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Orindal
Friendship - Dreamin'
Friendship
Dreamin'
LP | 2019 | US | Original (Orindal)
20,99 €*
Release: 2019 / US – Original
Genre: Rock & Indie
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These contemplative alt-country songs on were recorded to tape in July last year with the help of The Low Anthem’s Jeff Prystowsky. The band moved away from the inclusion of digitally programmed drums and rhodes piano, opting instead for a warmer, more organic aesthetic and a starker performance. Most of the songs took shape while Dan Wriggins and Mike Cormier worked and lived as groundskeepers at a private estate in Swarthmore, Pennsylvania, frequently driving into Philadelphia for shows and friends. The record is set both in the country and the city – community, peacefulness, and isolation can all be heard and felt throughout the superb new record.
Wednesday - Mowing The Leaves Instead Of Piling 'Em Up
Wednesday
Mowing The Leaves Instead Of Piling 'Em Up
Tape | 2022 | US | Reissue (Orindal)
11,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.
Kristin Daelyn - Beyond The Break
Kristin Daelyn
Beyond The Break
LP | 2025 | US | Original (Orindal)
24,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-02-28
Beyond the Break, the second full-length album by Kristin Daelyn, is a statement of rare tranquility and wisdom, atmosphere and grace. In these eight compositions, the Philadelphia songwriter takes influence from solo guitarists like Leo Kottke and John Fahey as well as writers like Mary Oliver, whose poem “Patience” inspired the early single “Patience Comes to the Bones.” Through instrumental pieces that highlight her virtuosity as a player and elegant folk songs that showcase her gifts for tender pop melodies and emotionally incisive lyrics, Daelyn’s voice feels both urgent and timeless. Like a well-loved paperback passed between friends, her songs are open to reflection and personal annotation, designed to be of use. Recorded from the intimacy of her home studio with assistance from co-producer Jason Cupp, Daelyn’s elegant & virtuosic fingerstyle acoustic guitar & vocal performances are accompanied on several tracks by Dan Knishkowy of Adeline Hotel & Danny Black of Good Old War. Patrick Riley also contributed string arrangements to four tracks, including the album’s lead single, "Patience Comes to the Bones.” “Philadelphia indie folk artist + fingerstyle guitarist Kristin Daelyn is rooted in the comfort and simplicity of folk while weaving intricate guitar with poetic, intimate storytelling to create a tender world of melancholy and warmth.”—NPR
Karima Walker - Demos
Karima Walker
Demos
Tape | 2022 | US | Original (Orindal)
11,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Tucson, AZ singer, songwriter & sound designer shares early, home-recorded versions of songs, alongside illuminating sketches and ambient pieces. The demo versions feature alternate lyrics and intimate acoustic arrangements that highlight the power of Walker’s voice and musicianship, while ambient pieces plumb deeper depths of tension.
Claire Cronin - Bloodless
Claire Cronin
Bloodless
LP | 2021 | US | Original (Orindal)
24,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Bloodless is the new album by Los Angeles-based musician and writer Claire Cronin. Expanding upon the supernatural and metaphysical themes of her critically acclaimed 2019 album Big Dread Moon and her 2020 “horror memoir” Blue Light of the Screen (published by Repeater Books), Bloodless is a powerful work of haunted Americana by one of contemporary indie music’s finest singer-songwriters.

Like its musical predecessor, Big Dread Moon, the arrangements on Bloodless’s nine songs are stripped and sparse, Cronin’s steady electric guitar and spectral voice holding center as strings and synthesizers provide wisps of eerie atmosphere. The sound of Bloodless is both more visceral and more subliminal than Big Dread Moon, due in equal part to months of intensive home recording by Cronin and Ezra Buchla (Cronin’s husband and violist) and expert mixing by Deerhoof’s John Dieterich (who previously collaborated with Cronin on her 2016 album Came Down a Storm).
Annie Hart - Everything Pale Blue
Annie Hart
Everything Pale Blue
LP | 2021 | US | Original (Orindal)
24,99 €*
Release: 2021 / US – Original
Genre: Electronic & Dance
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Everything Pale Blue is the first collection of ambient music by New York City-based composer and Au Revoir Simone keyboardist Annie Hart. Performed on analog synthesizers and processed through daisy chains of delay, reverb and loop effects, Everything Pale Blue’s warm, sonorous tones and trance-like, minimalist arrangements recall the work of pioneering electronic music composers Wendy Carlos, Éliane Radigue and Brian Eno, as well as German Kosmische Musik groups of the 70’s like Kraftwerk, Cluster and Tangerine Dream.

