Unseen Worlds HHV Records 27 Items

Electronic Music From 1972-2022

3LP | 2023 | EU | Original (Unseen Worlds)

51,99 €*

Jacqueline Humbert & David Rosenboom

Release: 2023 / EU – Original

Genre: Organic Grooves

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Electronic Music from 1972-2022 seeks to frame fifty yearsof Carl Stone's compositional activity, starting with Stone'searliest professionally presented compositions from 1972("Three Confusongs" and "Ryound Thygizunz", featuring thevoice and poetry of Stefan Weiser - later known as Z'EV) upto the present. This collection is not meant as a definitivehistory but rather as a supplement to be used alongside theprevious two archival releases. It is simultaneously an archival release marking Carl Stone's evergreen 70th birthday and a document of archival art. In the spirit of disorientingrepetition and layering, call it an archive of archiving.Stone's practice emerged from the repetitive archival processof his graduate job at CalArts preserving vinyl recordings bydubbing them to tape. With perhaps 10,000 albums rangingfrom Renaissance and electronic works to music from acrossthe globe, he had to re-record multiple discs concurrently,creating chance collisions and coincidences.In the decades since, he's explored various ways to composethis process, creating temporal envelopes in which foundsounds - existing tracks or field recordings - can take form.Whilst the technologies he's used have changed and sampleshave varied beyond categorization, what's remainedconsistent is his concern for organizing temporal experienceusing fragments of pre-existing sounding events.Stone's impish collage-like constructions of times cut fromtime suggest that archival records are neither wholly indocuments preserved from change nor in living memories anduse, but in their interaction.

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J. Jasmine: My New Music

CD | UK | Original (Unseen Worlds)

15,99 €*

For Anyone That Knows You

Release: UK – Original

Genre: Electronic & Dance

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Josiah Steinbrick

Jacqueline Humbert & David Rosenboom

Release: 2023 / EU – Original

Genre: Organic Grooves

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For Anyone That Knows You, an album of mostly piano solos by Josiah Steinbrick, was recorded not for smoothness or posterity but to emphasize the piano as object, the person playing it, and the moment it sounds. On three of the pieces, the saxophone of Sam Gendel hovers over the piano like a faint change in the light, adding resonance and gentle reinforcement rather than counterpoint. Three others are delicate renditions: "Green Glass" interprets an untitled recording by Quechuan folk musicians Leandro Apaza Romas and Benjamin Clara Quispe; "Elyne Road" abbreviates one of Malian kora master Toumani Diabaté's most tender compositions; and "Lullaby" is an arrangement of a traditional Creole song, originally recorded in 1954 by the Haitian-American guitarist Frantz Casseus.

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Daytime Viewing

2LP | 2023 | EU | Original (Unseen Worlds)

48,99 €*

LP | UK | Original (Unseen Worlds)

Release: 2023 / EU – Original

Genre: Organic Grooves

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40th Anniversary Edition - newly remastered from themaster tapes, with an additional bonus LP of instrumentalsand the previously unreleased "Narration Theme."Daytime Viewing (1979-80) is an extended narrative song,based on a casual analysis of daytime television drama andthe audience phenomena such programming addresses. Thepiece explores the use of fantasy as a survival mechanismagainst loneliness, illustrating the human compulsion toinate the mundane to mythological proportions. A centralfemale character weaves tales, using threads of personalexperience and the idea of TV as friend, as mantra, and astransformational window between imagined spectacle andthe pedestrian plane.Originally released as a private cassette edition [recorded,1982; Chez Hum-Boom release, 1983] documenting thecollaborative performance piece of the same name byJacqueline Humbert & David Rosenboom. This heady,thoroughly enjoyable work was rst made available on CDand LP in 2013 by Unseen Worlds. Jacqueline Humbert(aka J. Jasmine) is a songwriter of brains and wit on parwith Robert Ashley, with whom she's worked extensively.David Rosenboom's complex, harmonic electronicarrangements are accentuated brilliantly by percussionfrom William Winant. Daytime Viewing can happily beadded to a small but signicant group of work that,through lesser-known paths, engaged in an equallyrevelatory reexamination of the Great American Songbookas Minimalism did with 20th Century composition.

