Melting Pot Music Vinyl, CD & Tape 47 Items

Midan’s new album pays homage to the beautiful music of Brasil. The young producer, DJ and digger from Cologne channels his deep love for Bossa Nova, Samba and MPB (Música Popular Brasileira) into a 17 track strong album entitled “Letter To Brasil”. Accompanied by his good friends FloFilz, Saib, Mr.Käfer and Lesky. Artwork by Sao Palo-based illustrator André Cast.
Born and raised in Paris, the half German-half Algerian producer is one the most exciting new jacks on the German beatmaker scene. At the age of 23 Midan has already released a bunch of albums for renowned labels like Casual Low Grind, Mutombo Recods and Beat Jazz International.

Limited to 300 copies on purple vinyl, available at HHV only.

"Insomnia" is the third solo album of the Italian jazz beat maestro Koralle for Melting Pot Music. Without exaggerating, the Bologna-born producer's album can be described as his most mature and progressive work. On "Insomnia" Koralle unites a few of his favorite artists and musicians, exchanging sounds, ideas, beats, melodies and lyrics with them. The guest list consists of fellow producers FloFilz, Pachakuti, Figub Brazlevic, Kuranes, Phoniks and Brous One, as well as vocalists Kid Abstrakt, KeepVibesNear and Ryshon Jones.

Limited to 300 copies. Only available at HHV in clear vinyl.

Acclaimed Jazzbeat-Producer FloFilz teams up with experimental HipHop/Jazz quartet Bokoya for collabo album Yurika on Melting Pot Music.

What happens when a four-headed human drum computer meets a classical trained vilonist turned beatmaker to spend time in the studio? A beautiful lily blossoms. At least this was the case when Bokoya and FloFilz entered Atelier 21 in Aachen (a Produzentengalerie für globale Kunst) for a musical encounter with no goals set. The music that was born out of these sessions is simply amazing, and we are more than happy to release them as an album under the name “Yurika” - which is a Japanese name that means “beautiful lily”. The artwork was created by Jens Roth & Jeremias Diekmann who are responsible for almost all Bokoya artworks yet. The 19-track strong instrumental album includes one vocal track featuring Japanese singer Kan Sano. FloFilz is one of Europe's most acclaimed Jazzbeat-producers with four albums on MPM under his belt. His last album “Close Distance” came out in 2022 and featured artists Alfa Mist, Blue Lab Beats, Jerome Thomas and Summers Sons. FloFilz is a classical-trained musician who not only plays the SP 404 but also violin. Bokoya describe themselves as a four-headed human drum machine that play improvised beat music. You can call it jazz if you like (all four members are graduated jazz musicians) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. In 2022 Bokoya released their second album Hausensession on MPM, followed by a collabo album with Cologne-based producer Ginanni Brezzo (Jakarta Records) called „Minari“.

The Silhouettes Project a new platform for up and coming Hip-Hop, Soul and Jazz artists from the UK. It is not a record label or management team, it is a community project. The Silhouettes Project provides an open space - a recording studio and live venue located within the Total Refreshment Centre in Hackney, London - where MCs, singers, musicians and producers can connect and create.The Silhouttes Project was founded by community organisers/artists Asher Korner (aka Kosher) and Jaden Osei-Bonsu (Eerf Evil) in 2019. When they told us about the project and played us some of the music we were instantly hooked and joined the collective as label partner. The art direction is executed by Sergio „SagaUno“ Alferez, an acclaimed designer and illustrator from Medellín, Columbia.Starting in September, we release a new single each Thursday from artists like Kofi Stone, Summers Sons, Enny, KeepVibesNear, Manik MC, Lex Amor, Louis The Hippie, Summer-Pearl, Joe Beard and many more.

