Bayonet HHV Records 36 Items

Eels Purple Tree Fog Vinyl Edition

LP | 2025 | US | Original (Bayonet)

Glitch Princess Antifreeze Green Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Purple Tree Fog Vinyl.Being Dead knows how to make an entrance - within the first several seconds of EELS, theduo's new record, the bright, hard-strummed guitar line on "Godzilla Rises" conjurescinematic immediacy, a creature emerging from the depths of the ocean in campy, freaky stopmotion, fittingly so. Being Dead's records are mosaics, technicolor incantations, each song itsown self-contained little universe. And while the dreamlike EELS probes further into thedepths of the duo Being Dead's psyche, it is, most importantly, in the year of our lord 2024, a16-track record that is genuinely unpredictable from one track to the next: a joyous andunexpected trip helmed by two true-blue freak bitch besties holed up in a lil' house in theheart of Austin, Texas.They decamped to Los Angeles for two weeks to record with GRAMMY-winning producerJohn Congleton, writing songs for the record until days before they left. The radical shift inprocess was welcome - a good balance and a challenge, Congleton helping them find newways to work and helping peel back the layers on the core of their songwriting. Being Deadhas grown from a duo to a trio live, including bassist Ricky Motto (who is immortalized finallyon record here, particularly in the giggles on "Rock n' Roll Hurts")The resulting EELS is a darker record, tapped more into the devilishness within, but it's also amore raucous, rougher ride sonically. There's heartbreak, excitement, enchantment, dancing -we move through it all at a high-octane pace. Falcon Bitch and Smoofy never want to do thesame thing twice on any song, and they don't. From the pummeling garage rock distortion of"Firefighters" to "Dragons II," which appears in its demo form taped on a hand recorder, it'sunexpected but intuitive, and, most importantly, singularly Being Dead.Like its animal namesake suggests, the songs on EELS are malleable, the record likeslithering through murky waters or strange half dreams, mysterious and beautiful in how itmoves, refle...

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Yeule

LP | 2022 | EU | Original (Bayonet)

£ 20.68*

Release: 2022 / EU – Original

Genre: Pop

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The Glitch Princess, Nat Cmiel, is a non-binary, London-based Singaporean painter, musician, performance artist, and cyborg entity.Via an affinity to noise music and its subculture, Cmiel created a genre-specific style which yeule is known for - glitch and distortion. "Glitch Princess" opens a channel to the in-between spaces: error messages and broken computer code, what it is to be conceptually manifested and the curation of the aesthete. Cmiel's experiences with sobriety resulted in a flood of emotions and Glitch Princess is the undiluted excerpt of this downpour. A redirection...

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LP | 2025 | US | Original (Bayonet)

Eels Black Vinyl Edition

LP | 2023 | EU | Original (Bayonet)

Release: 2025 / US – Original

Genre: Rock & Indie

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Being Dead knows how to make an entrance - within the first several seconds of EELS, theduo's new record, the bright, hard-strummed guitar line on "Godzilla Rises" conjurescinematic immediacy, a creature emerging from the depths of the ocean in campy, freaky stopmotion, fittingly so. Being Dead's records are mosaics, technicolor incantations, each song itsown self-contained little universe. And while the dreamlike EELS probes further into thedepths of the duo Being Dead's psyche, it is, most importantly, in the year of our lord 2024, a16-track record that is genuinely unpredictable from one track to the next: a joyous andunexpected trip helmed by two true-blue freak bitch besties holed up in a lil' house in theheart of Austin, Texas.They decamped to Los Angeles for two weeks to record with GRAMMY-winning producerJohn Congleton, writing songs for the record until days before they left. The radical shift inprocess was welcome - a good balance and a challenge, Congleton helping them find newways to work and helping peel back the layers on the core of their songwriting. Being Deadhas grown from a duo to a trio live, including bassist Ricky Motto (who is immortalized finallyon record here, particularly in the giggles on "Rock n' Roll Hurts")The resulting EELS is a darker record, tapped more into the devilishness within, but it's also amore raucous, rougher ride sonically. There's heartbreak, excitement, enchantment, dancing -we move through it all at a high-octane pace. Falcon Bitch and Smoofy never want to do thesame thing twice on any song, and they don't. From the pummeling garage rock distortion of"Firefighters" to "Dragons II," which appears in its demo form taped on a hand recorder, it'sunexpected but intuitive, and, most importantly, singularly Being Dead.Like its animal namesake suggests, the songs on EELS are malleable, the record likeslithering through murky waters or strange half dreams, mysterious and beautiful in how itmoves, reflective in a wavering sheen....

