Vinyl 122737 Items

2LP | 2025 | EU | Original (90's Tapes)

Release: 2024 / DE – Original

Genre: Hip Hop

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Alligator Bites Never Heal showcases Doechiis versatility across genres such as alternative hip hop, alternative R&B, and trap. It features production from Camper, Childish Major, Kal Banx, Devin Malik, and Monte Booker, among others, with a guest appearance by rapper Kuntfetish.

Pitchfork noted the project's blend of "playful and melodic sides without skimping on hard-hitting hip-hop."

"Alligator Bites Never Heal" received significant acclaim, earning nominations for Best Rap Album at the 67th Annual Grammy Awards, with "Nissan Altima" nominated for Best Rap Performance, and Doechii herself for Best New Artist.
The album also appeared on several year-end lists, ranking ninth on Rolling Stone's "The 100 Best Albums of 2024."

The title and cover art pay homage to Doechii's Florida roots, featuring her holding an albino alligator, symbolizing her nickname, the "Swamp Princess."

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Southpaw

Left Hand Rule

39,99 €*

3LP | 2025 | EU | Original (90's Tapes)

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 2LP - one copy per customer maximum.

Hailing from Cleveland, Ohio, Southpaw created a very unique sound between east and west. The duo comprised of Wil Champion & Pro-K delivered two certified classics in the mid 90's, handling both the production and rhyme part on their own. "Left Hand Rule" marked their debut in 1993, released in limited runs on vinyl, CD and cassette.

The artwork contains an alternate cover image from the original photo session.

Available in a limited run on 2LP, CD in jewel case, MC and digitally on all major platforms.

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Ase Man

Step Into The A.M.

3LP | 2025 | EU | Original (90's Tapes)

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 3LP in gatefold sleeve incl. inlay card - one copy per customer maximum.

Southpaw's longtime friend and Apex Crew member Ase Man originally dropped his CD-only debut "Step Into The A.M." in 1997, the same year when Southpaw's sophomore album "Left Hook" had been released. Wil Champion handled the productions, Pro-K served the cuts and Ase Man delivered the rhymes with features by Paradox & Lynes. Next to the original 12 tracks, the full album includes all instrumental versions sourced from the original DAT's.

Available in a limited run on 3LP, 2CD in jewel case, 2MC and digitally on all major platforms.

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Southpaw

Left Hook

3LP | 2024 | EU | Original (W.25th)

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 300 copies on 3LP in gatefold sleeve incl. inlay card - one copy per customer maximum.

Hailing from Cleveland, Ohio, Southpaw created a very unique sound between east and west. The duo comprised of Wil Champion & Pro-K delivered two certified classics in the mid 90's, handling both the production and rhyme part on their own. In 1997, the sophomore album "Left Hook" dropped in limited runs on CD and cassette. Next to the original 12 tracks, the full album includes all instrumental versions sourced from the original DAT's.

Available in a limited run on 3LP, 2CD in jewel case, MC and digitally on all major platforms.

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Cindy Lee

Diamond Jubilee

48,99 €*

Will Rap For Food Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Superior Viaduct and our new artist label, W.25TH, are proud to continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the 3rd best album of the 2020s, anticipation and conversation around the record has been high.

Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). Over several albums, Flegel has combined delicate melodies and sheer beauty with moments of experimentation. With Diamond Jubilee, Flegel’s undeniable songcraft comes to the foreground, embracing a more instant connection and accessibility. Timeless tales of love and longing, surrounded by sticky hooks, take the listener on an unforgettable journey.

Diamond Jubilee was written and recorded over several years by Patrick Flegel in Toronto, Durham, Calgary and Montreal at Realistik Studios. The album was mixed by Steven Lind, who also contributes to several tracks and co-wrote “Baby Blue,” and was mastered by Joshua Stevenson. Triple LP on black vinyl comes with 24” x 36” poster.

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Cunninlynguists

2LP | 2002 | US | Reissue (Stunning English)

41,99 €*

Release: 2002 / US – Reissue

Genre: Hip Hop

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Coalmine Reissues in partnership with Stunning English are pleased to announce this special edition vinyl reissue of CunninLynguists’ celebrated debut LP, Will Rap for Food, marking the first time the album will be available on wax since 2005. Consisting of founding members Deacon the Villain and Kno, the duo would make a name for themselves for their East Coast-influenced boom bap with a southern charm, abound with battleready braggadocio and side-splitting humor. Right from the intro, the pair get down to business, delivering a balanced combination of both lighthearted subjects and weighty material, produced largely by Kno, whose skillfully crafted soundscapes would catapult him into the upper echelon of beat makers with his style of ’90s New York loop-digging and chipmunk soul. On the lyrical tip, Deacon and Kno manage to incorporate punchline rhymes, introspective musings, and your more standard rap boasts without ever sounding forced. Deacon is especially adept at the wordplay, where heopens up the album with the line, “The music makes me high even though I stay away from cannabis like Wyclef.” In addition to their quick witted bars, the duo also chart out more emotional terrain, with Deacon’s confessional account of finding himself through hip-hop on “Mic Like A Memory” and Kno’s painful story of abandonment by his mother on “Family Ties.” With the album title and scattered skits of two panhandling emcees, the CunninLynguists playfully appeal to both the mainstream and underground dichotomy, without dwelling on the distinction.

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OST The Sims 25th Anniversary HHV Exclusive Mint Green Vinyl Edition

2LP | 2025 | US | Original (Enjoy The Ride)

47,99 €*

Release: 2025 / US – Original

Genre: Soundtracks

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Limited to 300 copies.

Sul Sul! Enjoy The Ride Records, in partnership with Lakeshore Records & EA Music, proudly presents The Sims 25th Soundtrack!
For 25 years, the music of The Sims has been the soundscape of creativity and curiosity, from the first brick placed in Build Mode to the last outfit perfected in Create-a-Sim. Now, for the first time on vinyl, you can experience the iconic compositions that have shaped generations of Sims players.
Featuring unforgettable tracks by Jerry Martin, Mark Russo, Mark Mothersbaugh, Steve Jablonsky, and Ilan Eshkeri, this special collection spans The Sims, The Sims 2, The Sims 3, and The Sims 4 — including the legendary theme songs and beloved Build, Buy, and CAS melodies.
This limited-edition 2xLP vinyl is housed in a beautifully designed gatefold jacket, celebrating The Sims’ 25th birthday. With only 10,000 copies available across 10 colorful variants, this release is as unique as your Sim’s next big adventure. Don’t miss out on this collector’s dream!

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3 Feet High And Rising Yellow Vinyl Edition

2LP | 1989 | EU | Reissue (Chrysalis)

24,19 €* 37,30 € -35%

Let's Get Free 25th Anniversary Edition

Release: 1989 / EU – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Finally, back on vinyl. Now as a double vinyl LP, officially reissued. This is the yellow indie exclusive vinyl edition. Must have!

3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me, Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll in 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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Dead Prez

2LP | 2000 | EU | Reissue (Sony Music Catalog)

In My Own Time 50th Anniversary Edition

Release: 2000 / EU – Reissue

Genre: Hip Hop

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Double vinyl LP pressing. Let's Get Free was the debut studio album by hip-hop duo Dead Prez, originally released in 2000. Critically acclaimed upon it's release, Let's Get Free was called a "return to politically conscious rap" and, "the most politically conscious rap since Public Enemy"; the duo's messages also earned them favorable comparisons with Brand Nubian, The Coup, Def Jef and X-Clan. The album's lyrics, performed in front of sparse beats are startlingly direct, militant, and confrontational. M-1 and stic. Man excoriates the media, the music industry, politicians, and poverty, and urge their target audience to study socialism and ideas of black power. Rolling Stone gave the album four stars and lauded it's equation of "classrooms with jail cells, the projects with killing fields and everything from water to television with conduits for brainwashing by the system".

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Karen Dalton

2LP+7" | 1972 | US | Reissue (Light In The Attic)

29,23 €* 58,48 € -50%

LP | 1966 | US | Reissue (Light In The Attic)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions
Previously unreleased 7” single: Live at Beat Club, Germany (April 1971)
Repro of 1971 French edition 7” single: Something On Your Mind b/w One Night Of Love
Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets
20-page booklet featuring unseen photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart
Housed in a special, expanded trifold jacket

Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with a special edition of this monumental classic.

Featuring Dalton’s interpretations of songs like “Are You Leaving for the Country,” “When a Man Loves a Woman,” “Katie Cruel,” and her posthumously recognized signature performance, “Something On Your Mind,” the album will be available in a 50th anniversary Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.

This 50th Anniversary Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at Record Technology Inc. (RTI), with the fourth side showcasing alternate takes from the album sessions. The set also contains two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package, which comes housed in a special trifold jacket.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971

11–13: Alternate Takes from album sessions, 1970/71

14–15: Recorded live at Beat Club, Germany, April 21, 1971

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Nancy Sinatra

Boots Blue Vinyl Edition

24,70 €* 49,40 € -50%

One For All 30th Anniversary Edition

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Brand Nubian

2LP+7" | 2020 | US | Original (Tommy Boy)

22,93 €* 35,28 € -35%

Naughty By Nature Blue & Yellow Splatter Vinyl Edition

Release: 2020 / US – Original

Genre: Hip Hop

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30th anniversary of this highly acclaimed album best know for for it's politically charged and socially conscious content.

