Jazz | Fusion 9473 Items

Wamono A To Z Volume I HHV Exclusive Numbered Clear Vinyl Edition

LP | 2021 | EU | Reissue (180g)

2LP | 2020 | EU | Original (Blue Note)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies! Numbered by hand. Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. For this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Tom Misch & Yussef Dayes

What Kinda Music

19,99 €*

LP | 2025 | EU | Original (Leiter)

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not? He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”. In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

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Moses Yoofee Trio

MYT

Release: 2025 / EU – Original

Genre: Organic Grooves

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Wamono A To Z Volume III HHV Exclusive Numbered Clear Vinyl Edition

LP | 2020 | EU | Reissue (180g)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies! Numbered by hand.
Japanese Jazz-Funk & Rare Groove 1968-1980 (Selected by DJ Yoshizawa Dynamite & Chintam) Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa. With this first volume of the Wamono series, our two DJs here guide you through some of the best and rarest jazz funk and rare groove tunes produced in Japan between 1968 and 1980. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Wamono A To Z Volume II HHV Exclusive Numbered Clear Vinyl Edition

LP | 2021 | EU | Reissue (180g)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies! Numbered by hand. J Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Jiro Inagaki & Soul Media, Hiroshi Sato, Bread & Butter, Hatsumi Shibata, Fujio Tokita and more! Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam Mastered and cut at Timmion Cutting Lab Artwork by Yoxxx (Tokyo) 180g heavy vinyl pressing, reverse board jacket

Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa In this second volume of the acclaimed Wamono series, Yoshizawa and Chintam dig into some of the best and rarest funky tunes produced in Japan during the seventies. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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V.A. - Wamono A To Z Presents: Blow Up Trio - Japanese Rare Groove From The Trio Records Vaults 1973-1981 (Selected By Chintam) HHV Exclusive Transparent Red Vinyl Edition

Wamono A To Z Presents: Blow Up Trio - Japanese Rare Groove From The Trio Records Vaults 1973-1981 (Selected By Chintam) HHV Exclusive Transparent Red Vinyl Edition

LP | 2024 | EU | Original (180g)

The Way Out Of Easy Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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After many years working as a buyer for several record stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the legendary Wamono A to Z records guide book together with DJ Yoshizawa Dynamite.

For this brand new chapter in the highly acclaimed Wamono series, our man Chintam goes digging into the vaults of one of the most revered Japanese labels: Trio Records. Established in 1969 by audio manufacturer Trio Electronics, now known as Kenwood, the label - and its subsidiaries such as Showboat and Trash - released high quality music spanning a large variety of genres including rock, jazz, fusion, soundtracks and popular songs, until its end in 1984. Through the eight tracks selected here, Chintam unearths some dope drum breaks, heavy bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981.

Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and boogie music developed throughout the years since the sixties in Japan! 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Trio Records masters.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Yoxxx.

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Jeff Parker / Eta Ivtet

2LP | 2024 | US | Original (International Anthem)

Release: 2024 / US – Original

Genre: Organic Grooves

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In their first bout of new music since 2022"s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.Featuring long time members Anna Butterss (Jason Isbell, SML) on upright bass, Josh Johnson (Meshell Ndegeocello, SML) on saxophone, and Jay Bellerose (Elton John, Punch Brothers), the selections are honed and focused to bring the atmosphere of one specific night"s setlist.The delight of the space (now sadly defunct) helped Parker build a beautifully multi-textured, gently-shifting four-dimensional construction out of simple ideas.

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Spiritual Jazz Volume 17: Saba / MPS

2LP | 2025 | UK | Original (Jazzman)

37,99 €*

Release: 2025 / UK – Original

Genre: Organic Grooves

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Seasons Clear Amber Vinyl Edition

Pete Jolly

LP | 1970 | US | Reissue (Future Days)

20,66 €* 41,33 € -50%

Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this rare masterpiece - Remastered from the original analog tapes by Kevin Gray at Cohearent Audio - Includes new liner notes by Dave Segal interviewing Herb Albert and Chuck Berghofer - Pressed at RTI on Clear Amber Wax & Clear Light Green Wax - Originally released on A&M in 1970 - Featuring session heavyweights Chuck Berghofer (bass), John Pisano (guitar), Milt Holland (percussion), Paul Humphrey (drums), Emil Richards (percussion) and Herb Albert (producer) - Sampled by Cypress Hill, Jay Dee, & Busta Rhymes Organic, electric, freeform. Pete Jolly's Seasons is comprised of melodies and textures composed live and without pretense—its grooves contain a complete and divine listening experience that surpasses all others of the era in which it was originally released, coming as close to transcendent musical meditation incarnate as one could possibly imagine. Seasons is an unsung masterpiece of ensemble groove and stellar musicianship, equally unsurpassed and inspired in its quiet excellence.

While Seasons never had significant commercial success upon its release, it has since amassed a cult following, leading collectors to pay top dollar for copies of the rare record. Out of print since 1971, it has only been reissued once on CD. In his liner notes accompanying this release, Dave Segal puts the album’s massive demand in perspective: “British label owner Jonny Trunk put up an original pressing of the LP for sale for an undisclosed but large sum on Instagram in January 2023, and it sold in five minutes. With Seasons back in circulation, maybe Pete Jolly will finally gain the broader audience that his phenomenal skills merit,” writes Segal. “If nothing else, it serves as a valuable lesson to artists: venturing outside of your comfort zone can bring the most interesting, enduring results.”

Remastered from the original analog master tapes by Kevin Gray at Coherent Mastering, this record not only foreshadows the roots of hip-hop but manages to embody the richness of a full album listening experience that few records can offer. Its timeless appeal is rare—and its dynamic range sets it apart as an album that straddles both the jazz and pop worlds in a way that almost no others can. Sit back, relax, and enjoy the changing and complex colors of Seasons for the first time ever since its initial release.

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Die Hamburg Spinners Im Schwarzwald HHV Exclusive Black in Clear Yolk Vinyl Edition

LP | 2024 | EU | Original (a sexy)

26,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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All Of Me Clear Green Vinyl Edtion

Masayoshi Takanaka

2LP | 1979 | JP | Reissue (Universal Music)

56,99 €*

LP | 1976 | EU | Reissue (We Release Jazz)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Takanaka Masayoshi's best selection from his works between 1976 and 1978. This double LP album features iconic tracks such as "sweet AGNES," "Mambo No. 5," and "ready TO FLY." Original release date: June 21th, 1979

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Hiroshi Suzuki

Cat

26,99 €*

2LP | 2024 | UK | Original (Warp)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka’s heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums). Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui’s Scenery, has fascinated old and young generations alike.

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Nala Sinephro

Endlessness

34,99 €*

LP | 2025 | EU | Original (Week-End)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Endlessness is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following Sinephro’s critically acclaimed 2021 debut album Space 1.8, Endlessness further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.

The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.

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Marshall Allen

New Dawn

LP | 1958 | US | Reissue (Analogue Productions)

Release: 2025 / EU – Original

Genre: Organic Grooves

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Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his most protean—freely moving from relaxed, transdimensional palettes to bluesy big band and beyond.

One of music’s vanguard avant-saxophonists, Allen continues to deliver durational feats during the Arkestra’s gigs. Still, the compositional energy contained on New Dawn is striking. Allen was approached with the idea of a solo record by Week-End Records’ Jan Lankisch. The Arkestra’s Knoel Scott — who has lived with Allen at the Arkestral Institute of Sun Ra since the 1980s — worked with Allen to pore over the archive of unrecorded material and develop this debut. Scott assembled some of Philadelphia’s brightest jazz stars as well as some Arkestra veterans for the sessions. New Dawn was then recorded over a couple of days in Philadelphia, with additional recordings to be added in the coming weeks and months. The legendary Neneh Cherry will lend her unmistakable voice to the title track “New Dawn”.

Though greatly informed by the philosophy of Sun Ra and his Saturnian teachings—traverse jazz’s traditions, dig deep into spiritual geographies — New Dawn signals Allen as his own singular voice, one that’s swinging and bopping and reflecting into the future, with no sign of stopping. Week-End Records is proud to release this debut solo album by Marshall Allen.

“New Dawn is clearly an extension of Ra’s legacy and sound, but it’s also a masterful endeavour filtered through Allen’s tastes and approach”. – John Morrison, The Wire, November 2024 (cover story)

Musicians: Marshall Allen – Kora, EWI, Alto Sax Knoel Scott – Baritone Sax, Congas, Drums Cecil Brooks – Trumpet Bruce Edwards – Guitar Jamaaladeen Tacuma – Bass Richard Hill – Bass Timothy Ragsdale – Bass Owen Brown Jr – 1st Violin Akiko Arendt – 1st Violin Cristina Ardelean Montelongo – 1st Violin Derek Washington – 2nd Violin Elias Feldmann – 2nd Violin Dimitra Karageorgopoulou – 2nd Violin Michael Ireland – Viola Vasileios Vasileiadis – Viola Joseph Richard Carvell – Bass Ilektra-Despoina Stevi – Cello Jorik Bergman – Flute George Gray – Drums Jan Lankisch – Percussion

Special Guest: Neneh Cherry - Voice

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Miles Davis

Birth Of The Blue

51,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Miles Davis — Birth of the Blue Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid groundwork for future jazz innovation! 180-gram vinyl Mastered by Matthew Lutthans at The Mastering Lab from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes Plated and pressed at Quality Record Pressings for flawless production and superior fidelity! Stoughton Printing Old Style tip-on gatefold heavyweight jacket with scuff-resistant matte finish Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances — all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year — have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Prssings, has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-its-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab cut the lacquers at 33 1/3 RPM utilizing the legendary Doug Sax's custom all-tube system and cutting lathe. The lacquers were plated and pressed on 180-gram vinyl at Quality Record Pressings. Lastly, the Stoughton Printing tip-on gatefold jacket with a deluxe scuff-resistant matte finish is the highest quality available. The artwork has an incredible spot-on look to a 1959 Columbia records release! Features: • Pioneering Ensemble: Captured the same rare and short-lived alignment of jazz legends including Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, as heard on the historic Kind of Blue. • Innovative Sound: The session represented a crucial transition in jazz, blending elements of hard bop with early modal jazz influences, showcasing the ensemble's experimentation and forward-thinking approach. • Undervalued Legacy: Despite its historical and musical significance, the session's recordings have been historically overlooked, often relegated to being add-ons in compilations rather than recognized as standalone masterpieces. • Modal Jazz Precursor: Offered early glimpses into the modal jazz that would later be fully realized in Davis's groundbreaking album "Kind of Blue," laying the groundwork for future jazz innovation. • Impact on Artists: Served as a critical point of development and confidence for the musicians involved, particularly Bill Evans, who noted the significant impact of this experience on his own identity and style. • Historical Context: Occurred at a peak moment in Miles Davis's career, following his signing with Columbia Records and his critical and commercial successes with albums such as ‘Round About Midnight and Miles Ahead. • Revealed backstory: Extensive liner notes by the Grammy Award-winning author Ashley Kahn, who also penned the estential book, Kind Of Blue — The Making Of The Miles Davis Masterpiece

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Release: EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Funky Stuff Green Vinyl Edition

Soul Media

LP | 1975 | JP | Reissue (Nippon Columbia)

48,99 €*

LP | 1973 | JP | Reissue (Three Blind Mice)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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"Japanese jazz and Jazz Funk masterpieces are re-released on clear green color vinyl!