Here is the story of the Silhouettes Project as told by its founders Jaden and Asher: „We started The Silhouettes Project in February 2019, to shine a light on the new generation ofunderground Hip-Hop, Jazz, and Soul music in the UK. Community is everything to us, and wewanted to show that with a proper support network, access to professional facilities, and theencouragement of a family of artists, our community could produce something incredible. We felt a joint frustration that the current music scene in the UK only had structures in placeto support talent of a certain genre whilst overlooking a buzzing alternative Hip-Hop culture.We wanted to unify artists who are making ground-breaking music but who are in need of asolid structure to work within - artists who we felt deserved more recognition. This led us tothe name ‘The Silhouettes Project’, as we wanted to shine a light on those artists in theshadows. The journey started by embarking on a collaborative album project which allowed us to bringtogether more than 30 artists on a single tape and to create a network of incredibly talentedartists of the same calibre. The album took more than a year, working almost every day at theRoot 73 studio, a community space in Hackney. We knew from the first few sessions that wewere on to something, and the energy around the project kept it moving. As artists ourselves we understood that the creative process can be challenging and sometimesisolating, especially when there is no clear support network to fall back on. This led us to bringour efforts into the physical realm by organising a series of free live music events for all ofthese artists to come to, showcase their work alongside our house band, and connect witheach other. These events take place at The Total Refreshment Centre in Dalston, anunderground studio complex and warehouse space, which gave the events an intimatecommunity feeling and the people a sense of belonging. There is a desperate need for spaces in which people can come together and develop theircreative potential, especially with the consistent withdrawal of funding from the arts sector inthe UK and with the constant threat of gentrification which has seen the closure of countlesscommunity and grassroots creative organisations. As we grew as a brand and organisation, webegan to fully understand the importance of what we were doing. From the studio sessions tothe events, we saw the impact on people’s outlooks on their own careers, we saw them growin confidence in performing and collaborating and even taking their own initiative to utilise thenetwork provided for them. We heard their feedback, we felt the excitement in theatmospheres at our events and studio sessions, and we saw the community grow every timewe brought it together.“

New album by pioneering German beatmaker FloFilz. On Close Distance, the lofiturned-hifi producer blends hip-hop inspired beats with contemporary jazz, alt r&b and a little rap. Featuring Alfa Mist, Blue Lab Beats, Jerome Thomas, KeepVibesNear, Summers Sons & C.Tappin, Dal & Hunter Rose. Close Distance is his fourth album for Melting Pot Music. Since 2013, the self-taught bedroom producer and classically trained violinist has sold more than 10k LPs and gained 200 million streams. Close Distance literally means “near in space or time” (or “nah dran”, as we say in German). The 16 songs on Close Distance came to life over the past two years. Many sketches were birthed at FloFilz's old home studio in Aachen. Some songs were made from scratch in London, where Flo did sessions with UK jazz supremos Alfa Mist and Blue Lab Beats at their studios. One was recorded in a kitchen in Streatham, where rap duo Summers Sons and pianist C.Tappin reside. More sessions were already in planning when lockdown kicked in and travelling was no longer an option. Around the same time, Flo was about to move from Aachen to Berlin which he eventually did in November 2020. Once installed, he started sharing beats and files out of his makeshift studio in Moabit. Beat folders were sent to London where two of our favourite new alt R&B vocalists – Jerome Thomas and KeepVibesNear – live. Another one went to Dartmoor where the jazz/hip-hop trio Dal added their magic touch while Hunter Rose processed her sultry vocals in Cape Town - 12 flying hours away from Berlin. The album artwork has been created by Indonesian illustrator Fatchurofi, who caught FloFilz's attention through his work for everybody’s favourite band Khruangbin. Taking influences from Japanese Ukiyo-e art, Fatchurofi is adding a zen-like clarity (and tranquility) that resonates very well with the album. It is no exaggeration to say that FloFilz has not only created another inspiring album with Close Distance but one that demonstrates how music can close

New album by Los Angeles MC Kid Abstrakt produced by Leo Low Pass from Amsterdam inspired by the golden era greats like A Tribe Called Quest, De La Soul or The Pharcyde!

