Joyful Noise Vinyl, CD & Tape 94 Items

Release: 2025 / US – Original

Genre: Rock & Indie

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Expensive Air

Release: 2024 / US – Original

Genre: Rock & Indie

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A song is a song until it isn't, until it's pushed to its limits and beyond to become harder, faster and more dissonant. The music on Oneida's 17th full-length album, Expensive Air, all started as tightly structured, melodic rock songs _ very much in line with the non-stop bangers of Success from 2022 _ but along the way, they changed. Bobby Matador sketched the structures of these songs from his home base in Boston, then sent the demos to Oneida's New York contingent: Kid Millions, Hanoi Jane, Shahin Motia and Barry London. "We were working out the songs in New York without Bobby. We would start out riding the riffs, and then Shahin and Jane would add wild, out-of-tune licks," said Kid Millions. "It seemed so perfect." Oneida has long straddled gray-area boundaries between the NYC punk/psych/rock world and the art/experimental world, playing at gritty rock clubs and elevated cultural institutions, including the Guggenheim, MoMA PS1, ICA London, MassMOCA and the Knoxville Museum of Art. The band has been known for extended live improvisational performances, collaborating onstage with Mike Watt, members of Flaming Lips, Portishead, Boredoms, Yo La Tengo, Dead C, Godspeed You! Black Emperor,and many others. Oneida's members juggle a wide variety of other music projects. Drummer Kid Millions has played with Spiritualized, Royal Trux and Boredoms and releases solo compositions under his own name and as Man Forever. Shahin Motia founded noise - punk's Ex-Models and currently plays in Knyfe Hits. Kid and Fat Bobby perform and release music as People of the North, and Bobby's outside projects New Pope and Nurse & Soldier each released new albums in 2023. Oneida's previous album, Success, came after a four-year hiatus, unleashing the band's pent up creative energy in a set of catchy, accessible, nearly poppy songs. Song structure remained important in the run up towards Expensive Air, but so was the instinctual, improvisatory interplay that has always been a part of Oneida's process. The band had been playing live t...

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Kantos Purple Vinyl Editoin

Release: 2024 / US – Original

Genre: Rock & Indie

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The latest full-length from Kishi Bashi, Kantos is a work of exquisite duality: aparty album about the possible end of humanity as we know it, at turns deeplyunsettling and sublimely joyful. In a sonic departure from the symphonic folkof his critically lauded 2019 LP Omoiyari_a career-defining body of work bornfrom his intensive meditation on the mass incarceration of Japanese-Americansduring World War II_the Seattle-born singer/songwriter/producer's fifthstudio album encompasses everything from Brazilian jazz and '70s funk toorchestral rock and city pop (a Japanese genre that peaked in the mid-'80s).Informed by an equally kaleidoscopic mix of inspirations_the cult-classic sci-finovel series Hyperion Cantos, the writings of 18th century enlightenmentphilosopher Immanuel Kant, a revelatory trip to ancient ruins on the island ofCrete_Kantos ultimately serves as an unbridled exaltation of the human spiritand all its wild complexities.During the earliest stages of creating songs for the album, Ishibashi's mainintent was to return to his highly eclectic musical roots, in part by tapping intohis jazz background and by delving into the dance-rock-leaning sensibilities hepreviously embraced as co-founder of Brooklyn-bred indie band Jupiter One.But not too long into the songwriting process, he stumbled upon anAI-equipped website capable of composing catchy song hooks based on aprompt_a turn of events that quickly catalyzed the existential inquiry at theheart of Kantos.Although his ruminations on AI, transhumanism, and humanity's troubled fateindelibly guided the making of Kantos, Ishibashi nonetheless views the albumas "less of a warning about this kind of hubris but more a celebration of thevery characteristics that make us human: desire, passion, empathy, and love.""If there's anything I want people to come away with when they hear thisrecord, it's a feeling of excitement about the possibilities of human-createdart," he says. "Even as we're learning more about al...

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The Runners Four Pink & Blue Vinyl Edition

2LP | 2023 | US | Original (Joyful Noise)

33,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Available on vinyl for the first time in over 15 years! The Runners Four is Deerhoof's double-LP concept album about friends banding together as honorable outlaws in a corrupt world, deciding what to save in an apocalypse, passing secret messages of warning and hope from a remade future back to a soon-to-be-destroyed present. Abundant with lyrical allusions to the flood, where cargo hold claustrophobia inside meets a watery chaos outside, it was written and self-produced by Satomi Matsuzaki, John Dieterich, Chris Cohen and Greg Saunier while they holed up in a rented Oakland rehearsal room for the winter months 2004-5. On pink and blue vinyl."a heavy football, a no-half-stepping opus, a defining statement_ The Runners Four should occasion a moment tonotice how a little band has gotten its scale and balance right: producing strong and inexpensive-sounding records in its own studio, making coverts through frequent touring, changing its sound every six months or so. It's not easy, especially without becoming part of any movement_" - The New York Times"Deerhoof_has succeeded at something that's very hard to do: Ithas made records and built a devoted international following on the sheer power of its imagination. And it's a mad, wild imagination..." - The Boston Globe"Deerhoof has forged yet another delightfully odd pop gem,multifaceted and sparkling with creativity." - Rolling Stone

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Dare To Be Surprised White Vinyl Edition

LP | 1996 | US | Reissue (Joyful Noise)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Miracle Level White Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Did you know that miracles happen every day? We don't always see it that way We look at the state of the world and think, "It'll be a miracle if we make it out alive." But miracles are what humans do. We're Earth's most inventive and unpredictable species, when we're allowed to be. Also the most destructive. Miracle-Level is Deerhoof's mystical manifesto on creativity and trust. It celebrates the infinite small wonders of existence that spontaneously present themselves, when not obstructed by our death-driven masters. Musically, Miracle-Level is vulnerable, brave, and brimming with spicy surprises. Deerhoof's 19th album is also their their first to be recorded and mixed in a recording studio. Production was entrusted to Mike Bridavsky, at No Fun Club in Winnipeg, Manitoba. This is also their first album written entirely in Satomi's native language. Deerhoof once again speak in a secret code that only their fans understand, in which hooks abound, and genre is nonexistent.

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Submersive Behaviour Aqua Blue Clear Swirl Vinyl Edition

Tropical Fuck Storm + King Gizzard & The Lizard Wizard

Release: 2023 / US – Original

Genre: Rock & Indie

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Enter the wonderful world of the amazing Tropical Fuck Storm! Submersive Behaviour is our favorite Australian art-punk combo's take on the tried and true "covers record" concept. Over the course of 36 minutes, TFS puts their deranged spin on classics by Jimi Hendrix, Middle Aged in the Middle East in the Middle Ages, Men Men Menstration, Compliments to the Chef, and The Stooges. Guest starring their old kangaroo mates and collaborators Dan Kelly, the Bard of Beenleigh and Aaron Cupples, the Earl of East Gippsland on octopus like strings-man-ship, falsetto and apocalyptic vibes.

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Satanic Slumber Pink Vinyl Edition

12" | 2022 | EU | Original (Joyful Noise)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Satanic Slumber Party is a collaborative 12" by two of Australia's finest - Tropical Fuck Storm and King Gizzard & The Lizard Wizard. Pumped full of booze and adrenaline, our heroes offer up 20-minutes of sax skronks, brick-heavy distortion, and punchy riffs. It's a packed party full of four guitars, three drummers, two synths, bass, harmonica, electronic sax and loads of singers and silliness. It's like 'Love Shack' by the B52's except more evil. "Two of the greatest rock bands in Australia right now_ A really awesome piece of artsy noise and punk rock." - The Needle Drop

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A Laughing Death In Meatspace

LP | 2018 | CZ | Original (Joyful Noise)

Alopecia 10th Anniversary Black Vinyl Edition

Release: 2018 / CZ – Original

Genre: Rock & Indie

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The phantasmagorical debut album by Tropical Fuck Storm, A Laughing Death in Meatspace , delivers a fraught vision of algorhythmic apocalypse. Featuring Gareth
Liddiard and Fiona Kitchin from Australian heroes The Drones, Tropical Fuck Storm is an endofdays consciousnessstream across nine seething tracks. The debut divebombs into the realms of mortality and immortality, moralizing and amorality? the passing of time, and how little we have left. These are lurid songs, urgently told through Gareth Liddiard's barbed and byzantine lyricism, abrasive guitar slashes, drum adrenalin, raunchy bass and electronic undercurrents. They're raging,
rapscallion, and funny, lyrically delving into everything from internet shaming to the kuru "laughing death" disease of the PNG highlands to Russian chess great Gary Kasparov's portentous loss to an IBM computer. Live, Tropical Fuck Storm are a force of nature, conjuring chaos at every blistering performance, with zero shits to give for corp orate music hegemony. "Kneel down by the advertising, don't you
make a single false move" calls out the female chorus of Fiona Kitschin and Erica Dunn echoing the dismay of our time as we bear witness to the sinister seductions which social media surveillance has entangled us. A Laughing Death in Meatspace doesn't show us the way out of this situation, but it howls along with us as we peer into the maelstrom ahead.

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Why?

LP | 2018 | US | Original (Joyful Noise)

Release: 2018 / US – Original

Genre: Rock & Indie

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"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career-defining album—one so fan-adored that it would go out of print, and so influential that the art-pop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live-recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heart-rending song-rap that jangles like folk, bursts like psych-rock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.