A jazz-rock masterpiece by the virtuoso Jiro Inagaki! Beyond jazz and rock. Led by Jiro Inagaki, Soul Media arrived at the ultimate tight, cool groove. As Inagaki himself has said, ""I did black funk,"" his musicality leaped to another dimension by combining the explosiveness of jazz-rock that he had cultivated up to that point with the tenacity and elasticity of black music. Combined with the virtuoso Hiromasa Suzuki's arrangement, the groove is polished, glossy, and shiny. All songs are highlights, such as ""Painted Paradise"" full of dynamism and galloping, ""Breeze"" where funkness and mellowness coexist, and a cover of ""Funky Stuff"" by Kool & the Gang with a low center of gravity and sharpness. It is now a definitive masterpiece that is constantly wanted from all over the world.
text by Yusuke Ogawa (UNIVERSOUNDS/DEEP JAZZ REALITY)"

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Teruo Nakamura

Unicorn

LP | 1976 | EU | Reissue (We Release Jazz)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1973, this jazz funk album features Steve Grossman and a lineup of exceptional musicians, appealing not only to jazz fans but also gaining significant support from the Rare Groove and DJ generation worldwide. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly remastered and cut by the renowned Bernie Grundman, preserving the essence of the music. Each release includes original reissue liner notes, making this a must-have for jazz enthusiasts.

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Ryo Fukui

Scenery

Hamburg Spinners (Carsten Erobique Meyer, David Nesselhauf, Dennis Rux, Lucas Kochbeck)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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This is the Standard Edition, mastered at half speed, 140g vinyl and Sticker. We Release Jazz (WRWTFWW Records’ new sister-label) is proud to present its first release, the official reissue of Ryo Fukui’s highly sought-after masterpiece Scenery (1976), sourced from the original masters.

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Der Magische Kraken HHV Exclusive Yolk Orange In Clear Vinyl Edition

LP | 2021 | EU | Reissue (a sexy)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Nyron Higor White Vinyl Edition

Nyron Higor

LP | 2025 | EU | Original (Far Out)

Shades Of Blue 20th Anniversary HHV Retail Exclusive Blue Vinyl Edition

Release: 2025 / EU – Original

Genre: Organic Grooves

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Limited Edition White Vinyl

At the forefront of a rising wave of Brazilian artists captivating international audiences, Nyron Higor brings a quiet yet potent sense of wonder to his new self-titled album. Born in Maceió, Higor’s latest work is rooted in the traditions of Northeastern Brazilian music and golden-era MPB. Within the peaceful surroundings of his home, Higor weaves these roots together with global influences and contemporary production techniques, for a uniquely dreamlike vision of hope.

Following the success of his self-released debut Fio de Lâmina—an instrumental record of delicately balanced rhythmic and harmonic patterns, which earned support from tastemakers like Mr. Scruff, Gilles Peterson, and John Gomez—Higor’s new album is a move towards a more expansive, lyrical exploration of transcendence and triumph. As Higor explains, “This album is a test of resistance and a big event in my life as a young Black man from the Northeast and coming from a humble background, financially speaking, its context is political.”

Taking his demos and unfinished tracks to São Paulo, Higor worked alongside friends and collaborators from Brazil’s vibrant contemporary music scene—including fellow Maceioense artists Bruno Berle, Batata Boy, and New York-based Brazilian vocalist Alici Sol—assembling a rich musical landscape and a cutting edge development on the musical world from which he emerges.

For Higor, the process of recording and producing in close collaboration with Berle and Batata Boy allowed him to fully cultivate the emotive power of his compositions. Album opener "Ciranda" sets the tone with a slow frevo rhythm, as wistful trombone melodies and melancholic acoustic guitar harmonies create an atmosphere both intimate and grand. Lead single "São Só Palavras," featuring Alici Sol and Bruno Berle, captures both the lightness and depth of young love in an all too fleeting minute-and-a-half moment of soaring brilliance.

Building upon the instrumental sound of his debut, “Louro Cantador” with its playful organ, birdlike whistles and elegant acoustic guitar, emanates a kind of rare natural beauty, as each sound dances amidst the gentle pulse of Higor's bass—his main instrument.

Through ten carefully crafted tracks, Higor’s acuity for sound and silence draws listeners into a place that feels both deeply personal and universally resonant. “Above all, I value making music that brings me genuine satisfaction. I’m always looking for depth in the things I create.”

This album is a testament to the timeless themes that define Higor’s artistry, as well as his creative drive to overcome the obstacles he faces. Conveying his feelings of jubilance for his work, Higor notes, “This work is liberating, contemplative and victorious!” Each track invites the listener to experience the raw intimacy, the joy and longing, and the otherworldly ingenuity of Brazilian music, which seems to endlessly keep us coming back for more.

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Madlib

2LP | 2003 | WW | Reissue (Blue Note)

40,99 €*

2LP | 2025 | UK | Original (Night Time Tales)

Release: 2003 / WW – Reissue

Genre: Hip Hop, Organic Grooves

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Blue vinyl, limited to 500 copies for the German market.

The sound of Blue Note has been embedded in hip-hop through sampling and remixes since its early days but Madlib raised the bar when the DJ, producer, rapper and multi-instrumentalist invaded the Blue Note vaults for his 2003 masterpiece Shades of Blue, a visionary album featuring remixes and reimaginations of classics by Donald Byrd, Bobbi Humphrey, Ronnie Foster, Bobby Hutcherson, Wayne Shorter and more.

“Madlib’s amazing remixes and re-imaginings of classic Blue Note tunes is aural cinema, … and in common with so many remixers and hip-hop artists he clearly loves the catalogue. The inventiveness of this record aside it is also as groovy as heck.” — Uncompromising Expression, Richard Havers

This new edition of the album “Shades of Blue”, a Madlib homage to the Blue Note label, is being released to mark the 20th anniversary.

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Yazz Ahmed

A Paradise To Hold

Zither Suite 2025 Repress

Release: 2025 / UK – Original

Genre: Organic Grooves

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A Paradise In The Hold is an album of yearning. It’s about Ivor Novello Award winning Yazz Ahmed’s dual heritage, drawing on traditional music and folklore as well as her own personal experience as a British-Bahraini woman. A sweeping epic where tradition meets innovation, she melds ancient rhythms with contemporary musicianship. The record is a tribute to the sorrowful songs of Bahrain’s pearl divers, the strength of Arab women, and the celebratory rhythms of women’s traditional drumming circles, while also telling the story of Yazz’s own decade-long voyage of self-discovery. The album also marks Yazz’s first foray into writing lyrics, in both English and Arabic, bringing a new dimension to her expansive sound. The project features an impressive roster of collaborators, including vocalists Natacha Atlas, Brigitte Beraha, and percussionist Corrina Silvester. With A Paradise In The Hold, Ahmed delivers a groundbreaking fusion of tradition and innovation, creating a contemporary jazz project that is set to make a lasting impact on the genre.

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Organic Pulse Ensemble

LP | 2024 | EU | Reissue (Ultraääni)

Release: 2024 / EU – Reissue

Genre: Organic Grooves

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Stan Getz & Joao Gilberto

Getz / Gilberto Gatefold Sleeve Edition

LP | 2018 | EU | Original (Dol)

15,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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Multiple Jazz Dispensary Top Shelf Series

Joe Henderson

LP | 1973 | US | Reissue (Craft)

44th Move (Alfa Mist & Richard Spaven)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Limited 180gm vinyl LP pressing. Multiple finds saxophone virtuoso Joe Henderson operating in the sonic space between fusion and free jazz, joined by a world-class ensemble featuring Dave Holland, Jack DeJohnette, Larry Willis, and James "Blood" Ulmer, who all heavily contribute to the momentum that makes the album a meeting of giants. This Jazz Dispensary Top Shelf reissue of Multiple was cut from the original analog tapes (AAA) by Kevin Gray, pressed on 180-gram vinyl at RTI, and comes packaged in a tip-on jacket.

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Anthem

LP | 2025 | UK | Original (Black Acre)

LP | 2018 | EU | Original (NG)

Release: 2025 / UK – Original

Genre: Hip Hop, Organic Grooves

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44th Move is the combined creative force of pianist & composer Alfa Mist, alongside drummer & producer Richard Spaven. As individuals, the duo have solidified their unrivalled reputations as world class Jazz talents, as exemplified by Alfa’s hugely influential albums such as ‘Antiphon’ & ‘Variables’ and Richard's legendary drum work with the likes of Flying Lotus and Goldie. Initially causing a stir back in 2020 when their joint project first emerged with their genre busting forays into Dance and Hip Hop. Moving into 2025, they now prepare to elevate the levels, and unleash their debut collaborative album ‘Anthem’ via trailblazing Bristolian label Black Acre.

