No Quarter HHV Records 26 Items

Release: 2024 / Original

Genre: Rock & Indie

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When Nathan Salsburg's daughter was a baby, he often sang her to sleep ina rocking chair. At one point, he remembered a song he had taught himselfas a teenager: "The Evidence" by Lungfish, the Maryland band who coined asingular brand of post-punk in the 90s and 00s. Salsburg realized he could playthe guitar part with one hand, singing while holding Talya in his other arm. Though theoriginal version of "The Evidence" is only five minutes long, it's essentiallya repetitive mantra, so Salsburg could extend it as long...

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LP | 2025 | Original (No Quarter)

Mood Ring

Release: 2025 / Original

Genre: Rock & Indie

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5 new songs from Joan Shelley pressed on a limited edition 1-sided 12". Limited to 1000 copies worldwide."Shelley scratches at unanswerable questions on the loamy Anne Briggs thud of Singing To You and Seven Steps' ominous Pink Moon of Kentucky, while embracing a kind of Astral Weeks minimalism." - MOJO // "[Mood Ring] is as spectacularly pretty as you could hope for... Goddamn. Don't skip this one" - Stereogum // "[Mood Ring] finds Joan's music sounding as gorgeously timeless as ever." - Brooklyn Vegan

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Like The River Loses The Sea

LP | 2019 | EU | Original (No Quarter)

21,99 €*

She Brings Me Back To The Land Of The Living

Release: 2019 / EU – Original

Genre: Rock & Indie

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Much of this album was recorded in Iceland. Breath warm from singing rises into frozen air. Atomized. A million bright blue crystals _ the fractal branching of the lungs _ drift back to earth. Radiant, refracting. Clear notes melt like perfect soft snow. Straight lines curve and curve again. Much of this album was recorded in Iceland, but Joan Shelley wrote these songs in Kentucky. That's the dirt clinging to their roots. The wind blowing through Osage orange and pine trees is the joy and ache and urgency of these songs. It's the silence and the music. It's the space between time and words and the stillness in Joan's voice. The world spins more slowly. Moss overtakes a fallen tree. Kentucky is where we plant seeds of regret and stay to watch them flower. Maybe Mark Twain said that Kentucky (always five years behind the times) was the perfect place to ride out the apocalypse. Maybe it's twenty years. Maybe it's apocryphal. That doesn't mean it isn't true. "And oh, Kentucky Stays in my mind it's sweet to be five years behind That's where I'll be When the seas rise Holding my dear friends and drinking wine..." Maybe the world outside has already vaporized. Maybe we're already living on borrowed time. Nathan Salsburg's guitar pours out clean as water through his fingers, turning over every smooth stone. Bonnie "Prince" Billy's harmonies stretch time tight enough to break without breaking. Joan's voice calls us back. Birds are singing outside. Insistent. Don't miss what's right in front of you.

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Cian Nugent

LP | 2023 | US | Original (No Quarter)

26,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Meaning can come from surprising places. In 2020 the Irish guitarist Cian Nugentmoved back into his family home in Dublin to care for his mother, Kathy, who wasthen recovering from a stroke and experiencing aphasia (difficulty with speech). Shebegan saying: "she brings me back to the land of the living" seemingly out of nowhereand with little knowledge of its origin or meaning. "It stuck with me," says Cian, who atthe time was working on songs for what would become his 4th album, and felt it wouldmake an apt title for that record. "The songs here act as a way of processing change andaccepting new futures." Kathy also provides the cover art, a painting she made while stillin the hospital.Seven years since Nugent's previous album, She Brings Me Back To The Land Of The Livingmerges the previously explored styles across Night Fiction (2016), the expansive Born WithThe Caul (2014) and his enigmatic debut Doubles (2011). Extensive touring across NorthAmerica and Europe, including work as a guitarist with Steve Gunn, Ryley Walker and NapEyes, provided Nugent with a greater understanding of his musicianship and a clarity of purpose -all of which contributed to the making of his nest album to date.

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LP | 2023 | US | Original (No Quarter)

The Window Is The Dream

26,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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A Rothko-esque color field set to music, The Window Is The Dream ventures even deeper into Horn's inner space than her stark, acclaimed debut Optimism, which earned her an 'artist to watch' tag from The Guardian upon its release last year. For her second record, Horn travelled to upstate New York to record with a few musical touchstones in mind: the electro-primitivism of the Silver Apples, austere rhythm kings This Heat and The Raincoats' time-bending Odyshape , however the resulting 10 songs are an entry into a world which is very much her own.

