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John Tejada

John Tejada HHV Records 5 Items

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John Tejada

Parabolas

2LP | 2011 | EU | Reissue (Kompakt)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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"Expect the unexpected," they say, and it should come as a surprise to many as we warmly welcome to the KOMPAKT family one of America’s most celebrated producers in dance music, JOHN TEJADA! Born in Austria, he relocated to his current home of Los Angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. If you're even the slightest fan of the genre, you’ll be hard-pressed not to have heard his music over his decade long career. Whether on his own Palette Recordings, Poker Flat, or Plug Research — plus a Fabric Mix CD under his belt, it’s thanks to a steady stream of massive releases (think “Mono On Mono” and “Sweat On The Walls”) that he remains a mainstay in the charts of Beatport and uncountable DJs. He is also half of the long-standing City Centre Offices act, I’m Not A Gun (together with Takeshi Nishimoto). “I wanted to experiment with some longer phrases again and to step away from the analog sequencers more and get back to using my hands to create the melodies. I also feel for the first time in quite a while I've made an album of songs for myself without worrying about the usual pressures.” Resident Advisor called Tejada “one of the most notoriously meticulous producers around" — an unmistakable proof lies within these recordings. Genres collide and combine with an unraveling of blissful layers on “Parabolas”. The opening track, “Farther & Fainter,” offers a musicality today's techno and house often lack — an accomplishment that resonates throughout the album. Tracks such as “Subdivided” and “Unstable Condition” reflect the wondrousness of Aphex Twin’s Polygon Window project, something that could only be reanimated and brought to 2011's standards by Tejada. “Parabolas” is a true highlight in John Tejada’s deep catalogue. Bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination.

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John Tejada

Year Of The Living Dead

CD | 2021 | EU | Original (Kompakt)

14,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With his new album, Year Of The Living Dead, Vienna-born and LA-based producer John Tejada finds a blissful extended moment of balance between the new and the familiar. Anyone who’s followed his career to date, which has included four previous albums for Kompakt, outings for storied labels like Plug Research, Playhouse and Cocoon, and numerous remixes and collaborations – most recently, his Wajatta duo with actor and musician Reggie Watts – will immediately sense the warmth and eloquence that Tejada brings to his gilded, pliant techno and electro hybrids. But there’s more here, too; an explorer’s glimmer in the producer’s eye, as he gets to grips with new ways of working and being, while offering a reflective opening for the listener, something echoed in artwork by graphic designer and ‘contemplative artist’ David Grey. “The album was started using tools I was unfamiliar with, which became an interesting exploratory process,” Tejada says. “Staying away from the obvious and having to re-learn simple things was a fun challenge.” You can hear these new creative pulsions pushing the eight tracks on Year Of The Living Dead ever-forward; the album has an unique cast, and though there are trace elements of the genres Tejada has indulged previously, he’s never quite put them together this way before. There’s the dubwise glitter sprinkled across the moody opener “The Haunting Of Earth”, the kind caresses found amongst the deftly woven textures of “Sheltered”, and the churchy melancholy, all hymnal and golden, of “Echoes Of Life”. Year Of The Living Dead also speaks obliquely to its moment, though Tejada works this implicitly, allowing the strange circumstances of 2020 to cast their inevitable shadow without being obvious or didactic. “The production process began right before lockdown and continued through what felt like a very serious time for all of us,” he recalls. “Not being able to see or touch our loved ones made me feel we are all like ghosts. We can observe from a distance but cannot really be there. We are isolated and alone.” And yet, Year Of The Living Dead’s tenderness offers an out for that anxiety and loneliness, its intimate immensities gifting the album a redemptive and compassionate core. Compact and glistening, Year Of The Living Dead sculpts unassuming beauty.

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