Presenting their debut LP, the pair strive to continue the tradition of adopting a mindstate centred around research and development - pushing themselves to continually learn and grow, raising the bar and uplifting the art form. Launching with first single ‘The Move’, cascading chords elegantly pave the way for Detroit-based rapper Quelle Chris to take centre-stage and deliver purpose-driven lyrics, calling for grit and consistency through life’s challenges. Second single ‘Free Hit’ deploys a scattered junglist break, punctuated by mysterious chord progressions and an enticing, gradually unfurling brass section. Also featuring guest appearances from Bristol turntablist royalty Awkward, ‘Anthem’ moves seamlessly through diverse sonic terrains, the LP traverses Hip-Hop, Techno & DnB, whilst remaining firmly its Jazz-centric sensibilities. On the album’s creation, Richard Spaven says - "The essence of 44th Move is to take the traditional disciplines of live musicianship into electronic forms and compositions. Alfa and I have an aligned appetite to break new ground with every project we do and this is the core ethos of the album".A refined, shifting and accomplished album, it highlights the moment of magic waiting to happen when great minds meet.

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Nu Guinea

Nuova Napoli

21,99 €*

Brazilian Skies Clear Blue Vinyl Edtion

Release: 2018 / EU – Original

Genre: Organic Grooves

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Almost 2 years after the success of the album THE TONY ALLEN EXPERIMENTS and a few months after the release of the 7inch AMORE, Nu Guinea return to the scene with a new LP published by their newborn label NG RECORDS.
After touring the world looking for sounds suitable for their vibrations, NU GUINEA decided to go back to square one, Napoli, where Massimo Di Lena and Lucio Aquilina were born and raised. They watched their city from a distance reconstructing its energy from their studio in Berlin, calibrating the synths on the meridian of Vesuvius, the volcano that has always protected and threatened Napoli.
NUOVA NAPOLI is the result of a long musical research that has become a historical investigation on the sound that shaped Napoli during the ‘70s and ‘80s, starting from the contamination of genres (disco, jazz-funk, African rhythms) which ended up in Nu Guinea’s DNA.
In this album the synthesizers fill the spaces between the past and the future, tightening in a single body acoustic instruments, electronics and voices in Neapolitan dialect. It is the first time that the duo has worked with such a large group of musicians, some of whom are exponents of the contemporary Neapolitan scene.

WARNING: We recommend listening to Nuova Napoli while walking in the alleys of Napoli’s historic center, around wet clothes hanging and street vendors on tiny three-wheelers.

This is a repress and not the initial pressing of the Album.

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Masayoshi Takanaka

LP | 1978 | JP | Reissue (Universal Music)

38,99 €*

Dance, No One's Watching Opaque Red Vinyl Edition

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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This 1978 work reflects the influence of Latin music and a free-spirited approach, created across studios in L.A., Rio de Janeiro, and Izu. The album includes tracks recorded with local musicians in Brazil, a samba arrangement of Star Wars, and other unique pieces. Fans will also enjoy the beloved track "Disco B." Notably, Ryuichi Sakamoto contributed keyboard and string ensemble performances.

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Ezra Collective

2LP | 2024 | UK | Original (Partisan)

31,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Soul Supreme & Jay Mumford

9th Wonder / Crown Ones

7" | 2025 | UK | Original (Soul Supreme)

16,99 €*

LP | 2024 | JP | Original (Sony Music)

Release: 2025 / UK – Original

Genre: Organic Grooves

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Amsterdam-based keyboardist, producer, arranger and DJ Soul Supreme reached out to NYC drummer Jay Mumford in 2021 to lay the down groove on his re-imagining of Q-Tip and J-Dilla's "Let's Ride". That paved the way for future collaborations: a cover of A Tribe Called Quest's "Award Tour (We Gettin' Down)" and two tunes on Soul Supreme's Poetic Justice LP. But when the pair began doing brief covers of their favorite funk, jazz and hip-hop tunes on Instagram just for fun, followers of both musicians - and often, the covered artists themselves - began to take note. Two of those 20+ covers were particularly well-received, and the duo decided to answer the peoples' call for a 7" release with the songs pushed to their full potential. Similar to "Award Tour" and "Let's Ride", a hip-hop classic and a fan favorite are pushed to their full potential here. This installment goes coast to coast and explores Digable Planets' "9th Wonder" (the "East" side) and People Under the Stairs' (puts) "Crown Ones" (the "West" side).

The iconic synth intro of "9th Wonder" makes way for Jay's thunderous ode to a slowed down Clyde Stubblefield groove. Sure to be a favorite with DJs, Jay eventually detours into a syncopated New Orleans funk break, before getting back to the groove for Soul Supreme's funky wah wah clavinet work. Throughout, the arrangement expands beyond both that of the original and all of its DNA. The addition of cascading horns (featuring a trumpet solo by Lourens van der Zwaag) and a second, more aggressive break from Jay bring it back full circle, completing a modern update of a classic that manages to pay homage to '70s jazz-funk, breakbeats and '90s hip-hop - all while staying both modern and raw.

Diehard Puts fans will recognize Soul Supreme's catchy Rhodes line as soon as the needle drops, but Jay's heavy funk groove quickly separates it from the original and takes it from hip-hop cover to heavy funk tune. Soul Supreme's Rhodes solo pushes it far beyond the confines of instrumental funk as the groove intensifies, while his chops as an arranger are on full display: his horn parts - featuring van der Zwaag, trombonist Olav Schloorlemmer and Job Chajes' Contra-Alto Clarinet that channels The Headhunters - counter his synth melodies in a discussion that completes the record as a heavy slice of uncut jazz-funk.

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Isao Suzuki

Orangutan

LP | 2024 | Original (Verve)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.

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Arooj Aftab

Night Reign

Release: 2024 / Original

Genre: Organic Grooves

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Mr Bongo Record Club Volume 5

2LP | 2024 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Pacific Voyage HHV Exclusive Purple Vinyl Edition

Nautilus

LP | 2024 | EU | Original (Oonops Drops)

26,99 €*

Dinner Party (Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington)

Release: 2024 / EU – Original

Genre: Organic Grooves

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HHV exclusive vinyl edition on purple vinyl, limited to 100 copies.

The brand new album "Pacific Voyage" by Nautilus from Tokyo is a breezy summertime soundtrack which combines sunny Yacht Rock with a touch of cool 80s City Pop.

The Japanese Jazzfusion trio reinterpretates stone cold classics from this era in their typical signature way of playing.

Songs like the heavy sampled "What You Won't Do For Love" by Bobby Caldwell and Toto's "Georgy Porgy" get a completely new coat of paint and fresh interpretation translated into now and tomorrow.
Followed by a who's who of tracks from Donald Fagen, Michael McDonald, Shuggie Otis, Nohelani Cypriano and Toshiki Kadomatsu to name a few.
Guest appearances on this album are from UK soul singer John Turrell (Smoove & Turrell), German rap legend Toni-L (Advanced Chemistry with Torch) and Japanese soul singer Ryuto Kasahara who worked with Grooveman Spot and DJ Mitsu The Beats so far.

Enjoy this pacific voyage.

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Enigmatic Society Marbled w/ Splatter HHV Exclusive Vinyl Edition

LP | 2023 | US | Original (Empire)

LP | 1974 | JP | Reissue (Three Blind Mice)

Release: 2023 / US – Original

Genre: Organic Grooves

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HHV exclusive vinyl edition on clear / blue marbled vinyl with red splatters, limited to 500 copies.

Enigmatic Society is the next offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, Enigmatic Society is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. Enigmatic Society serves as a follow-up to the group’s 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project, with the album’s artwork designed by Kamasi Washington’s sister, artist Amani Washington.

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Isao Suzuki Quartet + 1

Blue City

LP | 2024 | US | Original (Dark Entries)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1974, this is Isao Suzuki's second album, following his acclaimed debut, "Brow Up," which introduced him to the jazz world. The album features exquisite interplay with Kazumi Wataabe, showcasing a unique musical synergy that makes it a true masterpiece. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly remastered and cut by the renowned Bernie Grundman, preserving the essence of the music. Each release includes original reissue liner notes, making this a must-have for jazz enthusiasts.

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Corps Diplomatique

Dans Ta Nuit

22,99 €*

Kind Of Blue 180g Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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French coldwave act Corps Diplomatique comes to Dark Entries with Dans Ta Nuit, a collection of tracks recorded between 1984-1987. Founded in Marseille by Olivier Aubin, Marie-Eve Bensussan, Patrick Loubet and Nicolas Pélissie, Corps Diplomatique remain shrouded in mystery. The band only released one 7” during their time, 1988’s Paradis I, in addition to appearing with three tracks on the La Muse Vénale compilation, a holy grail for devotees of the French coldwave. Dans Ta Nuit brings us nine tracks from this cult band, seven of which have never before appeared on vinyl. These cuts are raw and unembellished but not at the expense of dramatic tension. Tracks like “Sin of Flesh” and “Eros Phobia” deliver the kind of high octane mix of despair and ecstasy that coldwave enthusiasts crave. Comparisons are inevitably to be made with fellow Marseille act Martin Dupont, and the bands were indeed close; Alain Séghir from Martin Dupont lent Corps Diplomatique synthesizers for their own recording endeavors. Cold hearts care for each other. The cover art for Dans Ta Nuit includes photographs of the band from a 1985 concert in Marseille, and the record includes an insert that includes a photograph of the band as well as lyrics and notes.

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Miles Davis

LP | 1959 | EU | Reissue (Dol)

15,99 €*

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Isaiah Collier, William Hooker, William Parker

The Ancients

2LP | 2025 | EU | Original (Aguirre)

31,99 €*

LP | 2024 | EU | Original (Rrgems)

Release: 2025 / EU – Original

Genre: Organic Grooves

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The debut recording by The Ancients, the intergenerational coalition of Isaiah Collier, William Hooker, & William Parker formed by parker to play concerts in conjunction with the milford graves mind body deal exhibition at the institute of contemporary art los angeles & now a working group. across x2LPs of side-length long-form improvised sets recorded at 2220 arts & archives in LA & the chapel in San Francisco, The Ancients bring the free jazz trio languages first explored by the Cecil Taylor Unit & Ornette Coleman’s -Golden Circle- band (expanded upon in later eras by Sam Rivers' Trio & Parker’s collective trios with Charles Gayle/Graves & Peter Brötzmann/Hamid Drake) into their own unique & scintillating realms of expression.