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Maria Monti

Il Bestiario

19,99 €*

Jacqueline Humbert & David Rosenboom

Release: UK – Original

Genre: Electronic & Dance

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Maria Monti's 1974 LP Il Bestario is a rare item even in its native country. Monti is an Italian singer and actress with a noteworthy career, performing as a cabaret singer in the 60s, an ambitious avant-garde folk artist in the 70s, and starring in films by directors such Sergio Leone and Bernardo Bertolucci all the while. In addition to lyrics by the infamous poet Aldo Braibanti, Il Bestiario features arrangements and synthesizer from legendary avant-garde composer Alvin Curran, as well as the soprano saxophone of jazz-great Steve Lacy. The music of Il Bestiario is a prime example of "the new art-song" of the 1970s, as Alvin Curran calls it - lush, dynamic and full of intelligence and beauty. Sourced from the original master tapes and remastered by Taylor Deupree.RIYL Juana Molina, Steve Lacy, Alvin Curran, BrigitteFontaine, Ennio Morricone, BuFFy St. Marie

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J. Jasmine: My New Music

LP | UK | Original (Unseen Worlds)

27,99 €*

2LP | 2022 | EU | Original (Unseen Worlds)

Release: UK – Original

Genre: Electronic & Dance

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Privately pressed to LP in 1978 under the name J. Jasmine and made especially for the Ann Arbor Film Festival, with artistic collaboration from the festival's founder and Once Group artist, George Manupelli, My New Music is the debut album by Jacqueline Humbert and David Rosenboom. Featuring a cast of Mills College personalities like David Behrman and Sam Ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of Rosenboom. If it weren't so spot on, you'd swear it was a guilty pleasure. As J. Jasmine writes, My New Music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person's fantasies can contribute to another person's freedom. Get lost in J. Jasmine's world for a little long while, and be free.

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John McGuire

Pulse Music

42,99 €*

Dickie Landry & Lawrence Weiner

Release: 2022 / EU – Original

Genre: Rock & Indie

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Presented together for the first time, American composer John McGuire's Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe's angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock serialism's warped geometries onto an evenly spaced grid, perfectly preserving serial music's multi-dimensionality while smoothing its wildest disjunctures and sharpest angles. If serialism is Montreal's Habitat 67 modular housing complex, McGuire's Pulse Music compositions are the primary-colored grids of Le Corbusier's L'Habitation apartment complex _ an exuberant expression of the same materials and principles.Every layer of pulses is made distinct through its timbre, register, and tempo. We hear them as a plurality, organized like stars in the sky. Every so often the sky rotates and the stars appear in a different arrangement. Our ear naturally starts to draw connections and, as it sweeps between one layer and another, what was discrete becomes continuous. Pulses become flows; quantitative reality becomes qualitative experience.McGuire's pulse pieces were realized electronically, in the newly built Studio for Electronic Music at the State University of Cologne and WDR, but Pulse Music II adapted his ideas to an orchestral canvas. Commissioned retrospectively by the composer and radio producer Hans Otte for his Pro Musica Nova festival at Radio Bremen. Alongside the Bremen orchestra, conducted by Klaus Bernbacher, were four pianists_Christoph Delz, Herbert Henck, Deborah Richards, Doris Thomsen_and McGuire himself playing a series of twelve drone-like chords on the organ. The techniques of the electronic Pulse Music pieces required a speed and precision too great for live musicians, so for Pulse Music II McGuire adapted his method to an expanding progres...

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Having Been Built On Sand

2LP | 2022 | EU | Original (Unseen Worlds)