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Yeule

Serotonin Ii

£ 18.20*

Release: 2023 / EU – Original

Genre: Rock & Indie

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yeule is the manifested reflection of Nat Cmiel. An ongoing project since 2012, yeule's music is as ethereal as it dynamic, reflective of her nomadic upbringing. Though she grew up and attended school in Singapore for most of her life, her family traveled often, developing emotional connections with places far from home that left her searching, unmoored, putting forth a creation that is in constant metamorphosis.Obsessed with tinkering and discovery, she began by building her own synths. There is a complex, intuitive, and deeply personal nature to yeule's music making. With a launchpad, keyboard, and microphone, she morphs her original cinematic classical compositions into harsh and glittery electronica. Her first full length, Serotonin II, is the fully realized result of this process, resonating with her "mutable self-expression." She describes this as "the stifling psychological haze turned into perfume." Death, rebirth, and most mysteriously, the places in between the two hard realities are explored in depth.Visually, yeule's world is dreamy and breaches into the unreal, with the name yeule initially being inspired by Final Fantasy XIII-2, where a character dies in a thousand timelines because of a break in the fabric of time itself. She is born again eternally, and always meets the samefate. In this way the artist relates when she feels herself destroying the older parts of herself, reinventing, born again from memories both real and fabricated. In her own words, "When I came up with the yeule project, she acted as a vessel for me to archive important points in my life. Each song released in its respective era reflects that part of myself, that's most probably gone by the time you read this." yeule is forever trying to chip away at her own identity so that she might absorb something different, foreign, the unknown force to which she is drawn.-"It's difficult for my mind to stay in one place. I can go back to revisit the person I was in my dreams. I see them as multiple people. Sometimes the...

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Bunny Powder Blue Vinyl Ediiton

LP | 2023 | US | Original (Bayonet)

Release: 2023 / US – Original

Genre: Rock & Indie

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Full Hand Black Vinyl Edition

Kevin Krauter

LP | 2020 | EU | Original (Bayonet)

Release: 2020 / EU – Original

Genre: Rock & Indie

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On his sophomore album, Full Hand, Indiana musician Kevin Krauter tackles complicated emotional states and ideas through elliptical songwriting that is at once poetic and truthful."A lot of the lyrics touch on how I was raised religiously, touch on me understanding my sexuality more and more in recent years," Krauter says, "just growing up and becoming more confident in myself...that process of looking inwardand taking stock of myself." It's not especially uncommon for artists to probe deep into their own psyche touncover what makes them tic, but Krauter's light touch feels like something all his own. On the album's first single, "Pretty Boy," he sings, "Look ahead, say I see me now / Smiling at what used to stress me out / Cause it won't be too long, but I'll take my time with it / It won't be too long till I come back home." There's a palpable sense of joy in Krauter's acceptance of dire, stressful moments, and a liberation that comes from hearing him realize that the present will eventually be the past, and he'll be able to look back and find peace.

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Animaru Pink Marble Vinyl Edition

LP | 2025 | US | Original (Bayonet)

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-05-02

Tape | 2011 | Reissue (Bayonet)

What A Pleasure

Release: 2011 / Reissue

Genre: Rock & Indie

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Brooklyn bedroom pop pioneers Beach Fossils' stand out EP, What a Pleasure, is being reissued for the first time since it's 2011 release! Songwriter and composer Dustin Payseur's upbeat follow up to his band's self titled debut is a refined exploration of dreamy guitar sounds, lush synth arrangements, and confessional songwriting. Born out of late night jams with his bandmates and long time collaborator Jack Tatum (WildNothing), What a Pleasure expanded on Beach Fossils' sonic landscape and resulted in some of Payseur's most memorable tracks. The EP has gradually become a cult classic among fans of the band, and many of its songs still work their way into Beach Fossils' live sets today.