As we tumble further into the throes of history’s tides, people of hope & creativity rely on the works of our great artists to lift our spirits & focus our resolve. -ascension- was recorded less than a year after the passage of the civil rights act & four months after the assassination of Malcolm X. -journey in satchidananda- was recorded the month reagan was re-elected governor of California. M’boom made its debut recording weeks after the watergate scandal broke & a couple months after the wounded knee occupation ended. The music of the ancients builds on these great musical legacies. it resounds with the pride of survival & the joys of making & sharing music. It delivers to us hope & balm. something real in you, real in history, & real in the music is shared, right on time.

When Eremite records commenced operations during the 1990s free jazz resurgence, heavyweight freedom-seeking tenor saxophonists such as Fred Anderson, Peter Brötzmann, Charles Gayle, Kidd Jordan, & David S. Ware were at the height of their powers. Isaiah Collier’s tenor playing in the ancients is bracing testimony that the wellspring lives on. to hear the young chicago firebrand blowing freely with veteran improvisers in an entirely open-form group music is a revelatory study of his vast talent, personal voice, & the intensity of his expression —as well as a bold complement to his composition-based albums as a bandleader (including -the almighty-, a new york times' best albums of 2024 selection).

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Muriel Grossmann

The Light Of The Mind

Drum Method Clear Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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The new Muriel Grossmann album explores and celebrates the mind's pure potential through states of clarity and awareness, ultimately leading to happiness and inner peace—all conveyed through a signature blend of deep spiritual jazz grooves, psychedelia, soul jazz, and experimental free-form structures. Presented on standard-weight black vinyl, housed in a spot- varnished, classic tip-on record jacket, and includes an insert with liner notes by Michael Jacklin.

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Takeshi Inomata

LP | 1972 | JP | Reissue (Nippon Columbia)

Blues In Trinity Tone Poet Vinyl Edition

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Legendary drummer Takeshi Inomata, who has always been at the forefront, breaking new ground, delivers another masterpiece from the golden age of jazz-rock. Although produced as part of “the Method” series and technically an instructional record, its musicality is fiercely funky and groovy, almost provoking the listener. Leading the renowned group Sound Limited, which contributed significantly to the development of Japanese jazz-rock, Inomata’s dynamic stick work pushes groove to its limits. From covers like “Runaway Child” and “Smack Water Jack” to original compositions by his long-time collaborator Norio Maeda, such as “Sleeper” and “Seven Four,” and the overwhelming solo performance “Drum Concert,” the album is packed with a diverse selection and high-density grooves throughout.

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Dizzy Reece

LP | 2025 | Original (Blue Note)

La Couleur De La Mer HHV Exclusive Smoked Clear & Black Vinyl Edition

Release: 2025 / Original

Genre: Organic Grooves

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Dizzy Reece - "Blues In Trinity (Blue Note Tone Poet Series)" [180grAm Heavy Vinyl LP] Jamaican trumpeter Dizzy Reece moved to London and performed across Europe in the 1950s making fans of Miles Davis and more. When Donald Byrd and Art Taylor came to Europe on tour in 1958, they went into the studio for a UK-US jazz summit that became his Blue Note debut, Blues In Trinity featuring Tubby Hayes. Blue Note Tone Poet Series stereo edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

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The Offline

LP | 2023 | UK | Reissue (Deepmatter / Root)

Seasons Clear Green Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Limited edition of 300 copies, exclusively available at HHV!

Following his debut EP ‘En clair-obscur’ and a series of singles earlier this year cementing his place as a rising name in the world of cinematic soul & funk, Hamburg’s finest cinematic soul artist ‘The Offline’ announces his debut album 'La couleur de la mer'.

Reminiscent of film scores from the 60s and 70s, The Offline worked with co-producer Tim Liztenberger to channel the influence of film composers such as Francois de Roubaix and Brian Bennet, creating his own soundtrack on ‘La couleur de la mer’. Inducing images of manorial, fog-swept villas at the sea's edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. Experimenting with themes and atypical song structures, the music moves from dramatic cues to fragile romanticism. It incorporates psychedelic spaciness, retro soul and hip-hop sensibilities informed by The Offline’s extensive record collection and crate-digger status.

“Ever since I was a child, I was fascinated by the soundtracks from the 60s and 70s, and I always wanted to make an album in the film score direction. I wrote about 30 demos, kicked half of it and stuck to the ones that felt right in the dramaturgical structure of the ‘movie'. Interestingly the main theme was set early on while writing the album, which made the writing process much easier.”

Aptly named, ‘Thème de la couleur de la mer’ opens proceedings, establishing the core motifs of the record. Haunting flutes and xylophones lead the way into Khruangbin-esque guitar lines, which sit against a hip-hop canvas that returns on boom-bap head boppers like ‘Quelque chose reste’. Retro soul revival takes precedence on deep cuts like ‘Un bout de chemin’, with wah-gated guitars interacting with emotive cello lines and symphonic string & horn sections.

The Offline came to life when composer and photographer Felix Müller travelled the Atlantic coastline in the south of France with his analogue camera, capturing beach life on film. After coming back to Hamburg, he started writing songs as the sonic counterpart to the analogue visuals. His Debut EP ‘En Clair-Obscur’ includes five tracks that capture the essence of his journey and the feeling of a cool summer soundtrack.

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Pete Jolly

LP | 1970 | US | Reissue (Future Days)

20,66 €* 41,33 € -50%

OST Cowboy Bebop Purple Vinyl Edition

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Seatbelts

2LP | 2020 | EU | Reissue (Milan)

Release: 2020 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Quarteto Novo HHV Germany Exclusive Vinyl Edition

Quarteto Novo

LP | 1967 | EU | Reissue (Jazzybelle)

Ebo Taylor, Adrian Younge & Ali Shaheed Muhammad

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Limited pressing of 500 copies. In Germany, only available at HHV.

Quarteto Novo only released one album, yet they number amongst one of the more influential acts in Brazilian music. Originally set up as a “Trio Novo” by a pharmaceutical company who wanted a live band at an event, they were then picked up by Geraldo Vandre (who was, at that time in 1966, the winner of a Brazilian music popularity competition) for a tour of the Brazilian northeast. After the tour, the trio - comprised of a very young Airto Moreira (percussions), composer, solo artist & soundtrack composer producer and arranger Theo de Barros (bass and subsequent guitarist) and Heraldo do Monte (guitar) who also went on to have a fairly successful career - was joined by multi-instrumentalist Hermeto Pascoal. Recorded in 1967, this was the first album for Airto, and it was a hugely influential release - mixing the tradition music of northeast Brazil with bebop jazz and folk. Quarteto Novo emphasized northeastern Brazilian music and acoustic instruments for an “organic” sound. This first reissue in 25 years of this holy grail is a must for any lover of Brazilian jazz, samba and folk music

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Jazz Is Dead 22: Ebo Taylor

LP | 2024 | US | Original (Jazz Is Dead)

Alfa Mist & Amika Quartet

Release: 2024 / US – Original

Genre: Organic Grooves

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The swirling horns and gritty guitars heard on Ebo Taylor JID022 are reminiscent of his seminal seventies recordings that made him one of Africa's most prolific and revolutionary artists of all time. Recorded inside of Younge's Linear Labs studio, this album captures polyrhythmic percussion and twangy, fuzzed out guitars that prove...

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Recurring Live At Kings Place

LP | 2024 | EU | Original (Sekito)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | UK | Original (Jazz Re:Freshed)

Amy Gadiaga

All Black Everything

Hiroshi Matsumoto & Hideo Ichikawa Quartet

Release: 2024 / UK – Original

Genre: Organic Grooves

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All Black Everything, the debut EP by UK-based, Parisian bassist, vocalist and composer Amy Gadiaga, is an expansive, boundary-pushing 5-track collection showcasing prodigious bass playing and a voice brimming with power and emotion. It's a profound exploration of self-acceptance that presents both a celebration and acknowledgement of Gadiaga's deep-seated darkness.
Inspired by the 2020 Black Lives Matter movement All Black Everything confronts racial identity complexities and the challenges of being a societal 'black sheep' and sees Gadiaga courageously transform her insecurities into a narrative of self-empowerment.
Born to parents of Senegalese, Gambian, and Malian descent, and hailing from the outskirts of Paris, the multitalented Gadiaga has been making waves in the UK music industry since she moved to London aged 18. With a fresh and unique style that bridges the old school jazz tradition of musicians such as Betty Carter and Wayne Shorter with the raw, rootsy modern sound of artists such as D'Angelo, Stevie Wonder and Twinkie Clark, Gadiaga's breadth of ambition and revitalising approach have brought early critical acclaim and ardent fans.
Signalling the arrival of a significant new voice on the London music scene, All Black Everything communicates the liberating essence of embracing individuality and presents a journey through Gadiaga's personal struggles, standing as a testament to art's transformative power and encouraging listeners to find strength in their uniqueness. "All Black Everything is very much an exploration and embracing of one of my archetypes in life which is the black bird/black sheep" she explains. "That feeling of not thinking you belong anywhere, of being misunderstood and really tending to your own. No helping hand. But it's ok sometimes because you also feel like nobody can compete with you, you're one of a kind."

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Megalopolis

LP | 2025 | JP | Original (Victor Entertainment Japan)

45,99 €*

Release: 2025 / JP – Original

Genre: Organic Grooves

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"Even if it doesn't sell well, let's create records that carry the scent of culture. I want you to perform Japanese jazz by Japanese people." Inspired by these words from the director, Hiroshi Matsumoto decided to record the album "Megalopolis." The concept is "Tokyo." Drawing inspiration from the rapidly changing cityscape seen from the airplane window, Matsumoto began production. Together with Hideyo Ichikawa, Kunimitsu Inaba, and Motohiko Hino, the four musicians positioned themselves in a circle to see each other's faces and movements. They intentionally recorded without detailed planning.