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Naughty By Nature

2LP | 1991 | CZ | Reissue (Tommy Boy)

22,93 €* 35,28 € -35%

Release: 1991 / CZ – Reissue

Genre: Hip Hop

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Godfather Don & Jazz Spastiks

Writer's Delight

2LP | 2025 | EU | Original (HHV Records)

HHV Records Sticker Sheet

Release: 2025 / EU – Original

Genre: Hip Hop

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Limited edition of 500 copies on black vinyl.

Godfather Don and the Jazz Spastiks team up again for "Writer's Delight" including the yet released neckbreakers "Straight From The Gutter" and "Kick The Ballistics". Yet again Don delivers his undefeated rhyme skills and clever wordplay on dusty signature beats by the Spastiks, giving you the true Hip Hop feel from start to finish. 22 tracks in total including all instrumentals, available in a limited run on 2LP plus digitally on all major platforms.

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HHV

1 Piece | 2023 | Original (HHV Records)

80 Bonus Coins

Forever Howlong HHV Exclusive Blue Sparkle Vinyl Edition

Release: 2023 / Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Electronic & Dance, Reggae & Dancehall, Pop, Soundtracks

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Bonus Coins

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker, square
• KEATS Logo Sticker, square
• Beat Jazz International Logo Sticker, square
• For the RECORD Logo Sticker, round
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• HHV Mag Logo Sticker, round
• HHV Boombap 45's Logo Sticker, round
• 90's Tapes Logo Sticker, round
• For The CULTURE Logo Sticker, round
• Vinyl Diggers Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• 20 Years HHV Logo Sticker, round

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Black Country, New Road

2LP | 2025 | UK | Original (Ninja Tune)

LP | 2025 | EU | Original (Interscope)

Release: 2025 / UK – Original

Genre: Rock & Indie

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300 copies of blue sparkling vinyl only availabe at HHV.

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Kendrick Lamar

GNX Black Vinyl Edition

Mayhem Indie Exclusive Opaque Blue Jay Vinyl Edition

Release: 2025 / EU – Original

Genre: Hip Hop

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GNX is the sixth studio album by American rapper Kendrick Lamar, released unexpectedly digitally on November 22, 2024, through PGLang and Interscope Records. This album follows his 2022 release, "Mr. Morale & The Big Steppers," and marks his first project after departing from longtime labels Top Dawg Entertainment and Aftermath Entertainment.

The album's title, "GNX," references the Buick Grand National Experimental, a limited-production model of the Buick Regal from 1987, known for its all-black appearance and high performance.

"GNX" comprises 12 tracks, featuring collaborations with artists such as SZA on "Luther" and "Gloria." The production team includes notable figures like Jack Antonoff, Sounwave, and DJ Mustard. The album's opening track, "Wacced Out Murals," delves into Lamar's experiences and relationships within the music industry, mentioning artists like Snoop Dogg, Nas, and Lil Wayne. The song reflects on Lamar's journey and the dynamics of his interactions with these artists. "Squabble Up," another track from the album, showcases Lamar's integration of California rap styles, including G-funk and hyphy, mixed with vibrant influences such as mariachi. This track channels a carefree and rebellious spirit, even evoking 2Pac’s defiant attitude. "Heart Pt. 6" continues Lamar's long-running biographical series, detailing his split with Top Dawg Entertainment to form his own creative communications company, PGLang.

The surprise release of "GNX" has been met with significant attention and acclaim, further solidifying Kendrick Lamar's status as a leading figure in contemporary hip-hop.

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Lady Gaga

2LP | 2025 | EU | Original (Interscope)

39,99 €*

Release: 2025 / EU – Original

Genre: Pop

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Preorder shipping from 2025-03-07

Nancy Sinatra & Lee Hazlewood

Nancy & Lee Sundown Metallic Gold & Clear Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

20,56 €* 34,28 € -40%

2LP | 1994 | EU | Reissue (SCMD Music)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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King Tee

IV Life

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Madvillain (MF DOOM & Madlib)

Madvillainy Demos

LP | 2024 | US | Original (Stones Throw)

LP | 1996 | JP | Reissue (P-Vine)

Release: 2024 / US – Original

Genre: Hip Hop

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In 2002, before Madlib and MF Doom finished Madvillainy, the first demo sequence of the album leaked online – early vocal cuts from Doom, recorded then quickly mixed in LA at Madlib’s Bomb Shelter studio. The leak spread around the world, and while the tracks may have been unfinished, it was clear that this was a hip-hop album unlike any other…

We’re celebrating the 20th anniversary of Madvillainy by releasing the Demos on vinyl for the first time, mastered by Dave Cooley, and with a new cover photo and insert of photographer Eric Coleman's contact sheets from the original album shoot. Vinyl mastering by Phil Rodriguez.

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Innersoul

The Theory

Release: 1996 / JP – Reissue

Genre: Hip Hop

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Released in 1996, Innersoul's "The Theory" has become a legendary album in the underground hip-hop scene and is now being reissued on limited pressing LP with Japanese obi-strip! Leading the way is "It's The Right Time," which was also released as a 12-inch EP single, along with tracks that evoke the jazz and soul sampling of the East Coast underground vibe from the 1990s, featuring the lighthearted rap and exchanges typical of the era. Bonus tracks are also included.

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Clear Lake Audiotorium Sea Green Vinyl Edition

12" | 1994 | WW | Reissue (Chrysalis)

23,99 €*

Crashin' From Passion Red Vinyl Edition

Release: 1994 / WW – Reissue

Genre: Hip Hop

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Sea Green vinyl in a clear sleeve w/ sea green gel & a printed insert. de la Soul's "Clear Lake Audiotorium" is one of their most sought-after releases by super fans. The holy grail of de la Soul albums, it was released in 1994 exclusively as a promotional item to A-list DJs. It features four tracks from the group's Buhloone Mindstate album and two new tracks - "sh. Fe. Mc's" featuring A Tribe Called Quest and "Stix & Stonz" featuring The Fearless Four, Grandmaster Caz, and Prince Whipper Whip). While only 500 copies were pressed of the original, this legendary collector's item is now available as a limited edition release.

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Betty Davis

LP | 2023 | US | Original (Light In The Attic)

18,65 €* 37,30 € -50%

Flora HHV Exclusive Daisy Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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In the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music - a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved the way for generations of future artists who said “funk you” to the music industry and social norms. In 1979, when Davis entered an L.A. studio to record her fifth and final album, she was reeling from a series of setbacks. Three years earlier, after recording her fourth album, Is It Love Or Desire, Davis was dropped from her label and the LP was subsequently shelved. In 1978, her beloved band Funk House went their separate ways. Looking for a fresh start, Davis relocated to Hollywood to focus on songwriting. Before long, British manager Simon Lait (Toni Basil), offered to fund her next project. With renewed vigor, Davis reunited with former Funk House guitarist Carlos Morales and brought together industry veterans like fusion drummer Alphonse Mouzon and session bassist Chuck Rainey. Old friends Anita and Bonnie Pointer (The Pointer Sisters) and Patryce “Choc’let” Banks joined Davis on vocals, as did Motown legend Martha Reeves. The resulting album, Crashin’ From Passion, was her most musically diverse, blending elements of reggae and calypso (“I’ve Danced Before”), jazz (“Hangin’ Out in Hollywood,” “Tell Me a Few Things”), dark synth-pop (“She’s a Woman”), and even disco (“All I Do Is Think of You”). Equally exploratory are Davis’ vocals, as she trades in her signature sass and snarls for more nuanced stylings. Among the album’s few funk tracks is “Quintessence of Hip,” in which Davis hails musicians like Bob Dylan, Billie Holiday, Stevie Wonder, and John Coltrane, while deftly integrating elements of their work. The song also offers a moment of stark vulnerability, as she sings, “Isn’t rich? Isn’t it queer? Losing my timing so late in my career.” It would prove to be a prophetic line in the months to follow. The mixing process was mired by artistic differences and then cut short, amid the death of Davis’ beloved father. Bereft and exasperated, Davis returned home for the funeral, setting into motion her retirement from the music industry. Crashin’ From Passion, meanwhile, would be shelved for 15 years and licensed for a CD-only release, without Davis’ consent, in the ‘90s. This 2023 edition of the album, made with Davis’ full approval and cooperation, marks its first official release and first time ever on vinyl. The package was designed by GRAMMY®-winning artist, Masaki Koike, while the album cover features an incredible shot of Betty captured in London in the mid-1970s by renowned photographer Kate Simon. Crashin’ From Passion was remastered by Dave Cooley at Elysian Masters and pressed on vinyl at Record Technology, Inc. (rti). The accompanying booklet includes a treasure trove of rare photos from the era, plus lyrics, and new liner notes by writer, ethnomusicologist, and Betty’s close friend, Danielle Maggio, who integrates interviews that she conducted with Davis, marking her last ever interviews.