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Nathan Salsburg

Landwerk No.3

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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"Amid a buzzing scene of solo guitarists, Salsburg feels both like a figurehead and one of its most active players, with each new release offering a bright step forward." - Pitchfork //The third volume of the Landwerk series by guitarist, archivist and 78 collector Nathan Salsburg. After releasing three acclaimed acoustic guitar records from 2011-2018, Salsburg pivoted with the first volume of Landwerk in 2020. Alone on a tree farm in rural Kentucky one winter night, he put on an old 78 by the Jewish cantor Yossele Rosenblatt and was struck by an organ chord. He sampled it, looped it and began playing guitar alongside it. It was like "conversing with a ghost" he told Uncut Magazine in 2021. Landwerk No. 3 contains six new compositions across two LPs.

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Chris Forsyth

Evolution Here We Come

27,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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The new studio album by Philadelphia guitarist Chris Forsyth was recorded in the summer of 2021 in Richmond, Virginia with a core group of Doug McCombs (Tortoise, bass), Ryan Jewell (Ryley Walker, drums) and Tom Malach (Garcia Peoples, guitar). Bill Nace (Body/Head), Steve Wynn (The Dream Syndicate), Linda Pitmon (Baseball Project), Marshall Allen (Sun Ra Arkestra), Nick Millevoi and Dave Harrington (darkside) also contribute. Harrington serves as co-producer alongside Forsyth. Evolution marks Forsyth's first studio record since All Time Present (2019) which earned 5 stars from The Guardian and was one of MOJO Magazine's albums of the year. It's a tighter effort - with its seven tracks running just over 50 minutes. Forsyth says: "I think it represents a major shift in my work, and at the same time, it's probably the most deeply rooted project I've done, blessed by the presence of friends and collaborators - each of whom has been an inspiration for me." Forsyth says the album "is about change and our ultimate helplessness - as individuals, as artists, as societies - in the face of it." In working with Dave Harrington he says, "I was hoping to make rock music whose surface reads something like electronic music. I don't pretend to know what the future holds, but, for better or worse, change is the only sure thing."

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Heart Of The Ghost

Summons

Release: 2022 / US – Original

Genre: Organic Grooves

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Punk rock creative moment music born out of DC & Baltimore scenes. Jarrett Gilgore (Alto/ Soprano Saxophone) is a gifted sonic melodic soothsayer. Luke Stewart (Bass, Irreversible Entanglements) lays down heavy danceable free bass lines, and Ian McColm (drums/percussion) is a drummer with an endless vocabulary moving from thrash to swing - always pushing the energy forward. This trio is unearthing new sonic territories with unwavering musicality and a steely grin. Special notice must be paid to the second track ("Aaron's Ride") - a piece dedicated to the life, spirit, and music of Aaron Martin Jr. - a mentor and fixture of the DC creative music scene who recently departed this realm for another. These musicians know the tradition and fearlessly venture into a vast ocean of sound. Dive in! - Jaimie Branch

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Coconuts

Release: 2022 / US – Original

Genre: Rock & Indie

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12 years after their self-title debut this is the "lost" second album from Coconuts (the NYC duo of Tim Evans and Jordan Redaelli)."Coconuts, as I have known them, cracking bunk PAs in NYC hovels, is simply inertia; steam-propelled on the hot guts of rock's past. They mainline into a legacy of pop obfuscation, in which sheer sonics and the sensuality of the guitar-as-tractor-beam blinds any sort of lyrical message or rock narrative. The sound is dire and low and vaguely menacing, like the pulse of an opiated Ritchie Valens slow dancing with the Dead C or the saucer-eyed paens of Japanese mopers The Jacks. And though the 'Nuts are lauded for their no-mind electric antic, their craft reveals a collective instinct honed over countless late nights of bleary deep listenings." - Daniel Lopatin / Oneohtrix Point Never

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The Spur Clear Vinyl Edition

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Joan Shelley returns with "The Spur" her ¬rst new album in three years. The twelve song set is a profound meditation on light and darkness, recorded in the spring of 2021 at Earthwave Farm in the Kentucky countryside. James Elkington serves as co-producer (alongside Shelley) and the album features collaborations with Bill Callahan, Meg Baird and the British novelist Max Porter along with Shelley's musical partner Nathan Salsburg.

