1993 | EU | Reissue (Victory)
£ 24.82*
Release: 1993 / EU – Reissue
Genre: Electronic & Dance
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Medicine Compilation from the Quiet Lodge” features ultimate ambient music that invites listeners to another world, including masterpieces such as “Honey Moon”, which has a duo vocal with Akiko Yano, and was originally recorded on the album “Tropical Dandy” and the funky “Aiwoiwaiaou” with lively singing voices. The album was originally released in 1993 and is now issued on vinyl in Japan for the first time.
Haruomi Hosono - Hosono House Revisited Vinyl Edition
Haruomi Hosono
Hosono House Revisited Vinyl Edition
2LP | 2024 | US | Original (Stones Throw)
£ 27.30*
Release: 2024 / US – Original
Genre: Rock & Indie
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Haruomi Hosono is the legendary artist best known for his tenure in the seminal band Yellow Magic Orchestra. Hosono House Revisited is compilation of reworks of Haruomi Hosono’s iconic solo debut, Hosono House, celebrating 50 years since its release. This compilation sees musicians from the Stones Throw roster and beyond offer up their own interpretations of Hosono’s songs. Artists revisiting Hosono's songs include John Carroll Kirby ft the Mizuhara Sisters, Jerry Paper, Pearl & The Oysters, Sam Gendel, Cornelius, and more.
Haruomi Hosono - OST Undecurrent
Haruomi Hosono
OST Undecurrent
LP | 2024 | JP | Original (Kakubarhythm)
£ 36.41*
Release: 2024 / JP – Original
Genre: Soundtracks
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Haruomi Hosono's soundtrack for the movie "Undercurrent" (Director: Rikiya Imaizumi, Original story: Tetsuya Toyoda) has been reconstructed by his own hands! Now available on vinyl Note by Haruomi Hosono

”This is a re-creation of the images that accompanied the film "Undercurrent". For the film, I made the sound fragments as simple as possible, as close to the bare bones as possible. I thought that if I made the sound scape complete, there would be no room for it to blend into the film. Therefore, it was necessary to reconstruct the world of the music when putting the album together. However, I did not use any material other than what I created for the film. This is how I imagined "Undercurrent," a film where serenity and intensity coexist.
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