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Eels Speckled Dragon Egg Color Vinyl Edition

LP | 2024 | US | Original (Bayonet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Clash The Truth + Demos Colored Vinyl Edition

2LP | 2023 | US | Original (Bayonet)

Release: 2023 / US – Original

Genre: Rock & Indie

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2023 repress! clear with pink vinyl.Beach Fossils' sophomore album, Clash the Truth, is modern post-punk triumph that's left a lasting impression on the music scene it was born out of. After releasing their self titled debut and the beloved EP, What a Pleasure, songwriter and composer Dustin Payseur began recording dissonant and introspective demos reflecting on his southern upbringing and young adulthood in New York. The tracks that would eventually make up Clash the Truth involved Payseur taking his songwriting in a new direction, employing jagged instrumentals, existential lyrics, and socially conscious subject matter. Thedarker themes of Clash the Truth still come out vibrant through bright guitar tones, locomotive drumming, and Payseur's inventive home recording techniques. Referencingthe sounds of Factory Records releases, New York's no wave scene, and 90's avant-pop, Beach Fossils expanded their sound past the perimeters of bedroom dream pop.

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When Horses Would Run Color

LP | 2023 | EU | Original (Bayonet)

Tape | 2022 | EU | Original (Bayonet)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Creamsicle VinylThe garage-y psychedelic outsider pop band Being Dead shines bright with their distinctly right-brain songcraft, mischievous humor, and implausibly great vocal harmonies. As they've graduated from curiosity to cult favorites, we've yet to encounter a single person who dislikes Being Dead. Recorded at Radio Milk, producer Jim Vollentine (White Denim, Trail of Dead, Spoon) spit-shines Being Dead's sound without diminishing their weirdo-best-friend vibes. Their penchant for idiosyncratic lyricism and musical unpredictability shines throughout the album as the duo moves between everything from garage rock and pop to Laurel Canyon-style folk.

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Smut

How The Light Felt

How The Light Felt Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Smut shines a spotlight on the sounds of the 90s acrossgenres - a record scratch, a spacey synth line, a breakcorebeat - all while maintaining freshness and originality. Thecollaborative project of vocalist Tay Roebuck, guitaristAndrew Min, bassist and synth-player Bell Cenower,guitarist and synth-player Sam Ruschman and drummerAidan O'Connor, Smut have conquered national tours withBully, Swirlies, Nothing, and WAVVES. Based in Chicago, IL,the band hits their stride in `How the Light Felt'. It is anexercise in coping, an electrifying statement of hope in thethick of resounding loss, and a love letter to the peoplethat keep us going. With their powers combined, Smutmeld the songwriting sensibilities of Oasis with the vocaldelivery of the Cocteau Twins - the percussive grooves of...

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Smut

LP | 2022 | EU | Original (Bayonet)

£ 20.68*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Other Side Of Life: Piano Ballads

Tape | 2021 | US | Reissue (Bayonet)

Tape | 2022 | EU | Original (Bayonet)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Bloomsday

Place To Land

£ 9.92*

Release: 2022 / EU – Original

Genre: Rock & Indie

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'Place to Land' showcases Bloomsday's talent as writers,producers, and players. Iris James Garrison and Alex Harwoodused the downtime of 2020 to hone their sound and create analbum that walks a tightrope of, in their words, of "tenderness, darkness, and fun stuff." Brooklyn-based and embedded securely in the DIY music community, this record is a tender contemplative journey. Iris's singing is gorgeously legible and as Alex's guitar licks echo and sing back, an effortlessly elegant arrangement. The solid friendship between these two musicians establishes the building blocks for each song. Bloomsday delivers an emotional debut - a confident new voice emerging after a period of loss and transformation.For Fans of Big Thief, Kevin Krauter, Snail Mail, Hand Habits, Slow Pulp,Tomberlin, Alex G, Phoebe Bridgers.

