Soundtracks Vinyl 10 Inch 8 Items

Which color will you get? Only 5000 copies will ever be made of this special limited Easter-egg shaped 10'' vinyl. Features 8 select tracks from Vince Guaraldi's 1974 soundtrack for ''It's the Easter Beagle, Charlie Brown.

The holiday classic was written and created by Charles Schulz, directed by Phil Roman and produced by Bill Melendez and Lee Mendelson. These selections composed and performed by Guaraldi come on Easter egg shaped bio-attributed vinyl in one of five groovy spring colors, and it is mystery which Easter egg you will find inside. Either pink, blue, green, yellow, or Easter purple eggs, only 5000 total (1000 of each) are individually numbered and available exclusively for 2025 Record Store Day. Mixed and mastered for audiophiles, jazz lovers, and Peanuts® fans everywhere from the original 2'' session tapes to a 192kHz/24bit master.

The record Includes Guaraldi hits like ''Peppermint Patty,'' ''Woodstock's Dream'' and ''Snoopy and Woodstock'' as well as other classics like ''Linus and Lucy'' (Easter Beagle Edition) straight from the special. Never released before 2025, this Easter egg is the perfect holiday treat.

Beyond the composer's playing on piano, electric piano, electric harpsichord, and electric guitar, Guaraldi is joined by Seward McCain on electric bass, Robert Clare on flute, Glenn Cronkhite and Eliot Zigmund on drums, and John Scott Trotter supervised the music.

This album was 50+ years in the making and is also in celebration of Peanuts 75th Anniversary. The album was mixed by Clark Germain at WonderWorld Studio, and restored and mastered by Vinson Hudson, and produced by Sean and Jason Mendelson. The 10' vinyl Easter egg was created to fit your basket and give you a wonderful spring surprise. Side A: 1. Peppermint Patty 2. Snoopy and Woodstock 3. Woodstock's Dream

Side B: 4. Marcie's Song (Kitchen Music) 5. Linus and Lucy (Reprise) 6. Woodstock's Pad 7. Easter Egg Soup (Kitchen Music 2) 8. Salting Eggs / Linus and Lucy (4th Reprise)

As one of the most triumphant and beguiling directorial debut features to emerge from the fruitful Polish New Wave, Andrzej Żuławski’s 1971 film Third Part Of The Night not only earned the thirtyyear- old filmmaker a place next to other radical Polish directors such as Polanski, Skolimowski and Has, but also galvanised a creative bond with long running collaborator and composer Andrzej Korzyński, providing fans of foreign abstract/suspense cinema with a potent creative fusion to match those of Polanski/Komeda, Fellini/Rota, Argento/Goblin…

Featuring one of the heaviest psych rock movie theme tunes of all time, Andrzej Korzyński’s short and unreleased score matched the blueprint that adorned the drawing boards of conceptual French jazz orch rock composers like Jean-Claude Vannier, François de Roubaix and Alain Goraguer, creating a soundtrack that unknowingly begs comparison to Masahiko Satô’s Belladonna of Sadness and Billy Green’s Stone. As one of the first progressive pop writers to come out of the vibrant (but carefully scrutinised) Polish beat scene with his bands Ricecar 64 and later Arp Life (and composing for national heroes such as Czesław Niemen, Niebiesko-Czarni and Test) Korzyński’s growing passion for conceptual rock and jazz music soon led to instrumental composition and soundtrack scores. His cinematic debuts scoring two consecutive transitional new wave films for Andrzej Wajda (in collaboration with the radical Polski pop groups Trubadurzy and Grupa Abc) also provided Korzyński with another significant cinematic muse in that of the stunning actress Małgorzata Braunek, with whom they would both eventually achieve their finest performances under the direction of the ravenous first timer Żuławski. Third Part Of The Night (1971) perhaps epitomises that triangular on-screen unison in its vibrant youth and feeds it through a hallucinogenic mangle finding astonishing beauty (within a repulsive synopsis) against a bleak and shattered backdrop and accompanied by progressive, psychedelic orchestral rock music – elements which would intensify for all three creatives with the next film Diabeł, which was banned by the Polish government the following year until 1988. Third Part Of The Night also marks the public unison of Żuławski and Braunek whose later private romantic relationship is said to form the basis for another defining Żuławski/Korzyński endeavour with the 1981 film Possession exactly a decade later, encapsulating a period that bequeaths a previously unopened vault of some of the the composers finest and most inspired sonic adventures.

It’s time to set sail with the finest nautical restaurant in the entire Grand Line! The food of the Baratie may be five-star, but characters of any and all reputation are welcome. Pirate or not, there’s something on the menu for everyone. Of course, the ship’s come-one-come-all policy can sometimes create a…unique atmosphere for its guests. But it’s not without its charms: The Baratie is one classy dining ship, after all, and the music you’ll hear during your voyage is an important part of that sense of sophistication. Now, we’ve partnered with our pals at Netflix to help you bring that mood to your turntable. This is the One Piece: Mixtape from Baratie 10”, a snack of a jazzy soundscape that’s sure to transport you right to the iconic ship’s deck.

32 page photo book inluding 10". Limited to 500 copies.

10" vinyl only release limited to 500 in beautifully printed tip-on jacket. A mysterious film score from Sean Lennon with dreamy washes of echoey drum machines & keyboards with dark & foreboding synth arrangements, twangy guitar riffs with a sci-fi western flair, 50s pop, 70s punk, creepy demonic themes interlaced with a touch raunchy, swaggering horns that recalls old school film noir, with a surprisingly fresh indie rock edge. Features guest spots from KING KHAN, MARY OCHERS, KARLA MOHENO, & BISHY & FOLEY STEWARD. NO EXPORT TO UK/EU/JAPAN