Release: 2022 / EU – Original

Genre: Organic Grooves

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- First time reissue, remastered by Stephan Mathieu- New liner notes by Clifford Allen- Download code included- For Fans of Laurie Anderson, Philip Glass//Dickie Landry & Lawrence Weiner's Having Been Built on Sand wasconceived as a vinyl edition and released by the Rüdiger Schöttlegallery in Munich with sleeve design by Weiner. The piece consists ofeight untitled tracks. Lawrence Weiner, Tina Girouard, and Britta LeVa recite text with Dickie Landry's woodwinds, all recorded in thenatural reverb of Robert Rauschenberg's studio, a former mission andchapel in Lower Manhattan. Layering Girouard in English, Le Va inGerman, and Weiner in English and German blocks of related orphysically proximal texts repeat, invert, and intersect with Landry'smusic as a constant. The layers of text and sound have meanings thatfluctuate in complexity and scope, and like much of Weiner's work,beyond mere facts.The first piece is a trio for Landry's keening tenor, repeatingwinnowed but breathy lines that contrast with and buoy Le Va's clear,husky phrases, building in intensity as Weiner, in English, offersstatements that are caught just off mic. The third cut adds Girouard,and one can hear woven parallels in the two women's voices,cadences, and pitches, with Weiner's cutting inflection dancing amidthem. Landry's bass clarinet is rich in its warble, full and gentle withwoody footfalls that demarcate shapes through the chorus. Vocalrhythmic cycles, wordless in nature, are the energy that coursesthrough the fourth song, urgent and sweaty as Weiner recitesstatements of political position in the Middle Ages, Le Va declaimingalongside in German. On soprano saxophone for the fifth tune,Landry pierces and darts in a bright manner in a private dialogue withhimself, echoing Steve Lacy as female voices nearly bury one anotherin closely valued hues. Weiner, meanwhile, volleys between the LP'stitle phrase and cornerstone proclamations such as "the artist mayconstruct the piece. The...

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Dickie Landry

Solos

33,99 €*

4 Cuts Placed In "A First Quarter"

Release: 2022 / EU – Original

Genre: Organic Grooves

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- First time reissue, remastered from original master tapes- Gatefold 2LP with period photos and new liner notes byClifford Allen- Download code included with 30 minutes of additionalbonus material- feat. Richard Peck, Robert Prado, Rusty Gilder, Jon Smith, Alan Braufman, David Lee- For Fans of Coltrane, Coleman, Ayler//On February 19, 1972, a crew of mostly Louisiana-raisedmusicians came together at the Leo Castelli Gallery on WestBroadway in Soho to perform a wholly improvised concert. Thisensemble's solos spring from collective improvisations and atumultuous backbeat, loosely inspired by the creations ofColtrane, Coleman, Albert Ayler, and their brethren. The de factoleader was Richard "Dickie" Landry, a saxophonist andkeyboardist who joined composer Philip Glass's group in 1969.Landry had become a fixture in downtown New York's loft and artscenes at the close of the 1960s, after he high-tailed it by carfrom Louisiana to the Lower East Side and auspiciouslyencountered Ornette Coleman at the Village Gate the night of hisarrival.For this concert, fellow Glass reedists Jon Smith and Richard Peckjoined in, alongside Rusty Gilder and Robert Prado, both doublingon bass (upright and electric) and trumpet. The drum chair wasoccupied by New Orleans firecracker David Lee, Jr., who broughtalto saxophonist Alan Braufman along for the session (Braufmanwas the only non-Louisiana player in the band). The ensemblestretched out in the gallery for several hours in a configurationreflecting those that took place at Landry's Chinatown loft,documented in photos by artists Tina Girouard and Suzanne Harristhat adorn the inside of the original gatefold album jacket.Recorded live by Glass' sound engineer Kurt Munkacsi, the albumwas released as a double LP on Chatham Square, the small imprintLandry and Glass co-ran, in a stark greyscale cover and simplytitled Solos. The order of the players' improvisations was laid outon the album inner labels, though unsurprising...

