Elvin Jones HHV Records 5 Items

Elvin Jones is one of the most influential drummers in jazz, not least because of his longstanding collaboration with John Coltrane. A few years ago, Rolling Stone ranked Jones 23rd on their list of the 100 Greatest Drummers of All Time. The previously unreleased recordings now released as “Revival: Live at Pookie's Pub” document Jones' debut as a leader, two weeks after Coltrane's death, recorded live in July 1967 in New York City with saxophonist Joe Farrell, pianist Billy Greene and bassist Wilbur Little. The deluxe 180g 3LP set includes a booklet with photos by Francis Wolff and others, as well as essays by GRAMMY-winning author Ashley Kahn, producers Zev Feldman and Don Was, sound engineer Bob Falesch and many more.

Elvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time. Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones' incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it's removed from the jacket.

313 Series Detroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re-release by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real. For an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums delivered live up to the tradition they are part of. The Third Man Records team's commitment to audio purity means no corners can be cut; sound and mastering engineer Warren Defever's goal being to provide the closest possible approximation of the magic found on the original master's tape brought to your living room. From the lacquers cut in the studio on the Neumann Vms-70 Cutting Lathe to the 180 gram vinyl pressed across the hall, every step of the process is tested in the facilities against exacting standards. That's the Detroit way and the reason why the musical legacy from the 313 area code remains beloved around the world. Elvin Jones - drums Gene Perla - bass Frank Foster - tenor saxophone, alto flute Dave Liebman - tenor saxophone, soprano saxophone Recorded at Van Gelder Studio - Englewood Cliffs, NJ 1971 by Rudy Van Gelder

Elvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time. Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones' incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it's removed from the jacket.

313 Series Detroit has long held a shared respect with New York; a similar outlook on authenticity. Tough to describe, but you know it when you see it. Third Man Records and Blue Note Records share this respect and also a commitment to integrity regarding the musical legacies they support that extends to the collaboration happening on the 313 Series partnership. The five unique albums from the Blue Note catalog chosen for limited edition re-release by Blue Note Records President and Detroiter Don Was represent the best of the Motor City; innovative sounds, incredible playing and that inexplicable something you know is real. For an undertaking like this you have to walk the extra mile. The original tapes were sent to Third Man's Detroit mastering and pressing facility where their extensive all analog re-mastering process ensured that the albums delivered live up to the tradition they are part of. The Third Man Records team's commitment to audio purity means no corners can be cut; sound and mastering engineer Warren Defever's goal being to provide the closest possible approximation of the magic found on the original master's tape brought to your living room. From the lacquers cut in the studio on the Neumann Vms-70 Cutting Lathe to the 180 gram vinyl pressed across the hall, every step of the process is tested in the facilities against exacting standards. That's the Detroit way and the reason why the musical legacy from the 313 area code remains beloved around the world. Elvin Jones - drums Gene Perla - bass Frank Foster - tenor saxophone, alto flute Dave Liebman - tenor saxophone, soprano saxophone Recorded at Van Gelder Studio - Englewood Cliffs, NJ 1971 by Rudy Van Gelder