The result includes the suite-like masterpiece "Tokai no Ichinichi," the longing for lost things portrayed in "Nostalgia," the exhilaration and thrill of viewing the city from above in "Megalopolis," the bittersweet ennui of "Serenade," and the raw intensity of "Tokai no Iradachi." This is a brilliant work that vividly portrays the megacity and its people through sharp, creative performances. The original release was part of Victor's "Nihon no Jazz" series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Wamono Groove: Shakuhachi & Koto Jazz Funk '76 Black Vinyl Edition

LP | 2022 | EU | Original (180g)

Haruomi Hosono, Shigeru Suzuki & Tatsuro Yamashita

Release: 2022 / EU – Original

Genre: Organic Grooves

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Following the already classic Wamono A to Z trilogy, 180g presents an exceptional collection of jazz funk / rare groove tunes recorded in the mid-seventies at the Nippon Columbia studios by three giants of Japanese music: arranger Kiyoshi Yamaya, koto legend Toshiko Yonekawa and shakuhachi master Kifu Mitsuhashi.

Born in 1932 in Tokyo, Kiyoshi Yamaya started his musical career in 1953 when he played in various jazz bands in town. In 1957, Yamaya joined Nobuo Hara’s famous jazz big band Sharps & Flats as a baritone saxophone player and started composing, arranging, and recording for them and other big bands. He became a key jazz figure in Japan in the sixties together with Norio Maeda and Keitaro Miho, both jazz pianists, composers and arrangers, by forming the Modern Jazz Three Association – which aimed at improving the level of Japanese jazz composition and arrangement. In the mid-seventies, his Contemporary Sound Orchestra explored jazz funk fusions with traditional Japanese melodies and instruments such as the shakuhachi, koto, biwa, and shamisen. These works were recorded for a series of panoramic Japanese albums released domestically on Denon and Nippon Columbia, from which the tracks on this compilation are taken from.

Toshiko Yonekawa, born 1913 in the city of Himeji, not so far from Osaka, is the eldest daughter of koto and shamisen master Kin’o Yonekawa. She started studying both instruments with her talented father from the age of 3, played in her first concert at 8, and was only 12 years old when she first appeared on national radio. Her unique style of koto playing is widely recognized due to the extreme accuracy of the intonation and rhythm, as well as the unequaled beauty of the instrument’s sonority. After a life decorated with awards and prizes, Toshiko Yonekawa was named a Living National Treasure in 1996.

Born in Tokyo in 1950, Kifu Mitsuhashi is a great master of Koto style shakuhachi. After completing the NHK Hōgaku Training Program in 1972, Mitsuhashi became a member of Pro Musica Nipponia, a group of leading composers and top-ranking musicians devoted to performing a wide-ranging repertoire of classical and contemporary compositions from both Japan and the West – in which all music is performed by traditional Japanese musical instruments. Mitsuhashi has toured the world for hundreds of recitals, also as a soloist, and has performed his art with the greatest ensembles such as the BBC Symphony Orchestra and the Berliner Philharmoniker. In 2020, Kifu Mitsuhashi was awarded the Order of the Rising Sun.

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Pacific

LP | 1978 | EU (Victory)

19,99 €*

LP | 1971 | UK | Reissue (BGP)

Release: 1978 / EU

Genre: Organic Grooves

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Reuniting the best session musicians Japan had to offer to make an album that would evoke the atmospheres of South Pacific islands, the kind of places Japanese people spend their vacations in. Pacific (1978) is a treat to the ears; its theme of the southern Pacific ocean and its warm cerulean waters relax its listeners with a fusion of city pop, soft jazz, and that good old 1970’s funk while remaining surprisingly fully instrumental throughout all contributions from artists Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita. A true cult LP and an inspiration for a lot of, so called, “vaporware” music.

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Gil Scott-Heron

Pieces Of A Man

Freedom Sound Tone Poet Vinyl Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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A reissue of Gil Scott-Heron’s 1971 album taken from the original master tapes!

180 gram vinyl in gatefold sleeve!

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The Jazz Crusaders

LP | 1961 | Reissue (Blue Note)

Release: 1961 / Reissue

Genre: Organic Grooves

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Babylonia Wind Clear Red Vinyl Edition

Kiyoshi Sugimoto

LP | 1972 | JP | Reissue (Nippon Columbia)

LP | 1974 | EU | Reissue (Heavenly Sweetness)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Kiyoshi Sugimoto, a guitarist desired by Terumasa Hino and admired by Akira Ishikawa, has always stood at the forefront, whether in modern jazz or jazz rock, sharply penetrating the heart of the times with his innovative and diverse sound. This album, Babylonia Wind, captures one of the peaks of his musical expression without question. Hideaki Ichikawa’s electric piano ripples out like waves, Yoshio Ikeda’s rich yet restrained bass, Motohiko Hino’s crisply powerful drums, Takao Uematsu’s saxophone full of wild charm and luster, and Sugimoto’s piercing angular guitar all come together here. From the deep-sea drift of “Babylonia Wind” to the delicate and ephemeral echoes of “Hieroglyph,” you’ll find yourself in awe of the expressive range and trembling at the groove’s profound depth.

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The John Betsch Society

Earth Blossom

Love Is A Many Splendored Thing

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Limited to 1000 copies!

To celebrate the 15th birthday of our first ever vinyl reissue, we did a new edition of this spiritual Jazz classic on cult label Srata East.

New vinyl mastering and lacquers done by the great Frank Merritt at The Carvery (London).
Mastered to and from 1/4” tape for added warmth and character.
Tape layback to disc; direct analogue lacquer cut from 1/4” tape using pure analogue signal path. Studer A80 preview to Neumann VMS70.

180g black vinyl.

New scans of the original artwork . Exact replica of the original cover.
Printed on deluxe Tip-on sleeve. Heavy cardboard;

The definitive edition of this incredible album by drummer John Betsch and his Society.
A must have for any spiritual jazz fan.

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Kunihiko Sugano Trio +1

LP | 1974 | JP | Reissue (Three Blind Mice)

LP | 2022 | EU | Original (HHV Records)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Originally released in 1974, this album features Kunihiko Sugano, often referred to as a piano magician, who is the sole leader remaining in TBM following the 5 DAYS IN JAZZ concert recordings sponsored by TBM. Echoes of Erroll Garner's "Genius KUNI" can be felt throughout the music. Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly remastered and cut by the renowned Bernie Grundman, preserving the essence of the music. Each release includes original reissue liner notes, making this a must-have for jazz enthusiasts.

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Ol' Burger Beats

Loft

22,99 €*

Bitches Brew Limited Edition Ultradisc One-Step 33.3rpm Vinyl 2lp Box Set

Release: 2022 / EU – Original

Genre: Hip Hop, Organic Grooves

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Limited edition of 500 copies in tip-on cardboard sleeve.

Loft is an instrumental hip hop album inspired by the free and spiritual jazz played by the New York loft movement of the 1960s and 1970s. A difficult time, where economic decline and poor housing politics somehow led to some amazing, innovative music, often self-recorded to cassette tapes. This music was recorded to tape on a loft as well, far away from the original loft scene. Written during the corona pandemic, this album also emerged from a difficult time. The do-it-yourself spirit and freedom of the loft movement inspired this process a lot, and it was recorded mostly with instruments from that era. There are no static BPMs or software instruments on this LP, everything is kept as analog and authentic as possible. Vintage electric pianos, tape loops and hardware effects emulate the sounds of the 1970s and the
aesthetics of hip hop sampling.

The album features independent jazz legends Idris Ackamoor, Ralph Thomas and Wendell Harrison. Chicago-born Idris Ackamoor was a founding member of The Pyramids, an influential jazz ensemble that was formed in the 1970s, and still releases critically acclaimed music today. Another Chicago musician, multi-instrumentalist Ralph Thomas is best known for his 1980 cult-classic album Eastern Standard Time. Detroit-native Wendell Harrison founded the important record label and jazz collective Tribe Records, and, like Ralph Thomas, also performed together with Sun Ra among many others. All three musicians have been very inspiring to me, and are important to the legacy of free and spiritual jazz. I’m so grateful and
honored to have them featured on these loft tapes.

Ol’ Burger Beats plays: Fender Rhodes and Wurlitzer 200A electric pianos, Sequential Prophets, ARP Odyssey and Moog synthesizers, ring modulator and delay pedals, tape loops, vinyl percussion samples, drum machines and various percussion instruments.

Recorded in Vatne and Oslo, Norway.

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Miles Davis

Box | 1970 | US | Reissue (Mobile Fidelity Sound Lab)

165,99 €*

LP | 2025 | EU | Original (Sonorama)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Strictly Limited TO 5,000 Numbered Copies Mobile Fidelity UltraDisc One-Step Process Instead of utilizing the industry-standard three-step lacquer process, UltraDisc One-Step (ud1s) uses only one step and bypasses two processes of generational loss. In addition to revealing extra musical detail and dynamics otherwise lost due to the standard copying process, the Ud1s technique produces a final LP with the lowest noise floor possible today.

• Miles Davis Double Album Remains the Template for Jazz Fusion: Bitches Brew Still Sounds Ahead of Its Time and Features ‘The Greatest Rock and Roll Band You Ever Heard’ • Strictly Limited to 5,000 Numbered Copies and Pressed at Fidelity Record Pressing: 55th Anniversary Edition Mobile Fidelity UltraDisc One- Step 180g 33rpm 2LP Set Demands You Heed Davis’ Call to ‘Listen to This’

“Listen to This.” As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered history, and still sounds ahead of its time. The template for jazz fusion, Bitches Brew is rightly ranked by virtually every significant music outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark explores distant universes and uncharted territories. At once hypnotizing and grooving, it blends quixotic rock, funk, and R&B elements into what Davis called “a novel without words.” Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and released in celebration of the record’s 55th anniversary, Mobile Fidelity’s numbered-edition UltraDisc One-Step 180g 33rpm 2LP set enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wide and deep soundstages, ample separation between instruments, and a broad dynamic range. Benefitting from the ultra-low noise floor of this edition, Davis’ distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint canvases laden with millions of colors and shades. Here’s your round-trip ticket to travel to a thrilling galaxy far from planet earth.

