Annie Hall HHV Records 4 Items

Annie Hall returns to Sheffield's Central Processing Unit label with an EP entitledMemories That Never Happened. This record represents the producer's third time on CPU after 2016'sTenured Positionsand 2020'sFum, and it is also the latest release in a busy couple of years for Annie Hall which have also seen her drop EPs on 20:20 Vision, Orson Records and Random Island. The momentum Annie Hall has built up in recent times carries through to a dynamic collection of productions which bring enough heft in the beats to keep the dancefloor happy while also including all manner of details in the production.
Memories That Never Happenedbegins with the title-track, a twitchy yet wistful cut which perfectly matches its name. There's bite to the broken-beat electro pulse, growling bass and robotic declamations of "it's Annie", but the makeup of the track is simultaneously rather rose-tinted, particularly when some chemtrails of a synth lead enter later on. The overall effect is as thoughtful as it is stimulating, akin to the halcyon productions of Daniel Avery.
If 'Memories That Never Happened' is somewhat plaintive, following jam 'Problematic Tape Recorder' has the bit between its teeth from the get-go. The beat crashes and snaps, and when played off shimmering stabs of synth it all adds up to aWip3outrush that nods to both the old Rephlex Records sound as well as contemporary practitioners like Nightwave. Once again the synth lead is used lightly here, more an augmentation to the beat than the centrepiece - another demonstration of Annie Hall's ability to write with focus even when the overall intent is to move bodies in the club.
The energy of 'Problematic Tape Recorder' is spun in an unusual direction on 'Subsequent Experiments', the first track ofMemories That Never Happened's B-side. This cut may be the quickest on the record, but this does not mean it shouts the loudest. Indeed, 'Subsequent Experiments' may be the most ornate production here, full of shadowy sonics and a deconstructed beat running at D&B speed. A kind of shadowrealm version of Planet Mu's early drill & bass explorations crossed with UVB-76's darkside post-Metalheadz excursions, this one is an eerie thrill.
After the busy 'Subsequent Experiments', Annie Hall slows down to take the EP's home straight at mid-tempo. On 'Unparalleled Comfort', keyboard stabs slide over a rhythm that's at once driving enough for the dancefloor and nuanced enough to allow little half-melodies of synth to flit around above. It's a fitting closer for this EP, almost playing like an amalgamation of the elements which made the rest ofMemories That Never Happenedso appealing.
Annie Hall returns to Central Processing Unit withMemories That Never Happened, an EP of masterful productions which will delight both clubbers and home-listeners.
RIYL:µ-Ziq, Pessimist, Nightwave, Mark, Drexciya

With a long time passion for music and a love of experimenting with new sounds Annie isn’t constrained by the same boundaries as others. Producing since 2005, she has released on labels such as Tresor (with ´Daughter Produkt´ proyect along Gerald Donald), 2020 Vision, Detroit Underground, CPU records, Delsin Records and now she continues the journey with Orson and we are over the moon.

Annie Hall once again proves why she is one of the most interesting producers right now, continuing to carve her own niche of future machine funk right in between techno, electro and IDM. Overturn delivers a razor sharp remix with plenty of attention to detail, while Inter Gritty closes the EP with some serious old school vibes.

After more than a decade of deep, expansive productions on labels such as Detroit Underground and CPU, Annie Hall arrives on MUSAR for a record typically rich in texture and understated grooves. Indebted to vintage electro and IDM, Hall's music is no throwback, always looking forward and moving dancefloors in the most unexpected ways.