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Hiroshi Yoshimura

2LP | 2006 | WW | Reissue (Temporal Drift)

50,99 €*

Nocturnal Black Vinyl Edition

Release: 2006 / WW – Reissue

Genre: Electronic & Dance

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HHV Exclusive pressed on "Daisy" Transparent Yellow colored vinyl - limited to 300 copies! Following their 2024 reissue of Hiroshi Yoshimura’s classic album, Surround, Temporal Drift proudly presents the first-ever reissue of Flora, Yoshimura’s underappreciated ambient classic. Flora was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura’s passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Yoshimura’s other recorded works include Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and Pier & Loft (1983), commissioned as accompaniment to a contemporary fashion show. "Flora is an album that is listened to perpetually, Passed on from one listener to another, And the charm of the sound- and music-loving figure known as Hiroshi Yoshimura, Just might come drifting through. Like the scent of a small flower." — Junichi Konuma *

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Heltah Skeltah

LP | 1996 | EU | Reissue (Music On Vinyl)

MF DOOM X Tatsuro Yamashita

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Music on Vinyl releases the incredible classic "Nocturnal" as a 1LP pressing on black wax.

Released in 1996, Nocturnal was the debut studio album by hip hop duo Heltah Skeltah, comprising Rock (Jahmal Bush) and Ruck (Sean Price).The album featured production by Buckshot (of Black Moon), Lord Jamar, Da Beatminerz and others. It peaked at number 5 on the Top R&B/Hip Hop Albums and number 35 on the Billboard Top 200 that year. The 18 tracks skiflfully incorporated samples from artists such as Johnny Pate, Lalo Schfirin, and George Benson. Guest apperances from O.G.C, Reprensetativz, Vinia Mojica, Illa Noyz and notable singles "Leflaur Leflah Eshkoska", "Operation Lock Down" and "Therapy".

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Tanda

LP | 2024 | UK (Unknown)

Release: 2024 / UK

Genre: Hip Hop, Pop

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Combining the unique flows of MF Doom with Japanese pop legend Tatsuro Yamashita, Tanda blends these two worlds into one with a LP full of heading-nodding feel-good funk.

BE Quick! Limited Pressing!!

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2LP | 1996 | EU | Reissue (Chrysalis)

Stakes Is High

23,44 €* 31,25 € -25%

Music Can Hear Us Magenta Vinyl Deluxe Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Stakes is High is the 4th studio album by De La Soul, released on July 2, 1996. Stakes is High was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rapper and actor Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".

Don't forget to grab your Stakes Is High poster from our Bonus Coin section.

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DJ Koze

2LP+7" | 2025 | EU | Original (Pampa)

41,99 €*

Release: 2025 / EU – Original

Genre: Electronic & Dance, Pop

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Koze's new work with a lot of famous guests.

DJ Koze’s Music Can Hear Us is, according to the artist, a 64-minute trip into space and back.
An album that races like a runaway rollercoaster in a zigzag through a parade of planets, from which magicians like Damon Albarn, Soap&Skin, Ada, Sophia Kennedy, Markus Acher von The Notwist und Marewrew wave. This record is the most potent legal drug currently available on the open market.
A cosmic synapse rodeo with an incredibly high density of wonder, a place you didn’t even know existed.

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Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Green Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

24,70 €* 49,40 € -50%

Hallucinating Love HHV Exclusive Dark Orange Vinyl Edition

Release: 2023 / US – Original

Genre: Pop

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* The latest chapter in the acclaimed Pacific Breeze series! * Artwork by renowned illustrator Hiroshi Nagai * Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab) * Newly remastered audio * 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI * Extensive artist bios by Yosuke Kitazawa * Digital mockups are not an exact representation of colors

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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Maribou State

LP | 2025 | UK | Original (Ninja Tune)

Release: 2025 / UK – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Limited edition of 200 copies!

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Wamono A To Z Volume I HHV Exclusive Numbered Clear Vinyl Edition

LP | 2021 | EU | Reissue (180g)

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies! Numbered by hand. Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. For this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

26,61 €* 44,36 € -40%

LP | 1996 | US | Reissue (Tommy Boy)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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Grand Puba

2000

18,34 €* 26,21 € -30%

LP | 2025 | EU | Original (Umse)

Release: 1996 / US – Reissue

Genre: Hip Hop

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Vinyl LP pressing. Grand Puba, rapper and emcee, is best known as one of the members of the group Brand Nubian. 2000 is his second solo studio album and was released in 1995 and hit number 5 on the Top R&B/Hip-Hop Albums in the US and got 4 mics from The Source. The album spawned two singles: "I Like It (I Wanna Be Where You Are)", which was featured in the soundtrack for the video game Tony Hawk's Underground 2 and "A Little of This" which has backing vocals from Kid (from Kid 'n Play). The album contains a good juxtaposition of tough drums and bass with smooth soul samples & interpolations (DeBarge, Barry White, The Delfonics, Rose Royce, The Stylistics).

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Umse

Immunsystem

20,99 €*

Release: 2025 / EU – Original

Genre: Hip Hop

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Scenes From The Second Storey

The God Machine

2LP | 2025 | EU | Original (Virgin Music Las)

38,99 €*

2LP | 1995 | EU | Reissue (Hip Hop Classic)

Release: 2025 / EU – Original

Genre: Rock & Indie

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An underground post-rock classic available on double-vinyl for the first time since 1993.

New vinyl transfer (by Frank Arkwright, Abbey Road) made from original production masters.

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B.G. Knocc Out & Dresta

Real Brothas

53,99 €*

Madvillain (MF DOOM & Madlib)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Limited edition of 500 copies.

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Madvillainy 20th Anniversary Audiophile Pressing

2LP | 2004 | US | Reissue (Stones Throw)

Everything Is Alive HHV Exclusive Transculent Tan Vinyl Edition

Release: 2004 / US – Reissue

Genre: Hip Hop

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Stones Throw is celebrating the 20th anniversary of Madvillainy with a new Audiophile Edition: re-cut at 45rpm and pressed on 180g vinyl. Housed in a gatefold jacket with full album lyrics. Lacquer cut at Bernie Grundman. Manufactured at Optimal Media. Premium quality rice paper inner sleeves.

The album is celebrated for its dense, abstract lyrics, unconventional production, and minimalist approach, solidifying its status as one of the greatest hip-hop records of all time.

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Slowdive

LP | 2024 | US | Reissue (Dead Oceans)

Apollo Brown & Crimeapple

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Colorway exclusive to HHV and limited to 500 copies.

Everything is alive, slowdive's 5th record, is exactly what the title suggests: an exploration into the shimmering nature of life and the universal touch points within it. While there are parts of this record that could sit neatly next to the atmospheric quality of 1995's Pygmalion; everything is alive also manages to break down the boundaries of what's come before it. Spanning psychedelic soundscapes, pulsating 80's electronic elements and John Cale inspired journeys, the album lands immediately as something made for 2023 and beyond. For a genre that is often thought of as divisive, and often warrants introspection, here slowdive show their craft as the masters of it by pushing it outwards, beyond the singular; the end result being a record which feels as emotional and cathartic as it is hopeful.

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This, Is Not That Gold Tar Swirl Vinyl Edition

LP | 2025 | US | Original (Mello Music Group)

One Last Laugh In A Place Of Dying

Release: 2025 / US – Original

Genre: Hip Hop

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When Apollo Brown and Crimeapple connect, it’s like old film grain under a projector—gritty, timeless. This album isn’t just boom-bap nostalgia; it’s a rebirth of smoke-stained bars, where Crimeapple plays both poet and philosopher, flipping bilingual manteca rhymes with a chef’s precision, stirring up the street grime and serving it with a side of sharp wit. Apollo Brown, as always, builds his beats like ancient architecture—dusty, soulful, and heavy with forgotten stories. These tracks sound like the cracks in the sidewalk talking back, the perfect companion for long nights and even longer thoughts. It’s a sonic novel, a street sermon, and Crimeapple’s wordplay dances through it like grease sizzling in a pan, a reminder that even in decay, there’s beauty. This, Is Not That.

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The God Machine

2LP | 2025 | EU | Original (Virgin Music Las)

38,99 €*

Lan Juks Limited Doppel-Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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2nd and final album by a band lost much too early after the death of bassist Jimmy Fernandez. First time on vinyl since 1994.

New vinyl transfer (by Frank Arkwright, Abbey Road) made from original production masters and now expanded to a 2LP set for maximum sonic fidelity.