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The Spur Black Vinyl Edition

23,13 €* 27,22 € -15%

OST Music From Grizzly Man

Release: 2022 / EU – Original

Genre: Rock & Indie

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Richard Thompson

32,99 €*

Release: 2022 / EU – Original

Genre: Soundtracks

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Richard Thompson's score for Grizzly Man - Werner Herzog's 2005 documentary film of real life and death in the Alaskan wilderness - is one of the best-kept secrets in the British guitarist's epic canon: an instrumental masterpiece disguised as a movie soundtrack. Recorded over two days as Thompson played live in the studio to Herzog's footage - mostly alone, at times in chamber settings with cello, piano and percussion - these tenderly detailed melodies and quietly visceral improvisations are cinema in their own right, rendered with pictorial instinct and the dazzling technique forged in Thompson's lifelong passage through traditional folk, psychedelia, North African modes and intensely personal songwriting. Here is Thompson at his natural best - finger-picking dance; snake-curl twang and singing-wire harmonics - in a solo clarity that runs from jig-like joy to deep-note meditation, the "Main Title" blues march with its echoes of Fairport Convention's "Sloth" to the long night of "Treadwell No More," a harrowing darkness in slicing treble and tremolo shiver. Produced by guitarist Henry Kaiser, Grizzly Man is a record of powerful solitude - as bold and majestic as the land in Herzog's film; as intimate as prayer - and essential Richard Thompson.

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Optimism

Release: 2022 / EU – Original

Genre: Rock & Indie

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Optimism is the debut album from Jana Horn of Austin, Texas. Originally self-released in a small vinyl edition, now widely available. Horn says the LP, "seemed to come about indirectly, almost in passing, a feeling of being in-between things. I was really mobile at that time, living wherever... I had just discovered, late, Raymond Carver Broadcast, Sybil Baier, Annette Peacock, Richard & Linda Thompson, a short story called "Car Crash While Hitchhiking" by Denis Johnson. I had "Heart Needs a Home" in mind, "The Great Valerio;" I was just really moving through the world, hanging in the shadows of the people I wanted to be. Hoping, looking out, this is Optimism. I was looking for anything."

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Garcia Peoples

Dodging Dues

The Time Of The Foxgloves

Release: 2022 / US – Original

Genre: Rock & Indie

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Dodging Dues is a startlingly expansive record_"startling" in part because it's relatively short (seven songs, all but one hovering around the four minute mark), but also because it traverses so many moods and styles: languid and dreamy one moment, surging and intense the next. Garcia Peoples (these days a six-person band) "hit their stride" a long time ago, but here they seem to be hitting a different one, working themselves loose of influnces (though this tree has roots: traces of Thin Lizzy, of more arcane bits of U.K. folk-prog, of vintage Meat Puppets in some of the softer passages) while at the same time opening themselves up to their own individual strangeness, becoming ever more singular and ever more free.

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Michael Hurley

LP | 2021 | US | Original (No Quarter)

Luke Stewart & Jarvis Earnshaw Quartet

Release: 2021 / US – Original

Genre: Rock & Indie

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Michael Hurley's first new studio record in 12 years features eleven songs recorded in Astoria, Oregon during the brief time of year when the foxgloves bloom. Hurley had been workshopping the set at home for the past few years. Friends and collaborators came into town and contributed from afar. The songs are lifted by violin, organ, upright bass, banjo, percussion - but at the center, of course, is the enigmatic Snock, whose songs have grown only more unique and more 57 years after his debut album (First Songs - Folkways, 1964). It could only be Snock. Heartbreaking, heartfelt, easy and carefree. The glorious opener "Are You Here For The Festival" - punctuated by a pair of violins - came to him while working in the garden. "Little Blue River" floats by on a cloud. The haunting "Jacob's Ladder" sounds beamed in from another era. Or dimension. Foxgloves is as comforting and wonderful as any Hurley record that has come before it.

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LP | 2021 | EU | Original (No Quarter)

2LP | 2021 | US | Original (No Quarter)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Bassist Luke Stewart Was Called "One Of The 25 Most Influential Jazz Artists Of His Generation" By Downbeat Magazine. Here He Teams Up With Co-Bandleader/Sitarist Jarvis Earnshaw, Drummer Ryan Sawyer And Alto Saxophonist Devin Waldan For A Rich, Expansive And Mercurial Set. Recorded At Pioneer Works In Red Hook, Brooklyn Towards The End Of The Dark Winter Of 2021, The Six Performances Explore And Embrace Chaos, Ultimately Finding A Serenity Made Only More Striking By What Precedes It. The Calm After The Storm.

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Endless Boogie

Admontitions

29,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Endless Boogie rejoins with its fifth proper studio album. It contains and is called Admonitions. Seven tracks of unrefined wisdom, mostly put to tape in improvised fashion with little to no warning. Recorded over two years and two sessions - at the pastoral tranquility of the Stockholm inland archipelago in 2018, and in the dank, cramped basement of a Fort Greene, Brooklyn studio in February 2020. Eklow on crude direction, Sweeney on stealth glamour, the obscurantist clarity of Paul Major is, as always, as ever, on full display, the fierce reality of Mike Bones is crucial, and the stoic solidity of The Harry Druzd lays beneath it all. Old pal Kurt Vile hovers over Counterfeiter. Full grease, delivered with ease. It is the band's humble wish that you immerse yourself and this offering.

