8th

8th HHV Records 8 Items

Show Filter & Categories

Filter Results

Label / Brand

!K7

100% Electronica

1332

20 Buck Spin

20th Century Masterworks

33 1/3

4AD

8th

90's Tapes

A&M

ABC

Ace

Acid Jazz

Acrobat

Acrylick

Act Music

ADA

Afm

Agonia

Air Vinyl

Alive

AMIGA

Amplified

AMS

Analogue Productions

Analogue Productions Atlantic 75 Series

Anti

Apollon

Apple

Archives De La Zone Mondiale

Argonauta

Ariola

Arising Empire

Arista

Arts

Asylum

ATCO

Athens Of The North

Atlantic

ATO

Atomic Fire

Audio-Technica

Audiolith

Aufnahme + Wiedergabe

Avantgarde

Back On Black

BBE Music

Be With

Bear Family

Beast

Because Music

Beggars Banquet

Bella Union

Bellevue Entertainment

Best Record Italy

BFD

BGP

Big Crown

Big Scary Monsters

Black Screen

Black Truffle

Blanco Y Negro

Bloodshot

Blue Note

BMG

BMG Rights Management

Bordello A Parigi

Born Bad

Brainfeeder

Buback

Buddah

Bureau B

Burning Sounds

Candid

Candlelight

Capitol

Captured Tracks

Caroline

Carpark

Casablanca

Castle Face

CBS

CBS/Sony

Century Media

Century Media Catalog

Charly

Cherry Red

Chiwax

Chopped Herring

Chrysalis

City Slang

Cleopatra

Clouds Hill

Coalmine

Cold Busted

Colemine

Columbia

Compost

Concord

Constellation

Cooking Vinyl

Craft

Croatia

Crosstown Rebels

Cult Legends

Culture Factory

Dais

Damaged Goods

Daptone

Dark Entries

Darkness Shall Rise Production

Das Wetter

Dead Oceans

Deathwish

Decca

Decksaver

Def Jam

Delusions Of Grandeur

Demon

Denovali

Deutsche Grammophon

Dezi Belle

Dezi-Belle

Diggers Factory

Discrepant

Dol

Domino

Don Giovanni

Drag City

Drumcode

Dying Victims Productions

Dynamite Cuts

Ear Music

Earache

Earmusic

Earmusic Classics

ECM

Edition

El Toro

Elektra

Elemental

EMI

EMI America

Empire

Endless Happiness

Epic

Epitaph

Epitaph Europe

Erased Tapes

ETERNA

Europa

Expansion

F.O.A.D.

Fantasy

Far Out

Fat Possum

Fat Wreck Chords

Favorite

Feel It

Fire

Fire Talk

Fokuz

Four Flies

Friday Music

Frontiers

Fun In The Church

Funk Night

Funko

Fuzz Club

FXHE

Gaphals

Gearbox

Geffen

Get On Down

Ghostly International

Glitterbeat

Glitterhouse

Golden Core

Gondwana

Gordy

Grand Hotel Van Cleef

Greensleeves

Grönland

Guerssen

Hammerheart

Hardly Art

Heavenly

Heavenly Sweetness

Heavy Psych Sounds

Hells Headbangers

HHV Records

High Focus

High Roller

Hip Hop Enterprise

Honest Jon's

Hopeless

Hyperdub

Iam8bit

Ilian Tape

Ill Adrenaline

Impulse

In The Red

Indie

Innovative Leisure

Insideoutmusic

Intermusic

International Anthem

Interscope

Invada

Invictus Productions

Ipecac

Iron Lung

Island

Izipho Soul

Jackpot

Jagjaguwar

Jakarta

Jazz Images

Jazz Is Dead

Jazz Wax

Jazzline

Jealous Butcher

Jet Set

Jive

Joyful Noise

Jump Up

Karisma

Karma Chief

Kent

Kill Rock Stars

Kniteforce

Kompakt

Kscope

L.I.E.S.

L.M.L.R.