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Dickie Landry

Release: 2022 / EU – Original

Genre: Organic Grooves

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- First time reissue, remastered by Stephan Mathieu- New liner notes by Clifford Allen- Download code included- For Fans of Philip Glass, Barre Philips, ECM//4 Cuts Placed In "A First Quarter", the companion piece to Solos,is the sonic result of a collaboration with artist Lawrence Weiner.As Landry remembers, "I was working for Keith Sonnier at CastelliGallery and met Lawrence. He asked `can you make a video forme?' So we did "To and Fro..." At some point he was working on"A First Quarter" (1973) and wanted me to do the music. I said `Ialready have the music.' He said `what do you mean?' I hadrecorded several pieces with Kurt Munkcasi and walked around theset playing the music on a boom box."The set features one solo each by Landry and contrabassist RustyGilder, a duo for the tenor saxophones of Landry and RichardPeck, and an ensemble piece for Landry, Peck, Gilder, trumpeterRobert Prado, and drummer David Lee, Jr. Starting the record offis "Requiem for Some," inspired by Gil Evans' long, placid tones.The anchor is Lee's dry cymbal attack and fancy footwork,dancing around overlapping and recombining horns, chords heldjust shy of splintering. "4th Register" is a grainy delayed solotenor piece, presaging "Kitchen Solos" from Fifteen Saxophones byseveral years. "Piece for So" was, according to Landry, "a chanceto give Rusty a solo". Mostly known as an ensemble bassist,Gilder bounced between Lafayette, Charlotte, and New York,leaving a slim recorded legacy. Here, he stretches out for twelveminutes and change - with keen upper register detail and meatyup-tempo walk, he could have been mentioned in the same breathas players like Dave Holland and Barre Phillips. The closing "DuoVivace" finds Landry and Peck sparring on tenors, the latterholding a melodic line while Landry leans into explosive glossolalia,until both become birds in flight.

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Wat Dong Moon Lek

Release: 2022 / EU – Original

Genre: Organic Grooves

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Carl Stone continues his late career prolific renaissance with a new album of sculpted, tuneful MAX/MSP fantasias. Stone "plays" his source material the way Terry Riley's In C "plays" an ensemble - with a loose, freewheeling charm connected to the ancient human impulse to make sound, melody, and rhythm from anything. Stone's unique technique simultaneously focuses and sprays sound like a symphony of uncapped fire hydrants. Is this techno, avant-garde, sound art? It's simply (or rather fantastically messily) Carl Stone.

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Robert Haigh

Human Remains

The Plains At Gordium Performed By Talujon

Release: 2022 / EU – Original

Genre: Classical Music

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Human Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds. The trilogy marks the end of the late era of solo albums by Haigh before he steps away from music production.The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our current times, it could be interpreted as human frailty in the face of nature's unyielding dominion. Conversely, it could represent the persistence of human spirit and resourcefulness in the midst of catastrophe and upheaval.The album opens with 'Beginner's Mind' - a semi-improvised motif develops into an impressionistic refrain. This is followed by "Twilight Flowers" and "Waltz On Treated Wire" - intimate, monochrome piano portraits. Later tracks such as "Lost Albion" and "Signs Of Life" build on skeletal piano motifs with subtle electronic washes, textures and field sounds. The album ends with the elegiac "On Terminus Hill" where a stately piano refrain explores a series of sparse harmonic variations evoking a sense of closure.

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Petr Kotik

Release: 2022 / EU – Original

Genre: Classical Music

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A premiere recording from the Talujonpercussion ensemble of The Plains at Gordiumby composer Petr Kotik, whose pioneeringwork as founder and leader of the S.E.M.Ensemble has been a stalwart champion of theAvant-Garde from its inception, at the Centerof the Creative and Performing Arts,SUNY/Buffalo, in 1970 to present day.Well-loved recordings by the S.E.M. Ensemble(Julius Eastman: Femenine, The Entire MusicalWork of Marcel Duchamp, Morton Feldman:For Philip Guston) are easy to find. That hasnot been the case for Kotik's own music. Thisbeautiful recording of a relatively recent workby Kotik provides a beguiling, labyrinthianentry into Kotik's own musical vision.

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LP | 2021 | EU | Original (Unseen Worlds)