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Kool Savas

2LP | 2025 | EU | Original (Essah Media Gmbh)

Release: 2025 / EU – Original

Genre: Hip Hop

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

24,70 €* 49,40 € -50%

LP | 1993 | EU | Reissue (Rarebreed)

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Pudgee Tha Phat Bastard

Give Em The Finger

LP | 2025 | UK | Original (Forever Living Originals)

Release: 1993 / EU – Reissue

Genre: Hip Hop

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Rarebreed is proud to celebrate the 30th anniversary of Pudgee Tha Phat Bastard’s classic debut album Give ’Em the Finger with an exclusive vinyl re-release!

First hitting the streets in 1993, this album quickly became a hidden gem in the golden era of hip-hop, delivering razor-sharp lyricism and head-nodding boom-bap production by Trakmasterz. This special edition has been fully remastered, breathing new life into the hard-hitting tracks that defined Pudgee’s raw storytelling and signature style.

As a bonus for this anniversary release, we’re including a unreleased remix of Lady In My Life that reimagines one of the original cuts, offering a fresh take while keeping the essence of Pudgee’s unmistakable flow. Whether you’re rediscovering this underground classic or experiencing it for the first time, this vinyl re-release is a must-have for fans of ‘90s hip-hop.

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Sault

Acts Of Faith

People Watching Indie Exclusive Blue Yolk Vinyl Edition

Release: 2025 / UK – Original

Genre: Organic Grooves

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Vinyl format only. Acts of Faith is the eleventh studio album from British R&B musical group Sault. Originally previewed in December 2023 at a one-night only concert in London, which was the group's first performance. Upon the album's release, Bill Pearis of Brooklyn Vegan called this "yet another stunner" from the group that is "a joyous rumination on faith". Writing for Radio New Zealand, Tony Stamp noted the religious themes and uplifting lyrics in the music and responded to the band's mystique by summing up, "everything on record is so substantive, and enriching, that the gimmicks feel justified"

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Sam Fender

LP | 2025 | EU | Original (Polydor)

Release: 2025 / EU – Original

Genre: Pop

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Pinata 10 Year Anniversary Edition

Freddie Gibbs & Madlib

LP | 2021 | US | Reissue (Madlib Invazion)

32,99 €*

2LP | 2020 | EU | Original (Blue Note)

Release: 2021 / US – Reissue

Genre: Hip Hop

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Pinata - 10 Year Anniversary Edition Is Presented In A Green In Clear with Black & White Splatter Pressing Housed In An Variant Cover With A Collectable 24” x 24” Poster Pinata, the collaborative effort of famed producer Madlib and rapper Freddie Gibbs, changed the course for these two musical mavericks. For its 10 year anniversary the project was issued with a fresh variant cover with the pressing being a half speed lacquered version of this hip hop classic.

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Tom Misch & Yussef Dayes

What Kinda Music

19,99 €*

Music Can Hear Us HHV Exclusive Transparent Curaçao Vinyl Edition

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

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DJ Koze

2LP | 2025 | EU | Original (Pampa)

LP | 2025 | EU | Original (Leiter)

Release: 2025 / EU – Original

Genre: Electronic & Dance, Pop

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Limited to 500 copies in transparent curacao, only available at HHV.

DJ Koze’s Music Can Hear Us is, according to the artist, a 64-minute trip into space and back.
An album that races like a runaway rollercoaster in a zigzag through a parade of planets, from which magicians like Damon Albarn, Soap&Skin, Ada, Sophia Kennedy, Markus Acher von The Notwist und Marewrew wave. This record is the most potent legal drug currently available on the open market.
A cosmic synapse rodeo with an incredibly high density of wonder, a place you didn’t even know existed.

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Moses Yoofee Trio

MYT

Release: 2025 / EU – Original

Genre: Organic Grooves

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SABLE, fABLE Black & Salmon Vinyl Editon

Bon Iver

2LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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2LP | 1996 | EU | Reissue (Sony)

A Tribe Called Quest

Beats, Rhymes & Life

26,99 €*

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Originally released in 1996, 'Beats, Rhymes and Life' marked a bold new chapter in A Tribe Called Quest's legendary career. With production by Q-Tip and J Dilla, the album blends jazzy, soulful beats with introspective lyrics and sharp social commentary. Showcasing the group's evolving sound, while staying true to their roots in conscious hip-hop, it features key tracks '1nce Again' (25m+ streams), 'Stressed Out' featuring Faith Evans (17m+ streams), and 'The Hop' (60m+ streams). This Grammy nominated album was their biggest commercial success to that point, and was critically acclaimed, with Rolling Stone calling it 'near flawless'.

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2LP | 1991 | US | Reissue (Chrysalis)

De La Soul Is Dead

23,44 €* 31,25 € -25%

MM..Food 20th Anniversary Sweetart Vinyl Edition

Release: 1991 / US – Reissue

Genre: Hip Hop

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Indie Exclusive Black Vinyl Edition.

R.I.P. Trugoy the Dove

Bringing a sound and energy unlike any other, De La Soul quickly became one of the most revered, game-changing artists in hip-hop and forever cemented their legacy in the hearts and minds of fans around the world. Despite their rapid success and recognition, De La Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, following on May 14, 1991 with the release of their sophomore album, De La Soul is Dead. Featuring, once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world. “A Roller Skating Jam Named Saturdays,” “Ring, Ring, Ring (Ha Ha Hey)” and “Keepin’ the Faith” have become certified classics in the De La Soul catalog.

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MF DOOM

2LP | 2004 | US | Reissue (Rhymesayers)

35,99 €*

Songs Of A Live World: Troxy London MMXXIV Black Bio Vinyl Edition

Release: 2004 / US – Reissue

Genre: Hip Hop

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Originally released in 2004, MF Doom's MM..FOOD is hailed as a classic | hip-hop album full of inventive production, brilliant wordplay, and unique themes. Celebraled for its seamless blend of humor, wit, and social commentary, the album ushers listeners into a bizarre world af food-related metaphors, painting a bitterly comedic portrait of a life tainted by vice, violence, and jealousy. It was a brilliant and novel concept that gave Doom plenty of room to explore the album's subjects. Throughout MM..FOOD, Doom embeds complex ideas within seemingly simple narratives. Album opener "Beef Rapp' is a multi-pronged metaphor reminding listeners of the dangers involved in the glorification of conflict, especially within the rap game. "Hoe Cakes" borrows its name from the sweet, hot water cornmeal patties, which he uses as a symbol to rhyme about indulgence and excess. Continuing the motif, Doom uses the Madlib-produced "One Beer" to fold layers of depth about escapism and ego, while the popular "Rapp Snitch Knishes" critiques the sell-incrimination and contradictory behaviors of some rappers. Overall, MM..FOOD is both a social commentary and a piece of social satire, showcasing MF Doom'S ability to blend serious themes with his unique, playful lyrical style. In celebration of the album's 20th anniversary, MM..FOOD has been repackaged with all new artwork by Sam Rodriguez!

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The Cure

LP | 2024 | EU | Original (Polydor)

31,99 €*

2LP | 1996 | EU | Reissue (Universal)

Release: 2024 / EU – Original

Genre: Rock & Indie

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1st November saw the release of THE CURE's critically acclaimed album, 'SONGS OF A LOST WORLD,' the band’s first new studio record in 16 years and their first #1 album in the UK since 1992.
The night of the album's unveiling, The Cure performed it in full to 3000 fans at Troxy London and to more than a million on a free global stream.

The stunning live performance entitled 'SONGS OF A LIVE WORLD : TROXY LONDON MMXXlV’ will be released on the 14th Feb on vinyl on Fiction/Polydor, with all The Cure's royalties benefitting War Child (https://www.warchild.org.uk) and this will be opened up to Indie stores.

Initially formed in 1978, The Cure has sold over 30 million albums worldwide, headlined the Glastonbury festival four times and been inducted into the Rock And Roll Hall of Fame in 2019. They are considered to be one of the most influential bands to ever come out of the UK.

'SONGS OF A LOST WORLD' was written and arranged by Robert Smith, produced and mixed by Robert Smith & Paul Corkett and performed by The Cure - Robert Smith: Voice / guitar / 6string bass / keyboard, Simon Gallup: Bass, Jason Cooper: Drums / percussion, Roger O'Donnell: Keyboard, Reeves Gabrels: Guitar.
'SONGS OF A LIVE WORLD : TROXY LONDON MMXXlV’ includes Perry Bamonte: Guitar / 6string bass / keyboard.

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The Roots

Illadelph Halflife

What You Won't Do For Love / Open Your Eyes (Heart-Shaped Red Vinyl 45 Reissue)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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2024 pressing of this classic 90s Roots gem!

Illadelph Halflife is the third studio album by the legendary hip-hop group The Roots, released on September 24, 1996. This album solidified The Roots' reputation as innovative musicians who blend live instrumentation with traditional hip-hop elements, standing out in an era where most rap groups used sample-based production.

The album features The Roots' signature blend of live instrumentation, jazz-infused beats, and socially conscious lyrics, along with skilled wordplay. The band’s drummer, Questlove, and rapper/lyricist Black Thought (Tariq Trotter) take the lead in crafting a sound that moves between laid-back grooves and more intense, intricate musical arrangements. Live instrumentation is a core element, with a focus on creating complex rhythms and organic soundscapes.