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The Other Side Of Life: Piano Ballads Blue Vinyl Edition

LP | 2021 | US | Original (Bayonet)

£ 20.68*

Release: 2021 / US – Original

Genre: Organic Grooves

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Inspired by a love of artists such as Bill Evans,Lester Young, Chet Baker and Vince Guaraldi,Dustin Payseur reimagines some of his greatesthits from the Beach Fossils catalog alongside agroup of formally trained jazz musicians. A richand mellow mix of piano, saxophone, uprightbass and brushed drums explore the contours offamiliar songs, soaring Payseur's melancholicharmonies to new heights. Recommended for fans of Chet Baker, Norah Jones, Kamasi Washington,BADBADNOTGOOD, Wild Nothing, Diiv, Kevin Krauter "improvisational jazz, classical music, and Stereolab... his songwriting owes more to loop-based composition than garage-bound woodshedding." - Pitchfork

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Beach Fossils Colored Vinyl Edition

LP | 2021 | EU | Original (Bayonet)

£ 19.85*

The Tipping Scale Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Repress On Clear Green Vinyl!Beach Fossils' Self Titled Debut Album Is A Seminal Release From The Halcyon Days Of Brooklyn's Underground Music Scene. Songwriter And Composer Dustin Payseur's Home Recorded Masterpiece Captures The Naïveté Of Youth, The Anxiety Of Routine, And The Joy Of Infatuation, Though A Track List Full Of Layered Guitars And Heartfelt Lyrics. Beach Fossils Take Inspiration From 60's Jangle Pop, 70's Kraut Rock, 80's Post Punk, To Create A Sound Uniquely Their Own With This First Record, Causing A Ripple Effect On The Sound Of Indie Music In The Years That Followed It.

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Kinlaw

LP | 2021 | EU | Original (Bayonet)

£ 16.01* £ 20.02 -20%

Next Thing Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Tipping Scale is a gorgeously sung cycle of songs that mix deeply personal lyrics with universal themes; Kinlaw is a smart, conceptual writer, one not afraid to explore deep emotions like loss, regret, and confusion, alongside strength, identity, and change. She explains that The Tipping Scale is an ideal metaphor for the record, the idea of an ever-present slipping in and out of change, and an acceptance of this kind of change. On it, she unravels intimate memories and tries to learn from them. As you listen to her songs and decode her words, you realize she's not just building songs, she's also creating a home_where painful thoughts of the past can exist within the present_as well as an entirely new, unflinching universe. This universe she created is not metaphorical_it's, in fact, very real. Kinlaw, who often works with gesture and movement as a writing tool, found The Tipping Scale unifying her multidisciplinary practice. She found it by building a real world. As she wrote, with the goal of finding human entry points for storytelling that felt authentic and honest to her practice, she often saw the music relating to motion. "I would start with a gesture and let it build into something until a memory attached itself to it," She explains. "The memory would become a story and the story would reveal itself as something important that needed to be expressed in this album." This works, too, for the lyrical process, where harder and less smooth gestures would represent consonants, and smooth, flowing movements would become vowels. She found the same thing happening with melodic lines and key changes. This is a record that jolts between the corporeal and the psychological, drawn from a flailing body, anchored by inconvenient truths. Riyl: Choir Boy, Jenny Hval, Kate Bush, Boy Harsher, Caroline Polachek, Black marble, Julia Holter, Grouper

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Frankie Cosmos

LP | 2016 | US | Original (Bayonet)

£ 18.20*

Tape | 2023 | Original (Bayonet)

Release: 2016 / US – Original

Genre: Rock & Indie

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Vinyl LP pressing. 2016 release. Greta Kline's musical output as Frankie Cosmos exemplifies the generation of musicians born out of online self-releasing. Kline initially built a reputation with her prolific catalog of bedroom recordings and as a performer and advocate of New York's All Ages DIY scene. The beauty in Kline's writing does not lie within immense statements and large gestures, but instead can be found in her ability to examine situations and relationships with heartbreaking sincerity. In 2014 Kline released her first studio album, Zentropy. Within months of its release, Zentropy became one of the most critically acclaimed independent albums of the year and was named New York Magazine's #1 Pop album of 2014. In 2015 Kline signed to Bayonet Records, immediately releasing an EP where she experimented with writing in an electronic setting. The EP Fit Me In was well received and garnered a Best New Track from Pitchfork. Kline then began recording her next album appropriately titled, Next Thing. Like Zentropy, Kline approached Next Thing by fleshing out several old home recordings, and by writing half of the album from scratch. Next Thing explores new emotional and instrumental territory for Kline.