La Agonia De Vivir

La Vida Es Un Mus

Laced

Lakeshore

Last Night From Glasgow

Lawson

Leaf

Leaving

Legacy

Les Disques Bongo Joe

Lewis

Lex

Liberty

Light In The Attic

Listenable

Lobster Theremin

Lofi

Loma Vista

London

Lovely

Luaka Bop

Magma

Mascot Label Group

Massacre

Masterworks

Matador

MCA

Mello Music Group

Melting Pot Music

Memphis Industries

Mercury

Merge

Metal Blade

Metalville

Metronome

Metropolis

Mexican Summer

MIG

Mississippi

Mnrk Music Group

Mobile Fidelity

Mobile Fidelity Sound Lab

Modern Harmonic

Mondo

Mord

Morr Music

Most Wanted

Motown

Mr Bongo

Munster

Music From Memory

Music On Vinyl

Musik Produktion Schwarzwald

Mute

Napalm

Nature Sounds

Needlejuice

Nettwerk

Neue Meister

New West

Ninja Tune

Nippon Columbia

Nonesuch

Not Now

Not On Label

Now-Again

Nuclear Blast

Numero Group

Odeon

One Little Independent

One Little Indian

ORG Music

Original Gravity

Ortofon

Outta Sight

P-Vine

Parlophone

Parlophone Label Group

Partial

Partisan

Past Inside The Present

Peaceville

Pelagic

Peoples Potential Unlimited

Phaidon

Phantom

Philadelphia International

Philips

Phobia

Pias

Pirates Press

Planet Mu

Planet Rhythm

Play It Again Sam

PNKSLM

Polydor

Polysom

Prestige

Pro-Ject

Profound Lore

Project: Mooncircle

Proper

Prophecy

Prophecy Productions

Prosthetic

Public Possession

Pure Noise

Pure Pleasure

Radiation Reissues

Rawax

RCA

RCA Victor

Real Gone Music

Reaper Entertainment Europe

Record Box

Record Kicks

Reissued Sounds

Rekids

Relapse

Reloop

Renaissance

Repertoire

Repertoire Entertainment Gmbh

Reprise

Republic

Return To Analog

Revelation

Rhino

Rhymesayers

Ripple Music

Rock Action

Rockabye Baby!

Rookie

Rough Trade

Rrc Music

Ruf

Run For Cover

Running Back

Rush Hour

Rvng Intl.

Sacred Bones

Sbäm

Schema

Sdban Ultra

Season Of Mist

Second

Secret

Secretly Canadian

Sentient Ruin Laboratories

Shall Not Fade

Sichtexot

Silva Screen

Slumberland

Smalltown Supersound

Sommor

Sony

Sony Classical

Sony Legacy

Sony Music

Sony Music Catalog

Sony Music Japan

Sony Music/Metal Blade

Souffle Continu

Soul Brother

Soul Jazz

Sound Signature

Soundflat

Sounds Of Subterrania

Soundway

Southern Lord

Speakers Corner

Spinefarm

Spittle

Staatsakt

Stag-O-Lee

Star Creature

Steamhammer

SteepleChase

Stickman

Stones Throw

Strut

Sub Pop

Subsound

Suicidal Tendencies

Suicide Squeeze

Sundazed

Sundazed Music Inc.

Sunny Bastards

Super7

Superior Viaduct

Supraphon

Svart

Tamla

Tamla Motown

Tapete

Target

Technics

Temporary Residence

The Flenser

The Saifam Group

The Sign

The Trilogy Tapes

Third Man

Threshold

Thrill Jockey

Tidal Waves Music

Time Is Now

Tommy Boy

Tonzonen

Topshelf

Touch & Go

Tough Love

Trading Places

Transgressive

Tresor

Trikont

Trouble In Mind

Tuff Kong

Ubiquity

UDG

Unique Leader

United Artists

Universal

Universal Music Japan

Urban

Vampisoul

Vendetta

Ventil

Venus

Vertigo

Vertigo Berlin

Verve

Victor

Vinyl Digital

Vinyl Magic

Vinyl Me, Please

Vinyl Passion

Virgin

Virgin Music Las

Voodoo Rhythm

Wagram

Wah Wah

Warner

Warner Classics

Warner Music International

Warp

Waxtime

Waxtime In Color

Waxwork

We Are Busy Bodies

We Jazz

WEA

Western Vinyl

Wewantsounds

Whirlwind

White Peach

Winspear

WRWTFWW

Yep Roc

ZYX

ZYX Music

8th

Blowfly

Blowfly's Disco Party

LP | 2018 | US | Reissue (8th)