Illadelph Halflife addresses various topics, including social issues, racial identity, urban life, and the challenges of fame.
The lyrics are often introspective, with Black Thought offering sharp commentary on the struggles of African Americans, the complexities of relationships, and the pressures of navigating the music industry.
The album also explores the concept of self-doubt and searching for authenticity in both personal and societal contexts.

While not a massive commercial hit upon its release, the album was critically acclaimed for its innovative production, complex lyricism, and the tight cohesion of The Roots as a band. It has since become regarded as one of the most important hip-hop albums of the 1990s. It is celebrated for balancing underground aesthetics with more accessible sounds, paving the way for alternative hip-hop to gain a broader audience.
Some tracks that stand out:
"What They Do" – A critique of materialism and superficiality in the music industry, accompanied by a memorable video that parodied flashy rap videos.
"Concerto of the Desperado" – A harder, more aggressive track, showcasing Black Thought’s lyrical prowess and The Roots' dynamic, live sound.
"Clones" – One of the more aggressive tracks, addressing the concept of originality versus imitation in hip-hop.
"Episodes" – A dark and introspective track that delves into street life and violence.

Illadelph Halflife helped The Roots gain a devoted fan base and led to further critical recognition. It is often cited as one of the most influential hip-hop albums of the era, known for its jazz influence, conscious lyricism, and its rejection of the dominant sound in mid-90s hip-hop.
This album marked a turning point for The Roots as they began to shift towards even more experimental and politically engaged projects, which would later culminate in their landmark album Things Fall Apart in 1999.
Illadelph Halflife represents The Roots at a critical stage in their evolution, showcasing their ability to blend musicianship and message, setting them apart as one of the most innovative groups in hip-hop history.

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Bobby Caldwell

10" | 2025 | Original (Be With)

LP | 1991 | US | Reissue (Dark Entries)

Release: 2025 / Original

Genre: Organic Grooves

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Format: Heart-shaped red vinyl 45 reissue! The heart-shape is a replica of the original, with its near-10" size and 7" playing surface. Packaged in a beautiful, spined 10" jacket, the record is housed in a protective, polylined inner sleeve.

WOW. Released on Valentine's Day 2025, we're deeply honoured to present the first time reissue of the first *ever* heart-shaped red vinyl 45. Extremely limited!

The smooth titan of blue-eyed soul, Bobby Caldwell transcended genre tags with consummate ease; he was a musical icon of real class and versatility, cherished the world over.

Here we present two timeless masterpieces of sophisticated jazzy soul brilliance that are strictly canonical.

The originals of these red heart-shaped vinyl records go for stupid money - if you can find one in good condition. Here's your chance to snag a real collectors item for fans of Bobby and, well, LOVE, the world over.

The eternal "What You Won't Do for Love" became a national anthem. It remains that way - perhaps even more so in the past year or two. It perfectly captured Bobby's ability to infuse a contagious groove with introspective and relatable lyrics. With its instantly recognisable horn riff and Caldwell's soulful delivery, this timeless, chiller anthem continues to captivate audiences and define his musical legacy.

A perennial favourite, it has been heavily sampled, such is its unique allure; Aaliyah sang over snatches of it on "Age Ain’t Nothing But A Number" and you can hear Caldwell’s vocal sample used for the hook on Tupac’s posthumously released “Do For Love”.

Bobby's dynamite "Open Your Eyes" was immortalised by the eternal J Dilla in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023, Questlove claimed that he "got word Brother Bobby loved it". Bobby's original has seen new life even more recently from the likes of Dwele and Kendrick Lamar and deservingly so, as its insistent drums and staccato piano created a modern-soul classic.

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Q Lazzarus

Goodbye Horses

21,99 €*

Release: 1991 / US – Reissue

Genre: Pop

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At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, "the song is about transcendence over those who see the world as only earthly and finite." Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York Bdsm nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.

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The Grind Date 20th Anniversary Splatter Vinyl Edition

LP | 2004 | EU | Reissue (BMG)

LP | 2025 | DE | Original (Republic)

Release: 2004 / EU – Reissue

Genre: Hip Hop

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This special release marks the 20th anniversary of The Grind Date. De La Soul’s seventh studio album features guest appearances by Ghostface, MF Doom, Carl Thomas and Common. This limited edition 2 LP set is pressed on splatter color vinyl and includes 4 bonus instrumental versions of the leading tracks, “The Grind Date,” “Verbal Clap,” “Shopping Bags,” and “Days of Our Loves.”

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The Weeknd

Hurry Up Tomorrow

Release: 2025 / DE – Original

Genre: Hip Hop, Pop

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Wamono A To Z Volume III HHV Exclusive Numbered Clear Vinyl Edition

LP | 2020 | EU | Reissue (180g)

Alligator Bites Never Heal Black Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies! Numbered by hand.
Japanese Jazz-Funk & Rare Groove 1968-1980 (Selected by DJ Yoshizawa Dynamite & Chintam) Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. With this first volume of the Wamono series, our two DJs here guide you through some of the best and rarest jazz funk and rare groove tunes produced in Japan between 1968 and 1980. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Doechii

LP | 2024 | DE | Original (Top Dawg Ent.)

This Wasn't Meant For You Anyway Transparent Red Vinyl Edition

Release: 2024 / DE – Original

Genre: Hip Hop

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Lola Young

LP | 2024 | Reissue (Island)

25,99 €*

Release: 2024 / Reissue

Genre: Pop

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Golden Years Indie Exclusive Clear Vinyl Edition

Tocotronic

LP | 2025 | DE | Original (Epic)

Release: 2025 / DE – Original

Genre: Rock & Indie

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Wien Limited 2LP HHV Exclusive Orange Vinyl Edition

Andreas Dorau

2LP | 2025 | EU | Original (Tapete)

Release: 2025 / EU – Original

Genre: Pop

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Wamono A To Z Volume II HHV Exclusive Numbered Clear Vinyl Edition

LP | 2021 | EU | Reissue (180g)

Milton Nascimento & Lo Borges

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies! Numbered by hand. J Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Jiro Inagaki & Soul Media, Hiroshi Sato, Bread & Butter, Hatsumi Shibata, Fujio Tokita and more! Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam Mastered and cut at Timmion Cutting Lab Artwork by Yoxxx (Tokyo) 180g heavy vinyl pressing, reverse board jacket

Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa In this second volume of the acclaimed Wamono series, Yoshizawa and Chintam dig into some of the best and rarest funky tunes produced in Japan during the seventies. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Clube Da Esquina

2LP | 1972 | EU (Endless Happiness)

The Left (Apollo Brown, DJ Soko & Journalist 103)

Release: 1972 / EU

Genre: Organic Grooves

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Side A 1 Tudo Que Você Podia Ser 02:52 2 Cais 02:42 3 O Trem Azul 04:02 4 Saídas E Bandeiras Nᵒ 1 00:43 5 Nuvem Cigana 05:56 6 Cravo E Canela 02:28

Side B 1 Dos Cruces 05:18 2 Um Girassol Da Cor De Seu Cabelo 04:09 3 San Vicente 02:43 4 Estrelas 00:28 5 Clube Da Esquina Nº 2 03:35

Side C 1 Paisagem Da Janela 02:55 2 Me Deixa Em Paz 03:02 3 Os Povos 04:28 4 Saídas E Bandeiras Nᵒ 2 01:26 5 Um Gosto De Sol 04:16

Side D 1 Pelo Amor De Deus 02:02 2 Lilia 02:30 3 Trem De Doido 03:56 4 Nada Será Como Antes 03:20 5 Ao Que Vai Nascer 03:20

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Gas Mask Silver Nugget Vinyl Edition

LP | 2010 | US | Reissue (Mello Music Group)

46,99 €*

Renascene HHV Exclusive Transparent Coral Vinyl Edition

Release: 2010 / US – Reissue

Genre: Hip Hop

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While others follow the mainstream, The Left (Apollo Brown, Journalist103, and DJ Soko) takes the unpaved road to Detroit. The result is Gas Mask, featuring Apollo's hard drums, Journalist's rugged, politically charged flow, and Soko's raw cuts, creating an impactful debut album that captures the essence of Detroit. They transform random songs into a highly praised underground hip-hop album. This is a Mello Music Group classic!

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Cymande

LP | 2025 | EU | Original (BMG Rights Management)

X's HHV Exclusive Grey Vinyl Edition

Release: 2025 / EU – Original

Genre: Organic Grooves

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Limited to 300 copies.