Split album by Joe Corfield and Slim, two of UKs most promising beatmakers. It's the follow-up to the “KO-OP 1” album by Smoke Trees and Juan Rios on KO-OP, the sub-label and community dedicated to the art of beatmaking founded by reknown hip-hop label Melting Pot Music from Cologne, Germany.

When we started KO-OP in the summer of 2017, little did we knew where this journey would take us to. Ever since we had the pleasure to work with 21 artists from all over the world and have put out almost 80 tracks on lp, tape and digital. Now we are happy to share with you KO-OP 2 - a split album by two of our favourite producers from the UK: Slim and Joe Corfield. Slim is one half of London rap group Summers Sons. The Sons are signed to MPM where they have released two albums (“Undertones” & “Uhuru”). In February 2019 Summers Sons will play their first German tour together with Children of Zeus. Slim has released instrumental cuts on KO-OP, Brownswood and Banoffee Pie, plus a beattape on Yogocop Records. Joe Corfield hails from Birmingham and has released a string of albums via Radio Juicy and Yogocop. He is coming with his very own sound. Futuristic and soulful, with a great ear to detail. It was actually Flofilz' idea to have them both on one record. “KO-OP 2” will be released on one LP with two individual covers by Rahel Süßkind, a Berlin based artist (and part of Money $ex Records) who is responsible for all KO-OP artwork.

Debut album by UK trio following their “Undertones” EP on Meltin Pot
Music, the label that brought you Twit One, FloFilz, Suff Daddy, Brenk
Sinatra, Dexter and others!
"Uhuru" is the debut album by Summers Sons & C.Tappin from London and Bristol.
The journey of this album started back in 2015 and was inspired by the people and
places of Tanzania. After three years of channelling the vibe into beats and bars, it is
finally here!
Summers Sons are Turt (rap) + Slim (beats) who are actually brothers. They are
longtime friends with vocalist and pianist C.Tappin. Their music can be described as
rap with a lot of jazz. We like to call it cool bap.
Turt first got into hip-hop through Grime but also cites UK wordsmith Jehst as a
major influence. Slim was doing UK Garage for a while, when his brother asked him
for some more chilled beats to rap to. Tappin came up in a musical family, picked up
the piano as a kid and played in indie bands.
With such diverse backgrounds Summers Sons and C.Tappin are not your average
rap group. They would actually rather name their crew a band. Which makes total
sense when you catch them live. Slim slices up the beats on his SP404. Tappin gets
busy on the keys and adds vocal harmonies while Turt holds down the vibe on the
mic, spitting lyrics with a message.
Still only in their early twenties Turt, Slim and Tappin are somehow old souls when it
comes to music. If you listen to "Uhuru" you are unmistakably reminded of the
Soulquarians school of fusing hip-hop, soul and jazz. Follow the Sons' "Road To
Uhuru" playlist on Spotify and you are treated with gems from D'Angelo, Dilla, Badu
and Bilal back to back with new UK Jazz tunes from Alfa Mist or Ezra Collective.
Rounded up with a selection of dusty beats from German beatmakers like Hubert
Davis and Twit One. On their own songs Summers Sons and C.Tappin are
connecting these dots in their very own style and fashion.
While Slim had already released beats on Banoffee Pies and Brownswood, Turt and
Tappin made their official debut on the "Hay Luv" album by Twit One , who they had
met when he played a DJ gig in Bristol some years ago. With the release of the
Summers Sons' "Undertones" EP on MPM in early 2018 the London - Cologne
connection became official. The six tracker introduced the sound of the Summers
and Tappin to a bigger audience and included remixes by FloFilz and Twit One.
Now get yourself ready for "Uhuru" ! To learn more about the album we recommend
the liner notes: We’re all as simple complex as the next man. No one really comes
correct with a set plan. It’s all guesswork. Feet stepping, Keep checking with my
head first.

Limited to 200 copies.