£ 19.03*

Incl. VAT plus Shipping Costs

Release: 2018 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nobody could have suspected the path that Clarence Henry Reid
would take during the 1960s. During this time he worked as
a singer/songwriter and producer for the likes of KC & The
Sunshine Band, Bobby Byrd, Gwen McCrae, and various others.
He would also release his own compositions, including the deep
soul classic "Nobody But You Babe", which would become a
sampling favorite of KRS-One, Erykah Badu, DMX, and more.
Though Reid maintained a reputation as a consummate
professional among the romantic soul crowd, outside of
his day-job he turned a complete 180, writing and performing
humorous, deliberately raunchy and sexually-explicit parodies of
songs. These parodies would be relegated strictly to friends at
parties, and wouldn't see a wide audience until the 1970s hit.
In 1971 Reid would gather a collection of studio musicians,
including famed R&B sidemen Timmy Thomas & Benny Latimore
on keys, and Little Beaver on guitar, to finally commit these
parodies to wax. In order to protect his identity as a songwriter
Reid took on the stage name Blowfly, and dressed as a comic
book super villain for live performances and photos. From there
he would release numerous studio albums of similarly crude
parodies throughout the 70s and 80s, which were enormously
popular as party records. These records would also go on to
become a wealth of sampling fodder for artists like Jurassic 5, The
Pharcyde, DJ Shadow, Eazy-E, and many more, as well as lead
Reid to collaborate with artists as varied as soul contemporary
King Coleman, to former Dead Kennedys frontman Jello Biafra, to
ganja-centric rapper Afroman.
1978's Blowfly's Disco Party was no less lewd than its
predecessors, putting a funky-disco spin on Reid's signature
blend of explicit parodies, and deliberately cheeky tracks. No
track is safe from Reid's dirty lyrics, as he parodies classic
Motown hits, Delta blues songs, and even his own discography.
(His naughty spin on his own deep soul hit "Nobody But You,
Babe", becomes "Nobody's Butt But Yours, Babe".)

Go to Item

Violinaires

Groovin' With Jesus

LP | 1971 | US | Reissue (8th)

£ 20.68*

Incl. VAT plus Shipping Costs

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A group that at one point had
Wilson Pickett among their ranks, The
Violinaires have been a staple of gospel
music since the 1950s. During this time
the group cut over 25 full-length albums
blending spiritual themes and zeal
direct from their churches with a secular
soul sound. 1973's Groovin' With Jesus
is one such album, which found The
Violinaires toying with Aretha
Franklin-style gospel-funk. Features
soulful covers of tracks by Galt
MacDermot, George Harrison, and
various others, with a distinctly
religious twist.

Go to Item

Blowfly

Blowfly's Zodiac Party

LP | 1978 | US | Reissue (8th)