Stolen Car

33,99 €*

LP | 2020 | EU | Original (Unseen Worlds)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Over The Past Several Years, The Recorded Output Of Carl Stone Has Been Turned On Its Head. In Previous Decades, Stone Perennially Toured New Work But Kept A Harboring Gulf Of Time Between The Live Performances And Their Recorded Release. This Not Only Reflected The Careful Consideration Of The Pieces And Technical Innovations That Went Into The Music But Also The Largely Academic-Minded Audience That Was Themselves Invested In The History And Context Of The Work. The Time Span Of Stone's Recorded Output In Both Sheer Musical Duration And Year Range Was Generously Expansive. Following Multiple Historical Overviews Of Stone's Work On Unseen Worlds And A Re-Connection With A Wider Audience, The Time Between Stone's New Work In Concert And On Record Has Grown Shorter And Shorter Until There Is Now Almost No Distance At All. Stone's Work Has Often At Its Core Explored New Potential Within Popular Cultural Musics, Simultaneously Unspooling And Satisfying A Pop Craving. On Stol En Car, The Forms Of Carl Stone's Pieces Have Also Become More Compact, Making For A Progressive New Stage In Stone's Career Where He Is Not Only Creating Out Of Pop Forms But Challenging Them.Stolen Car Is The Gleeful, Heart Racing Sound Of Hijack, Hotwire, And Escape. Stone Carries The Easy Smirk And Confidence Of A Car Thief Just Out Of The Can, A Magician In A New Town Setting Up A Game Of Balls And Cups. With Each Track He Reaches Under The Steering Wheel And Yanks A Fistful Of Wires. Boom, The Engine Roars To Life, The Car Speeds Off Into The Sunset, The Cups Are Tipped Over, The Balls, Like The Car, Are Gone."These Tracks Were All Made In Late 2019 And 2020, Much Of When I Was In Pandemic Isolation About 5000 Miles From My Home Base Of Tokyo. All Are Made Using My Favorite Programming Language Max. However Distinct These Two Groupings Might Be They Share Some Common And Long-Held Musical Concerns. I Seek To Explore The Inner Workings Of The Music We Listen To Using Techniques Of Magnification, Dissection, Granulation,, Anagrami...

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Silvia Tarozzi

Mi Specchio E Rifletto

34,99 €*

LP | 2020 | US | Original (Unseen Worlds)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Inspired by the poetry of Alda Merini and her studieswith composer Garret List, Italian violinist-composerSilvia Tarozzi turned to the song form after beinginvolved for many years in contemporary music andfree improvisation. Over the course of nearly adecade, Tarozzi practiced setting the poetry of AldaMerini to music and then replacing it with her own toreflect her own life experiences. As a result, Mispecchio e rifletto is a wondrous combination ofbaroque folk, avant-garde, and progressive musicart-song that feels both poetic and earnestlyautobiographical. Echoes of past masterpiecesreverberate throughout: the gentle chamberexplorations of Penguin Cafe Orchestra, the sciencefiction of Franco Battiato's 'Fetus', the abstract freejazz flourishes of Maria Monti's 'Il Bestiario', thesweetness of Caterina Casseli's 'Primavera'.As a solo performer, Tarozzi is a long timecollaborator with composers Eliane Radigue, PascaleCriton, Cassandra Miller and Martin Arnold. In duowith Deborah Walker, and as a member of EnsembleDedalus, she has worked with Christian Wolff, JürgFrey, Michael Pisaro, Catherine Lamb, SébastienRoux, and many others. She previously releasedPhilip Corner 'Extreemizms: early & late' on UnseenWorlds in 2018.

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Leo Takami

Felis Catus & Silence

21,99 €*

LP | 2019 | EU | Original (Unseen Worlds)

Release: 2020 / US – Original

Genre: Organic Grooves

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Felis Catus and Silence is a breakthrough release for Tokyo composer-guitarist Leo Takami, following the milestone albums Children's Song (2012) and Tree of Life (2017). Takami counterpoints the soothing aesthetics of prime-era Windham Hill New Age guitar-heroism with meditative, intellectual compositions comprised of ambitious, process-oriented arrangements. While Takami largely wears his genre influences on his sleeve - jazz, classical, Japanese gagaku - the influence of ambient music is a tacit foundation of his work. Working diligently outside of any established communities for fringe musics, Takami conjures this association through a patient focus on generous musical intervals. Steady, kaleidoscopic unfolding of his compositions reflect Takami's creative intent to "become aware of precisely the time and place I am living." The unabashedly sweet, tuneful virtues of his music in concert with this reflective form provide an artistic relief of Takami's thematic harmony. "Each song is based on birth and death, and moving onto the next stage..." Leo Takami, born 1970, studied guitar under Hideaki Tsumura (aka Kamekichi Tsumura) and performs regularly in Tokyo.

