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Stuart Bogie - Morningside

LP | 2023 | UK | Original (Dfa Records)

Incl. VAT plus Shipping Costs

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

You've likely already listened to Stuart Bogie. He's played onrecords by Taylor Swift, Run the Jewels, The Hold Steady, BethOrton, Logic, Tomberlin, and Alanis Morrisette. And that's just in the last three years. Bogie's the go-to guy for woodwinds - saxophones, clarinet, flute, etc. His expansive discography is filled with a diverse list of (often repeat) collaborators. He is not only extremely proficient and talented, but also understated and understanding - he gives each song all it needs and nothing more. During COVID, Bogie was, like a lot of us, trapped inside his Brooklyn apartment, trying to not hear the constant sirens ricocheting down Atlantic Avenue. A few days into the ordeal, his partner Karyn suggested he start playing his clarinet for friends online, and so, with nothing else to do, he fired up Instagram Live.At first, he started playing over simple things he found on iPhone apps, but eventually friends started sending in other instrumental accompaniments. All in all, with the crucial support of Karyn, Bogie played and broadcast at least once a day for 150 days straight. Among the proffered backing tracks were two twenty-or-sominutes-long drones from James Murphy of LCD Soundsystem, who had connected with Bogie via DFA house engineer and LCD band member Korey Richey. The first was a recording of treated piano, with all of the attack removed, from the mid-2000s. The other was extended drone featuring multiple organs, recorded all the way back in the 90s. Low-quality recordings of Bogie's Instagram sessions were great - simultaneously trancelike and pastoral - so why not make a proper go of it in the studio? Bogie eventually recorded new versions at DFA Studios in Brooklyn with Richey, who had an idea to route his clarinet through a stack of Korg delay units, creating a fluttering, glistening sound that effortlessly dances across each of Murphy's drones. After a few takes, they had two perfect side-length pieces: "Morningside" and "Eveningside," which you find here. "Morningside" was produce...

V.A. - DFA Compilation #2 Box Set

DFA Compilation #2 Box Set

4LP Box | 2022 | UK | Original (Dfa Records)

Incl. VAT plus Shipping Costs

Release: 2022 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“What could have been a mere anthology of the label's uniformly excellent 2004 output is, additionally, a meticulously assembled personal narrative. This is a label that balances its musical and commercial aspirations with an earthy, no-bullshit disposition and-- let's say it-- the world's best fucking handclaps.” - Nick Sylvester, Pitchfork, in the heady days of 2004.

Behold, Compilation #2. A compendium what are arguably the best prime-era DFA cuts, mostly all recorded and/or remixed at the old DFA Studios on W. 13th Street (with some notable exceptions), released as 12-inches and then compiled onto a 3xCD set for convenience because, at the time, people actually bought CDs more than vinyl.

Now, in the spirit of time not really being much of a linear thing anymore, and for our own selfish desire to have this version of Liquid Liquid’s “Bellhead,” produced by the DFA, finally committed to wax, we have reverse engineered this thing back onto vinyl and presented it as a four-record boxed set.

We went back and found the master tapes or files for each song - a not insignificant effort given our habit of disorganization. We then rather painstakingly resequenced and remastered it with the guy we trust with such things: Bob Weston at Chicago Mastering Service. The lacquers Bob cut were plated and pressed at what we believe to be one of the best pressing plants in the country: QRP in Salina, Kansas.

We tell you all of this to say: we took this shit pretty seriously. Because we felt like it was important and because we felt like some folks would really appreciate it. It sounds remarkable. It looks great. (Rob Carmichael re-did the original packaging, adding a new photo from DFA OG Tim Saccenti from one of the original parties at W. 13th St.) Of course, we somehow can’t stop ourselves from making labeling errors - Pixeltan’s “That’s the Way I Like It” somehow escaped the center labels on the fourth record. It’s kind of the DFA curse. Has to be!

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