Throughout Everything Pale Blue, Hart’s gentle arpeggios and playful melodic figures echo the harmonies and rhythms of our natural world, from the cycles of flora, fauna and weather patterns to the orbits of celestial bodies. Everything Pale Blue’s four gorgeously expansive instrumental tracks reward patient listeners seeking calm, melody and meditation.
Lisa / Liza - Shelter Of A Song
Lisa / Liza
Shelter Of A Song
LP | 2020 | US | Original (Orindal)
22,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Recorded in the kitchen of a Central Maine studio apartment with engineering assistance from Peter Herman. All takes were recorded live, capturing the immediacy and quiet power of Liza’s hushed vocals and fingerstyle acoustic guitar. The album’s eight original songs are gentle meditations on joy, pain, human relationships and the natural world that stretch out slowly like long shadows.
Wednesday - Mowing The Leaves Instead Of Piling 'Em Up
Wednesday
Mowing The Leaves Instead Of Piling 'Em Up
LP | 2022 | US | Reissue (Orindal)
28,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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"wednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves. Our common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together. So when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves. When I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the contrast..."—KARLY Hartzman. Features songs by Gary Stewart, Chris Bell, Roger Miller, Drive By Truckers, Hotline TNT, Greg Sage, Vic Chesnutt, Medicine, and Smashing Pumpkins. Originally released in 2022 as a merch and mailorder item. Pressed on pilsner beer yellow vinyl.
Casiotone For The Painfully Alone - Vs. The Children
Casiotone For The Painfully Alone
Vs. The Children
LP | 2009 | US | Reissue (Orindal)
24,90 €* 26,21 € -5%
Release: 2009 / US – Reissue
Genre: Rock & Indie
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Hot on the heels of the singles and rarities compilation Advance Base Battery Life comes Vs. Children, the fifth album proper by Casiotone FOR THE Painfully Alone. Vs. Children continues the trajectory of 2006's Etiquette, which showed singer/songwriter Owen Ashworth straying from the strictly electronic instrumentation of his earlier recordings.
Casiotone For The Painfully Alone - Twinkle Echo Colored Vinyl Ediiton
Casiotone For The Painfully Alone
Twinkle Echo Colored Vinyl Ediiton
LP | 2003 | US | Reissue (Orindal)
26,99 €*
Release: 2003 / US – Reissue
Genre: Rock & Indie
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“Never has electronic music sounded warmer or more human than Casiotone for the Painfully Alone. Owen Ashworth uses equipment that could be considered antique (sk-1 or Mt-100 models of Casio keyboards) to provide a humming, squeaking, buzzing backdrop for his tales of pained love.”

"That was taken from the 2003 press release for Twinkle Echo, the third album I made under the name Casiotone for the Painfully Alone. Originally released on German electronic label Tomlab Records, Twinkle Echo has been out of print for nearly a decade, slowly building a cult audience from a new generation of DIY & indie music enthusiasts, thanks in large part to the album’s availability on streaming services. I’d previously reissued vinyl editions of two later Casiotone for the Painfully Alone albums (2006’s Etiquette & 2009’s Vs. Children) on my own label, Orindal Records, but I had some hesitation about reissuing Twinkle Echo, partially because its hyper, overdriven sound felt so far removed from the music I make now with Advance Base, & partially because this music came from a difficult period of my life that I just didn’t care to revisit. I’ve finally come around to the idea, thanks to the encouragement of some old friends & new listeners.

Twinkle Echo is a rawer & more lo-fi affair than the later Casiotone releases, with its fourteen brief, abrasive electronic pop tunes performed almost exclusively on the cheap, battery-powered synthesizers that gave the project its name.

The new vinyl edition of Twinkle Echo features the original artwork by Heidi Anderson on an extra heavyweight, reverse board jacket, plus a recreation of the original handwritten lyric sheet."—Owen Ashworth
Casiotone For The Painfully Alone - Twinkle Echo Black Vinyl Ediiton
Casiotone For The Painfully Alone
Twinkle Echo Black Vinyl Ediiton
LP | 2003 | US | Reissue (Orindal)
25,99 €*
Release: 2003 / US – Reissue
Genre: Rock & Indie
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“Never has electronic music sounded warmer or more human than Casiotone for the Painfully Alone. Owen Ashworth uses equipment that could be considered antique (sk-1 or Mt-100 models of Casio keyboards) to provide a humming, squeaking, buzzing backdrop for his tales of pained love.”

"That was taken from the 2003 press release for Twinkle Echo, the third album I made under the name Casiotone for the Painfully Alone. Originally released on German electronic label Tomlab Records, Twinkle Echo has been out of print for nearly a decade, slowly building a cult audience from a new generation of DIY & indie music enthusiasts, thanks in large part to the album’s availability on streaming services. I’d previously reissued vinyl editions of two later Casiotone for the Painfully Alone albums (2006’s Etiquette & 2009’s Vs. Children) on my own label, Orindal Records, but I had some hesitation about reissuing Twinkle Echo, partially because its hyper, overdriven sound felt so far removed from the music I make now with Advance Base, & partially because this music came from a difficult period of my life that I just didn’t care to revisit. I’ve finally come around to the idea, thanks to the encouragement of some old friends & new listeners.

