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Edelfaul
Naked In The Zoo - Gehirnschubladen
Naked In The Zoo
Gehirnschubladen
LP | 2025 | EU | Original (Edelfaul)
£ 14.07*
Release: 2025 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"We are Naked in the Zoo, poetry carved into stone, holes cut into the borders that surround our bodies and our consciousness, strong and sensitive, unpredictable. More than ever, in the age of permanent snapshots, we are aware that, like animals, we are much more naked in the zoo - in the spotlight - in the cities, than in nature. If you desire to open a drawer and put us inside, you could call it art brut. surrealist noise. concrete music"

Naked in the Zoo is the latest addition to the Edelfaul roster. After releasing their tape “ruer dans les brancards” in April 2024 on Ignominie Records, they now deliver their first vinyl album of their psychotic poetry carved into noise rock. Starting off on a high energy level, they never let the pressure drop until the end. On the way, their stream of collective consciousness keeps morphing, transitioning, transgressing, wiggling and worming in and out of constellations between Teresa Riemann's broken beats and tortured vocals, while violinist Ruben Tenenbaum enters the noisical areas of his instrument and feeds his own screaming and hollering to the Maelstrom.

The six songs were recorded at Ausland/Berlin, last station of a European tour that took them to Olomouc, Ostrava, Brno and Prague in early 2024. The songs were selected and named by the band, the multitracks mixed by Edelfaul’s resident sound wiz Ilia Gorovitz and mastered for vinyl by Stefan Betke at scape mastering, Berlin.

Teresa Riemann and Ruben Tenenbaum met first at a festival in Copenhagen in 2015. In 2016 they were paired for a joint improvised set by the curators of the „multimars“ Festival in Marseille. Sparks flew, a band was formed, consisting of two musicians that manage to sound like four. Their debut was a self titled live CD on PIS records.

“I am a duo person” admits Teresa Riemann, who has played in various constellations on the Berlin experimental/noise turf. Among other tasks, she has replaced Asja Skrinik (now Pξb) as a vocalist in Balg. Solo, she has mostly performed as a pianist/keyboardist/vocalist until she began to make her energetic solo performances on drums and vocals a priority in 2021. She has since then honed her skills at her cubist trademark style of drumming and simultaneously making up songs.

This instinctive tendency to instant composing went into her ongoing musical relationship with French violinist Ruben Tenenbaum who was, until then, mostly immersed in classical Turkish music - which is to say that sudden changes in time signature don’t scare him. He is now active between composed and improvised, classical Turkish and contemporary experimental worlds, with bands like Kemik Trio (with Vincent Posty and Anıl Eraslan), White trash Kabuki, Ottoman doom trio Ezel as well as ensembles such as Taş Plak Kumpnyası, Mehtap, Zografi, and Tevazu. With Naked in the Zoo, Ruben unleashes the beast that is slumbering in his instrument, entering zones that only few fellow fiddlers have explored. Billy Bang, Leroy Jenkins, and King Crimson’s David Cross come to mind. His vocal contributions form the occasional response to Teresa’s calls, which, along with the pouncing beats and the string textures add up to the illusion of a weirdly familiar, yet unheard form of unhinged, freely floating rock concert.
V.A. X Ig - Obfuscation
V.A. X Ig
Obfuscation
LP | 2024 | EU | Original (Edelfaul)
£ 14.07*
Release: 2024 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ilia Gorovitz' first full solo album on his own Edelfaul imprint is everything but a solo album.Instead of playing all by himself, the multi-instrumentalist and producer laid down drum tracks using heavy treatments, mutilations and a few things that usually not serve as drums. He sent the results to a variety of friends and strangers, inviting them to add their voices to each one of them.
The outcome is a dozen of heavy listening tracks, mostly under 4 minutes, all stretching the boundaries of rap, spoken word, microtonal singing, joyful noise and primal scream. Twelve voices in different languages (English, German, Japanese, Hebrew, Chinese, Portuguese, and Ukrainian), all in dialogue with the other oldest instrument in the world: the drum.
Stumpf - Sand
Stumpf
Sand
LP | 2024 | EU | Original (Edelfaul)
£ 16.56*
Release: 2024 / EU – Original
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Stumpf is what Ilia Gorovitz (drums) and Sun Ra Bullock (bass) like to call their regressive rock duo. It was founded in 2019, shortly after Gorovitz’ arrival in Berlin.

What started out as improvisational routines during lockdown days became a steadily regressing concept band: There would only be drums, bass and the real time mutations of their respective sounds by way of distortion, delays and no-input mixer feedback loops. Also all titles would consist of one syllable words beginning with an S.

With their first digital EP “Start” Stumpf laid also the foundation for Edelfaul Recordings. Now, after 4 ½ years of releasing their own music – as Stumpf, solo or collaborational – and a few albums by friends and likeminded musicians, Stumpf are coming full circle with releasing the first ever vinyl album on Edelfaul Recordings: “Sand”

The four tracks are based on four photos by Mexican artist Lina Bailón that also became the cover artwork. While the titles simply refer to what can be seen on the pictures – pebbles, sand, waves and light reflections – it was the grainy texture of natural wave patterns frozen in a moment that inspired the album sound and all further regressions.

After some performances and rehearsals, Stumpf recorded the album in two days at U.F.O. studios, playing strictly full takes. All effects and noises were created during these takes without any overdubs. Best performances were picked for only the slightest edits and further mix treatment. Again, during mixing no additional tracks were added, but some nasty effects came into play.
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