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Bruit Direct

The Submissives

Wanna Be Your Thing

LP | 2022 | EU | Original (Bruit Direct)

27,99 €*

Incl. VAT plus Shipping Costs

Release: 2022 / EU – Original

Genre: Rock & Indie

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New one by Montreal singer-songwriter Deb Edison, working once again as The Submissives and willfully unchanged from 2016's Do You Really Love Me? cassette (Fixture). Six years into the most tumultuous period in global history since WWII - a pandemic, right-wing infiltration, attempts at government overthrow, climate catastrophe looming, a near-complete loss of the moral compass, conspiracies lording over facts natural resources running out - and Deb's still here, staring a hole through the floor/your head. "No one ever changes," she coos on "In a Pinch," and these songs are a textbook example of that sentiment, and her artistic embodiment of psychosexual desire, ready to shatter some lives and walk away looking for the next one. "I'm waiting for your signal/I'm several years older," she drones on "Sick Kinda Love," further reinforcing a long-held stance that the obsession, internalization of feelings, and the human power dynamic of The Submissives are on the menu once again. You'll find whatever it is you want to find in here, just dig in. Deb might even be talking about you, though there's a good chance she's not, and if you don't have the goods you can be sure she's gonna be doing all she can to passively drive you away. "Chirp Like a Bird" reads as Deb's bottom-looking-up retort to Whitehouse's "Wriggle Like a Fucking Eel," and might even be more severe, because she doesn't need microphonic feedback and screaming to intimidate. If you're in for surface thrills, scrape up the Shaggs-esque rock stumble, swooping viola, and behind-the-beat bash tapping out each of these eleven tracks. This is how it is; you get what you get, and you might be upset, but that's all on you. You'll never get to the bottom of this sketch.

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Zusammen Clark

Earlier

LP | 2022 | EU | Original (Bruit Direct)

29,99 €*

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Release: 2022 / EU – Original

Genre: Rock & Indie

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Genteel, springlike sounds emanate once more from Paris. Those who live there or have visited will know a joy in this that non-residents or travelers can only imagine, but one senses that there's a texture to it all that bakes into the human experience when winter finally lifts and trees blossom, warm breezes blow. After being stuck at home for two years, once the weather picks up and the world hopes to shift back in gear without millions of deaths, one's imagination begins to run. Parisian duo Zusammen Clark have codified this sound of openness and warmth using known goalposts of sound - the subtle drag of these sturdy, easygoing songs, a direct path from Jean-Charles Delarue's previous outing in Bruit Direct outfit City Band; the descent of chord structures, a deep voice going high and staying louche. Maybe a bit of Felt's cherry red pastoral, shades of that time in speculative fiction where Pavement signed to Postcard (remember? it was the same year that Dandelion and Les Temps Heureux got out of bed and toured coffeehouses together), the Go-Betweens just before the wheels fell off, or NYC underdogs Plates of Cake. Horns swoop in at the right moments and don't linger. Hooks lock in and down, lead guitar casually doubles itself. Hair gets done, stubble let fashionably go. Along with bandmate and cousin Jerome Lemee, Delarue constructs a frame, pencils in the outline and begins decorating these songs with all the right touches and a confidence that knows where to place them, not just the value of the objects. This is a world of sound where everything has a story and a place, every room can provide a closet mix. It's a world that opens into a larger world, a human world, maybe a world these two knew from childhood, maybe one they've built for themselves. Earlier is too well-assembled to not have a foundation in profoundly comfortable moments in life, and the knowledge of how to get there, even if one knows they can never stay. It's a catalogue of delight, impossible to oversell. - Doug Mosurock

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Oso El Roto

Pop De Cuchilo

LP | 2020 | EU | Original (Bruit Direct)

23,99 €*

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Release: 2020 / EU – Original