Twinkle Echo is a rawer & more lo-fi affair than the later Casiotone releases, with its fourteen brief, abrasive electronic pop tunes performed almost exclusively on the cheap, battery-powered synthesizers that gave the project its name.

The new vinyl edition of Twinkle Echo features the original artwork by Heidi Anderson on an extra heavyweight, reverse board jacket, plus a recreation of the original handwritten lyric sheet."—Owen Ashworth
Lisa/Liza - Deserts Of Youth
Lisa/Liza
Deserts Of Youth
LP | 2016 | US | Original (Orindal)
17,99 €*
Release: 2016 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Macie Stewart - Mouth Full Of Glass
Macie Stewart
Mouth Full Of Glass
LP | 2021 | US | Original (Orindal)
22,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: VG+
Glass clear vinyl. Cover with a bent corner, otherwise NM
Little Kid - A Million Easy Payments
Little Kid
A Million Easy Payments
Tape | 2024 | US | Original (Orindal)
12,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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A camera zooms in without crowding its subject. A song about someone else's damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little KID’s new album and Orindal Records debut, A Million Easy Payments, the urgency in Kenny BOOTHBY's voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band's lilting folk rock arrangements carry Boothby's stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It's a record of depression and frustration that doesn't stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It's a record with blood in its veins. Little Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom's work renders a portrait of Little Kid's twin musical strengths—as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza NIEMI's cello, ANH PHUNG's flute, Seth ENGEL's percussion, Peter GILL’s pedal steel, and Aaron POWELL’s voice.
Little Kid - A Million Easy Payments
Little Kid
A Million Easy Payments
LP | 2024 | US | Original (Orindal)
28,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A camera zooms in without crowding its subject. A song about someone else's damage helps you understand your own, and puts you on to new mysteries. Stars look like grains of sand. On Little KID’s new album and Orindal Records debut, A Million Easy Payments, the urgency in Kenny BOOTHBY's voice matches the stakes of his lyrics, epic ballads and reveries that come at life from all angles and exposures, driving at and a little over the limits of self-reflection. The band's lilting folk rock arrangements carry Boothby's stories, occasionally lifting them skyward with flurries of cello samples, pedal steel, flute, and electric piano. It's a record of depression and frustration that doesn't stew in piety or aestheticize pain, that also explodes with life. Fragile and abundant. It's a record with blood in its veins. Little Kid is a Toronto-based collaborative project that has existed in some form since 2009, and is currently comprised of Brodie Germain (drums, guitar), Paul Vroom (bass), Megan Lunn (vocals, banjo, keyboard), Liam Cole (drums, percussion), and Kenny Boothby (vocals, guitar, piano, keyboards). A Million Easy Payments, like the three Little Kid releases before it, was tracked, engineered, and mastered by Vroom. Vroom's work renders a portrait of Little Kid's twin musical strengths—as a live act, a straight-ahead folk rock outfit, and as a group of creative, independent producers who want to mess things up. To that end, the record features several guest instruments: Eliza NIEMI's cello, ANH PHUNG's flute, Seth ENGEL's percussion, Peter GILL’s pedal steel, and Aaron POWELL’s voice.
Tara Jane O'Neil - Songs For Peacock
Tara Jane O'Neil
Songs For Peacock
LP | 2020 | US | Reissue (Orindal)
19,35 €* 32,26 € -40%
Release: 2020 / US – Reissue
Genre: Electronic & Dance
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Twenty-eight years into her kaleidoscopic discography, Songs for Peacock is the first album singer guitarist / composer Tara Jane O’neil has credited to just her initials: TJO. Recorded at home using primitive electronic instruments in addition to heavily effected electric guitar, bass & voice, Songs for Peacock is a collection of pop covers recalled from TJO’s youth, intended as a “mixtape” for her late brother Brian. Over twelve tracks & thirty-nine minutes, Songs for Peacock abstracts radio hits by the likes of Boy George, Bananarama, Leonard Cohen, Siouxsie and the Banshees & Inxs, distilling earworms into thin wisps of dreamlike atmosphere, or stretching them into languorous psychedelic soundscapes. Songs for Peacock warps our collective musical memory to form a singular & cohesive body of work that defines TJO’s highly personal sonic landscape.
Ruth Garbus - Alive People
Ruth Garbus
Alive People
LP | 2023 | US | Original (Orindal)
33,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Ruth Garbus’ Alive People is a studio album full of underground anthems for sensitive people of all ages that happened to be recorded in a club with an audience of a hundred. In between the compositions are interstitial improvisations that happened on stage during the performance. These are not presented in sequence. It’s not a lesser copy of a moving experience. It’s an echoing recreation, traveling- out photons bent thru and into a pastel rainbow. Ruth was joined on stage at different points by collaborators: elie mcafee-hahn on synth and bass, Julie Bodian on atypical guitars, Julia Tadlock on voice and presence. Nick Bisceglia engineered, with Ruth’s two vocal mics taped together, the room split to its mid and sides, the pop filter a matte circle in front of the shimmering curtain.
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