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Centripetal Force

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Centripetal Force

Soma

Burning Is Learning

LP | 2024 | US | Original (Centripetal Force)

36,99 €*

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Release: 2024 / US – Original

Genre: Rock & Indie

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Soma (Sacred Order of Mystic Apogees) is a group of musicians from central New Jersey who gather together to create eclectic devotional music. The members are multi-instrumentalists who play a blend of meditative soundscapes woven together with traditional Indian kirtan* music and inspired folk songs. Soma builds on this traditional framework and incorporates amplified instrumentation and other added components to create an entirely new sonic experience. The result is a psychedelic tapestry of esoteric mantras, dynamic rhythms, and devotional prayers. As you will hear on Burning is Learning, each song, vibration, and drone is treated with the utmost reverence, attention, and respect—all of which acknowledge Soma’s link in an unbroken chain to the ancient sounds. It’s a heady and heavy experience. It’s celebratory and reflective. The album is a unique approach to sounds that have been resonating for thousands of years. With roots in the DIY hardcore punk and metal scenes of their home state, the combination of traditional instrumentation (harmonium, tanpur, and mridanga, for example) with their modern sense of heaviness is quite profound. Soma’s live performances are as intense as their recordings, landing them in temples, churches, concert halls, bars, and even cremation grounds. Plans to tour are in the works. Burning is Learning is a reference to the Sanatana Dharma belief that cremation can help the soul achieve moksha, freedom from the eternal cycle of life, death, and rebirth. The album was recorded with Phil Caivano (Monster Magnet) at Studio 13 and Shorefire Recording Studios and mastered by John McBain (Monster Magnet, Wellwater Conspiracy, Desert Sessions). For listeners who enjoy everything from Alice Coltrane, Nusrat Fateh Ali Khan, and Debashish Bhattacharya to OM and Mahavishnu Orchestra.

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Nashville Ambient Ensemble

Light And Space

LP | 2023 | US | Original (Centripetal Force)

35,99 €*

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Release: 2023 / US – Original

Genre: Rock & Indie

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Centripetal Force is excited to release Light and Space, the second full length recording from the Nashville Ambient Ensemble. The Nashville Ambient Ensemble is led by Michael Hix, an electronic composer and keyboardist whose artistic vision focuses on the spirit of collaboration and the art of improvisation. The group plays a unique form of music that has become loosely defined as ambient country or ambient Americana. Light and Space is the group’s follow up to 2021’s Cerulean, an album that received a number of accolades from critics, fans, and fellow musicians. In early 2022 Michael Hix had just completed writing the material for the group’s sophomore release when the Frist Art Museum in Nashville, Tennessee reached out and asked the Nashville Ambient Ensemble to record a series of compositions to be featured in the exhibition, Light, Space, Surface: Works from the Los Angeles County Museum of Art. Inspired by eight artworks from the exhibit, Hix composed eight completely new compositions and immediately headed into the studio to record. Intended as an alternative to a traditional guided tour, museum patrons were able to pair their journey through the exhibit with the ensemble’s sounds, a feature for which the Nashville Ambient Ensemble and the Frist received overwhelmingly positive feedback, so much so that it was decided the songs deserved a traditional release as the group’s new album. The exhibition ran from June to September and was highlighted by a live performance from the Nashville Ambient Ensemble in the main gallery of the museum, directly in front of the stunning Norman Zammitt painting, Untitled, 1984, which adorns the cover of Light and Space. Edition of 350 copies.

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Gold Dust

The Late Great Gold Dust

LP | 2022 | US | Original (Centripetal Force)

36,99 €*

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Release: 2022 / US – Original

Genre: Rock & Indie

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Western Massachusetts musician Stephen Pierce has used Gold Dust as a means for exploring his next journey, slowly piecing together songs that held the fragile wonderment of the Grateful Dead, the weary beauty of Elliott Smith, the melancholic twang of the Byrds, and the otherworldly density of My Bloody Valentine while always reaching for hope and connectivity in a way that was universal. Neither the slow-to-form creative process of the first album nor the ambling pace often taken by Pierce’s thoughtful, dreamily damaged psychedelia points to rapid evolution, but that’s exactly what’s taking place on second album The Late Great Gold Dust.

The themes of isolation and self-doubt that floated on the first album have sharpened, and the language around these difficult feelings have taken on a new clarity. Pierce’s songwriting has always held a distant sadness, but with The Late Great Gold Dust, the melancholy cuts through, feels more present and alive within the songs. There’s a muddy narrative arc to these twelve songs, getting more harrowing throughout the album’s second half as screams echo in the void until an exhausted sigh that sounds something like acceptance rises out of the murk.

The Late Great Gold Dust steps into new dimensions musically as well. Pierce continues the layers of jangle, fuzz, and sunny vocal harmonies that made the first album equal parts tender and strange, but takes new risks with production, texture, and instrumentation.

Pierce played every instrument and sang every vocal on the first album, and while he still handles the lion’s share of the performances here, he brings in several friends to add new angles to the tunes: guest vocals, moody Fender Rhodes, Hammond organ, damaged synth, and J Mascis (dinosaur JR.) lending his instantly-recognizable guitar with a “Maggot Brain” level solo on “Larks Swarm a Hawk,” the track that closes out side one. Eloquent weirdo Sean Yeaton of Parquet Courts contributes a short story for the liner notes, narrated from somewhere between the natural world and all the psychedelic computerized kitchens of the future.

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Joseph Allred

New Jerusalem

LP | 2023 | US | Original (Centripetal Force)

40,99 €*

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Release: 2023 / US – Original

Genre: Rock & Indie

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Centripetal Force is proud to announce the release of New Jerusalem, the latest release from Joseph Allred. Joseph Allred isn’t sure how many albums they have released. It is thought to be in the neighborhood of twenty-two, not counting collaborations, digital only, and split releases. Most of these are rooted in Appalachian folklore, mystic spirituality, a love for guitar soli, and a reverence for Robbie Basho. New Jerusalem is no exception, but with this album Allred has recontextualized these elements and presents them in grand fashion. Sonically, New Jerusalem is a wide ranging and full experience that stands in stark contrast to Allred’s usual delicate minimalism. It’s a large ensemble kind of sound, with Allred composing all of the music and playing all the instruments. There is an almost post-rock feel to New Jerusalem, with nods to Labradford, Current 93, and Dead Can Dance, as well as hints of Hawkwind’s more psychedelic folk/pop/fantasy moments. Allred’s guitar is not at the forefront here. Their affinity for composition and talent on a wide variety of instruments is what’s on display. It’s a bold and jarring shift, one that is certainly more cerebral and reveals additional layers with each listen.

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