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Apple O' 20th Anniversary Edition

Sleepytime Gorilla Museum

Release: 2023 / US – Original

Genre: Rock & Indie

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Deerhoof's fan-favorite breakthrough album, Apple O', gets a 20th-anniversary edition after years of being out of print in the physical realm. They say the fruit from the Tree of Knowledge was actually a pomegranate. But Pomegranate O' did not sound as catchy. Of course, knowledge of what, exactly? Could be the serene and orderly discipline of music, it could be the ability to instantaneously destroy the entire species in an apocalyptic fireball. This album is a love story. It is about Satomi's mom being a Japanese girl when Truman got that ecstatic glint in his eye and blew up chunks of her country in a mushroom cloud, and next thing you know Satomi has moved to San Francisco and taken over an American noise-rock band. It is also about a different US president with an ecstatic glint in his eye, selling a criminal invasion with lies about weapons of mass destruction. This edition of Apple O' is on vinyl the color of cotton candy accompanied by a bonus 7" of previously unreleased live recordings.

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Of The Last Human Being Oxblood & Blood Red Vinyl Edition

38,99 €*

Baptismal Crystal Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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After thirteen years of hibernation, Sleepytime Gorilla Museum, the mostgloriously uncategorizable American band in existence, has emerged from stasis toproudly announce the imminent release of their fourth studio album, of the LastHuman Being. The album marks the first release of AVANT NIGHT - a new imprintheaded by Nick Ohler and facilitated by Joyful Noise Recordings.Sleepytime Gorilla Museum, comprised of multi-instrumentalists and rotatingvocalists Nils Frykdahl, Carla Kihlstedt, Michael "Iago" Mellender, Matthias Bossi,and Dan Rathbun, plays an arsenal of instruments ranging from the somewhatstandard (drums, electric guitars, bass, electric violin) to the rare (bass harmonica,nyckelharpa, marxophone) to the homemade (Slide-Piano Log, Electric Pancreas,Pedal-Action Wiggler). The group has consistently evaded easy categorization,garnering accolades from across the aisles of contemporary classical music, progrock, industrial music, metal, avant-garde improv, and more. Their music, inturnsbashing and bucolic, enveloping and unsettling, tends towards long-form epicsinterspersed with mysterious field recordings."As this slow-rolling planetwide Anthropocene Extinction event deepens, Sleepytime'swork has only grown more resonant, more prescient," offers Mer Yayanos,current symposiarch and secretary of the Museum's long standing social math club,the John Kane Society. "What better time for them to Bring Back the Apocalypsethan right now,with a new full-length record that integratesthe past and the future?"

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Laraaji & Kramer

Release: 2023 / US – Original

Genre: Electronic & Dance

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"The 'Baptismal' project started out when Kramer invited me to collaborate with him on a project, and I tend to think in terms of what the listeners are open to hearing these days. In my mind was a recording that let the listeners leave the busy mind generated by mainstream media, so I came up with the idea of a baptism, immersive kind of LP in which the listener would Become totally present with the music. I suggested to Kramer the title 'Baptismal', and that the tracks would be called 'Gedunk', a comical reference to the idea of being immersed in water, my own baptism as a child in the Christian faith, the Baptist church. I started by sending Kramer several tracks of Zither-centric music in the length of individual LP sides. Kramer would complement the tracks with plush drones and return it to me. Then we would discuss. Soon we had enough material to move toward completing the album. I performed with piano keyboard, ZITHER and voice. We collaborated entirely by sending audio files back and forth via online transfer. We haven't had physical contact at all during the project, but it went smoothly with some minor suggestions to help us to shape up our navigation til we finally arrived. The album cover was suggested by Kramer, which I think is very appropriate. The project started in 2022. Mark Kramer, an old young friend. We connected in New York City when he was here in the 80s." - Laraaji, Jan. 2023 "I met Laraaji by chance in NYC's Central Park one fine summer day in 1985. I'd been thinking about the wisdom vs. the futility of starting my own record company a lot in those days, and as I walked through one of the parks many tunnels, I heard what I'd recognized to be Laraaji's 'Day of Radiance' playing on what i'd assumed to be someone's beatbox. I thought to myself, "How nice it is to be alive in NYC in 1985 on a day like this in Central Park and knowing that someone loves this wondrous LP from Eno's Obscure Records label as much as I do."But when I emerged from the tunnel I saw not a beatbox but Laraaj...

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Room For Dream Ep Clear Vinyl Edition

EP | 2023 | EU | Original (Joyful Noise)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Originally self-released in 2011, "Room For Dream" is Kishi. Bashi's debut recording, showcasing the violin-virtuoso's bright and soaring avant-pop. The EP features early versions of "Manchester" and "Bright Whites" from the widely acclaimed "151a" album, and also features a guest performance by of Montreal's Kevin Barnes. The first time ever on vinyl, the 10" also features an exclusive bonus track "Unicorns Die When You Leave" - an outtake from the "151a" recording sessions.

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Tape | 2023 | US | Original (Joyful Noise)

Miracle Level

Release: 2023 / US – Original

Genre: Rock & Indie

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Valley Of Fire Bone-Colored Vinyl Edition

Night Raver Ep Bone Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Valley of Fire is El Ten Eleven's most thematically committed record, merging personal anecdotes with the larger ecosystem of the sound. While the album was inspired by organic beauty, its seven songs are still rife with El Ten Eleven's trademark technical flair.This is their 13th record, and it's clear El Ten Eleven have evolved with a cadence similar to the changes time has made to The Valley of Fire itself. The trials of age and experience have ushered in something altogether new.

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Springtime

Release: 2023 / US – Original

Genre: Rock & Indie

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Feast or famine, Springtime will continue to sow their garden of auditory delights. Despite the global unrest and strict lockdowns that have come to define the past three years, Gareth Liddiard (Tropical Fuck Storm, The Drones), Jim White (Dirty Three, Xylouris White), and Chris Abrahams (The Necks) have continually convened to weave narratives of death, destruction, desire, and devotion. Pulling the threads cast by their eponymous debut, Night Raver offers three character studies rife with the trio's trademark urgency and poetics. To belatedly commemorate the creation of this tour de force trio, Springtime will be embarking on an Australian tour in the coming months.

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Transitions Orange Vinyl Edition

LP | 2012 | US | Reissue (Joyful Noise)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Transitions is the 2012 album by post-rock duo El Ten Eleven.Bobbing and weaving from one time signature and tempo toanother, the duo of Kristian Dunn and Tim Fogarty jolt thelistener into new sonic territories with the delicacy of atilt-o-whirl. Includes a cover of Duran Duran's "Tiger Tiger". Backin print on Orange Vinyl.A refreshing trifecta of compositional prowess, intricate riffage,and experimental pop melodies. --Premier Guitar"El Ten Eleven is proof that live looping and programming canrock; and that instrumental tracks can captivate and hold aroom's attention as well as any vocal-led group." --Tape Op!

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These Promises Are Being Videotaped Amber Vinyl Edition

LP | 2008 | US | Reissue (Joyful Noise)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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On El Ten Eleven's These Promises Are Being Videotaped(2008) the Los Angeles post-rock duo pays tribute to bassistKristian Dunn's obsession with his hometown's undergrounddance scene. Eight songs of electronic glitching ("JumpingFrenchmen of Maine"), explosive drum soloing ("Fat Gym Riot"),and blistering rhythms ("K10"). Back in print on Amber Vinyl.

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It's Still Like A Secret Clear Vinyl Edition

LP | 2010 | US | Reissue (Joyful Noise)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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A poetic riff on Built to Spill's album Keep It Like A Secret, and a tongue-in-cheek reference to the band's "underground" status, instrumental duo El Ten Eleven's fourth album is a brash and bold 12-track post-rock odyssey. It's Still Like A Secret is back in print on Clear Vinyl.

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Every Direction Is North Green Glass Vinyl Edition

LP | 2007 | US | Reissue (Joyful Noise)

Release: 2007 / US – Reissue

Genre: Rock & Indie

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"El Ten Eleven have cemented their place in the annals ofinstrumental music." - OC WeeklyEl Ten Eleven's 2007 album Every Direction is North is back inprint on Green Glass Vinyl.

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El Ten Eleven Gold Vinyl Edition

LP | 2004 | US | Reissue (Joyful Noise)

Release: 2004 / US – Reissue

Genre: Rock & Indie

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Originally released in 2004, El Ten Eleven's self-titled LP hasbeen embraced by fans of many genres - from math rock, tojazz, to lo-fi hip-hop. The duo's sound is sharply evocative inmood and feeling, yet simultaneously abstract and meditative.Back in print on Gold Vinyl.

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Tape | 1994 | US | Reissue (Joyful Noise)

Take A Look Inside

14,99 €*

Heap Of Ashes Blood Red Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Folk Implosion's fan favorite album is available on cassette for the first time!They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion.Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's 'Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.

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Sleep Party People

LP | 2022 | EU | Original (Joyful Noise)

LP | 2022 | EU | Original (Joyful Noise)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sleep Party People's Brian Batz dives into the darker edges oforchestral pop on new album Heap of Ashes.Influenced by primarily Bulgarian choral music, old-school metal, and 21st century experimental composition, the music of Sleep Party People exposes every facet, every moment, and everywound, finding beauty even when the last glow of hope lookslike it's ready to fade into the ashes. Heap of Ashes includescontributions from Halvcirkle, GNOM, and Sound of Ceres' KHover.

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Medicine Singers

Release: 2022 / EU – Original

Genre: Rock & Indie

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"It's an album that will no doubt inspire the creation ofnew bands and artists, a collection of songs that recordstore employees will recommend to unsuspecting kidslooking for something out of the mainstream, and whoare ready to have their minds warped." - Flood"Medicine Singers push powwow music into the avantgarde" - The FaderThe debut album by Medicine Singers is a genre-smashingkaleidoscope of sound combining traditional powwow musicwith elements of psychedelic punk, spiritual jazz, andelectronics in a stunning blend. Building on years ofcollaboration between Yonatan Gat and Eastern Algonquinpowwow group Eastern Medicine Singers, the albumfeatures contributions from an all-star cast including jaimiebranch, Laraaji, Ikue Mori, Thor Harris (Swans), JoeRainey, and Ryan Olson (Gayngs)."I look at it like this, everybody is my brother and sister, nomatter where they come from," says Medicine Singersleader Daryl Black Eagle Jamieson. "If their culture or musicis different, I want to learn about it, and I want to play withthem. I think it's our responsibility as artists to show the worldthat life is not about war and hate. Life is about music, peace,and culture. We need to communicate with people of differentcultures and backgrounds. We need to show people how wecan work together and make something beautiful."One Dollar of each Medicine Singers album sale goes to thePocasset Pocanoket Land Trust.

