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Blue Chopsticks

David Grubbs & Jan St. Werner - Translation From Unspecified

David Grubbs & Jan St. Werner

Translation From Unspecified

LP | 2022 | US | Original (Blue Chopsticks)

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Release: 2022 / US – Original

Genre: Rock & Indie

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David Grubbs and Jan St. Werner met in the mid-1990s when Grubbs was playing with Gastr de Sol and the Red Krayola and St. Werner in Mouse on Mars and Microstoria. After years of exchanging ideas, Translation from Unspecified marks their first time locking horns as a duo, and it's clear this deck-clearing collaboration was long overdue. In January 2020 Grubbs arrived at Mouse on Mars' Berlin studio Paraverse with a guitar and "Translation from Unspecified," an open-ended, seemingly self-generating poem suggesting AI, one of the themes in St. Werner's recent work. This became the side-length title track, a winding corridor of electronic fanfares and spontaneous musical miniatures urging Grubbs's slow and steady recitation to grow wings and graduate into song. Who knows where this idiosyncratic mise-en-scène-day-glo, extrovert electronics and task-oriented human-came from? Reference points, distant ones, might include Robert Ashley and Paul De Marinis's "In Sara, Mencken, Christ and Beethoven..." and the sound poetry of Anton Bruhin. Flip the record and you have "Soixante Ooze," a live-in-the-studio duo for guitar and computer more recognizably St. Wernerian and Grubbs-like that reconfigures elements of the title track before finally morphing into needle-pinning monoliths of sound.

Susan Howe & David Grubbs - Concordance

Susan Howe & David Grubbs

LP | 2021 | US | Original (Blue Chopsticks)

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Release: 2021 / US – Original

Genre: Rock & Indie

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"Howe is a poet who has spent her career reminding us that our experiences of meaning and sound are synchronous." (Tess Taylor, The New York Times)Concordance is Susan Howe's and David Grubbs's fifth album in the unexpected and richly satisfying collaboration that began with Thiefth and includes Souls of the Labadie Tract, Frolic Architecture, and WOODSLIPPERCOUNTERCLATTER. Where these works feature the fragmentation and multiplication of Howe's recorded voice-in a style akin to her celebrated text collages-with Concordance they've pared down their materials to voice and piano, aspiring to the hushed intensity of their live performances. After fifteen years of working together, the subtleties of inflection and interaction that previously resulted from Howe's nuanced delivery and Grubbs's composition using recorded materials now arrives as unadorned duo performance.Howe's text for Concordance originates in a collage poem of the same name published by Grenfell Press, which then became the title work in her most recent book, published to acclaim by New Directions in 2020. She has continued to rework the text for this performed version, incorporatingmaterial from her 2015 book of essays, The Quarry. Her source material is scissored from print Concordances of the poetry of Milton, Herbert, Arnold, Browning, Dickinson, and Coleridge as well as old field guides to birds, rocks, trees, moths, and mushrooms; Howe's fiery commitment to placing these echoes of the past in dialogue with the present speaks to her position as one of America's essential artists.

Tony Conrad & Jennifer Walshe - In The Merry Month Of May

Tony Conrad & Jennifer Walshe

In The Merry Month Of May

LP | 2024 | US | Original (Blue Chopsticks)

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Release: 2024 / US – Original

Genre: Organic Grooves

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In the Merry Month of May is the final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe, one of Conrad"s most important collaborators in the final decade of his life. . A wild, improvisatory flaying of song; the sheer sonic force recalls the ecstatic charge of Conrad"s Slapping Pythagoras, with Walshe"s clarion voice at the heart of it. A one-of-a-kind concoction whipped up by two fearless and often peerless souls. It"s a joy to hear their manifest mutual regard and commitment to busting a gut.

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