Genre: Organic Grooves

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While he's known alternately as David ( la familia ) & Mr. Loayza ( la abogados ) to the gravity-clutchers of the world, for us Falstaffian iota's what inhabit the non-boundaried scrub out here in wirebrush country, he is always & forever Oso El Roto. My first encounter with the man's multi-faceted snert was on the lp, 'Mojon Po'l Agua' back in 2007. Housed inside a brutish sheath of fabricated, handpainted, cardboard was an album brimming with aberrant, gibbering, genius. Since then a dozen or so releases have spunked into the discography, the latest being this one on the estimable Bruit Direct Disques label. On 'Pop De Cuchillo' our hero has returned to his native Chile (after years in Paris) & not surprisingly, hasn't lost a step in the transition. If anything, Oso El Roto may have "mellowed", which is to say he's moving at 1,000,000,000 mph instead of 1,000,000,001. It's hard not to draw comparisons to that other great & prolific Chilean of the absurd, Alvaro, but Oso El Roto has never broken from his native tongue, so the elitists-for once-are not Anglais. While Oso El Roto trucks most assuredly in the lurch of lo-fi, the way he grinds those gears is spectacularly kaleidoscopic. The aural offerings brought forth on 'Pop De Cuchillo' are a smorgasbord of charred delicacies to feed your head. Some artists go their whole lives trying to catch lightning in a bottle ONCE. Then there's Oso El Roto, who seems to absorb it at will. Impervious is not born, it's earned. For fans of The Rebel, Jerry Solomon, Pierre Schaeffer, Sun Ra, Eye Yamatsuka, Made For Chickens By Robots, Waste Sausage, Leather Donut, Chocolate Monk, Bananafish magazine, NWW list, Llama kababs, Borgona, Yage, Gary Panter, Yoko Ono & Ono. Tom Lax Catbird, Ohio

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Tori Kudo

Galakei

2LP | 2018 | EU | Original (Bruit Direct)

42,99 €*

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Release: 2018 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-28

This work is based on a small inspiration by Kudo Tori, with additional material added from the voicemail recordings made by Hashizaka Ai (and her family) and from a Maher Shalal Hash Baz 30th anniversary show in Shinjuku, to make up three levels of sound.

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Tori Kudo

Village Hototoguiss 07-22

2LP | 2024 | EU | Original (Bruit Direct)

45,99 €*

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Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-28

Matsuyama in Ehime is the birthplace of haiku, and to this day, haiku submission boxes are placed around town. Young people gather in a haiku society-like manner. In other words, they observe and contemplate well, but their approach is generally instant, casual, and somewhat careless. There is a local disposition here, which they call "yomoda" in the dialect—a blend of humor and sadness. It’s as if they pretend to agree to demands in a laid-back way, all while delaying the big decision. It’s a matter related to the moment and ethics.

Near the famous Dogo Onsen is Studio Village Hototogisu, named after the magazine Hototogisu started by Masaoka Shiki, the father of haiku. The studio was once a large psychiatric hospital, which Mr. Tsuru, the owner, completely remodeled, turning the third floor into his music studio. Tsuru-san is both a psychiatrist and an avid enthusiast of classic rock. He’s a broad-minded adult who also accepts my type of music. About once or twice a month, I randomly select an instrument or device from his vast collection, gathers whoever happens to be around, usually his family, and in about two hours, we record and mix a piece. This album is a compilation of those recordings. The album cover is designed after Matsuyama's specialty confection, "Ichiroku Tart."

From around the time of the pandemic, I started layering his dobro guitar or mandolin over my tracks on purpose. The mainstream and the fringe—once opposing camps—merged after this pandemic, a convergence in rock history that’s etched on side D of this album, reflecting the current global situation. Could a society of free-verse haiku poets sharing both love and resentment for Matsuyama be possible? It’s a question that touches on the future course of nationalism. (Tori Kudo) Lizenz alle Rechte vorbehalten

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Kenji Kariu

Rain / Water

LP | 2024 | EU | Original (Bruit Direct)

29,99 €*

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Release: 2024 / EU – Original

Genre: Rock & Indie

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Rain/Water is the fourth album by Tokyo's Kariu Kenji. Following 2021's Sekai, also on Bruit Direct Disques, rain/water is a gorgeous haze of song, a modern driftwork that's creatively rich, and full of fleeting sensation. These twelve lush pop songs point in multiple directions, outwards to bossa nova, modern R&B and soul, ambient bliss-outs, city pop confections, and electronica. But rain/water also has a sly experimentalism at its core, the kind of experimentation that doesn't need to call attention to itself, but that exists 'between the cracks' of the songs - in small, curious gestures of arrangement, in a sudden twist in melody, or an unexpected detour in a song's narrative. In this way, they share something of the stylistic free range in other great recent avant-pop moments - think, perhaps, of the music of Maher Shalal Hash Baz; Stereolab's more late-night, hermetic moments, or High Llamas' recent Hey Panda.

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