British-German jazz rap super group Syrup returns with their second album “The Questions” on Melting Pot Music. Syrup are Twit One (beats), Turt of Summers Sons (rap) and C.Tappin (vocals & keys). Twit One is from Cologne and a true universal artist: producer, DJ, curator and record store-owner are some of the many hats Twit is wearing. Turt is one half of South London duo Summers Sons (the other half is his brother Slim) and best friend with C.Tappin with whom he and Slim form the Lightworks crew. Twit, Turt and Tappin share a friendship and musical partnership based on similar musical tastes and live values since they met in Bristol in 2015. Their first album “Rosy Lee” was released in 2021 on Melting Pot Music.

All tracks produced and mixed by Twit One at The Dojo, Cologne. All lyrics written and performed by Turt and C.Tappin. Vocals recorded at Studio 18 Artists, London. Photo (front) by Twit One. Photo (back) & artwork by Robert Winter.

In April 2022 FloFilz released his critically acclaimed album “Close Distance” featuring Alfa Mist, Blue Lab Beats, Jerome Thomas, Dal, Summers Sons, KeepVibesNear & Hunter Rose. This 7“ single contains four songs from the “Close Distance” sessions that did not make it onto the album. Limited to 500 copies.

Limited Orange Vinyl Edition.

This new 10’’ contains 10 songs and has no features. “Prelude To A Disaster” will be available on 4th March at selected record stores worldwide. A digital release follows later. The album cover has been art-directed by Twit himself. Photos were taken by Robert Winter in Köln-Nippes with lettering by Chicken. K-Def has mastered the songs in New Jersey. We have pressed 1.000 copies.

PS: For the die-hard Twit One fans: this text includes one false fact. If you spot it you are in.

With Sgjazz, Dundiff pursues his passion for jazz. SG stands for supergroup. The quintet plays jazz with a hip-hop state of mind. Classically trained jazz musicians – multi-instrumentalist Idris Frederick, Patrick Denney on bass, Anthony Keenan on guitar, Noah Reed on alto and tenor saxophone – are jamming with certified rap cats. Sgjazz are not a random group of session players but five long-time friends who go way back.

Mr. Käfer and Phlocalyst are adding their own chapter to the saga with their collaborative album Now / Again to be released via Melting Pot Music. The vibe of the 12 tracks is chill. The kicks, snares and basslines are crisp but relaxed. Wrapped up in warm melodic layers and led by the distinctive sound of Phlocalyst's trumpet.

The Flemish producer grew up in Ghent and relocated to Munich where he plays in a classic orchestra - a rather uncommon day-job for a lofi producer with more than 2 million monthly listeners on Spotify. Mr. Käfer was born in Salzburg – the hometown of Wolfgang Amadeus Mozart and Crack Ignaz – to an Austrian mother and an Algerian father. Today he lives in Cologne. In his music he fuses influences from boom-bap to jazz to traditional North-African music. The album artwork was created by Cologne-based artist Giza One.