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Cigarettes After Sex

LP | 2024 | UK | Original (Partisan)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Silent Weapons For Quiet Wars Black Vinyl Edition

Killarmy

2LP | 1997 | US | Reissue (Coalmine)

41,99 €*

Autobahn 50th Anniversary Picture Disc Edition

Release: 1997 / US – Reissue

Genre: Hip Hop

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For the first time ever, Silent Weapons for Quiet Wars, the seminal debut from Killarmy, has been reissued on vinyl through a collaborative release between Granddaddy Flow Entertainment and Coalmine Reissues. This groundbreaking album from the Wu-Tang Clan's extended family captures the spirit of a post-Desert Storm, pre-millennium era, channeling pro-black ideologies and war metaphors into a raw, cinematic listening experience. Comprising 9th Prince, Killa Sin, Beretta 9, Islord, P.R. Terrorist, and ShoGun Assasson, Killarmy delivers a militant, unapologetically gritty aesthetic that redefined underground hip-hop. The album’s standout singles include the powerful “Camouflage Ninjas”, an anthem of guerrilla survival; “Wake Up”, a call-to-arms urging societal and personal revolution; and the incendiary “Wu-Renegades,” a battle cry for lyrical supremacy. Guest contributions from Hell Razah, Masta Killa, Prodigal Sunn, and Streetlife enrich the project, while the production—helmed primarily by the iconic 4th Disciple—provides a hauntingly cinematic backdrop. With somber, ominous instrumentals and razor-sharp beats, 4th Disciple’s work embodies the raw and uncompromising tone of the album. Originally released in 1997, Silent Weapons for Quiet Wars remains an incredible piece of art that helped cement the legacy of the Clan as the most far-reaching and fabled crew in hip-hop history. Its themes of survival, rebellion, and black empowerment resonate today, making this vinyl reissue a musthave for collectors and fans alike. Experience the militant poetry and dark sonic landscapes of Killarmy like never before.

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Kraftwerk

LP | 1974 | EU | Reissue (Parlophone Label Group)

38,99 €*

Release: 1974 / EU – Reissue

Genre: Pop

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Jamaica To Toronto: Soul, Funk & Reggae 1967-1974 Black Friday Record Store Day 2024 Yellow & Green Vinyl Edition

2LP | 2024 | EU | Original (Light In The Attic)

28,43 €* 47,38 € -40%

6LP | 2025 | US | Original (300 Entertainment)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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In the late 1960s, Canada’s largest city was musically booming as Caribbean immigrants made Toronto their new home. The finest ska, rocksteady, and reggae recording artists of the era—Studio One, Treasure Isle, and Trojan Records originators—simply did what came naturally to them. One by one, they hit the studio and captured some of the toughest tunes this side of Kingston. Collectively, they broke down racial and cultural barriers to form an unprecedented and little-known Canadian reggae community. Jamaica to Toronto: Soul, Funk, & Reggae 1967-1974 details this crucial sonic migration. [[Selling Points]] Featuring Jackie Mittoo, Johnnie Osbourne, Wayne McGhie, Lloyd Delpratt, The Mighty Pope, Jo-Jo Bennett, Eddie Spencer, Noel Ellis, and more… 2024 expanded edition with 20-page deluxe booklet featuring archival images, artist bios, and essays 2xLP set, cut at 45 rpm, housed in a deluxe gatefold jacket Compiled, sequenced, and annotated by GRAMMY-nominated producer, DJ, and journalist Kevin Howes (aka Sipreano, Voluntary In Nature) in partnership with Light in the Attic Pressed at Optimal on Yellow & Green ReVinyl, a sustainable alternative using 100% recycled materials.

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Young Thug

Slime Season Trilogy

164,99 €*

WEST-BERLIN Limited Care Paket Edition Babyblau / Navy

Release: 2025 / US – Original

Genre: Hip Hop

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Limited six colored vinyl LP pressing. Young Thug's Slime Season 1-3 Mix Tapes have been reissued on colored vinyl each one comes with an album collector's trading card. All 3 albums are packaged in a custom Slime Season slipcase.

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Prinz Pi

Box Set | 2025 | DE | Original (Keine Liebe)

62,99 €*

Release: 2025 / DE – Original

Genre: Hip Hop

Available Sizes: XS-S, M-L, XL-2XL

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2LP+7" | 1992 | EU | Reissue (Tommy Boy)

Brand Nubian

In God We Trust

23,28 €* 33,27 € -30%

Release: 1992 / EU – Reissue

Genre: Hip Hop

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Cellar Selections Volume 1 (1994-1997) Black Vinyl Edition

Nick Wiz

2LP | 2010 | AU | Reissue (Gentleman's Relief)

47,99 €*

2LP | 1972 | US | Reissue (Light In The Attic)

Release: 2010 / AU – Reissue

Genre: Hip Hop

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Nearly impossible to obtain since its original release 15 years ago, Cellar Selections 1 finally gets a much-demanded reissue. This classic compilation of Nick Wiz productions features the likes of Cella Dwellas, Shadowz in da Dark, Ran Reed, Shabaam Sahdeeq and many more, all recorded between 1994 and 1997. This reissue comes in a new picture cover in an edition of 500 black copies and 200 color (clear red) copies.

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Lee Hazlewood

13 Deluxe Edition

26,11 €* 37,30 € -30%

Whatever 30th Anniversary Pink & Blue Splatter Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood

“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks

The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.

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Oasis

7" | 2025 | EU | Original (Big Brother Ltd)

21,99 €*

N***A Please 25th Anniversary Yellow Smoke & Clear Smoke Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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Oasis / WHATEVER / (IT'S GOOD) TO BE FREE (7-INCH SINGLE) Released to celebrate the 30th anniversary of seminal single Whatever - limited-edition, numbered, Pink and Blue splatter 7" featuring remastered audio and B-Side (It's Good) To Be Free.

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Ol' Dirty Bastard

2LP | 2000 | US | Reissue (Get On Down)

Can't Rush Greatness Indie Exclusive Clear Vinyl Edition

Release: 2000 / US – Reissue

Genre: Hip Hop

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Ol' Dirty Bastard aka Ason Unique, real name Russell Jones, was truly a one-of-a-kind, never-to-be-imitated emcee. As one of the founding members of the Wu-Tang Clan, Ol' Dirty Bastard released his classic RZA-produced debut solo album Return To The 36 Chambers: The Dirty Version in 1995. After the release of Wu-Tang Forever in '97, ODB had several run-ins with the law and was in and out of court and jail, but it didn't stop him from being himself. ODB got back in the studio in 1999 to record his second studio album and with a little help from The Neptunes dropped the hit single "Got Your Money." The video for the single was cut with scenes from Dolemite and one scene inspired the name of the album N***a Please which was released on Sept 14th, 1999, and would unfortunately be the last album to be released during Ol' Dirty Bastard's lifetime. The album is full of ODB's lyrical antics backed by a crew of producers including the RZA and Wu-Tang affiliated Tru Master and Buddah Monk along with The Neptunes and Irv Gotti. Out of print on vinyl since it was released 25 years ago, Get On Down is proud to honor the legacy of Ol' Dirty Bastard with a translucent yellow smoke and clear with smoke-colored vinyl pressing packaged in a gatefold jacket with a 25th Anniversary hype sticker.

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Central Cee

LP | 2025 | EU | Original (Sony)

Release: 2025 / EU – Original

Genre: Hip Hop

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Central Cee, is a British rapper and songwriter from London. He rose to prominence in 2020 with the release of the singles "Day in the Life" and "Loading". His first mixtape, Wild West (2021), debuted at number two on the UK Albums Chart, while his second, 23 (2022), debuted atop the chart. Central Cee achieved further success with his 2022 single "Doja", which peaked at number two on the UK Singles Chart and became the most-streamed UK rap song in Spotify history. In June 2023, he released the single "Sprinter" (with Dave), which became his first UK number-one single and preceded their collaborative EP, Split Decision (2023). The song also became the longest-running number-one rap song in the UK, holding the position for 10 weeks. His debut studio album, Can't Rush Greatness, released through Columbia

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OST La Haine (DT: Hass) Red Vinyl Edition

2LP | 2024 | EU | Original (Warner Music International)

39,99 €*

Southernunderground Record Store Day 2025 Vinyl Edition

Release: 2024 / EU – Original

Genre: Hip Hop, Soundtracks

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First proper repress of this classic french rap compilation, comes in a nice gatefold sleeve.