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Kibi James

Delusions

£ 10.75*

Delusions Translucent Green Vinyl Edition

Release: 2023 / Original

Genre: Rock & Indie

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"Kibi James leans into both English and Spanish lyrics, refreshingly refusing the categorization that is often forced onto multicultural artists." - Alt Citizen.Atlanta three-piece Kibi James announce their debut full-length album, delusions, out August 25th on Bayonet Records. Mari (guitar, keys), MJ Corless (bass) and Pomi Abebe (drums) join forces in crafting intoxicatingly dreamy melodies, their soft, siren-like voices sweeping you into their world as they bilingually share reflections on love in its many forms - romantic, familial, self - but most prominently the love that comes from their friendship. Co-produced, recorded and mixed by Drew Vandenberg (Faye Webster, SPELLLING, Toro y Moi) at Chase Park Studios in Athens, GA, and mastered by Heba Kadry, delusions is laden with vividly lush portraits of the places they call home - Atlanta, their music community, their physical house, and the sense of home they have in one another.While the outside world is often a source of chaos, Kibi James finds security and intimacy in their shared domestic life together - the details of which come in the form of the intimate narratives and memories that make up delusions. From the manifestation spell for their now-apartment that's included in the first verse of "mister g," to finding homely solace in loved ones on "right now" and "bender," the band's ultimate sense of home is both fluid and utterly unshakeable, as long as they have each other. They harmonize in both English and Spanish as their voices softly intertwine, singing of their hopes for the future over hazy, treated guitars and the soft pattering of drums. Their strong sense of unconditional love and mutual camaraderie keep them grounded, preserving the warm, optimistic light that has shone through every aspect of the band since their genesis. Corless says, "We're proud of where we come from and where we're headed. We're absolutely going to keep these delusions going."

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Kibi James

LP | 2023 | Original (Bayonet)

Release: 2023 / Original

Genre: Rock & Indie

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Tape | 2025 | US | Original (Bayonet)

Animaru

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-05-02

Tape | 2010 | Reissue (Bayonet)

Release: 2010 / Reissue

Genre: Rock & Indie

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Beach Fossils' self titled debut album is a seminal release from the halcyon days of Brooklyn's underground music scene. Songwriter and composer Dustin Payseur's home recorded masterpiece captures the naïveté of youth, the anxiety of routine, and the joy of infatuation, though a track list full of layered guitars and heartfelt lyrics. Beach Fossils take inspiration from 60's jangle pop, 70's kraut rock, 80's post punk, to create a sound uniquely their own with this first record, causing a ripple effect on the sound of indie music in the years that followed it.

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Kabutomushi / Tsukino Bubblegum Vinyl Edition

LP | 2024 | US | Original (Bayonet)

Release: 2024 / US – Original

Genre: Rock & Indie

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'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is not only a way for her to find solace in her favorite genres, but is an intuitive means of catharsis. "Blending everything that I like together and trying to make something new - that's what feels most natural to me," says the 23-year-old Brooklyn-based singer-songwriter and guitarist. "It's what feels most true to who I am as an artist." Plinking guitar tones and asymmetrical time shnatures exemplify her forays into angular indie rock more now than ever before, especially on her debut Bayonet Records single "Wakare no Kotoba"-its wide-interval arpeggios in odd meters being some of the most technically difficult guitar work Mei has ever implemented in her songwriting. Translated to "parting words" in English, the self-described "anti-love song" serves as a farewell to a toxic friendship, complete with orchestral swells and crashing guitars. Originally from Ann Arbor, Michigan, Semones began playing music at a young age, starting out on piano at age four before moving to electric guitar at age eleven. After playing jazz guitar in high school, she went on to study guitar performance with a jazz focus at Berklee College of Music. College is where she met her current bandmates, including string players Noah Leong and Claudius Agrippa, whose respective viola and violin add softness and multidimensionality to Mei's intricate guitar work. After releasing a slew of singles and an EP in 2022, coinciding with her move to New York City, Mei and her band have since gone on to collaborate with post-bossa balladeer John Roseboro and embark on their first-ever tour with the melodic rock outfit Ravi, Semones chronicles infatuation, devotion, and vulnerability in her songs, complete with sweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English and Japanese, that have all become part of her sonic trademark: ornately catchy, genre-fusing compositions serving as the backdrop to tender lyrics touching on the universalitie...