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Moonburn

13,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Australian art-punk group Tropical Fuck Storm continues its hotstreak of brain-bending releases with Moonburn, a maxi-singlecassette out on Joyful Noise Recordings.Side A offers new song, "Moonburn," a ballad in the classic TFSstyle written and sung by Gareth Liddiard. TFS bassist FionaKitschin steps up to the microphone on "Ann," a cover of TheStooges that swaps Ron Asheton's scorching guitar part for aderanged sound collage of guitar freakouts, siren noises, andelectronics.Side B includes an acoustic take on the fan-favorite song "Aspirin(Slight Return)" and a haunting cover of Talking Heads'"Heaven."

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Volume I White Vinyl Edition

LP | 2013 | US | Reissue (Joyful Noise)

Release: 2013 / US – Reissue

Genre: Organic Grooves

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The music of Magic Sword, crafted by two unknown individuals is a collaboration of sight and sound. Featuring the music. Part dance, part cinematic experience and a comic book (by The Harbinger). Which brings life to this tale of fantasy. Volume 1 is an introduction to the epic story of Magic Sword that will consist of several volumes set to be released over the next several years.So as it was, it shall always be. Whenever the need is great, we call upon the power of the Magic Sword.

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Awakening Galaxy Swirl Vinyl Edition

LP | 2019 | US | Reissue (Joyful Noise)

Release: 2019 / US – Reissue

Genre: Organic Grooves

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Magic Sword is an ageless tale of good and evil, told through an ever-expanding graphic novel story and accompanying synth-heavy soundtrack albums. They have intertwined the two mediums from Magic Sword's conception; together they create an epic experience for those bold enough to bear witness and come away with a deeper understanding of the ultimate hero's journey.Armed with a musical and visual aesthetic that has its roots unabashedly buried deep in the golden era of 70s and 80s fantasy and sci-fi, its followers are called to another plane of existence, where the struggle between light and shadow become all too real. The universe has been kind enough to bring the people of the land together this fall for the birth of the next chapter in the saga, as well as a world tour for the greater good.Awakening, the follow up to the Legend EP, is the second chapter in the cyclical tale of the search for the chosen one. This prophesied being contains the ability to wield the power of the Magic Sword and seal the prison that holds the Dark One for all eternity. Only then will The Keeper, The Seer, and The Weaver be able to rest. Until the chosen one reveals themself, the search continues, in this realm and in many others.A tale of high adventure, as old as time itself.The Immortals give a direct account of their vision:Ages ago, the immortal Dark One was freed from his prison. Since that time, the forces of good have been searching for the Light; the Chosen One; to force him back into his cell. The key to this prison is the Magic Sword. When wielded by the Chosen One, it has the power to return balance to the Universe.The Keeper of the Magic Sword is an ancient soul who searches endlessly for the Chosen One. With the help of other immortals, The Seer and The Weaver, they are ever trying to stem the tide of the Great Shadow from engulfing all life. When the need is great, they appear with the Magic Sword and a high stakes proposition for those who are pure of heart, perpetually hoping that their se...

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12" | 2016 | US | Reissue (Joyful Noise)

Legend EP

Release: 2016 / US – Reissue

Genre: Organic Grooves

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Internal Radio Lavender Vinyl Edition

Eerie Wanda

Release: 2022 / US – Original

Genre: Rock & Indie

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On Internal Radio, the new album by Eerie Wanda, visual artist and musician Marina Tadic welcomes you to her inner world. Guided by intuition, Tadic's songs use haunting, ethereal space, growing whole universes from the seeds of ideas. Internal Radio documents Tadic becoming the artist she wants to be, working through some things, and even exorcizing a few demons. The result is the most realized Eerie Wanda album yet, building on the project's guitar pop past for a more experimental, otherworldly, serious grown-up affair that ventures into sensitive, emotional territory.

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The Witness

22,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Blue Vinyl Edition. Limited edition. Original inner sleeve. Cover is close to NM.

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Success

Release: 2022 / US – Original

Genre: Rock & Indie

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Experimental psych-punk institution Onedia returns withSuccess, the band's most guitar-centric, rocking album indecades. Long straddling the gray area between the NYCpunk/psych/rock community and the art/experimental world,the music of Oneida is celebrated for its mix of abstract, atmosphericsounds and pulsing, hammering anthems. Success findsthe band getting to the core of what makes minimal rock musicso good - songs pared back to beat and melody with a limitednumber of guitar chords. If a song or two gets ripped in halflater by a corrosive guitar solo, well, what did you expect? Thisis Oneida.

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Success

Desiderata Star Dust Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Ben Shemie Of Suuns

Release: 2022 / US – Original

Genre: Rock & Indie

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Channeling his background in classical music, Suuns' Ben Shemie combines string fractals, manipulated vocals, and synth-powered chaos to bridge the universes of past, present, and future. Over the course of ten tracks, Shemie chronicles a wandering soul tangled in its own dark orbit, searching for meaning in a world of stardust and astral mirages. ¬Breathing life into Shemie's orchestral maneuvers was the Molinari String Quartet, one of Canada's most celebrated contemporary ensembles. Recording the album's ten tracks in two single-takes, the urgency and dynamism of these compositions can be heard as much felt. The listener can sense the stuttering pulse of Shemie, flanked by five amplifiers and wading in electronic bedlam, as the Molinari Quartet switchbacks measures of strings and chimes.¬ Sometimes, the only way to make sense of the world is to travel to its absolute end. While Shemie's image of a faraway universe is equal parts inspiring and chaotic, he assures the listener _ everything and everyone is exactly as it should.

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Sound Of Ceres

Emerald Sea

Release: 2022 / US – Original

Genre: Rock & Indie

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Emerald Sea, the third album from New York-based audiovisual project Sound of Ceres, tells the story of how the universe comes to know itself. Rendered in dynamic, ambitious orchestral passages, it forms the basis of future stage performances intended to draw its half-submerged narrative into the visual sphere. In its dreamlike impressions, it could also be the soundtrack to a long-forgotten early musical film - an experience that delighted and transported audiences and then vanished from record, surviving only in the imprint of memory. Written in three acts, Emerald Sea follows two deities who trail each other through the furthest reaches of experience. There is the Universe, all that exists, voiced by performance artist Marina Abramovic. And there is Venus, transformer of matter and avatar of love, sung by the group's lead vocalist Karen Hover (who goes by k). Through a dazzling suite of songs inspired by Les Baxter's midcentury exotica, Maurice Ravel's ballet Daphnis et Chloé, and Gustav Holst's The Planets, Emerald Sea studies intimacy on both an interpersonal scale and a cosmological one. Connection and severance, joy and grief, wonder and bewilderment all tumble through its scope. In the widest frame, the universe begins, meets itself, and ends. In the closest frame, two people encounter each other, grow close, and then separate. These stories are two views of the same fractal. In every intimacy human beings cultivate,every rush of connection, no matter how fleeting, we reenact the universe for ourselves. In its current cycle, Sound of Ceres is Derrick Bozich, songwriter, harpist, and flautist; Jacob Graham, synthesist, costumer, and light designer; K Hover, vocalist, lyricist, costumer, and choreographer; and Ryan Hover, songwriter and producer. They recorded Emerald Sea in collaboration with Jon Sonneberg at Ka-Boom studio in Ohio. It was mixed by Nicholas Principe and mastered by Kramer.

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LP | 2022 | EU | Original (Joyful Noise)

New Year's Eve

23,99 €* 28,23 € -15%

Springtime Clear Vinyl Editoin

Release: 2022 / EU – Original

Genre: Rock & Indie

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WHITE VINYL, comes with a digital download.Defying expectations is standard operating procedure for El Ten Eleven. Seriously, who would expect two instrumentalists to create such a large and complex sound? But thanks to inventive arrangements and a masterful use of looping, Kristian Dunn (bass/guitar) and Tim Fogarty (drums) developed a pulsating sound full of atmospheric intensity. They've also crafted an incredibly durable career, and the duo credit the ongoing interest in their debut album as the foundation for that success. The music of El Ten Eleven has been embraced by fans of many genres _ from math rock, to jazz, to lo-fi hip-hop. The duo's sound is sharply evocative in mood and feeling, yet simultaneously abstract and meditative. The combinationof these qualities has stimulated the imagination of the group's fans, and gives space for listeners to assign their own value and meaning to the sounds. "I'm aiming for emotional impact when I come up with songs," Dunn explained. "Does it move me? Does it make me feel something? Sometimes it doesn't.Sometimes it's technically interesting but it doesn't make me feel anything. But I don't want music that's interesting. I want music that's emotionally resonate." Further details their next full-length album, produced by Sonny DiPerri (DIIV, Portugal. The Man) won't be announced until 2022, but the SoCal pair have shared a preview with the release of "New Year's Eve", a song about cautious optimism. "It was written while the pandemic seemed to have a chance of ending and there was lots of political change in the air. But even the most well laid plans for New Year's Eve celebrations often end up being disappointing, thus the metaphor."Recommended If You Like: Explosions in the Sky, This Will Destroy You, Do Make Say Think, Mogwai, Lymbyc System, Tycho, Ratatat.