Track List • Miles Davis Double Album Remains the Template for Jazz Fusion: Bitches Brew Still Sounds Ahead of Its Time and Features ‘The Greatest Rock and Roll Band You Ever Heard’ • Strictly Limited to 5,000 Numbered Copies and Pressed at Fidelity Record Pressing: 55th Anniversary Edition Mobile Fidelity UltraDisc One- Step 180g 33rpm 2LP Set Demands You Heed Davis’ Call to ‘Listen to This’

Tracklist

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Embryo

Meets The World

LP | 1962 | Reissue (Blue Note)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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“Embryo meets the world” is a new compilation with previously unreleased Ethno Jazz from 1979/80, recorded on the German band`s trip to Asia and recently discovered in the archives. It includes seven unknown studio sessions from Kabul, Essaouira, Cairo and Athens, produced with members of the Kabul Radio Orchestra or oud players and singers from Eritrea, Syria and Iraq. Eastern meet Western musicians, improvising with an astonishing deepness over wonderful traditional melodies from Afghanistan, North Africa or the Middle East. All recordings were edited, restored and mastered from the original tapes in 2024. The LP includes a printed insert with unknown photos and new sleeve notes.

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Freddie Hubbard

Here To Stay

Grass Roots Tone Poet Vinyl Edition

Release: 1962 / Reissue

Genre: Organic Grooves

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Freddie Hubbard -"Here To Stay (Blue Note Classic Vinyl Edition)" Blue Note Classic Vinyl Reissue Series! 180g Vinyl LP! Mastered by Kevin Gray from Original Analog Tapes! Pressed at Optimal Capitol Music Group; Blue Note; Jazz; Catalog

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Andrew Hill

LP | 1968 | Reissue (Blue Note)

7" | 2024 | US | Original (Black Hole)

Release: 1968 / Reissue

Genre: Organic Grooves

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Andrew Hill - "Grass Roots (Blue Note Tone Poet Series)" [180gram HeavyLP]Andrew Hill's 1968 album Grass Roots stands as one of the most immediately accessible albums in the pianist's beguiling Blue Note discography. Featuring Lee Morgan, Booker Ervin, Ron Carter and Freddie Waits, this set of five Hill originals is imbued with a deep sense of feeling, groove, and lyricism. This stereo Blue Note Tone Poet Series edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Black Hole

Black Hole 5

12,99 €*

LP | 1971 | EU | Reissue (Blue Note)

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Dorothy Ashby - Masterpiece on 45

Phil Upchurch 1969 ( Charles Stepney)- Guitar masterpiece of Black Gold Donny Hathaway on Piano . 1st time on a 45 Rpm record.

Fans of Jay DIlla , Primo , Pete Rock, Samples Charles Stepney Cadet records production 1969

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Grant Green

Visions

Les Cigales / En Clair-Obscur HHV Exclusive Orange Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Grant Green embraced R&B and jazz-funk on his 1971 album Visions featuring Billy Wooten, Emmanuel Riggins, Chuck Rainey, Idris Muhammad, Ray Armando, and Harold Caldwell. The guitarist’s distinctive tone, and melodicism elevate songs by The Jackson 5, Chicago, The Carpenters, Mozart, and Quincy Jones’ ‘Maybe Tomorrow’ which was later sampled by Kendrick Lamar.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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The Offline

LP | 2024 | UK | Original (Deepmatter / Root)

Interstellar Fantasy HHV Exclusive Silver Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Limited to 300 copies, only available at HHV! ‘Les Cigales’ takes its’ sonic cues from the structure of film and TV music from the 1960s and 70s, channelling the influence of film composers such as Francois de Roubaix and David Axelrod, whilst also sitting somewhere between the washed out, sun-soaked sonics of Surprise Chef and Robohands. As the EP unwinds, its narrative reflects a love story, full of longing, melancholy and drama, connecting with the story of Gyptis and Protis – the founding myth of Marseilles – whose love broke convention and welcomed the arrival of foreign people on French soil.

The project follows The Offline’s debut album ‘La couleur de la mer’, released in November 2023, which saw him create his own soundtrack to a film yet to be made. Inducing images of manorial, fog- swept villas at the seas edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of an imaginary hero, the record is a masterfully composed sonic journey. ‘Les Cigales’ sees him continue to build upon a distinctive sound that moves from dramatic cues to fragile romanticism, incorporating psychedelic spaciness, retro soul and hip-hop sensibilities informed by his extensive record collection.

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Greg Foat & Ayo Salawu

LP | 2023 | UK | Reissue (Blue Crystal)

28,28 €* 33,27 € -15%

2LP | 2024 | UK | Original (XL)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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Limited to 500 copies!

A concept album of Analogue Electronic Sci Fi Library Grooves for Synthesisers and Percussion. Commissioned by Sonoton and inspired by the 70's & 80's Sonoton music Library Catalogue. Featuring Ayo Salawu on Drums (Kokoroko) and Greg Foat with his impressive collection of vintage Synthesisers. File under Library Music

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BBNG (BadBadNotGood)

Mid Spiral

30,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Dialogo)

Gianni Marchett

Solstitium

15,99 €*

Yosuke Yamashita Trio / Itaru Oki Trio / Yuji Ohno Trio / Kimiko Kasai

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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The first-ever reissue of Gianni Marchetti's 1978 LP "Solstitium", released as part of RCA's venerable "Original Cast" series in a handful of promo copies only, sits among the most rare and enigmatic artifacts of Italian library music, it is heralded by collectors as one of the greatest free-standing gestures in the entire genre.

Riyl: Piero Umiliani, Egisto Macchi, Stefano Torossi

Gianni Marchetti's Solstitium, originally released in 1978 as part of RCA's prestigious Original Cast series, stands as one of the most elusive and iconic records within the realm of Italian library music. Its first-ever reissue brings this long-sought gem back into circulation, offering an opportunity for modern listeners to experience its raw, innovative energy and immersive soundscapes. Originally released in only a handful of promo copies, Solstitium quickly became a holy grail for collectors, its rarity only adding to its mystique and allure. The album embodies a free-spirited, avant-garde approach to composition, blending elements of jazz, progressive rock, and experimental electronic music. Marchetti’s use of unconventional instrumentation and studio techniques marks Solstitium as an audacious departure from the more conventional library music of the era. ‘Solstitium’ remains a fascinating listening experience, revealing new layers with every listen, and it is not surprising that it has earned its place as one of Marchetti's most revered works, continuing to fascinate old fans and new listeners alike.

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Trio By Trio + 1

2LP | 2024 | JP | Reissue (Victor)

64,99 €*

LP | 1965 | DE | Reissue (Impulse)

Release: 2024 / JP – Reissue

Genre: Organic Grooves

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Yosuke Yamashita, Itaru Oki, Yuji Ohno, and Kimiko Kasai. An astonishing jazz workshop with a never-before-seen encounter. Japanese jazz was so sharp and original. Yosuke Yamashita Trio, Itaru Oki Trio, Yuji Ohno Trio, and Kimiko Kasai. Three trios and one vocalist, Trio by Trio Plus One. This is a live recording of a jazz workshop held in 1970, and the original was released as part of Victor's 'Japanese Jazz' series. Just looking at the lineup of musicians gives off an extraordinary atmosphere, making this a special work. Yamashita was a leading figure in the scene as the darling of the times. Oki came to Tokyo from Osaka in the mid-1960s and attracted attention. Ohno was a man of supple musicality who played everything from modern jazz to new jazz. And Kasai is just about to blossom. Needless to say, each performance is powerful and fascinating, but this album also features a performance by a unique seven-person group consisting of the Oki Trio, Ohno Trio, and Kasai. This is a two-disc set of super-class that reminds us once again just how original Japanese jazz was. Text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY) LISTEN: https://youtu. Be/_UYD8t5WOlo Side A 1. Dore / Yosuke Yamashita Trio 2. Mokurin - Gugan / Yosuke Yamashita Trio Side B 1. Kuukane no Hisho / Itaru oki Trio 2. Mizutono Taiwa / Itaru oki Trio Side C 1. Kareha / Yuji Ohno Trio 2. Sasageru wa Ainomi / Kimiko Kasai to Yuji Ohno Trio 3. Get Out Of Town / Kimiko Kasai to Yuji Ohno Trio 4. Kenny's Mood / Yuji Ohno Trio Side D 1. Black Shadow Woman / Itaru oki Trio, Yuji Ohno Trio, Kimiko kasai 2. Theme Of Unknown People / Itaru oki Trio, Yuji Ohno Trio, Kimiko kasai

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John Coltrane

A Love Supreme

Release: 1965 / DE – Reissue

Genre: Organic Grooves

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2LP | 2000 | EU | Original (Parlophone)

St. Germain

Tourist Remastered

Up & Down Tone Poet Vinyl Edition

Release: 2000 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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After selling 2.8 million copies in the last 12 years it was time to kick out a remastered version for 2012. Jazzy stuff for the dancefloor and your couch ...

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Horace Parlan

LP | 1963 | Reissue (Blue Note)

LP | 1974 | EU | Reissue (Elemental)

Release: 1963 / Reissue

Genre: Organic Grooves

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Known for his work with Charles Mingus, pianist Horace Parlan made his first Blue Note appearance with Lou Donaldson before recording six quintessential hard bop dates in 1960-61, including the quintet album `Up & Down' featuring his trio with George Tucker & Al Harewood, plus Grant Green & Booker Ervin. Blue Note Tone Poet Series stereo edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

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Pharoah Sanders

Love In Us All

Nobuo Hara And Sharps & Flats

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Biggest Tip! Limited Edition LP. Deluxe 180-Gram Reissue. Special Gatefold Edition Including Original Artwork. Few will need introduction to the work of Pharoah Sanders. He is a titan with few equivalents in histories of free and spiritual jazz. The creator of some of the most important and singular records in these fields, Sanders, who was once described by Ornette Coleman as “probably the best tenor player in the world”, is equally noted for his work with artists like John Coltrane, as a member of his groundbreaking final quintet, Alice Coltrane, Leon Thomas, Ornette Coleman, Don Cherry, and Sun Ra, often rendering a remarkable influence over the results.