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Tape | 2024 | US | Original (Bayonet)

Tsukino

Tape | 2024 | Original (Bayonet)

Release: 2024 / US – Original

Genre: Rock & Indie

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'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is notonly a way for her to find solace in her favorite genres, but is an intuitive means ofcatharsis. "Blending everything that I like together and trying to make something new -that's what feels most natural to me," says the 23-year-old Brooklyn-based singersongwriter and guitarist. "It's what feels most true to who I am as an artist."`Tsukino', Mei's debut, self-released EP, is being released physically for the first timeever on Bayonet Records! The EP will be released by itself on CD & Tape formats, andwill be included in a vinyl pressing on the B-side of Semones' landmark EP,`Kebutomushi'!Plinking guitar tones and asymmetrical time signatures exemplify Semones' forays intoangular indie rock more now than ever before. Originally from Ann Arbor, Michigan,Semones began playing music at a young age, starting out on piano at age four beforemoving to electric guitar at age eleven. After playing jazz guitar in high school, she wenton to study guitar performance with a jazz focus at Berklee College of Music. College iswhere she met her current bandmates, including string players Noah Leong andClaudius Agrippa, whose respective viola and violin add softness andmultidimensionality to Mei's intricate guitar work. After releasing a slew of singles andan EP in 2022, coinciding with her move to New York City, Mei and her band have sincegone on to collaborate with post-bossa balladeer John Roseboro and embark on theirfirst-ever tour with the melodic rock outfit Raavi.Semones chronicles infatuation, devotion, and vulnerability in her songs, complete withsweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English andJapanese, that have all become part of her sonic trademark: ornately catchy, genrefusing compositions serving as the backdrop to tender lyrics touching on theuniversalities of human emotion.

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Grumpy

Wolfed

All This And So Much More

Release: 2024 / Original

Genre: Rock & Indie

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The new Wolfed EP sits in the Grumpy discography as their most confident and self-flourished work to date. Delivered in the serene clarity of a vulnerable voice inviting you to share in their world, the record glitters in its yearning for another, in its most jubilant highs and successes, and its most intimate internal monologues. We fall and hit the wrong notes, say the wrong thing. But we do it for love. For Grumpy, those missteps are not avoidable speed bumps in a relationship, but the highlights of the journey itself. For in those painful moments of a relationship, we find Truth about ourselves. There is simple serenity found in realizing your imperfections the hard way. But we can't get too comfortable_ as Wolfed fades out, the jittering, chopped-up melodies leave you on edge in a delicate balance of mistrust and unease. Can we hold on to this love forever? Grumpy has the answer.

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Tasha

Tape | 2024 | Original (Bayonet)

All This And So Much More

Release: 2024 / Original

Genre: Rock & Indie

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'In `All This and So Much More' Tasha is an artist flung open. For Tasha, the last few yearshave been propulsive, dynamic, bursting at the seams. They've included painful encounterswith grief; a sudden break up; new flirtation; new hair; the glitter of world travel and not least,a role in Tony-nominated Broadway musical `Illinoise' which adapts Sufjan Steven's `Illinois'for the stage. If `Tell Me What You Miss The Most' was an introspective meditation on lovewith a few moments of glancing toward what's next, `All this and So Much More' is Tashaturned outward, flourishing, telling us what it's like to take life by the chin and look it in theeye.Take, for example "Eric Song." This was the first song to be written on the album, pennedwhile Tasha grappled with the sudden, tragic death of Eric Littman, the co-producer of herlast album. Though the instrumentation is a familiar 3/4 guitar strum, lulling us into acomforting waltz, Tasha's voice is breathy with grief, adding depth and dimension to thehushed sound. "No, I'm not alone after all / You must be near / Facing this soaring sprawl,"she sings, transforming the experience of loss into a talisman of love and courage meant tohelp usher in a new self.Said a different way, `All This and So Much More' is a full-throated ode to all of the ups anddowns of becoming. In the opening track, "Pretend," when Tasha sings about "feelingsoutgrowing this little life," we get the sense, both lyrically and sonically, of someone in thethroes of growth. This is an album crafted with a big, ambitious sound (in part, thanks to theproduction of Gregory Uhlmann)_cinematic droning, orchestral woodwinds, dazzling arrays ofjangling guitar, all lining up to capture a sweeping moment in Tasha's life. Written over thecourse of 2022 and 2023, right on the cusp of Tasha being cast in Illinoise, the songs in thisalbum invoke friendship, heart ache, flirtation, doubt. From the social anxiety of "Party" ("Dothey think I'm funny? / Did they like my joke...