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Springtime

Release: 2022 / US – Original

Genre: Rock & Indie

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As The World Continues To Plunge Into A Fiery Blaze Of Calamity, The Southern Hemisphere's Air Warms, Its Leaves Glow Green, And The Damp Earth Jolts Awake. Springtime Is Coming To Australia, And It Will Be Ushered In By Three Sonic Shamans Who Are No Strangers To Our Ears. Gareth Liddiard (Tropical Fuck Storm / The Drones), Jim White (Dirty Three / Xylouris White) And Chris Abrahams (The Necks) Are Springtime _ A New Endeavor That Is As Much A Tonal Experiment As It Is A Meditation On Modern-Day Absurdity. Springtime's Self-Titled Debut Combines Free Jazz, Poignant Lyricism Crafted Alongside Renowned Irish Poet Ian Duhig -- Aka Gareth Liddiard's Uncle - And Improvisation To Craft Austere Portraits Of A World Paralyzed By Shellshock. It's As Monstrously Ravishing As It Is Clumsy Inits Elegance. Words Run Into Each Other With Little Regard For One Another's Injuries. There Are Sounds Which Come Out Of Nothingness To Wallop And Brutalize Their Fellow Sounds. The Live Recording Of Will Oldham's "West Palm Beach" Is Treated With Love And Respect And Would Certainly Be Met With Open Arms By Its Author. Across The Span Of Seven Tracks, Liddiard Incants With Wild-Eyed Fury As White And Abrahams Lay Down Stuttering Strings, Fizzling Electronics, And Feathery Piano Melodies. It Is Within These Raving Abstractions That One May Find An Answer To The Enduring Question, "What Fresh Hell Willthis New Season Bring?"

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Cedric Noel

Hang Time

4,28 €* 17,13 € -75%

Hang Time Rose Red Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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The newest longplayer from Tio'tiá:ke/Montreal staple Cedric Noel lands with a stunning sense of surety and self. Hang Time stands as a high water mark for a songwriter who's spent the past decade quietly expanding the borders of his music. Longtime fans will recognize the fluid elements of the album's open-ended rock formations: reflective strumming, soaring choruses, searing guitar lines, subtle bass grooves; all occasionally dissolving into pools of pure ambience. New listeners will find surprises throughout: threads of folk pop, ambient and sound collage fasten the foundations of this expressive whole. However, what's most striking on Hang Time is Noel's newfound sense of voice, both literal and metaphorical. Written primarily in 2017-18 during an intense period of self-reflection, this collection of songs finds Noel wrestling profoundly with his sense of identity, self and place. Born in Niger, adopted by Canadian and Mozambican/Belgian parents, he spent his youth moving around the globe with his adoptive, multi-racial family, eventually landing in Fredericton, Canada for university. While studying, Noel embedded himself in a predominantly white indie rock community that left him feeling, as a Black man, both seen and unseen in complicated ways; both welcome and not. This tension would follow Noel through a move to Montreal in 2016 wherein he found himself again moving within predominantly white music communities. This (dis)placement would encourage Noel to find respite in Ottawa, holed up temporarily in a family home, studying the pieces of himself and putting them to place in music. Listening to Hang Time, one can feel the tensions of this process being held and released, as if being allowed to breathe for the first time: forms open and close, surfaces are seen through, feelings go supernova. The album's material was captured faithfully at The Pines, a beloved downtown Montreal studio whose doors shuttered shortly after amidst the strain of the pandemic. Noel worked closely and patiently with friend and engineer Steve Newton, ensuring the songs had the time and space needed to come fully to fruition. Hang Time features subtle rhythm work from drummer Liam O'Neill (suuns) and guest spots from Brigitte Naggar (Common Holly), Ella Williams (Squirrel Flower) and Tim Crabtree (Paper Beat Scissors) among others.

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Cedric Noel

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Joyful Noise)

Actually, You Can Olive

Release: 2021 / US – Original

Genre: Rock & Indie

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Over eighteen boundless albums as experimental as they are pop, Deerhoof has continuously quested for radical sounds and daring storytelling. 2020's Future Teenage Cave Artists explored fairytale visions of post-apocalypse, welding intrinsic melodies with absurdist digital recording methods. Its sequel Love-Lore, a live covers medley, channeled futurist mid-century artists_Parliament, Sun Ra and Stockhausen, to name a handful_ into a patchwork love letter to the anti-authoritarian expressions that inspire the band. Galvanized by the challenge of unifying many styles of music, Deerhoof landed on their next record's concept: baroque gone DIY. Actually, You Can is a genre-abundant record that uses technicolor vibrancy and arpeggiated muscularity to offer a vital shock from capitalism's purgatorial hold. Deerhoof authors a musical alphabet that continues to astound and inspire, a unique lexicon expanding limitlessly with each album. For new listeners and decades-long devotees, Deerhoof's electrifying, generous approach to collaborative worldbuilding on Actually, You Can is an emboldening call to support our communities with renewed strength, infinite love, and the resilience to keep exploring.

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Actually, You Can Olive Green Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Joyful Noise)

Deep State

9,42 €* 17,13 € -45%

Release: 2021 / US – Original

Genre: Rock & Indie

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Most of us have lived some inner Tropical Fuck Storm over this past year and a half. ¬Even for a band that's made a career out of crafting songs attuned to political and social crisis, there was a new bleak in the air for Tropical Fuck Storm, what the band calls "give-a-fuck fatigue." The third album from the avant-punk quad_aptly titled Deep States _ mines familiar ground as well as new cultural terrains, while digging deeper into the subjective state of contemporary panic. ¬While not quite a protest album, Deep States comes complete with Q drops, nods to the January 6th Capitol Riot, a riff on pizzagate, MAGAs squaring off with Antifas, waterboarded Martians, dangerous cults from Heaven's Gate to The Shining Path and, not to be outdone, Romeo agents who bed us at night only to betray us by morning. We live in a world in which the bizarre has become the normative, and Tropical Fuck Storm plumbs that paradox. That said, the band is far too wary of the self-importance attached to songs in the didactic mode. "We make pop records," frontman Gareth Liddiard says, "that don't deny we're all in a bit of trouble here."¬ What makes Tropical Fuck Storm so great is the intersection between their dark but satiric storytelling and musical arrangements intent on perverting received canons and wisdoms. These are songs as experiment, advancing and retreating at their own idiosyncratic, deeply unsettling pace. They hang on the slant beat and slide into jazzy, distortion-packed jams so tumultuous they'd make Charlie Mingus proud. Musically, Deep States goes wherever it wants, riffing on pop, R&B, Talking Heads-style new wave, Delta blues, Tom Waits, and some of the band's hip-hop favorites such as Wu-Tang Clan and Missy Elliot. Barriers aren't just broken, they seem to have completely fallen away. In this present moment, parts of the world are opening up, or trying to. But Tropical Fuck Storm is here to remind us that many of our most urgent political and social problems have been around a long time now. Same as it ever was, as another genre bending band once sang. As the signs of the latest crisis subside, and the dull ache of awareness with it, Deep States is here to remind us that there is no foreseeable end to human folly, nor, fortunately, to the creativity that resists it. Over the past few years we've all heard the noise in our own heads -- Tropical Fuck Storm has made music of it.

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Deep States Transculent Orange Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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The Witness Black Vinyl Edition

Essential Aliens Clear Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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As a band who has been around for thirteen years and toured all corners of the world, there comes a point when the veil of mystique must be fully lifted. Up until now, experimental rockers Suuns have revelled in mystery like a silhouette disappearing into the mist, releasing albums that rest comfortably in ambiguity, detachment and innuendo. But lately, the band appears to be more comfortable coming clean with their own inner workings. That newfound sense of ease is undeniable on Suuns' fifth full-length album The Witness - their first for Joyful Noise Recordings. Self-recorded and self-produced over the majority of 2020 - a year of strife, solitude and reflection -The Witness finds the band holding a magnifying glass over their own default state of playing and performing. It's a swift departure from previous album Felt, which harvested haphazard ideas in their embryonic, demoed versions, as if letting loose a glorious fireworks display into the heavens. The Witness, meanwhile, pours Suuns' music into a more intricate mold, compelling the band to embrace the vibrancy of their live performances and urging vocalist Ben Shemie to approach his lyricism with unabashed directness. "There's something interesting about the idea of a collective witness, being a witness to the time we're living in now," Shemie reflects. "And the connectedness of what we all have in common. But also, literally: bearing witness to all sorts of things and how that desensitises you. There's a recurring line that comes back on the record: `I know that you've seen it too.' It kind of comes down to being true to yourself and acknowledging what is and isn't real." Perhaps unintentionally, Suuns have always been a strangely intimate band, and with The Witness, they themselves became aware of the extent of this. Though the world is becoming a more distorted, confusing place, The Witness extends a sonic lifeline to latch onto, one bolstered by years of friendship, chemistry and trust.

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Helvetia

Release: 2021 / US – Original

Genre: Rock & Indie

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Essential Aliensis the 10th Helvetia album. Helvetia is the solo project of Jason Albertini from Duster. Helvetia resides in Portland, Oregon but was formed in Seattle, Washington in 2005 after Duster first went on hiatus. The songs onEssential Aliens were recorded over the last year, in Jason's basement. Since the band's inception, Jason has continued to employ a rotating cast of band members and collaborators, which now includes Steve Gere and Samantha Stidham. Steve and Jason also played in Built To Spill together from 2012 until 2018. In 2019 Duster started playing shows and recording again. During this time Jason started writing what would becomeThis Devastating Map. Released at the beginning of August last year, Post-Trash called it"a constantly shifting project that takes experimental lo-fi into brilliantly colored psych directions with a concise glow."Then the pandemic took hold. With normal life at a standstill and unable to hang with his bandmates, Jason focused his energy on his daughter's homeschooling schedule, and recording. He focused on finishing one song a day and was soon honing in on a new album. Essential Aliensdistills and simplifies the Helvetia sound. Reverb and delay are absent, replaced by warm fuzz and intimate room sounds. Progressions morph with stoner repetition and end in head scratch. Drums distort, muted bass lines prop up acoustic guitars blown out on a cassette four-track. Cheap electric guitars are barely in tune and recorded direct, almost painfully in your face. The songs are short blasts of psychedelic chill, unrooted by genre, a rummage around an alien radio dial. These are simple songs about keeping yourself from falling apart, to remind you that you can be strong. The visual elements for the album come from a recurring dream, which centers around a period in Jason's childhood when he lived in Basel, Switzerland, and believed that he lived with a ghost. In the dream, Jason's life becomes turned upside down because of a series of unexplainable events that turn out to be orchestrated by the ghost, and he wakes up convinced that he is a ghost as well. These are simple songs about keeping yourself from falling apart. To remind you that you can be strong. This is a weird blues.