£ 27.30*

Incl. VAT plus Shipping Costs

Release: 1978 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nobody could have suspected the path that Clarence Henry Reid
would take during the 1960s. During this time he worked as a
singer/songwriter and producer for the likes of KC & The
Sunshine Band, Bobby Byrd, Gwen McCrae, and various others.
He would also release his own compositions, including the deep
soul classic "Nobody But You Babe", which would become a sampling
favorite of KRS-One, Erykah Badu, DMX, and more. Though
Reid maintained a reputation as a consummate professional
among the romantic soul crowd, outside of his day-job he turned
a complete 180, writing and performing humorous, deliberately
raunchy and sexually-explicit parodies of songs. These parodies
would be relegated strictly to friends at parties, and wouldn't see
a wide audience until the 1970s hit.
In 1971 Reid would gather a collection of studio musicians,
including famed R&B sidemen Timmy Thomas & Benny Latimore
on keys, and Little Beaver on guitar, to finally commit these
parodies to wax. In order to protect his identity as a songwriter
Reid took on the stage name Blowfly, and dressed as a comic
book super villain for live performances and photos. From there
he would release numerous studio albums of similarly crude
parodies throughout the 70s and 80s, which were enormously
popular as party records. These records would also go on to
become a wealth of sampling fodder for artists like Jurassic 5, The
Pharcyde, DJ Shadow, Eazy-E, and many more, as well as lead
Reid to collaborate with artists as varied as soul contemporary
King Coleman, to former Dead Kennedys frontman Jello Biafra, to
ganja-centric rapper Afroman.
1978 saw the release of Blowfly's Zodiac Party, a loosely defined
concept album which framed Reid's explicit renditions around the
theme of the Greek Zodiac symbols. Reid had already covered
this topic earlier on the similarly titled Blowfly Zodiac, but Zodiac
Party differentiates itself from its lack of parodies, instead placing
Reid in the center of a raucous shindig with his backing band,
schmoozing effortlessly with excited partygoers, curious to know
their signs. It's a singularly surreal entry in the parodist's catalog,
but a no less entertaining 70s party record.

Go to Item

Tom Waits & Crystal Gayle

One From The Heart

LP | 1982 | US | Reissue (8th)

£ 28.96*

Incl. VAT plus Shipping Costs

Release: 1982 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tom Waits is a highly influential singer/songwriter,
noteworthy for delving into realms of noisy industrial blues
experimentation, blues jazz, and dust, rust-belt folk, as well
as for his distinct, heavily raspy vocal style. Crystal Gayle is
a Top 40 country artist, with more than fifteen #1 singles on
the Billboard US Country charts, including her #2 Billboard
Top 200 signature hit "Don't It Make My Brown Eyes Blue",
and a member of the Grand Ole Opry.
By all accounts there's little reason for these two vastly
different artists to come together and collaborate on an
album. Yet in 1982, the two were brought together to write
and perform on the soundtrack to Francis Ford Coppola's
1982 romantic musical film One From The Heart. The
soundtrack was written by Waits himself, who also sang and
played piano, while Gayle (Whom Waits had picked himself,
after Bette Midler was unavailable.) provided vocals on
several solo songs as well as duets with Waits, all backed by
a cavalcade of jazz session veterans, like Jack Sheldon on
trombone, Shelly Manne on percussion, Greg Cohen on
bass, Teddy Edwards on tenor saxophone, and more.
Though the film One From The Heart was a box office flop,
the Waits & Gayle-featured soundtrack was embraced by
critics, many of whom pointed to it as the best thing
associated with the film. Recorded just before Waits
abandoned jazz-blues for the junkyard clamor of his 1983
album Swordfishtrombones, Waits' ragged baritone is mixed
with Gayle's silky croon to perfect effect, and makes One
From The Heart's soundtrack a must-own for any fan of film
soundtracks, cinematic jazz, and certainly of Waits & Gayle

Go to Item

T-Bone Walker

The Truth

LP | 1968 | US | Reissue (8th)

£ 20.68*

Incl. VAT plus Shipping Costs

Release: 1968 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Aaron Thebeaux "T-Bone" Walker was all but destined for performance from the start. After all both of his parents were musicians, who taught him how to play guitar, ukulele, banjo, violin, mandolin, and piano. He was even an early protege of Blind Lemon Jefferson, who was a friend of the family, and often came over to dinner. Walker began performing blues music during the late 1920s and early 1930s, cutting his first singles, while performing as a sideman across the country, often performing alongside Blind Lemon Jefferson himself, as well as contemporaries like Douglas Fernell, Big Jim Wynn, and Charlie Christian. By the 1940s, Walker had begun to perform more frequently as a solo act, recruiting his own backing band, and being among the first to adapt a guitar technique that would change the course of music history: electric amplification.Were it not for Walker leading the charge and pioneering the electric blues sound, contemporary music might have been very different. His sound help set the stage for essential Chicago Blues artists like Muddy Waters, Howlin' Wolf, and Willie Dixon, while providing key influence to the likes of B.B. King, Jimi Hendrix, Chuck Berry, and innumerable others.

Go to Item