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Leo Svirsky

River Without Banks

16,99 €*

LP | 2019 | EU | Original (Unseen Worlds)

Release: 2019 / EU – Original

Genre: Classical Music

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"How to begin? No beginning... never ending reverberation," Antoine Beuger writes in the accompanying notes to Leo Svirsky's River Without Banks. Dedicated to his first piano teacher Irena Orlov, River Without Banks is a mesmerizing, emotional collection of pieces that are simultaneously complex and fluid. The title River Without Banks comes from a chapter of musicologist Genrikh "Henry" Orlov's profound work Tree of Music. In said chapter, Orlov traces the history of sacred music from the Western and Eastern tradition and how the forms (of the chant, raga etc.) sought to eliminate the division between the physical and the spiritual - the bank and the river.

Arranged for two pianos with accompaniment from strings, trumpet, and electronics, this is Svirsky's deepest dive yet into the instability of listening and its transformation of musical semantics and affect. Like Wolfgang Voigt's Gas project, Svirsky overlays romantic musical gestures to create a lush unfamiliarity. No sooner than each track begins the next moment unfurls beneath it, cascading time and blurring perception of past and present. River Without Banks is less an album of songs than songs of a singular, unlocatable album. Performed by the composer with assistance from Britton Powell, Max Eilbacher, Leila Bordreuil, Tim Byrnes, and recorded by Al Carlson.

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Gene "Blue" Tyranny

Out Of The Blue

23,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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First-ever LP reissue Restored original album art Newly remastered by Taylor Deupree and cut atDubplates and Mastering, Berlin Download code included on postcard 4 panel insert with scores, lyrics, photos, and liner notes "Blue" Gene Tyranny's debut album Out of the Blue - newly remastered with original cover art - which was among the first to releases on Lovely Music in 1978 alongside Robert Ashley Private Parts, David Behrman On the Other Ocean, Jon Hassell Vernal Equinox, Meredith Monk Key, and Peter Gordon Star Jaws. Disarmingly direct, funky, and profound, Out of the Blue is an equanimous, wide-open exploration of Tyranny's musical world: equal parts song cycle, tone poem, keyboard fantasia, and avant-garde pop record. Recorded and mixed by Tyranny at Mills College, this album emerged following the legendary 1976 Trust in Rock concerts, where Tyranny and collaborator Peter Gordon presented New Music for rock band. "Next Time Might Be Your Time" and "For David K." were co-produced by Gordon, and also feature Mills's Maggi Payne on flute as well as Oingo Boingo's Steve Bartek on guitar; "Leading a Double Life" is sung by Lynne Morrow and Jane Sharp, accompanied by Tyranny on piano and polyMoog synthesizer; "A Letter from Home" is a half-hour electro-acoustic narrative meditation on "the Doppler effect as a metaphor for the development of consciousness." Out of the Blue lives up to its name: it is both surprising and familiar, revealing for the first time something that was always already there.

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Electronic Music From The Eighties And Nineti

2LP | 2018 | EU | Original (Unseen Worlds)

48,99 €*

CD | 2017 | EU | Original (Unseen Worlds)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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First time vinyl collection for some of Carl Stone's most
beloved tracks from the 1980s and 1990s, and the first ever release in any format
of "Mae Yao". For Fans of The Caretaker, Elysia Crampton, Editions GRM,
Oneohtrix Point Never, Ryuichi Sakamoto. Following the widely acclaimed 3LP
collection, Electronic Music from the Seventies and Eighties, Unseen Worlds has
compiled a second, 2LP collection of favorite and unreleased Carl Stone works.
Electronic Music from the Eighties and Nineties presents the soothing,
hallucinatory side of Stone's slow-evolving, time-bending composition. While we
can't always identify the source, we can hear that his sounds come from
somewhere, and that there is a "correct" or "complete" version of them in theory;
and so we can hear when they are being changed. What drives Stone's music is the
flow that he draws out of those differences: the way an Indonesian gamelan
morphs into a chorus built from one female vocalist over the course of "Mae
Yao"'s twenty-three minutes, the surprise emergence of a Mozart chorus out of
the synths and skip-glitches of "Sonali," or the slow, ambient evolution of "Banteay
Srey". "Woo Lae Oak," issued in a single side edit for the first time, is an
exception. It s samples - a tremolo string and a bottle being blown across the top
like a flute - are simple in the extreme. Yet the Stone locates the inherent
emotional properties of the sounds and takes them into unexpected expressive
territory.