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Ginko Sea Green Vinyl Edition

LP | 2021 | EU | Original (No Quarter)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The debut album by Joan Shelley pressed on vinyl for the first time. Originally released in 2012 and long-elusive to fans, Ginko is the starting point for Shelley, now revered for her songwriting, "dazzling poetic imagery" (The Guardian) and "radiant sense of calm" (NPR Music). Standout tracks "By The Ohio" and "Siren" show what is to come, while "Sure As Night" was her first collaboration with guitarist Nathan Salsburg.Pressed on Sea Green vinyl, packaged in a deluxe tip-on jacket, and limited to 2,000 copies.

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Electric Ursa Purple Vinyl Edition

LP | 2014 | EU | Reissue (No Quarter)

LP | 2025 | Original (No Quarter)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Electric Ursa was recorded out of the spotlight in Louisville, Kentucky. A quiet, 8 song record which owes much to the post-rock history of its hometown on songs like "Something Small" and "Rising Air", while "River Low" and "Electric Ursa" hint at the brilliant Over and Even waiting just around the corner. Electric Ursa brought Shelley to the national stage. Rolling Stone noted that the songs project "a huge, resplendently pained serenity" while Pitchfork declared that while the album "isn't [her] debut, it is her absolute arrival." Joan Shelley's out of print 2014 album is repackaged here in a deluxe tip-on jacket and pressedon purple vinyl. Limited to 2,000 copies.

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James Elkington

Pastel De Nada

33,99 €*

Chris & The Solar Motel Band Forsyth

Release: 2025 / Original

Genre: Rock & Indie

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Preorder shipping from 2025-03-28

In 2023 James Elkington released Me Neither, a double album of solo guitar improvisations and experiments. He ended up thinking of it as a wordless collection of library music. 'Library music' is a trove of anonymously produced sound that can be plundered for any kind of use and Elkington, the Chicago based British guitarist, finds a freedom in this music that seems to come out nowhere. He follows up Me Neither with Pastel De Nada, a new 2xLP set where the 27 tracks amount to more of a toolkit than a library. Bright, optimistic strums like `The Lyre Concordia', layered meditations like `Morny in the Earling' and `The Caves at Aurangabad', and tracks like `The Equal Spacing' that tick and whir like little machines for generating joy. Elkington squares his guitars off against textures, atmospheres and whispers of percussion

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Dreaming In The Non-Dream

LP | 2017 | Reissue (No Quarter)

21,99 €*

Release: 2017 / Reissue

Genre: Rock & Indie

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It's hard to imagine who Forsyth's contemporaries might be, but it's always been that way: the greats tend to feel a little out-of-plumb with their moment (only hindsight lets us see it otherwise), and Forsyth's music has been sparring with some large forces from the beginning. He's always united the homely with the astral, the abstract with the visceral in his Solar Motels and Intensity Ghosts. There's something different about Dreaming In The Non-Dream, though. There's a fresh economy involved here, a sense, strange as this is to say about a record with two songs longer than eleven minutes, of not a note wasted. Despite psychedelic leanings, Forsyth's records have always trained toward concision -- plenty of space, yet never slack -- but these tunes erupt with startling swiftness, then spend the rest of their quick-burning lives teasing multiple moods and patterns out of relatively simple materials

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Garcia Peoples

Dodging Dues

12,99 €*

Still Valentine's Day 1969

Release: 2022 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeve with small seam split.
Record is close to VG+.

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Sandy Bull

LP | 2024 | EU | Original (No Quarter)

33,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sandy Bull was an American folk musician who rose to prominence with a series ofalbums on the Vanguard label in the 1960's and 70's. Still Valentine's Day 1969 ispulled from two live shows recorded at The Matrix in San Francisco in 1969 with Bullplaying shimmering electric guitar and oud, accompanied by tape loops. Previouslyavailable on CD, but now out of print in all formats - this is the first ever vinyl pressingand includes the original liner notes from Byron Coley.

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LP | 2023 | US | Original (No Quarter)

The Window Is The Dream

22,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Original inner sleeve

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LP | 2022 | EU | Reissue (No Quarter)

Optimism

2LP | 2023 | EU | Original (No Quarter)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Rust vinyl!

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James Elkington

Me Neither

33,99 €*