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Tasha

LP | 2024 | Original (Bayonet)

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Bayonet)

Eels

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Bayonet)

Warehouse

Super Low

£ 16.54*

LP | 2021 | US | Original (Bayonet)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Emerald green vinyl.

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Lionlimb

Spiral Groove

Limbo Transparent Orange Vinyl Editoin

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Brown vinyl.

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Lionlimb

LP | 2024 | Original (Bayonet)

Heart Of The Artichoke Plasma Colored Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Through his project Lionlimb, New York-based singer/songwriter/producer Stewart Bronaugh crafts unfurling soundscapes that feel mysterious and otherworldly, yet timeless and nostalgic at the same time. He presents his most ambitious vision of these inner vistas on his new album, Limbo, arriving May 24th on Bayonet Records. Inspired by a palette of '70s Italian film soundtracks, '60s girl group music, and funk and soul ballads, Bronaugh brings these influences together to invent an immersive sound all his own-with help from close collaborator Joshua Jaeger, whose live drums bring a rawness to Limbo's meticulously layered production.Led by the smoldering single "Dream of You," featuring Angel Olsen, Limbo taps into universal themes of romance, longing, and loss, while still offering a hazy escape from our present reality.Bronaugh penned the songs with "classic" songwriting in mind, transforming his personal struggles with grief and addiction into love songs. Using images inspired by nature (like the sun, moonlight, hurricanes, and deep water), he expresses being overtaken by a force greater than himself, as the psychedelic production evokes a sense of being plunged into this vast landscape. Limbo benefits from its eclectic influences, as Bronaugh overlays sitar-sounding guitar on top of funky basslines, melodramatic string arrangements, and fuzzed out guitar, making for music that could easily belong on Twin Peaks just as much as a Western cowboy film.An album of duets, Limbo features a host of female vocalists-Angel Olsen, Ewa Synowiec, to Bion augil, nderstad ocal periora ne Bill bout vocal sad ate another instrument*he explains. "When we first tried to have someone else sing, I liked it, because I felt more akin to a producer than a songwriter." There's a dreamy quality to how these singers trade off with Bronaugh, both parties expressing his inner emotions.Limbo is a culmination of Bronaugh's years of production experience, as he composed, produced, and mixed the project almost entirely by hi...

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Bloomsday

LP | 2024 | US | Original (Bayonet)

Release: 2024 / US – Original

Genre: Rock & Indie

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The way Bloomsday's Iris James Garrison writes songs feels like somewhere between a mirror and a memory. Spacious, full-bodied folk songs, they are an ode to things that are good no matter how small; they sometimes feel like the ghost of a Mary Oliver poem. Bloomsday's new record, 'Heart of the Artichoke', is a relic of unfettered creativity and community. They recount the miracles of the mundane, the memories that become sacred, an ode to all that is holy: nightswimming, songs plucked from the ether, the ways friendship can endure. Like earlier Bloomsday songs, the work here is threaded with warmth; it's simmering, crisp and deeply human, an encapsulation of the present moment. Recorded across 10 days in June 2023 in upstate New York at duo Babehoven's studio and co-produced by Babehoven's Ryan Albert, with mixing by Henry Stoehr of Slow Pulp. The record was built out with a wideranging group of collaborators, including inventive drumming from Andrew Stevens (Lomelda, Hovvdy), Alex Harwood, Richard Orofino, Babehoven's Maya Bon, Hannah Pruzinsky (h.pruz, Sister.), and Chris Daley. It was an insulated and collaborative experience: all family dinners on the back porch, bonfires, feeling a full sense of joy, of friendship, of purity in the artistic self. Collaboration is an integral part of Bloomsday's musical process. Garrison is malleable in the studio, their songwriting generous and spacious. But in listening to the record, there's a sense that Garrison leaves room for the players, for the listener; for songs to find the shapes they're meant to take. Garrison's role as maestro is crucial, singular - it's a collaborative, exploratory spirit harnessed by Garrison's intuition, and by an honest commitment to carve out creative space for play, to delve into what's known - or pushing past that, into unknown. "The ghosts of the past still come up and haunt me," Garrison says, "but I sit in what I have and see it. All of these songs are about loved ones, about personal struggles with getting out of my head and being present." Heart of the Artichoke was written from a healed, matured place - written in a moment of safety from chaos. It's a prayer for the present, an appreciation of tenderness and what happens once we give ourselves the space to really see, and really feel - becoming free and whole - an ode to the way healing allows us to bloom.

