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Dreams Of Field

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Dreams Of Field

The Hotelier - Home, Like No Place Is There

Home, Like No Place Is There

LP | 2014 | US | Reissue (Dreams Of Field)

Incl. VAT plus Shipping Costs

Release: 2014 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The most political music is often the most explicit, battering its audience with its beliefs. But that isn't always the case; sometimes it embeds its ideas in subtler, more successful ways. Take The Hotelier (previously The Hotel Year), whose second full-length Home, Like Noplace Is There is comprised of what can only be described as anthemic, cathartic rock songs, sent occasionally to delicate and destructive extremes. Singer Christian Holden pushes his clean voice until it crumbles, on "The Scope of All of This Rebuilding" against a strutting pace, and on the furious "Life in Drag", but most powerfully during the chorus of "Your Deep Rest" where his words are heart-wrenching and haunting. As drummer Sam Frederick stamps out an enormous beat and chords - strummed by Cody Millet, Scott Ayotte, and Chris Hoffman - clamor around him, Holden sings, "I called in sick from your funeral / tradition of closure made it feel impossible.../ I should have never kept my word to you / Not a cry not a sound / Might've learned how to swim but never taught how to drown /You said remember me for me, I need to set my spirit free." By making political statements through personal explorations, The Hotelier has not only make a uniquely political record, but also a subtler, more successful one.

The Hotelier - Goodness

2LP | 2016 | US | Reissue (Dreams Of Field)

Incl. VAT plus Shipping Costs

Release: 2016 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The cover artwork contains nudity that may find people offending. That's why it's displayed this way.

It is not enough to say that The Hotelier have grown older, or wiser, or more of anything. We can trace a progression, if we like, from the explosive empowerment of It Never Goes Out to the ashen disillusionment of Home, Like Noplace Is There. We can follow an awakening of youth in suburbia attempting to learn what is right, and what is ours, and what is possible and impossible, and maybe we can't save each other like we thought we once could. We're awake and we're tired and we want love in our lives again. And so we find ourselves now in Goodness, in the woods outside of the suburbs, trying to re-learn that love.

But we seek a space outside time. Once in a while we can feel it, like a clearing. Where our histories and our rhetorics blend into languages spoken and unspoken. Where the greatest awe comes upon us for the overlooked, the simple, the incomprehensible. Where things glitch as they solidify, repeat as they evolve, scream as they whisper. Where always and forever above us, in all of its natural, unnatural, supernatural love, shines the moon. Goodness is not this place -- goodness is nowhere -- but we are following it to where we have to be.

After all we've gone through, how young are we? What is age softening in us, what is it hardening in us? Are we getting better? Worse? How could we ever know, when capital forces us onward away from ourselves? Will the woods consume the suburbs; will the suburbs consume the woods? In the gaps between these monumental questions, in the tiniest details, in the infinitude of cycles outside of time, there is Goodness. We begin there.

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