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Emigrant Ep Mountain Spring Clear Vinyl Edition

Tape | 2021 | US | Original (Joyful Noise)

Release: 2021 / US – Original

Genre: Rock & Indie

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Over The Last Several Years, The Critically Acclaimed Composer And Adventurous Multi-Instrumentalist Kishi Bashi Has Travelled Frequently To Montana And Wyoming To Work On Omoiyari, A "Song Film" About Japanese Internment During Wwii. The Experience Was Potent For Kishi Bashi, Who Conducted Research For The Film (And 2019 Album Of The Same Name) By Speaking To Internment Camp Incarcerees And Descendents. These Conversations Led To Him Reflecting On His Own Identity As A Japanese-American While Laying The Foundation Of His Forthcoming Emigrant Ep.Along With The Brutal History And Harsh Climate Of The American West, Kishi Bashi Also Sensed A Hope And Potential, Compassion, And Resilience. In Emigrant Ep, He Celebrates These Qualities. Arranged And Recorded Over The Last Year, The Six Tracks Serve As A Time Capsule Of The 2020 Condition And A Continuation Of The Concepts Explored In Omoiyari. What's More, They Find Kishi Bashi Rewriting Musical Tradition In The Image Of His Own Experience, Further Embracing His Love For Roots Music And Violin Fiddling. Meditating On The Anxieties Of The Covid-19 Pandemic, The Comforts Of Nature, The Pains Of Resource-Fueled Conflicts, And The Resiliency That Emerges From Struggle, Emigrant Ep Is Steeped In The Past While It Looks To The Future. "I Want To Understand The History, But Also Dive Inand Really Try To Humanize It," He Says. "I'm Trying...

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Lou Barlow

Reason To Live

Reason To Live Light Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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After decades on the road and the never-ending hustle of life as an artist, Lou Barlow has tapped into a new confidence in the chaos. In 2021, the concept of balance feels particularly intimidating. Now more than ever, it's clear life isn't just leveling out a pair of responsibilities. Instead, we're chasing after a flock of different ideals with a butterfly net. On Barlow's new solo album, Reason to Live, he has come to an understanding of that swirl rather than trying to contain it. As a long-time indie legend, Barlow has found a life akin to a middle-class musician. In recent years, he's moved from Los Angeles back to Massachusetts, where he lives with his wife and three kids. And yet rather than settle into a comfortable malaise or yearn for the open road, Barlow's strengthened urgency finds a way to merge the two instincts. Reason to Live is shambolic and grand yet intimate and doting, warmly acoustic and crackling with grit. "I had been struggling for a way to connect both my home life and my recorded life, but this record is the first time I've integrated that," Barlow says. By folding the many facets of his life into one package, Reason to Live radiates with a renewed balance and calm. That comfort in complexity shines through even in the recording process, with select songs having origins in decades past and others written in the early stages of 2020. The multitude of whirring messages of Reason to Live are united by Barlow's roiling multilayered arrangements and the understanding that change is inevitable - and that it can bring you a new reason to live in the darkest times. "This album is me really opening up, and the album follows that through its many different themes," he says. "Some of my other work could be almost claustrophobic in its insistence on being all tied together but there's space for people to live inside these songs." After albums with Sebadoh, Dinosaur Jr., Folk Implosion, and under his own name, listeners may have felt they knew the construction of a Barlow song, even that they knew Barlow himself. "People have this vision of me as this heartbroken, depressed guy, but this record feels so true to who I am, to this rich life I now have full of people I love," he says. "The songs culminated over the last five years to show that music has returned to its central comforting role in my life. Now I'm home."

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Lou Barlow

Sleepparty People 10th Anniversary Pale Gold Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Sleep Party People

Rat-A-Tat-Tat! Purple Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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The 10 Year Anniversary Reissue: Pale Gold Colored Vinyl + Digital Download with 8 Bonus Tracks (3 unreleased Live at Copenhagen X Sessions & 2011 Remixes EP). Recommended If You Like: Boards of Canada, The Antlers, Erik Satie, Blonde Redhead, Forest Swords, Cocteau Twins. After several years of writing music in bands, Danish multi-instrumentalist Brian Batz began experimenting at home with digitally altered piano and voice. In 2008, he began uploading eerie and introspective songs as Sleep Party People, with a home-recorded, eponymous debut album of whispery, otherworldly post-rock released in 2010. 10 years on, Joyful Noise is honored to commemorate this truly special album with an anniversary reissue, including eight bonus tracks and reimagined cover artwork.

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Dale Crover Of Melvins

22,58 €* 28,23 € -20%

Release: 2021 / US – Original

Genre: Rock & Indie

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Rat-A-Tat-Tat! Is That The Sound Of The Reaper Knocking On Your Door To Collect Your Soul -- Or Dale Crover Hammering Out Another Distinctive Drum Fill?There Are Pretty Good Odds It's The Latter; Between 36 Years (And About As Many Full-Lengths And Eps) As Drummer/Bassist For The Melvins And His Contributions To Acts As Varied As Altamont, Peeping Tom, Redd Kross, Shrinebuilder, And A Little Band Called Nirvana, He's Built Quite The Body Of Work. In 2017, He Added A Proper Solo Album To His Extensive Catalog, Fickle Finger Of Fate. Now He's Followed That With Rat-A-Tat-Tat!Crover Takes The Solo Thing Seriously: He Wrote The Album While On The Road And Provided Vocals, Drums, Guitars, Vibraphone, And Miscellaneous Percussion. Just Like The Last Album, Recording Took Place Over At Toshi Kasai's Sound Of Sirens Studio In Beautiful Sun Valley, Ca. Kasai Recorded And Mixed It Again, As Well As Co-Producing It With Crover Under The Sobriquet Deaf Nephews. Celebrated Graphic Designer (And Regular Melvins Cover Artist) Mackie Osborne Created The Striking Album Art, Just As She Did For Fickle Finger.So What's Different This Time Around? Crover Assembled An Actual Band To Help Him Out. Redd Kross Bassist Steve Mcdonald Asked Crover To Open For Redd Kross, Crover Asked Mcdonald To Play Bass For Him, And The Rest Is History. It'd Be Difficult For Even The Multi-Talented Crover To Put On A Live Show By Himself Without One Of Those One-Man-Band Contraptions. In Addition To Mcdonald, Kasai (Ex-Big Business, Plan D) Helps With Keyboards, Synths, Jawharp, And Backing Vocals. Mindee Jorgensen (Dangerously Sleazy) Sits Behind The Kit Live And Contributes Additional Drumming And Some Sweet Saxophone Skills Here. His Former Altamont Bandmate Dan Southwick Plays Bass On 'Tougher,' A Track Crover Cowrote With Kasai. Some Pieces Of The Songs May Sound Familiar To The 127 Completists Who Grabbed The Limited-Run Lathe Cut Record Piso Mojado, A Collection Of Experimental Drum Weirdness. Although Insanity Certainly Abound...

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Fiction EP White Vinyl Edition

LP | 2020 | Original (Joyful Noise)

Release: 2020 / Original

Genre: Rock & Indie

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Motherhood Neon Violet Edition

No Joy

Release: 2020 / US – Original

Genre: Rock & Indie

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No Joy's relentless sonic permutations are evidence of frontperson and principal songwriter Jasamine White-Gluz's insatiable desire to grow. The Montreal-based project began a decade ago as e-mail-traded riffs; subsequent albums showcased a penchant for delay-saturated jangle, industrial distortion, and sludgey drones over disco beats. White-Gluz, feeling too reliant on her primary instrument, ditched the guitars and detoured to modular electronica for a 2018 EP composed with Sonic Boom (Spacemen 3's Peter Kember). For No Joy's first full length in five years, White-Gluz took what she learned from synthesis, reincorporated guitars, and produced an album that is not a departure from No Joy's early shoegaze, but a stylistically omnivorous expansion that ekes into trip hop, trance and nu-metal. Motherhood is the culmination of years composing outside of her comfort zone, and a return to DIY recording with a leveled-up expertise in production. Lead single "Birthmark" combines the '90s dance rock of Republica with phasing fuzz a la Deftones' brand of loud-quiet-loud. "Dream Rats" (featuring White-Gluz's sister, Alissa, of deathcore supergroup Arch Enemy) manages to cram synth choir, blast beats, cowboy leads, and signal-jammed shredding into a radio-friendly three and a half minutes. "Nothing Will Hurt" melds detuned arpeggios, Berlin school synths, slapped bass, and seemingly infinite vocal facets. Throughout are loving nostalgic nods to the records White-Gluz adored on their release twenty years ago--Massive Attack, Sneaker Pimps, No Doubt. Collaborative, exploratory fun hallmarks No Joy's discography, and Motherhood is no exception. Bandmember Jorge Elbrecht (Ariel Pink, Sky Ferreira, Japanese Breakfast) returns in his role as co-producer and multi-instrumentalist. The band's touring sound engineer Madeleine Campbell, who authors the Women In Sound zine, came on as engineer alongside Chris Walla (Death Cab for Cutie). Drummer Jamie Thompson (Islands, Esmerine) translated rhythmic ideas into hard-hitting performance, and brought in drum machines of his own. Frenetic shredder Tara McLeod (Kittie) makes her No Joy recorded debut, contributing not only guitars but banjos. Somehow plastic clarinet, scrap metal, skits, bongos and an EMS Putney made the mix. Songs went from laptop demos to labyrinthine recordings, tracked primarily at fellow Montrealers Braids' Studio Toute Garnie. White-Gluz laid down the vocals at home, which allowed for experimentation with ethereal harmonies and shrouded ad libs.