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Clash The Truth 10th Anniversary Edition Colored Vinyl Edition

LP | 2024 | Original (Bayonet)

£ 24.82*

Tape | 2023 | EU | Original (Bayonet)

Release: 2024 / Original

Genre: Rock & Indie

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Random Color Vinyl.Beach Fossils' sophomore album, Clash the Truth, is modern post-punk triumph that's left a lasting impression on the music scene it was born out of. After releasing their self titled debut and the beloved EP, What a Pleasure, songwriter and composer Dustin Payseur began recording dissonant and introspective demos reflecting on his southern upbringing and young adulthood in New York. The tracks that would eventually make up Clash the Truth involved Payseur taking his songwriting in a new direction, employing jagged instrumentals, existential lyrics, and socially conscious subject matter. The darker themes of Clash the Truth still come out vibrant through bright guitar tones, locomotive drumming, and Payseur's inventive home recording techniques. Referencing the sounds of Factory Records releases, New York's no wave scene, and 90's avant-pop, Beach Fossils expanded their sound past the perimeters of bedroom dream pop. The album is now being reissued for the first time on Payseur and his partner Katie Garcia's own label, Bayonet Records, including a limited edition clear pink vinyl pressing.

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Dirt Buyer

Dirt Buyer II

£ 10.75*

LP | 2023 | EU | Original (Bayonet)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Joe Sutkowski (Dirt Buyer)'s new album is a documentation of making it to the other side. Sutkowski grew up in New Jersey, and although he lives in Brooklyn now, he remains " an emo kid at heart ," garnering inspiration from bands like My Chemical Romance and Muse, the latter of whose theatrical, dramatic performances inspired the band's own vocal-forward, soaring takes. Initially working together as a duo while Sutkowski and Ruben Radlauer (Model/Actriz) were at school in Berklee, the band's self-titled 2019 debut album was recorded on an IPhone in their practice room on just drums and guitar, and the quietly striking, nuanced stylings earned them accolades far beyond the " fake record label " the two made up to originally release their music. The band's new album, Dirt Buyer II , was recorded in February 2020, and represents a foray into heavier material that marks a deeper shift for the band. Now working as a trio, Sutkowski is flanked by Tristan Allen on bass and Mike Costa on drums, a fellow Berklee grad who cut his teeth playing in bands across Boston including past collaborations with Sutkowski. Half-recorded while the band was on tour with Surf Curse, the record finds Sutkowski reaching out for places, people and beliefs to ground him. Throughout the album he attempts to wrap his head around the idea of fate and how you can brush up against other people and then leave them behind. The songs themselves play with this concept of light and dark intertwined. Oscillating between urgency and cathartic release and more stripped-back elegies, Sutkowski faces the reality that while the people he'd rather forget can still live on through music, he is able to move on at the same time. Half-recorded in his mother and uncle's upstate house where he turned the living room into a studio, he contemplates the beauty and disaster around him - all refracted through visceral visual imagery of how the physical earth meets the unknown to converge in something greater than ourselves. " This is all a living chronicle of all I want to do, which is feel good and be happy ," he admits. " I'm a completely different person now - a better version of myself ." Processing the past, Sutkowksi has emerged with newfound belief, fully intact and with a new path forward to the future.

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Dirt Buyer

Dirt Buyer II