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Cunninlynguists

2LP | 2025 | WW | Reissue (Coalmine)

Keinemusik (&Me, Rampa, Adam Port)

Release: 2025 / WW – Reissue

Genre: Hip Hop

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Coming Soon 2025-04-12, 10:00 CEST

"This RSD edition features the illustrated version of the album cover
(previously only paired w/ a CD reissue), printed on reverse board
jackets. Both discs are pressed in a three-color segment
configuration with emerald, cobalt and lemonade translucent vinyl.
Coalmine Reissues in partnership with Stunning
English are pleased to announce this special
Record Store Day vinyl reissue of
CunninLynguists’ acclaimed sophomore LP,
SouthernUnderground, marking the first time
that the album has ever been reissued on wax.
Originally released in April of 2003, the album is
a masterclass in Southern hip-hop that artfully
balances lyricism, storytelling, and soulful
production. The trio—consisting of Deacon the
Villain, Kno, and at the time Mr. SOS—carves a
niche in the Southern rap landscape with a
sound that's deeply rooted in the region's
musical traditions while pushing the boundaries
of the genre. From the outset, tracks like
""Southernunderground"" and ""Dying Nation""
showcase Kno’s eclectic production, blending
soulful samples, live instrumentation, and
organic boom-bap beats. The production style
complements Deacon and SOS’s sharp lyricism,
adding depth to the album's social commentary
on race, poverty, and politics.
One of the album’s standout features is its
impeccable balance between introspection and
wit. Songs like ""Love Ain’t"" offer a somber
reflection on love and heartbreak, while ""War"" presents a poignant
critique of the United States' foreign policy. However, the group
doesn’t shy away from playful and humorous lyricism either, seen in
tracks like the Masta Ace assisted ""Seasons,"" which cleverly uses the
metaphor of changing seasons to chart hip-hop’s evolution.
What makes SouthernUnderground particularly timeless is its unique
fusion of Southern roots with a boom-bap sensibility, allowing the
group to avoid the typical rap tropes often associated with Southern
rap. All things considered, SouthernUnderground cements the
CunninLynguists as underground rap titans capable of crafting
complex, thought-provoking music without sacrificing Southern
charm."

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Send Return 2024 Repress

3LP | 2021 | EU | Reissue (Keinemusik)

Butterfly (Vincent Gallo & Harper Simon)

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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It's been four eventful years since Keinemusik's Adam Port, &ME and Rampa joined forces and laid down their collaborative debut album ‘You Are Safe.’ Taking time to explore new territories and sourcing material for their second offering, 'Send Return' is the product of this creative 'time-out:' a positive message requiring positive feedback, and hopefully making things a little better along the way. To get that message across, the boys invited a variety of voices from both past collaborative projects and new ties built over the last few years, to take part.

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The Music Of Butterfly

LP | 2025 | US | Original (Family Friend)

50,99 €*

Release: 2025 / US – Original

Genre: Electronic & Dance

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More than two decades since he blew minds with a suite of brilliant releases on Warp, Vincent Gallo returns to the world of music at long last in Butterfly, his duo with Harper Simon, with the project’s full-length debut, “The Music of Butterfly”. A gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, while interweaving fascinating flirtations with minimalism and experimentalism, it’s a truly captivating piece of work that’s hard to get off the turntable after the first needle drop. *180g vinyl in Deluxe textured heavy gatefold cover, with paste-on artwork and special anti-static innersleeve.* In the arts, the lines between genius and madness, as well as fact and fiction, often blur. Such, it seems, has always been the life of the artist, filmmaker, actor, musician, and composer Vincent Gallo. A cult figure and a member of various creative undergrounds for the better part of half a century, Gallo has courted controversy, ruffled feathers, and made some of the most singular statements to flirt at the outer edges of popular culture that can be called to mind. Arguably most well known for his work in film, during the late '90s and early 2000s - notably with his soundtrack for “Buffalo 66” and a suite of releases on Warp - Gallo became something of a sensation in the world of independent music for a visionary, incredibly unique and sensitive approach to sonority. For a time, the world was abuzz, waiting on bated breath for more, and yet time passed. Bar a few fragments, appearing here and there, almost nothing has been heard from Gallo, within the world of music, for more than 20 years. That is, until now, with the release of “The Music of Butterfly”, the debut full-length of Butterfly, his duo with Harper Simon: beautifully produced and issued by Family Friend Records - Gallo’s own label, founded in 1981 - in a deluxe edition that simply left us speechless: 180g vinyl in textured heavy gatefold cover with paste-on artwork and thick anti-static innersleeve. More or less picking up from where we last encountered him, spinning captivating melodies and gentle song-craft within the quieter temperaments of DIY, left-field pop, once again, and at long last, Vincent Gallo, encountered in an incredibly successful collaboration with Harper Simon as Butterfly, reminds us that he’s as much a force within the realm of music as he is within film. Not to be missed. This one isn’t going to sit around for long.

Vincent Gallo’s biography reads like the stuff of blaring beauty: a figure of moderate fame in his own right, who has remained at the centre of cultural ferment as the decades have rolled by. Born in 1961, in Buffalo, New York, as the story goes he ran away to New York City at the age of 16 and fell into the brewing counterculture of the Downtown scene, William Burroughs and John Giorno, in addition to the cream of his own peers, and began making paintings, music, and experimenting with film. In addition to being a member of the now legendary band Gray, with the artist, Jean-Michel Basquiat, and the filmmaker, Michael Holman, Gallo appeared in the cult 1981 film “Downtown 81”, before slowly beginning a career as an actor and catching the eye of Claire Denis, who brought his talents into the broader cultural gaze. Catapulted into the public by his own subsequent career as a filmmaker with “Buffalo '66” (1998) and “The Brown Bunny” (2003), both of which were marked by controversy and praise, Gallo further captivated the public with a partially brilliant, if not relatively brief, flurry of activity in the realms of music.

While Gallo had already been making music for roughly two decades at the time of his release of the “Brown Bunny” soundtrack, and the four release issued by Warp in rapid succession between 2001 and 2002 - “When”, “Honey Bunny”, “So Sad”, and “Recordings of Music for Film” - the almost fanatical fandom reached a fever pitch at the moment, allowing him, for some, to be regarded as much, if not more, as a musical artist than an actor and filmmaker. Anyway you cut it, in a few short years, he proved himself to be a polymath of rare talent. Somewhere along the way, while both were working as members of Yoko Ono's Plastic One Band, Gallo met the New York based, highly regarded singer-songwriter, guitarist, and producer, Harper Simon, who also happens to be the son of Paul Simon. The pair fell into an incredibly fruitful duo collaboration, which came to be called Butterfly, and “The Music of Butterfly” being their debut full-length release.

Written, performed, and recorded by Vincent Gallo and Harper Simon in New York City between the winter of 2018 and the spring of 2019, the ten tracks comprising “The Music of Butterfly” are cumulatively a gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, making one feel like barely a moment had passed since we’d encountered his graceful hand at song-craft. Stripped back and raw, while retaining a sense of warmth and intimacy, across the length of “The Music of Butterfly” the duo of Gallo and Simon weave something completely captivating at the juncture of minimalism, experimentalism, and pop: meandering moments of texture and tone, slowly forming toward flirtations of melody that flower into song and back again. Somehow playful and light, while also remarkably emotive and personal, it’s almost as though each of these tracks crystallised out the air, unlabored and exactly as they should be without a note or beat more.

An engrossing immersion into both Gallo and Simon’s remarkably accomplished minds, having followed the path toward one another after radically different experiences and careers, “The Music of Butterfly” is one of those records that’ll be hard to get off the turntable after that first needle drop, and rarely leave the listening pile for some time to come. Issued by Family Friend Records in a beautiful deluxe edition that is unmatched even among the most stunning recent productions we can call to mind - 180g vinyl in textured heavy gatefold cover with paste-on artwork and thick anti-static innersleeve - it’s lovely to have Gallo back in the musical mix after so many years.

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Disco É Cultura Volume 2 HHV Exclusive Crystal Clear Vinyl Edition

LP | 2024 | EU | Original (Mad About)

Montezuma's Revenge HHV Exclusive Purple Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Limited to 200 copies on crystal clear vinyl. Only available at hhv.de

A tribute to a glorious and sophisticated era in Brazil music.

"Disco é Cultura, vol. 2" brings 15 tracks of the funkiest Brazilian music from the 70s and 80s. Soul and Funk were taking the world by storm in the 1970s. Brazilians developed their own sound by combining influences from Funk and Soul music from abroad to create something uniquely Brazilian.

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Souls Of Mischief

2LP | 2024 | CA | Original (Hieroglyphics Imperium)

Release: 2024 / CA – Original

Genre: Hip Hop

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HHV exclusive vinyl edition on purple vinyl, limited to 200 copies.

Souls Of Mischief, the Oakland, CA quartet and members of the mighty Hieroglyphics Crew, are proud to announce the first-ever vinyl release of their fifth album "Montezuma's Revenge." Notably, the album’s striking cover featured a fifth member of the group: the legendarily innovative producer Prince Paul, who executive produced the LP, handling most of the beats and overseeing the musical direction of the album from start to finish. Emcees A-Plus, Opio, Phesto, and Tajai take turns showing off the multisyllabic flows, witty similes, and smooth lyrics that have made the crew a household name in rap for over 30 years. Souls' trademark juxtaposition of complex, multi-syllabic lyricism against laid-back Cali flow remained as strong as it was in 1993 on “Montezuma’s Revenge,” and Paul’s magic touch on production took the Souls’ sound to a new level. While the aforementioned and unmistakable SOM sound remains very much intact, Paul's vision and risk-taking come through on the finished product. Tajai was comfortable from the start in working with the visionary producer: ”Paul is a perfectionist and so are we so we took time with the beats and subject matter. This album to me is a great insight into who we are as people and how important it is to progress stylistically, yet it retains a classic, timeless feel."