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Robert Haigh

Creatures Of The Deep

14,99 €*

Lawrence Weiner & Richard Landry

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A new album of piano driven ambient music from British composer Robert Haigh. Following in the path of his albums for the Japanese Siren label, Creatures of the Deep is an underground vantage of a meeting between the musical worlds of Harold Budd and Erik Satie. With a storied musical career that has ranged widely in style - from his industrial-avant-garde works on Nurse With Wound's United Diaries label as Sema to his legendary ambient drum and bass records as Omni Trio on Moving Shadow - Robert Haigh's work occupies a space between music and mystery. With Creatures of the Deep, Haigh is at the peak of his powers. Among noir, minimal, neo-classical landscapes are robust scatterings of bright re+ection and a musical expression that is subtle and elusive yet uniquely Haigh's in its voice and masterful execution. The closer we examine, the more is revealed, and the less is defined. Riyl Nils Frahm, Brian Eno, Harold Budd, Chilly Gonzales, Omni Trio, Erik Satie, Nurse With Wound

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Having Been Built On Sand

LP | 2022 | US | Reissue (Unseen Worlds)

24,99 €*

2LP | 2020 | US | Original (Unseen Worlds)

Release: 2022 / US – Reissue

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Silvia Tarozzi

Mi Specchio E Rifletto

30,99 €*

2LP | 2023 | EU | Original (Unseen Worlds)

Release: 2020 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Girma Yifrashewa

My Strong Will

42,99 €*

Vanishing Points / A Cappella

Release: 2023 / EU – Original

Genre: Classical Music

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My Strong Will is a new album of "Ethiopian Classical Music" by Girma Yifrashewa. Recorded with Bulgarian musicians and the SoaPhilharmonic Orchestra in Soa, Bulgaria, the album is a return to where Yifrashewa completed his own conservatory training in thelate 1980s and early 1990s, across both sides of the fall of Communism. Guided by Yifrashewa's piano, these chamber works bringthe music of Ethiopia into a Western Classical format, uncovering meditative and emotional new vistas for both traditions.

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John McGuire

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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In his "Pulse Music" compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A studentof Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where hebecome associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen,McGuire found his musical imagination both constrained and inspired by the technology that was available to him.A conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For "Vanishing Points"(1985-1988), McGuire used an entirely digital set-up for the rst time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer24-track digital tape recorder. The piece was conceived as a "sequel" to the Pulse Music series, but also a step forward from it. Whereas thePulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerateagainst one another, vastly increasing the resulting rhythmic complexity.McGuire's exploration of music technology continued in "A Cappella" (1990-1997), written for his wife, the soprano Beth Grifth, knownfor her recording of Morton Feldman's "Three Voices" made in 1983. Using samples, he created a four-voice choir of voice samples andarranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to theprecision of synthesized sounds. This process involved extensive editing and a negotiation between the "material" and the "originalconception". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.

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Leo Takami

Next Door

Release: 2023 / EU – Original

Genre: Organic Grooves

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Adroit jazz guitar, prog rock fantasia, and Japanese environmental music all rest comfortably behind Leo Takami's Next Door. The follow up to the acclaimed Felis Catus & Silence, Next Door nds Takami ruminating on passages_of time, seasons, consciousness. Through music, Leo contemplates daily events and nds beauty in ordinary moments. He also seems to be questioning the value of being stuck in the world, allowing his mind to wander towards something beyond it. His music is earnest, deeply personal and introspective, and is sort of akin to Rousseau's Reveries of the Solitary Walker or Kenji Miyazawa's Night on the Galactic Railroad. On "As If Listening" Takami takes inspiration from a Van Gogh art show organized chronologically, articulating the sense of "enlightened resignation" that is intrinsic in the act of creativity. "Beyond" is a dream of otherworldly nostalgia, a watercolor of past lives. His music is a hazy cinema of memory, the soundtrack to a cherished memory that may have never really happened, but still radiates in the mind like the sun on an unusually warm winter day.

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Ori Barel

Alkaline River

Release: 2023 / EU – Original

Genre: Rock & Indie

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Composer Ori Barel rolls up the playful aestheticism of '90s electronica, taught pointillism of Rock in Opposition, dada collage of Krautrock, and the heavy lushness of Jack Nitzsche arrangements into a seamless sci-fi fantasia.

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Giovanni Di Domenico

Succo Di Formiche