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Thor & Friends

4 Mint Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Polymath percussionist Thor Harris inaugurated Thor & Friends in the autumn of 2015 after five years of touring as the percussionist of iconic avant-rock ensemble Swans. The project is intended as a vehicle for experimentation with the conceptual vocabulary of American Minimalism collaborating with a rotating cast of Austin-based musicians. The ensemble has three core members, Thor Harris, Peggy Ghorbani and Sarah 'Goat' Gautier - with its line-up expanding and contracting with the flux of compositional and improvisational contexts. Thor & Friends draws on classic Minimalist composers, including Terry Riley and Steve Reich, but also amalgamate such diverse influences as Brian Eno, Aphex Twin, Moondog and The Necks around a polyrhythmic core of mallet-struck instruments, primarily marimba, xylophone and vibraphone. Circling these core motifs are shifting streams of everything from processed pedal steel and analog synthesizer to violin, viola, stand-up bass, clarinet, duduk and oboe. Thor & Friends, '4' is the band's fourth LP. Initially put out as part of Joyful Noise Recordings, 2019 Artist in Residence, it is now being released far and wide through Joyful Noise. Thor writes, "Thor & Friends is a collective of musicians. Some players are classically trained, others are punk musicians with no reading skills, just spirit and will. Through friendship and musical collaboration, this album brings together Craig Ross, Alan and Mimi from Low, Bill Callahan, and Jolie Holland; strings from the likes of Mollie Fischer, Travis Weller, Lindsey Verrill, Andrea Calderon, and Nino Soberin; and even more instrumentation from Jeff Johnston on saw, Christopher Cundy, Andrea Belfi, and Adam Harding."

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Future Teenage Cave Artists

Tape | 2020 | US | Original (Joyful Noise)

Release: 2020 / US – Original

Genre: Rock & Indie

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Future Teenage Cave Artists Bloodred Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Endless Empress Blue Vinyl Edition

El Ten Eleven 15th Anniversary Black Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance

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Recommended If You Like: Nightfist, DragonForce, S U R V I V E, Tangerine Dream, John Carpenter, Daft Punk & The vast world of Marvel. Magic Sword is an ageless tale of good and evil, told through an ever-expanding graphic novel story and accompanying synth-heavy soundtrack albums. With the two mediums intertwined from it's conception, together they are an epic experience for those bold enough to bear witness and come away with a deeper understanding of the ultimate hero's journey. Armed with a musical and visual aesthetic that has it's roots unabashedly buried deep in the golden era of 70s and 80s fantasy and sci-fi, its followers are called to another plane of existence where the struggle between light and shadow become all too real. Endless is the third and final chapter in the tale of the search for the Chosen One. This prophesied being contains the ability to wield the power of the Magic Sword and seal the prison that holds the Dark One for all eternity. Only then will The Keeper, The Seer, and The Weaver be able to rest. Until the Chosen One reveals themself, the search continues in this realm and in many others. In what form will the Magic Sword manifest? A tale of high adventure as old as time itself. The Immortals give a direct account of their vision: "Ages ago, the immortal Dark One was freed from his cell. Since that time, the forces of good have been searching for the Light, the Chosen One, to force him back into his eternal prison. The key to unlock this cell is the Magic Sword. When wielded by the Chosen One, it has the power to return balance to the Universe." The Keeper of the Magic Sword is an ancient soul who searches endlessly for the Chosen One. With the help of other immortals, The Seer and The Weaver, they are ever trying to stem the tide of the Great Shadow from engulfing all life. When the need is great, they appear with the Magic Sword and a high stakes proposition for those who are pure of heart, perpetually hoping that their search is finally over.

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El Ten Eleven E

LP | 2019 | US | Original (Joyful Noise)

Release: 2019 / US – Original

Genre: Rock & Indie

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Gatefold sleeve! Recommend If You Like: Do Make Say Think, Explosions in the Sky, Ratatat, The Album Leaf, Mogwai, Positive/uplifting instrumental loopage 'n' riffage.15 years ago, Kristian Dunn and Tim Fogarty released their self-titled debut album as El Ten Eleven. The self-released LP received only modest attention initially, but the project would go on to defy all expectations, gradually attracting a significant cult audience of loyal fans. But defying expectations is standard operating procedure for ElTen Eleven. Seriously, who would expect two instrumentalists tocreate such a large and complex sound? Thanks to inventivearrangements and a masterful use of looping, Dunn (bass/guitar)and Fogarty (drums) developed a pulsating sound full of atmospheric intensity. They've also crafted an incredibly durable career, and the duo credit the ongoing interest in their debut album as the foundation for that success.The music of El Ten Eleven has been embraced by fans of manygenres _ from math rock, to jazz, to lo-fi hip-hop. The duo'ssound is sharply evocative in mood and feeling, yet simultaneously abstract and meditative. The combination of these qualities has stimulated the imagination of the group's fans, and gives space for listeners to assign their own value and meaning to the sounds. "I'm aiming for emotional impact when I come up with songs," Dunn explained. "Sometimes it's technically interesting but it doesn't make me feel anything. But I don't want music that's interesting. I want music that's emotionally resonate."

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Omoiyari White Vinyl Edition

LP | 2019 | EU | Original (Joyful Noise)

We Are Rising Green Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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LPs in Gatefold Jacket! Imagine being forced from your home. Imagine being sent to a prison camp with no trial, and no promise of release. Imagine all this happened simply because of the language you speak, the shade of your skin, or the roots of your family tree. For over 120,000 Japanese Americans this was a reality during World War II. It's a reality that Kishi Bashi seeks to reckon with on his latest release Omoiyari. Omoiyari is Kishi Bashi's fourth album - following the acclaimed 151a (2012), Lighght (2014), and Sonderlust (2016), which have garnered serious acclaim from outlets including NPR Music, The Wall Street Journal, and The Guardian - and his most important yet. Many of the songs were initially inspired by history and oppression, and he deftly weaves tales of love, loss, and wanting to connect listeners to the past. Channeling the hard-learned lessons of history, Omoiyari is an uncompromising musical statement on the turbulent sociopolitical atmosphere of present-day America.

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Son Lux

LP | 2019 | US | Original (Joyful Noise)

Release: 2019 / US – Original

Genre: Rock & Indie

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Coke Bottle Green Vinyl.Around 2008 Ryan Lott asked himself this question: "Can I make a pop record that doesn't rely on a verse/chorus formula?" In many ways Lott's first two releases as Son Lux represent his response to that query. At War With Walls & Mazes and We Are Rising document one of the most compelling musicians of the 21st century finding a distinctive creative voice, while making strikingly original music along the way. Lott turned to sonic texture as a source of musical sustenance,crafting a dynamic mosaic of sound inspired by the collagist technique of hip-hop beat makers. The soundscapes Lott created merged a panoramic symphonic palette with the propulsive rhythmic urgency of hip-hop. The only thing missing was a voice, a role Lott hadn't intended to fill himself. "Some friends helped me to hear in my own voice something that really worked with the music," Lott says. "They've both been out of print for awhile. But more importantly, I'm proud of the music, and I feel like it set the right foundation for my catalogue as Son Lux, so it makes sense to bring it back on vinyl and shed some light on it now that the project has a broader audience." Eleven years after his debut as Son Lux, Joyful Noise Recordings is reissuing these first two works.

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Romance Black Vinyl Edition

2LP | 2018 | US | Original (Joyful Noise)

22,30 €* 28,23 € -21%

Release: 2018 / US – Original

Genre: Rock & Indie

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12" | 2014 | US | Original (Joyful Noise)

Son Lux

Alternate Worlds

Release: 2014 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The EP reimagines four songs from Lanterns, and includes a collaboration with Lorde. These exquisite reinventions traverse unfamiliar terrain within remembered landscapes. Their world is both alien and familiar.

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Eerie Wanda

Internal Radio

14,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Lavender Vinyl Edition.
Still shrink wrapped but opened. Cover with a seam split at the upper edge. Includes original inner sleeve with seam splits.

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Sleep Party People

Heap Of Ashes

13,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Sleep Party People's Brian Batz dives into the darker edges oforchestral pop on new album Heap of Ashes.Influenced by primarily Bulgarian choral music, old-school metal,and 21st century experimental composition, the music of SleepParty People exposes every facet, every moment, and everywound, finding beauty even when the last glow of hope lookslike it's ready to fade into the ashes. Heap of Ashes includescontributions from Halvcirkle, GNOM, and Sound of Ceres' KHover.