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V.A. - Wamono A To Z Presents: Blow Up Trio - Japanese Rare Groove From The Trio Records Vaults 1973-1981 (Selected By Chintam) HHV Exclusive Transparent Red Vinyl Edition

Wamono A To Z Presents: Blow Up Trio - Japanese Rare Groove From The Trio Records Vaults 1973-1981 (Selected By Chintam) HHV Exclusive Transparent Red Vinyl Edition

LP | 2024 | EU | Original (180g)

Release: 2024 / EU – Original

Genre: Organic Grooves

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After many years working as a buyer for several record stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the legendary Wamono A to Z records guide book together with DJ Yoshizawa Dynamite.

For this brand new chapter in the highly acclaimed Wamono series, our man Chintam goes digging into the vaults of one of the most revered Japanese labels: Trio Records. Established in 1969 by audio manufacturer Trio Electronics, now known as Kenwood, the label - and its subsidiaries such as Showboat and Trash - released high quality music spanning a large variety of genres including rock, jazz, fusion, soundtracks and popular songs, until its end in 1984. Through the eight tracks selected here, Chintam unearths some dope drum breaks, heavy bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981.

Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and boogie music developed throughout the years since the sixties in Japan! 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Trio Records masters.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Yoxxx.

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LP | 1993 | EU | Reissue (Chrysalis)

Buhloone Mindstate

22,58 €* 28,23 € -20%

Cigarettes After Sex Black Vinyl Edition

Release: 1993 / EU – Reissue

Genre: Hip Hop

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De La Soul’s third studio release, Buhloone Mindstate, released on September 21, 1993, saw the group evolve into a new sound as they continued to grow stylistically and musically. There were several moments on the album which proved the band had matured. "I Be Blowin'" was a departure as the track was an instrumental featuring saxophone playing by Maceo Parker. The introspective "I Am I Be" showed De La Soul at their most self-referential to date. "Long Island Wildin'" was a collaboration with Japanese hip hop artists Kan Takagi (Major Force) and trio Scha Dara Parr (sdp). The album's first single, "Breakadawn", used a sample of Michael Jackson's "I Can't Help It" and Smokey Robinson's "Quiet Storm". De La Soul collaborated for the first time with Gang Starr's Guru on "Patti Dooke", and female MC Shortie No Mas who was prominent on many tracks on the album and showcased particularly on "In The Woods". The album ended with an old school Biz Markie collaboration called "Stone Age".

Attention: Intro, Skits and Interludes are not part of this reissue, unfortunately.

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Cigarettes After Sex

LP | 2017 | UK | Original (Partisan)

Mundian To Bach Ke / Beware Of The Boys Feat. Jay-Z

Release: 2017 / UK – Original

Genre: Rock & Indie

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Cigarettes After Sex frontman Greg Gonzalez had a clear vision for his band’s gorgeously cinematic debut album. After the phenomenal online break-out success of “Nothing’s Gonna Hurt You Baby”, from the band’s debut EP 1, the Brooklyn transplant (originally from El Paso) wanted to project his worldview on to a bigger screen, a broader canvas. As Greg explains, “This is like the novel or feature-length version of Cigarettes. I wanted it to feel like a complete work, where some of the imagery repeats – like it’s all in the same world. It’s very much a fulfilment of the feelings in the short works.”

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Panjabi MC

7" | 2002 | EU | Reissue (Vinylbrokers)

13,99 €*

The Way Out Of Easy Black Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Hip Hop, Pop

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Mundian To Bach Ke" is a bhangra track produced by British musician Panjabi MC, featuring vocals and lyrics by Punjabi artist Labh Janjua. Originally recorded in Birmingham, England, for Panjabi MC's 1998 album Legalised, the song gained international acclaim upon its re-release as a single in November 2002.

The track is notable for its fusion of traditional bhangra elements with contemporary hip-hop influences. It incorporates the bassline and beat from Busta Rhymes' 1997 song "Fire It Up," which itself samples the theme from the television series Knight Rider, composed by Glen A. Larson and Stu Phillips. The lyrics, delivered in Punjabi, caution young women to be wary of the intentions of young men.
BEATCRAVE

In 2003, a remix titled "Beware of the Boys" featured American rapper Jay-Z, further propelling the song's popularity. This version reached number 33 on the US Billboard Hot 100, number 10 in Canada, and number 12 in Australia.

The collaboration between Panjabi MC and Jay-Z is often credited with introducing bhangra music to a broader Western audience, blending Eastern and Western musical styles.

The song has been featured in various media, including films like Bulletproof Monk (2003) and The Dictator (2012), as well as video games such as Dance Central 3 and Just Dance 4. Its enduring appeal lies in its cross-cultural fusion and catchy rhythm, making it a staple in both Eastern and Western music scenes.

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Jeff Parker / Eta Ivtet

2LP | 2024 | US | Original (International Anthem)

33,99 €*

2LP | 2024 | Original (Other People)

Release: 2024 / US – Original

Genre: Organic Grooves

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In their first bout of new music since 2022"s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.Featuring long time members Anna Butterss (Jason Isbell, SML) on upright bass, Josh Johnson (Meshell Ndegeocello, SML) on saxophone, and Jay Bellerose (Elton John, Punch Brothers), the selections are honed and focused to bring the atmosphere of one specific night"s setlist.The delight of the space (now sadly defunct) helped Parker build a beautifully multi-textured, gently-shifting four-dimensional construction out of simple ideas.

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Nicolas Jaar

Piedras 1 & 2

Nancy Sinatra & Lee Hazlewood

Release: 2024 / Original

Genre: Electronic & Dance

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The initial seed for this project was planted in 2020 when Nicolás Jaar wrote the song “Piedras” for a
concert at the Museum of Memory & Human Rights in Santiago, Chile, which commemorates the
victims of human rights violations during the military dictatorship led by Augusto Pinochet between
1973 and 1990. Between 2022-2023 it took on a new form as a radio play entitled 'Archivos de Radio
Piedras', which was shared on a dedicated Telegram channel. In 2024, the play was converted into a
24 channel installation at the University Museum of Mexico City (MUAC), where it was exhibited for 5
months.

Piedras 1 and 2 is a collection of the tracks featured within the play, all new music by Jaar, but partly
presented within the play as the music of Salinas Hasbún (the name a composite homage to Jaar's
grandmothers, Graciela Salinas and Miriam Hasbún).

The play follows two friends mourning the disappearance of Salinas Hasbún, a musician and writer
who vanished in the early 2020s. Although they live in a future where technology is advanced, they
resort to DIY radio methods because the anonymous group “Las 0cho” has launched a worldwide
attack on undersea internet cables, causing a global internet blackout.

The play's central theme revolves around the idea that truths, memories and identities speak from the
cracks (“rasgaduras”), or the "in-between" spaces ("en el entre"). This concept is supported by the
way much of the narration unfolds - in the liminal spaces between radio frequencies. The instability
and transitory nature of a constantly shifting radio dial becomes not just a metaphor but the structure
of the play itself. It’s in these moments of noise, static and interference that the deeper revelations of
the story emerge. This disjointed, ever-changing medium mirrors the way memory and trauma
operate within the play - non-linear, slipping through the gaps, found in fragments or ordinary
moments, rather than direct transmissions of “official” historical accounts.

This notion reaches its climax at the end of the narrative, when a text is discovered in which Salinas
speaks of finding a new number in a small pond in a cave mentioned in the first episodes of the radio
play. This pond, inside the “cochlea of the world”, is seen as a way to introduce real-life randomness
to computation. Embodied in the salt lakes of northern Chile, home to the world’s oldest bacteria, this
randomness disrupts the rigid order of binary code, paving the way for a transformation of digital life.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

20,56 €* 34,28 € -40%

7" | 2025 | UK | Original (Scruniversal)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-03-28

* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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LTF

At The Pier

13,99 €*

In Echt 30th Anniversary HHV Exclusive Blue Vinyl Edition

Release: 2025 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Local Sugar Diggers is a series from label head Scruscru that draws together a fine selection of re-edits and reworks of a mix of hard-to-find old records, all done by his mates. This time out it is LTF who steps up his 'At The Pier' is an effortlessly funky jam with some laid-back horn work adding extra spice next to the jumbled percussion. Flip it over and you find 'Con Ritmo Y Melodia' which is a slower, steamier, more Latin-flavoured sound with shuffling percussive grooves and big old breaks to get the floor going.

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Die Sterne

LP | 1998 | EU | Reissue (Tapete)

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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Long.Live.A$AP Orange Vinyl Edition

A$AP Rocky

2LP | 2013 | EU | Reissue (RCA)

32,99 €*

Masquerades & Silhouettes Black Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Hip Hop

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"Long.Live.A$AP" is the debut studio album by American rapper A$AP Rocky, released on January 15, 2013, through A$AP Worldwide, Polo Grounds Music, and RCA Records. The album was highly anticipated following the success of A$AP Rocky's 2011 mixtape "Live.Love.A$AP" and debuted at number one on the US Billboard 200 chart.

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Lewis Parker

2LP | 1998 | EU | Reissue (Boombap Relickz)