Technically, Syrup are a hip-hop group with unmistakable leanings towards soul and jazz. The group consists of an MC (Turt), a pianist/singer (C.Tappin) and a beatmaker (Twit One). Their music is rooted in the tradition of collectives like Native Tongues and Soulquarians, and they have come up with a pretty appropriate term to describe their sound, which is “cool bap”. But if we put formalities aside and look at the bigger picture, Syrup are also a perfect example of how music can connect people beyond national borders, language and tradition. And furthermore, how Afro-American culture has influenced not only the musical taste but the views and opinion-making of generations of young people worldwide. The sheer existence of Syrup is also a big fat “Fuck Brexit!” which makes the group even more likeable. The story of Syrup begins in 2015 when Twit One is booked to play a dj gig in Bristol. Twit One is a producer, DJ, radio host, record friend and former bass-player from Cologne (where he also co-owns the Groove Attack Record Store). He is a member of a small group of pioneering producers, who during the 2010s laid the foundation for the European beat-scene as we know it today. Inspired by the likes of Dilla and Madlib these guys made it look cool to not be the rapper. And they recorded some pretty dope music, too, which we had the honour to release via Melting Pot Music as the “Hi-Hat Club” series (a title that Twit came up with). During that night in Bristol, Twit got acquainted with two young men by the name of Turt and C.Tappin. Two childhood friends who had moved from London to Bristol for their studies and had been avid fans of Twit's music for some time. “Back in Cologne, Twit told me about these MCs from Bristol with whom he might record some tracks” Olski remembers, “Needless to say that I never heard about them again until summer 2017 when the annual Radio Love Love boat party was about to happen and Turt and Tappin were actually coming over for the first time, to party and to rock the mic. A couple of months later we released “Hay Luv” a new Twit album that featured Turt and Tappin on two songs. On their next visit, the two were accompanied by Turt's brother Slim, a very talented beatmaker and one half of Summers Sons. We spent some quality time while mastering the ‘Undertones’ EP (including remixes by Twit One, FloFilz and Cap Kendricks) and shooting the album cover at the Groove Attack record store basement. Since then we released two more album by Summers Sons (“Uhuru” - a joint project with Tappin and “The Rain”), C.Tappin's debut EP “Ashes To Ashes” (with remixes by Reginald Omas Mamode IV, Hulk Hodn & Slim) and a Koop beat tape by Slim. During the same time, Twit recorded two albums: “Dispo To Dispo” as Flatpocket (a project with Lazy Jones) and “Two”, the long awaited follow up to the very first Hi-Hat Club album as Testiculo Y Uno (with Hulk Hodn).” In 2018, Turt and Tappin moved back to London (the Lightworks headquarter is now located in Streatham). They toured with Children of Zeus and shared stages with artists like Melodiesinfonie and FloFilz. But it wasn't until Brexit before the long talked about super group finally became a reality. At the final recording sessions in September 2019 we already knew that the next Eurostar ride would be a different one. Now with Covid-19 we have no clue when all three members of the group will be in the same room again – let alone rock a stage together. But fortunately, we were sitting on a big pile of great singles that we released over the summer months. The album “Rosy Lee” will follow in late September.

C.Tappin is a pianist/singer from South-London and member of the Lightworks crew, which consists of him and
jazz-rap duo Summers Sons. In 2018 they released their debut album "Uhuru" on Melting Pot Music. "Ashes To
Ashes" is Tappin's first solo EP. It's a reflection of a musical and personal journey. On four original jams Tappin fuses
cosmic jazz, broken beat, house and rap. Inspired by his life in London as well as by his travels to Tansania where
he is working as a teacher for various school projects. "Ashes To Ashes" comes with three radical reworks by some
of Tappin's favourite producers: Slim (Summers Sons), Reginald Omas Mamode IV and Hodini. The cover artwork
has been done by UK painter / illustrator Tilly Mint (known for her artworks for Yazmin Lacey and Wulu).

Vinyl with light scuffs. Cover with slightly bumped corner

May 28th sees the 5th anniversary of Hubert Daviz' 2010 masterpiece „Proceduri De Rutina“.

The album was the first longform release by the Cologne-based producer.
"Proceduri De Rutina" was heavyly inspired by the Romanian jazz scene. The record started as a just-for-fun-beattape, after Hubert got hooked on the vintage jazz of his home country in late 2009. Call it magic, but the sample sources and Hubert's trademark sound fitted so well that the new music cried for a release. "Proceduri De Rutina" is a deep but chilled trip into Hubert Daviz's sound cosmos, inspired by some of the most obscure Eastern-European jazz you have never heard of.

To celebrate the 5th anniversary, Hubert has asked some of his producer friends to revisit the album together. Dexter, FloFilz, Wun Two, TBRCK, Max Graef and Hulk Hodn all delivered great interpretations.

The 5th anniversary edition will be released as a double LP using the original artwork by Robert Winter and Chicken George. The remix LP has it's own title "O Alta Perspectiva" and is packaged in a new cover by Robert Winter, shot at the same building where the cover photo for "Proceduri De Rutina" has been made.

close to NM