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Tautology Ultra Clear Vinyl Edition

3LP | 2020 | US | Original (Joyful Noise)

39,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Tonight You Look Like A Spider

David Yow

LP | 2013 | US | Reissue (Joyful Noise)

LP | 2025 | US | Original (Joyful Noise)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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"Tonight You Look Like A Spider" is the first ever solo album from DAVID YOW - the legendary singer of THE JESUS LIZARD and SCRATCH ACID. This album is every bit as twisted and fucked-up as you'd expect from him. 49-minutes of nightmarish noise, created and recorded entirely by DAVID YOW over the past decade. "I rented a saxophone for 2 months, I borrowed some guitars and some drums, I rummaged through the kitchen, I squeezed a fat cat, I poked and prodded and ended up with my very own music. It's real good, if you like that kind of shit. I named it Tonight You Look Like A Spider after a spider I saw one night." - David Yow

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New Orthodox

Bull Market On Corn

Major Gray Splatter Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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On Bull Market on Corn, New Orthodox (Nicholas Merz) makes music that responds to the American expanse with plain-spoken thought. The pedal steel player's songs paint pictures of the fractured ideologies that shape life in this country through the melodic haze of his instrument, the comedy of his lyrics, and the surreal choreography that accompanies his performances. The music is both personal and grand, intimate and vast, taking the tools of country and transforming them into his own spun-out sound.Bull Market on Corn marks Merz' debut under the moniker New Orthodox, but represents a continuation of many of the themes that have colored his songwriting and his personal relationship to the pedal steel through his father, who also played. The album was recorded with Steve Albini, whose musical output, principled ethic, and honest production served as an early inspiration for Merz. It also offers a deep exploration of the rich sound and history of the pedal steel, taking the tradition of country music and abstracting it. Each of these songs takes on a different fragment of the American experience, traversing both the personal and political. It is vast territory to cover, but Merz's work is in connecting the dots through the bellowing drone and long tail of history of his pedal steel, using the instrument to tell the story of the present through the lens of the past.

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Fang Island

Fang Island Daisy Pink Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Fang Island's second and last record, long out of print and back in stock as gray splatter Colored Vinyl in gatefold jacket LP via Joyful Noise, defined the sound of danc-y/math-y indie rock of the early 2010s alongside contemporaries Lightning Bolt, Titus Andronicus, and Japandroids.Fang Island described their music as the sound of "everyone high fiving everyone." No matter where they went, Fang Island's up-with-people approach made them a subversive art project by default. At a time when the belligerent noise-rock of Lightning Bolt and The Body defined Providence, Fang Island played major-key guitar harmonies and flashy tapping riffs. When people tried to call them "math-rock," they thought of themselves as "recess rock." Two years after Fang Island released what they expected to be their first and only album, Major became the "highly anticipated sophomore LP." The songs were bigger, shinier and hookier, forged under the pressure that comes with being a band rather than a couple of weekend warriors - label pressures,grueling tours and the frequent personnel changes that ultimately brought the band to their amicable end. Fang Island began with the crackle fireworks and, as the band heard fireworks going off in the distance as they played inBarcelona, they took it as a supernatural sign that this show would be the perfect bookend to their career. "We were getting older, we were in serious relationships, we were getting tired, and that just felt like the right way to end it."

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Fang Island

See You At The Solipsist Convention Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Fang Island's debut record, long out of print and back in stockas daisy pink splatter Colored Vinyl in gatefold jacket LP via Joyful Noise, defined the sound of danc-y/math-y indie rock of the early 2010s alongside contemporaries Lightning Bolt, Titus Andronicus, and Japandroids.Fang Island described their music as the sound of "everyone high fiving everyone." No matter where they went, Fang Island's up-with-people approach made them a subversive art project by default. At a time when the belligerent noise-rock of Lightning Bolt and The Body defined Providence, Fang Island played major-key guitar harmonies and flashy tapping riffs. When people tried to call them "math-rock," they thought of themselves as "recess rock." Fang Island shared bills with uber-buzzy bands like Yeasayer and Chairlift at Cake Shop and Santos Party House, crucibles for Brooklyn hype at the turn of the aughts; but their most impactful co-sign came from Andrew WK. At least until Fang Island earned an unexpected Best New Music review at Pitchfork; in the style of the time, the group - now including drummer Marc St. Sauver and guitarist Nick Sadler - were thrust from playing "literally empty shows" at hot dog stands in Ohio to becoming the toast of SXSW and starting their North American tour with psych-rock idols the Flaming Lips in an Atlantic City casino. They would later play sprawling amphitheaters with Stone Temple Pilots, and in perhaps the best demonstration of their ability to wield popsmarts to guitar pyrotechnics, both Matt & Kim and Coheed & Cambria.

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Yesness

Dear Divine Moon White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Dark Evergreen VInyl. The odd couple of Kristian Dunn (El Ten Eleven) and Damon Che (DonCaballero) was the result of some clever musical matchmaking by KarlHofstetter, founder and curator of Joyful Noise Recordings. Karl introducedDunn and Che via email in April 2023 after Dunn's prolific output outgrew theresources and abilities of his instrumental duo El Ten Eleven. Less than a yearlater, after countless text messages and song sketches were exchanged, andone fateful meeting at a recording studio was organized, their nascent project'sdebut record, See You at the Solipsist Convention, was complete.Despite Che's initial unfamiliarity with Dunn's musical output, their personalitiesbridged any and all gaps_both Che and Dunn share a flair for thecomically absurd and musically adventurous, a mindset that shines throughoutSee You at the Solipsist Convention. Che has become legendary for hiscalculated polyrhythms and undeniable physicality, while Dunn is known forrelentless experimentation and productivity akin to a freight train. Quickly, theunlikely pair transformed into destined collaborators.Scaffolded around eight-string bass, knotty percussion, and intricate syncopation,See You at the Solipsist Convention is a carnival of delights for fans ofthe post-everything persuasion_uncategorizable yet reverent to the altar ofinstrumental rock.Beyond all measure, Yesness stands as a testament to the powerful dividendsof friendship and collaboration. We are nothing without each other - ourpartners, our local record store clerks, our neighbors. Music, too, thrives onour entanglements. With twelve tracks, an upcoming tour, and an unexpectedfriendship stemming from one email, Yesness underscores the brilliantmachinery of human connection.

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Little Moon

LP | 2012 | US | Reissue (Joyful Noise)

Release: 2024 / US – Original

Genre: Rock & Indie

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Moon White Vinyl. All her life, Emma Hardyman has wrestled with contradictions. After all, shewas practically rendered a living, breathing contradiction the moment she wasborn into her half-Peruvian, half-white working-class Mormon family. In youngadulthood, Hardyman became increasingly disillusioned with Mormonism'srighteous black-and-white thinking, as well as its exclusionary elitism, anddecided to leave the church. But she also acknowledged that the institution'sall-or-nothing philosophy had become a part of her, resulting in a considerabletest of grace and unlearning.As the singer-songwriter behind Little Moon, the Tiny Desk Contest-winning,Utah-based avant-folk project, Hardyman uses music as an outlet to illuminatecontradictions of all kinds. Following the release of her 2020 debut LPUnphased, Hardyman set out to write a romantic album about her newlywedhusband Nathan (who also sings and plays guitar in Little Moon), but theuniverse had other plans. After Nathan's mother tragically passed away,Hardyman recalibrated her vision and started work on a love-as-grief,grief-as-love album titled Dear Divine. The record serves as a mirror for thedarkest parts of ourselves, allowing us to examine our ego_not to dismantle it,but to better understand how we love, process adversity and move throughthe world.Centering the classical music, folk, video game soundtracks and TabernacleChoir hymns she grew up with, as well as ephemeral snapshots of personalsignificance, Dear Divine is an abundant tapestry of Hardyman's life. Asenlivening melodies radiate from a string trio, you can envision the classicalmusic that thrums from her parents' radio 24/7, as Hardyman sings in anotherworldly coo, you can imagine her younger self swooning over the tranquilrecords of Vashti Bunyan and Joan Baez, and as arpeggiated synths twinkle,you can visualize the enchanting kingdom of Hyrule from The Legend of Zelda:Ocarina of Time that she still adores.Songs like "now" and "messy lo...

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Talk Normal

Sunshine

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Vision Crimes / Monomania

Child Bite

LP | 2013 | US | Reissue (Joyful Noise)

Glossolalia Hot Pink Vinyl Edition

Release: 2013 / US – Reissue

Genre: Rock & Indie

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This album collects CHILD BITE's recent two sibling EP's into one brutal package. For years,...

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Dale Crover

Release: 2024 / US – Original

Genre: Rock & Indie

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| 2016 | US | Original (Joyful Noise)

Dumb Numbers

K-Sensa-My

17,99 €*

7" | 2016 | US | Original (Joyful Noise)

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

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Dumb Numbers

My Mantra

11,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Breaks Transparent Red Vinyl Edition

We Sang, Therefore We Were

Release: 2024 / US – Original

Genre: Rock & Indie

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On their seventh long player The Breaks - their second for Joyful Noise Recordings - Suuns are lost in limbo. For some artists, being caught in flux may result in songs that are either naive, out of touch or both, simply as a consequence of being cut off from human civilization. But for Suuns, a band who have grown more than comfortable in the oblique and the intermediate, it actually had the opposite effect. The Breaks marks the Montreal experimental rock outfit's most emotionally resonant and tonally rich collection of music to date. The trio of Ben Shemie, Joseph Yarmush and Liam O' Neill leans more zealously than ever into their pop instincts. Yet remarkably enough, with that same dauntless abandon, Suuns have mined a more extreme sonic palette this time around, one that stretches far beyond their core fundamentals as a band. The Breaks finds Shemie, O'Neill and Yarmush gleefully experimenting with loops, synths, samples and MIDI-instruments like a post-millennial Tangerine Dream messing with downtempo triphop beats. O' Neill took point in the producer's chair for The Breaks, arranging, structuring and editing many of Shemie and Yarmush's ideas from sporadic rehearsal sessions into Pro Tools, reimagining the songs over and over during a two-year time frame. Forged between countless plane rides, road trips, van tours and text threads, The Breaks became a product of endurance and a lot of trial-and-error. It's a record forged in tight fissions of freedom, where spells of whispered intimacy - like on the stunning ballad "Doreen" - are allowed to branch out into the vast glacial dreamscapes of the album's majestic title track. It captures Suuns at their most panoramic, curious and exuberant: a constant relay of being adrift and enlightened anew, geared up to eleven. And guess what: the wheels keep on spinning.