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Little Giant

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

50,99 €*

Jacques Palminger & 440 Hertz

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Sharps and Flats, led by Nobuo Hara, has been a driving force in Japan's big band jazz scene with its diverse activities and distinctive musicality. Among the many works produced throughout their long career, 'Little Giant' stands out as one of their most iconic albums. Originally released in 1970 as part of Victor's Japanese Jazz series, this album is notable for the participation of renowned composers and arrangers such as Masao Yagi, Kiyoshi Yamaya, Norio Maeda, and Masahiko Sato. In addition to their original compositions, the album features unique arrangements of pieces by Oliver Nelson, who had a close connection with Sharps and Flats.

The album's intricate and adventurous arrangements, combined with the band's high-level performance quality, are truly remarkable. You'll be captivated by the hipness of "Little Giant," the strength of "Dark Horse," the cutting-edge sound of "Orbit 8:11," and the sophistication of "Flexibility." This dynamic performance, marked by a perfect balance of tension and relaxation, showcases the full potential and allure of Sharps and Flats. This album is a masterpiece that brings out the best in the band.

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Die Sehnsucht Der Sterne HHV Exclusive Light Rosé Pantone Vinyl Edition

LP | 2024 | EU | Original (Misitunes)

A Blade Because A Blade Is Whole Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Limited to 200 copies. Only available at HHV.

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Alabaster DePlume

LP | 2025 | US | Original (International Anthem)

LP | 2025 | JP | Original (P-Vine)

Release: 2025 / US – Original

Genre: Organic Grooves

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"A Blade Because A Blade Is Whole" is the latest album from London-based composer-poet-activist-improviser Alabaster DePlume, his first major work following 2022"s "Gold" and 2020"s "To Cy & Lee: Instrumentals Vol 1".The 11-song album covers all of DePlume"s musical touchstones: lush and gentle instrumentals informed by ghostly ancient folk melodies; groove-focused rhythm explorations as a bed for self-searching spoken declamations; sweeping and beautiful string arrangements (in this case by Macie Stewart) set against his trademark vibrato-infused tenor sax whispermoan.

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Fennesz

Mosaic

34,99 €*

Mondays At The Enfield Tennis Academy

Release: 2025 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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The latest album by Fennesz is a masterpiece overflowing with indescribable supreme nostalgia and melancholia, continuing the lineage of his earlier work, Venture (2014), and echoing the epoch-making album Endless Summer (2001), which solidified his name. Six tracks, equipped with majestic textures and wonderful melodies, intertwine over a lush digital soundscape. A new, profoundly moving masterpiece has emerged that could only be created by Fennesz.

Using guitar and computer, Fennesz creates a dazzling, swirling electronic sound with a remarkably broad and complex musicality. His fresh, luminous compositions are far from bland computer experiments; they delicately capture the ecology of rainforest insects and natural atmospheric phenomena, each work infused with its own unique naturalism.

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Jeff Parker

2LP | 2022 | EU | Original (Aguirre)

30,99 €*

People Of The Fast Flowing River

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist & composer Jeff Parker's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, & alto saxophonist Josh Johnson to convene in extraordinarily depth-full & exploratory music making. Gleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 & 2021 by Bryce Gonzales, Mondays at The Enfield Tennis Academy is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, & patience & grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album & first live album, Mondays at The Enfield Tennis Academy belongs in the lineage of such canonical live double albums recorded on the West Coast as Lee Morgan’s Live at the Lighthouse, Miles Davis' In Person Friday & Saturday Night at the Blackhawk, San Francisco & Black Beauty, & John Coltrane's Live in Seattle.

While the IVtet sometimes plays standards &, including on this recording, original compositions, it is as previously stated largely a free improv group —just not in the genre meaning of the term. The music is more free composition than free improvisation, more blending than discordant. It’s tensile, yet spacious & relaxed. Clearly all four musicians have spent significant time in the planetary system known as jazz, but relationships to other musics, across many scenes & eras —dub & Dilla, primary source psychedelia, ambient & drone— suffuse the proceedings. Listening to playbacks Parker remarked, humorously & not, “we sound like the Byrds” (to certain ears, the Clarence White-era Byrds, who really stretched it).

A fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly & fluently in & out of lead & supportive roles. Building on the communicative pathways they’ve established in Parker’s -The New Breed- project, Parker & Johnson maintain a constant dialogue of lead & support. Their sampled & looped phrases move continuously thru the music, layered & alive, adding depth & texture & pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time. The stop/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums & shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness & humility with which she navigates the bass position both ground & lift upward the egalitarian group sound. As the IVtet's grooves flow & clip, loop & repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony & intuition, deep focus & freedom.

For all its varied sonic personality, Mondays at The Enfield Tennis Academy scans immediately & unmistakably as music coming from Jeff Parker‘s unique sound world. Generous in spirit, trenchant & disciplined in execution, Parker’s music has an earned respect for itself & for its place in history that transmutes through the musical event into the listener. Many moods & shapes of heart & mind will find utility & hope in a music that combines the autonomy & the community we collectively long to see take hold in our world, in substance & in staying power.

On the personal tip, this was always my favorite gig to hit, a lifeline of the eremite records Santa Barbara years. Mondays southbound on the 101, driving away from tasks & screens & illness, an hour later ordering a double tequila neat at the bar with the band three feet away, knowing i was in good hands, knowing it would be back around on another Monday. To encounter life at scales beyond the human body is the collective dance of music & the beholding of its beauty, together. —Michael Ehlers & Zac Brenner

Pressed on premium audiophile-quality 180 gram vinyl at Optimal. Lacquers by Dubplates & Mastering. Mastered by Joe Lizzi, Triple Point Records, Queens, NY. Limited EU edition on Aguirre. US 2xLP edition available thru Eremite records, US.

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Work Money Death

LP | 2024 | UK | Original (ATA)

LP | 1974 | JP | Reissue (Sony Music Japan)

Release: 2024 / UK – Original

Genre: Organic Grooves

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ATA Records are proud to announce the new albumPeople of the Fast Flowing RiverfromWork Money Death,following previous albumsuccessesWork Money Death"This album can only be a future classic" – Jazzman Gerald, andThought Action Interaction Reaction"Sounds sublime" – Gilles Peterson.

PianistRichard Ormrod, bassistNeil Innes, and drummerSam Hobbsprovide a trio backing for tenor saxophonistTony Burkillon this heartfelt and charged excursion into the further realms of spiritual jazz: the four extended-play tracks range in influence from India to Central Africa to the Baptist church, and from the meditative blues sound of Alice Coltrane [The River Becomes The Stream]to the soulful swagger of Galt MacDermot [We Are The People].

Throughout, the quartet is supported by thehornsof Ormrod,Johnny Enright(tbn, tuba), andOlivia Cuthill&Tom Sharp(tpts), the percussion ofDanny Templeman.

Whether it's the harmonium onHeadwaters Of The Soul, the congas and driving shekere onThe Fast Flowing River, the trilling flute behind the sax onWe Are The People&The River Becomes The Stream, or Burkill's impassioned and perfectly-paced tenor explorations throughout the whole, this album is full of nuanced details that will make it a hit with fans of Pharaoh Sanders and Alice Coltrane.

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Tsuyoshi Yamamoto

Misty

44,99 €*

LP | 1965 | EU | Reissue (Verve)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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The second release by Tsuyoshi Yamamoto, one of the most popular works on the TBM label. A definitive disc by a Japanese piano trio, packed with lyricism, powerful swing and a variety of other jazz delights! (From series supervisor Koki Hanawa).

Remastered and cut by Bernie Grundman. Includes original reissue liner notes.

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Nina Simone

I Put A Spell On You

Third Season Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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180g

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Hank Mobley

LP | 2025 | Original (Blue Note)

Alessandro Alessandroni / Giovanni Tommaso

Release: 2025 / Original

Genre: Organic Grooves

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Recorded in 1967, Hank Mobley's Third Season was a typically high-caliber hard bop outing by the tenor saxophonist with a 7-piece band, featuring James Spaulding (alto sax), Lee Morgan (trumpet), Sonny Greenwich (guitar), Cedar Walton (piano), Walter Booker (bass), and Billy Higgins (drums). This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

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Open Air Parade HHV Exclusive Lime Yellow Vinyl Edition

LP | 1972 | EU | Reissue (Sonor Music Editions)

19,05 €* 27,22 € -30%

LP | 1969 | JP | Reissue (P-Vine)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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HHV exclusive vinyl edition on yellow vinyl, limited to 300 copies.

Sonor Music Editions is excited to announce this revived issue of Open Air Parade, one of the most sought-after artifacts from the golden era of Italian library music.

This holy grail was originally released in 1972 on the legendary Sermi Records label (often referred to as SR Records). It features ten tracks composed by Ennio Morricone’s whistler, Alessandro Alessandroni revealing his great talent and unrivaled sense of melody, and two by the brilliant Italian jazz bassist Giovanni Tommaso, also founder and member of the legendary prog-jazz-rock ensemble Perigeo.

Open Air Parade is a masterpiece and rightfully sits among the top five in its genre. It has a beautiful cohesiveness throughout and can only be described as sincere. The music ranges from superb psychedelic lounge funk, compelling groovy jazz beat tunes, and far-ranging mood music with lush arrangements.

It’s an essential album, officially reissued by Sonor Music Editions. This 2024 repress has been carefully remastered, and packed in a thick cardboard sleeve with fully restored artwork using the original painting by Ernst Wilhelm Nay in full fidelity.

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The Sahib Shihab Quintet

Seeds

34,99 €*

Coltrane's Sound Atlantic 75 Series

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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In 1969, Sahib Shihab and five leading members of the Clarke-Boland Big Band, including Francy Boland, Jimmy Woode, Kenny Clarke, and Fats Sadi, recorded this album for West Germany's Vogue label. The album features the exquisite Latin jazz track "Seeds," the waltz number "Peter's Waltz" dedicated to his son, and the modal piece "Mauve." Each track is highly stylish and sophisticated, showcasing a pinnacle of European jazz that could only be achieved by this exceptional lineup.