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Greg Saunier

Popular Cycles Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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It's already hard to describe what Deerhoof sounds like. So we'll skip that part and say this sounds a lot like Deerhoof with a different singer. And in keeping with 30-year Hoofian tradition, melodies soar, big hit earwigs abound, harmonies are complex, and keys change frequently and unexpectedly. Arrangements are in a constant state of impatient agitation. Emotions run high but delivery is usually a falsetto deadpan. We Sang, Therefore We Were is grief delivered in code.Greg plays everything save for a few birds who join in singing now and again. He keeps the instrumentarium severely limited, the sound shambling and anti-slick. It turns out Greg is a really good bass player and guitar player, if a bit more rudimentary and slicing compared to his Deerhoof bandmates. He does play more angry guitar solos.But don't expect another Chippendale/Saunier speed-drum freakout; the songwriting is gorgeous and sophisticated, and drums are almost an afterthought. Here, song is Queen. The singing is high and whispery, tending towards the three-part harmony. What we're saying is: We Sang, Therefore We Were sounds a bit like Deerhoof fronted by The Andrews Sisters.This is a peek inside the mind of one of indie rock's most celebrated drummers, many of whose fans may not even realize the relentlessness of his musicianship and compositional prolificacy. Mozartian chords and sounds insinuate themselves here and there on this record, finally taking over in a big climax at the end, when the drums break off unexpectedly into a laugh-or-cry orchestral outpouring that ironically may be the rawest part of a very raw album."Satomi, Ed, John and I were chatting between shows in Austin in early December. They encouraged me to make a record on my own. With no one to please but myself, it came together way faster than usual. It was basically done by the holidays. I had been excited by the announcement that the new Rolling Stones record was going to sound 'angry.' I thought, 'Yes, I'm angry too.' But Hackney Diamonds turned...

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Busman's Holiday

LP | 2016 | US | Original (Joyful Noise)

5,99 €*

Release: 2016 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Includes original inner sleeve.

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Walk Thru Me White Vinyl Ediiton

Release: 2024 / US – Original

Genre: Rock & Indie

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Not God Red Vinyl Edition

Finom

Release: 2024 / US – Original

Genre: Rock & Indie

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Not God is the new album from Chicago's beloved two-headed monster,Finom (fka Ohmme). You can ask them to go into more detail about theboring reasons why they changed their name, but for now, the answer is goingto be polite refusal. No.Co-fronted by Sima Cunningham and Macie Stewart, Finom's influences runvast and varied, and they put a premium on change. Produced by Jeff Tweedyin the Wilco Loft, Not God is a marvel of growth, a progression from the rootsof this collaborative band whose history can be traced back to its improvisedconception. This is owed in no small part to their hometown of Chicago, thelife raft to so many persisters in musical adventurosity. That energy combinedwith Finom's dramatic vocal and musical gifts puts them in the peripheries ofthe legacies cemented by The Roches, Roxy Music, the B52s, Kate Bush, CateLe Bon, and Wilco.Cunningham and Stewart are brilliant harmonizers, but harmony doesn'tequate to a utopia. In Finom's maws harmony can also be a fight, holding theline until the volcano erupts. This realistic depiction of a creative relationshipjolts throughout the songs of Not God, and brings the whole damn thing to life.Finom are more than one person with more than one dream. But still, theygrow together, harnessed by their shared love of pop songwriting, control,chaos, and being generally freaky-deaky. Freaky in that way that is only reallyfun when you're doing it with a friend. As the globe spins and advancementsadvance, it can feel essential to return to relationships that make us feelwhole, that generate energy of strength and relief. Which puts double theweight on the reality that Sima and Macie continue to pledge allegiance toeach other, at the base of the volcano, in the front seat of the car as it pulls offthe highway.

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Reveille Clear Sun Vinyl Edition

LP | 2011 | US | Reissue (Joyful Noise)

Sleepytime Gorilla Museum

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Back in print on vinyl! Deerhoof debuts their new guitarist John Dieterich and achieves widespread critical acclaim for the first time. 2002's Reveille is a defiant expression of artistic rebirth, spilling over with madcap exuberance, apocalyptic imagery, newfound technical confidence belying their no-budget DIY recording methods, and jarring stylistic about-faces in which no two songs sound alike. The contrast of Satomi's ever-catchy, ever-charming melodiousness with John and Greg's noisy, cinematic bombast still has the power to thrill and tickle and upset, more than 20 years after its initial release. Includes reimagined cover art with the faint morning glow the band had always envisioned, pressed on clear sun-colored vinyl. Complete lyrics included for the first time, written by Satomi on the center labels.

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Of The Last Human Being Gold Nugget Vinyl Edition

38,99 €*

The Salt Doll Went To Measure The Depths Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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The Low Anthem

LP | 2018 | US | Original (Joyful Noise)

12,59 €* 17,99 € -30%

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Sorry You Couldn't Make It

Swamp Dogg

LP | 2020 | EU | Original (Joyful Noise)

18,19 €* 25,99 € -30%

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tape | 2024 | US | Original (Joyful Noise)

Daniel Johnston

Alive In New York City

Alive In New York City White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Daniel Johnston's `Alive in New York City': A full performancecaptured before a live audience in New York City, the city ofDaniel Johnston's dreams. Daniel is at the height of his performing powers, with his solo voice in full poignant bloom. A real time-capsule, each song is a gem rendered in full color by an artist dedicated to his craft. This LP captures him at an unusually happy point in his life, sharing the deepest parts of himself with his audience. We are given a rare glimpse into Daniel's heart, where the physical rendering he gives over to his lyrics transcends the music and works as a beacon into the tender mind of a genius - grappling with how to love himself and find his place in the world. This 2000 concert recorded and live-mixed by Kramer in NYC happened on a very special night and Shimmy-Disc is proud to present it to the world.As a bonus the free digital download card that accompanies each vinyl LP and the 56 minute Cassette release include "The Telephone Demos" - 18 minutes of bonus material comprised of some of the rarest audio treasures from the Daniel Johnston Archives - a series of "Telephone Demos" created by Daniel specifically for sending to friends over his phone. These little teleplays from Daniel's pre-"1990" days have never been heard before, so his fans will go wild with joy over this newly discovered and precious cargo from the mind of this one-of-a-kind and irreplaceable Artist.

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Daniel Johnston

Alive In New York City Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Daniel Johnston

Release: 2024 / US – Original

Genre: Rock & Indie

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OST Omoiyari Blue & Sky Blu Vinyl Edition

2LP | 2023 | EU | Original (Joyful Noise)

33,99 €*

Mike Adams At His Honest Weight

Release: 2023 / EU – Original

Genre: Soundtracks

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"Omoiyari" means to have empathy and consideration for others, and act on it.This fall, the American indie-folk multi-instrumentalist and singer-songwriterKishi Bashi is set to release the companion album to his forthcoming documentarysong film, titled Music from the Song Film: Omoiyari. Consisting of twoLPs_"The Songs" and "The Score"_the release showcases what is essentially thesoundtrack to Omoiyari, the feature-length motion picture co-directed by KishiBashi, aka Kaoru Ishibashi or "K," which is being released via MTV DocumentaryFilms in November. Focusing on K's own six-year journey of discoverysurrounding his research of the incarceration of 120,000 Japanese Americans thatfollowed the attack on Pearl Harbor in 1941, the film is part social justicedocumentary and part song-film experiment. The album includes K's liveimprovisations, which are featured in the documentary, many recorded on the siteswhere the concentration camps stood. Written during and about the artist'stransformational dive into his personal identity and serving as a broad survey of theJapanese American experience as well as the incarceration_Music from the SongFilm: Omoiyari serves as an evocative musical accompaniment to the lessons ofempathy and compassion portrayed in the film and highlights the process andpower of one of modern indie's most talented musicians.

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Guess For Thrills

Release: 2023 / US – Original

Genre: Rock & Indie

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A "pop savant of the first order" (AllMusic) who "projects an outsize persona from the stage" (Pitchfork), Mike Adams has created a singular homespun entertainment universe since 2011's Oscillate Wisely. He's an appealingly confident showman on his cable access-style variety show (The Mike Adams Show), and an affably humble Hoosier touring musician on his podcast (Tan Van Tour Talk). As Mike Adams at His Honest Weight, he's a hooky songwriter and multi-instrumentalist with a knack for embodying contradictions. The latest in a prolific stream of recordings, Guess for Thrills gets deep, blending 70's-inspired pop songs with synthesizer-driven atmospherics and emerging with a wild and searching album that treats ambiguity as a place of discovery.

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Marnie Stern

The Comeback Kid

Release: 2023 / US – Original

Genre: Rock & Indie

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Gareth Liddiard

Strange Tourist

33,99 €*

Stick To The Mystical I Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Because you demanded it: Gareth Liddiard's 2010 solo albumStrange Tourist is finally reissued on double LP. Celebrated for his work as the frontman of cult acts Tropical Fuck Storm, The Drones, and Springtime, Strange Tourist is a stripped downacoustic set from one of our greatest living songwriters."Superlative...Liddiard's screeds demand and reward the listener's full attention" - Mojo / "Superbly engaging...crystalline and austere." - The Quietus

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Tall Tall Trees

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited Blue Vinyl.Tall Tall Trees (multi-instrumentalist and songwriter Mike Savino) expands to a duo with the addition of Josiah Wolf (WHY?) on drums. TRIGGER WARNING: BANJO

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Take A Look Inside Clear Vinyl Edition

LP | 1994 | US | Reissue (Joyful Noise)

Tape | 2023 | US | Original (Joyful Noise)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Clear Vinyl.They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion.Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's `Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.

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