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John Coltrane

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

87,99 €*

2LP | 2024 | US | Original (Roph)

Release: 2023 / US – Reissue

Genre: Organic Grooves

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Post-bop favorites including "Liberia," "Satellite" and "Central Park West"

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

John Coltrane's brief but prodigious Atlantic Records period (1959-61) included the highly underrated Coltrane's Sound, recorded in 1960 and released in 1964. "The title could not have been more accurate, as each of the six pieces bear the unmistakable and indelible stamp of Coltrane's early-'60s style... Regardless of the lack of attention, these recordings remain among Trane's finest," writes AllMusic.

The eight post-bop songs here were recorded during the same two sessions (October 24 and 26, 1960) that produced some of My Favorite Things and most of the essential Coltrane Plays The Blues.

It was only pianist McCoy Tyner's third recording session with Coltrane — and drummer Elvin Jones's second occasion with sax legend. But both contribute exponentially to the success of Coltrane's conceptions. However, it's still the tenor sax which is most memorable throughout.

Coltrane's originals, "Liberia," "Satellite" and, most especially the disc's stand-out cuts, "Equinox" (featuring a marvelous solo from Tyner) and "Central Park West" (featuring Coltrane on soprano), are all worth hearing again and again, writes AllAboutJazz.com Coltrane also tears apart the standards "The Night Has A Thousand Eyes" and "Body and Soul" with an atypical fervor that invites even the most casual listener to stop and pay attention and want to hear again.

Cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Uyama Hiroto

Breath Of Love

66,99 €*

Wabi Sabi HHV Exclusive Numbered White Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop, Organic Grooves

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“Everything is mellow and gentle. Whether you’re with someone special or enjoying some time alone, or even just relaxing in a beautiful outdoor setting or in your bedroom—take a moment and listen." Uyama Hiroto

Seven years after ‘Freeform Jazz’ and ten years since the release of ‘Freedom of the Son,’ Uyama Hiroto has created the next chapter of his story. Just as all things in the universe rely on balance—light and shadow, yin and yang, movement and stillness—'Freeform Jazz’ was an expression of his outward emotions and energy, while ‘Breath of Love’ represents the flip side: his inner calm and gentle emotions. This album expresses a unified mood, with all the sound elements carefully chosen to maintain a consistent atmosphere. Uyama Hiroto plays nearly every instrument on the album, including the S.SAX and T.SAX, as well as guitar, bass, and beats. Collaborating for the first time on one of his own albums, Uyama Hiroto features artists like Substantial from Virginia, Marter (known for his vocal contributions on ‘magicnumber’), and Coma-chi, who participates under the name Reinaria. Each track is melodious and romantic, yet the album’s overarching narrative creates an emotional, gentle, and nostalgic journey—one that reflects the era and influences behind the music. This is a deeply internal work, showcasing Uyama Hiroto’s new artistic direction. Don’t miss out on experiencing this serene and profound album.

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Sven Wunder

LP | 2020 | EU | Reissue (Piano Piano)

LP | 2021 | EU | Reissue (Warp)

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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HHV, Piano Piano and Sven Wunder team up to bring you this white vinyl edition of three albums only available at HHV. The color was picked by the artist. Each album is limited to 300 copies and numbered.

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Nala Sinephro

Space 1.8

31,99 €*

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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LP | 2020 | US | Original (Craft)

Chet Baker

Chet

38,99 €*

Running / Till We Get There

Release: 2020 / US – Original

Genre: Organic Grooves

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Few musicians have embodied the romantic, and ultimately tragic, jazz figure as totally as Chesney "Chet" Baker (1929-88). Unschooled yet eloquent in his music, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenuous approaches to jazz singing. Chet is Chet Baker's classic 1959 Riverside album featuring jazz legends Bill Evans, Kenny Burrell, Herbie Mann and Pepper Adams. Cut from the original analog master tapes by Kevin Gray at Cohearent Audio. 180-gram LP.

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Monika Linges

7" | 2025 | Original (Topic Drift Music)

12,99 €*

LP | 2024 | EU | Original (Blacklake)

Release: 2025 / Original

Genre: Organic Grooves

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This new TopicDrift45 release comes straight outta Aachen. Originally released in 1982 on Rainer Wiedensohlers "Nabel Musik" Imprint with a whole LP called "Floating" and for the first time on a DJ friendly 45 cut. Side A "Running" was and still is a well known mover in the UK Northen & Asian Scene. While holding down the laidback mellow jazzy vibes with "Till We Get There" on the B Side. A true example for all those DJs out there collecting & spinning organic music in all its forms. Get it! :-)

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Jazz Sabbath

The 1968 Tapes

Mighty Vertebrate Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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You could say The 1968 Tapes is Jazz Sabbath's third album on which the trio, helmed by longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman, present 7 new exploratory jazz arrangements based on Black Sabbath tracks from the period 1970-1973. You can also choose to believe the album's liner notes: Although never released until recently, Jazz Sabbath's music has been finding its way to millions for over 50 years. Through a vicious cycle of personal tragedy and plagiarism the songs intended to change the jazz world ended up giving birth to a much darker sound. Now a third recording from the Sixties has resurfaced, perhaps their most important one. Their very first recording was rejected by the label; the label manager said it was too experimental and had no hit potential. However, these tracks were also blatantly presented as 'original songs' by that band from Birmingham a few years later. Whether they copied them from live bootlegs or if they got their hands on the mix, it doesn’t really matter. Their lasting popularity, even in the crude way they were covered, only proves just how monumental these songs were and how record labels are often wrong. With the truth now finally out there and that Birmingham band exposed as the musical charlatans they are, Jazz Sabbath have finally mastered the 1968 tapes to present their best work to the public.

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Anna Butterss

LP | 2024 | US | Original (International Anthem)

Waltz For Debby Craft Ojc Series

Release: 2024 / US – Original

Genre: Organic Grooves

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Mighty Vertebrate is the International Anthem debut from Anna Butterss. The Adelaide born bassist / composer has been a first call for LA tour and studio work since relocating there in 2014 - racking up credits with notables across the experimental, jazz, and pop worlds alike - but their most notable contributions to the burgeoning LA scene have been as a member of both Jeff Parker"s ETA IVtet and rising proto-trance supergroup SML, who Pitchfork says "represents the thrilling next phase of a vibrant L.A. community."

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The Bill Evans Trio

LP | 2023 | US | Original (Craft)

49,99 €*

LP | 2025 | EU | Original (Jazzaggression)

Release: 2023 / US – Original

Genre: Organic Grooves

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Waltz For Debby, the fourth and final album by one of the most influential groups in jazz history, the Bill Evans Trio, was originally released in 1962 as a companion to Sunday At The Village Vanguard. Original Jazz Classics Series is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio and presented in a tip-on jacket.

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Alex Figueira

Colliding Layers

Making Tracks HHV Exclusive Orange Vinyl Edition

Release: 2025 / EU – Original

Genre: Organic Grooves

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Multi-talented Alex Figueira is back with a vibrant fusion of tropical rhythms layered with a dazzling array of synth driven psychedelia. A collaboration between Jazzaggression and Music With Soul’s Alex Figueira, Colliding Layers blends his raw tropical sound and psych touch with Pelto Studio’s distinct vibe—resulting in a dynamic, genre-defying library album.

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T.N.T.

LP | 1972 | CA | Reissue (Not Dark Yet)

LP | 2024 | EU | Original (First Dawn)

Release: 1972 / CA – Reissue

Genre: Organic Grooves

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HHV exclusive vinyl edition on orange vinyl, limited to 100 copies.

T.N.T’s 1972 LP "Making Tracks" is a Caribbean soul masterpiece, blending island vibes with American funk energy. Led by percussionist Rudy Auguste, the band delivers an electric and vibrant sound that will ignite dancefloors and delight crate diggers worldwide. Making Tracks is a must-have for fans of deep cuts and lost funk classics. This limited vinyl reissue brings this highly sought after classic back into the spotlight where it belongs.

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Lynda Dawn

11th Hour

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | JP | Original (Think!)

Akira Miyazawa Quartet

Kiso

45,99 €*

2LP | 2024 | US | Original (Astral Spirits)

Release: 2024 / JP – Original

Genre: Organic Grooves

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This work was released in 1970 as part of Victor's Japanese Jazz series. "We are Japanese, so we have to create something that only we, as Japanese, can create," said Miyazawa during this period. Inspired by the landscapes of his childhood, "Kiso," "Asama," "Hakuba," and "Hida" are reflective of his reverence for nature's grandeur. This album is a peak of artistic expression for Miyazawa, blending his personal roots with his heartfelt imagery.

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[Ahmed]

Wood Blues

45,99 €*

Manteca HHV Exclusive Gold Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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an excerpt from Edward George's 10,000+word liner-note 8 page booklet that comes with the double LP: Delay, 1961 (the Story SO Far) "They are, Seymour said, in movement, and in keeping with their claim, their music is, like a Brownian bridge, an A&J Tranean train, a Byrdian plane, or a Blountian space-time myth-machine, a way of playing themselves into the historio-graphical hands, or better yet, the loving arms, or perhaps, to be precise, the metaphysical embrace, of ‘a new creative space’, and playing is a way, the only way, when you think about it, of getting and staying in movement, the only way of staying ahead of themselves. Staying ahead of themselves was always important, and tricky too: they were on the (musical) trail of someone who preceded them, was ahead of himself, or at least ahead of his own epoch, the late 1950s, and theirs, the late 20th and early 21st century, in which he was, before they found him (or he found them, the way music finds you — and finds you out) present as no more than a discographical evanescence. And to complicate things further, the way they talked about what they were doing as they proceeded along that trail, you’d think they were archaeologists (and not anthropologists), or geologists (and not ethnographers), as well as exemplars of whatever discipline it is through which the capacity for inhabiting and transforming the body, the corpus, of another takes place: ‘We excavate and reinhabit documents and fragments of plans and compositions that he left behind to make music that though it originated in the 20th century will speak to the 21st’. They said that, on the back, or the strength, of their first album, and it was enough to make you wonder where in the world it was that they started from, what their point(s) of departure might have been."

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Tony Scott

LP | 1973 | EU | Reissue (Free Flow Archive)