Breaks | Breakbeat Vinyl 12 Inch 355 Items

Voodoos and Taboos are back with a bold new release on their own label, pushing boundaries with a fusion of Mediterranean influences, tribal grooves, and sexy vocals. This time, the duo ventures into new territory, blending house-inspired beats with Balearic vibes and electro textures, creating a dynamic and fresh sound which confirms their personal touch. The A1 track features a captivating collaboration with Brazilian vocalist Lourene, adding a unique vocal dimension to their signature style. Limited edition, no repress — grab your copy before it’s gone!

We are very proud that we are allowed to release this great record. The swedish producer has provided us with these 5 fantastic atmospheric tracks for release. The EP will be available as 100 limited coloured vinyl in a great colour and the classic black one.
The picture of the cover was taken by the artist himself with an analogue camera. The design was done by the legendary Alex Ketzter. Look forward to what's coming.

Vinyl Tastes Better...

“I Expected That” is a 12″ by Ukrainian artist Shjva and Seoul-based French producer Pyramid of Knowledge. It offers a fusion of atmospheric textures, creating a distinctive soundscape with fragments of breakbeats that drift effortlessly between IDM and techno in deep, artificial dimensions. Terra Magica Rec’s 10th release (terram010) diverse array of mysterious themes that enchant with twisted, trippy drum patterns and futuristic sounds.

Suckerpunch Recordings are up off the stool for the second
round of their Dance Floor Renovations series as Papa Nugs
& the elusive Ho Gosh go head to head via a four track
slobberknocker of sample heavy, 90s inspired club tackle;
fast becoming synonymous with the sublabel.

Dance culture has always gone side by side with hip-hop. Another proof of this is the new solo project YATUT (translated as «I’m here») by the legendary beatmaker Boora, originally from Kaliningrad, and now based in Los Angeles. His Debut EP called Vahue (translated as «I’m shocked») on Minor Notes is a collection of reflections on life changes, moving to another country, and the difficulties that accompany migration at all. Musically, this release is woven from a variety of samples and breaks combined with the analog sound of the Roland JV-1080 synthesizer and MPC One. This music is at the junction of house, electro and breakbeat. And we «Vahue» how cool it turned out.

“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.”

‘Digeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire.

“I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.”

Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.”

‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.

‘Didgeridoo’ (Expanded Edition) by Aphex Twin is available on R&S Records from 31st May 2024.

Best coverartwork ever! And the track isn't too bad either.

Denizens of the Oyster Cult, rejoice. Elusive dancefloor operator S.O.N.S has followed last year’s compilation cameo up with the deadliest of full debuts.

Booting off with some rough ‘n ready gear, “Drive” is the latest chapter as S.O.N.S undergoes his metamorphosis into a more brooding entity. The esteemed Junction Records and Junction Forest proprietor oscillates between tunnelling acid techno and a darkwave-indebted workout somewhat reminiscent of Dutch pioneer Das Ding. Three night-stalking club trax rooted in ominous portent.

Trading the gentler touch and sound sensitivity of releases past for something tougher, and meaner, but there aren’t any diminishing returns. Quite a departure from the introspection of that aforementioned compilation appearance while retaining the transcendent qualities that always typified his work.

Earth Trax's Amnesia EP is the reintroduction of Holding Hands' vinyl after a two-year hiatus, containing four dancefloor-oriented tracks ranging from loopy trance to breakbeat-driven tracks.

New Kosh production on his own label Convergence. With more than a year between outputs, his releases are carefully considered. Demonstration of electro and tech house with lyrical voices through his futuristic lenses. Not to be missed.

Banana Club is without doubt one of the top new labels on the Breakbeat scene today. Led by the young and highly prolific Cadiz artist, Fm-3, it was set up in 2020 with a strong identity and powerful, effective dancefloor grooves inspired by English bassline and 2step/garage and a touch of funk.

On this first vinyl release by the label, entitled Funky Beats, Fm-3 kicks off his musical discourse with One for Me, a track which showcases the characteristic quality and forcefulness of his groove. This is followed by the album eponymous track Funky Beats, a collaboration with the multiple Spanish and World Scratching Champion, Jose Rodriguez, who dazzles with a number of superb passages in which improvisation and funk come to the fore.

The B-side opens with Panorama, featuring Orak. This fascinating, highly-experimental track offers a fusion of breaks and tech house and an elegant acid line which acts as a common thread and brings cohesion to the whole idea. The record closes, as you would expect, with a collaboration with Bowser, another of the label regular artists, entitled Bubbling.

A classic bassline dancefloor filler, it will take you back to the best tracks of the late nineties and early noughties. The classic black 12", mastered and cut by Simon, a veteran sound engineer at the Exchange Vinyl in London, has achieved a sound which is quite simply brutal.

Magic Carpet storms into ruffneck country with b0n in the pilot’s seat, shelling out slammin’ UKG and a triple helping of breaks. b0n’s command of the southern frequencies will come as no surprise to those in the know - this EP promises to do special things in the right hands on the right rig. For those just tuning in… welcome to the b0n show.

Classic Aphex Twin 12" with four nice mixes!

Based in Paris, long-standing collective Consortium Records returns with US inspired deep grooves intertwining multiples elements from funky basslines, languorous samples and subtle rhythms.

— Starting on Da Funksteerz with sophisticated percussion arrangements on top of which sits a bass and a guitar.
— Ghetto continues with an more trip-hop oriented production layering samples and softly rattling sounds.
—Blue Eyed Bandit and Mean Love concludes with soaring synths and a wind instrument that transports us in a bewitching blend on a scenic road facing the Pacific ocean.

Last time Touch From A Distance released a Brother Nebula record the moniker was still shrouded in mystery. A few years later the veil has been lifted and anyone inclined would know our favourite Texan Lance DeSardi has been behind those meticulously crafted tracks all this time.

In line with his past outings on his own imprint Legwork, Brother Nebula keeps exploring the nooks and crannies of varied tropes of club music. There's the razor sharp, Dub Techno inspired stomper „Mach Loop“. There's „Ice Giant“, a heavy drum workout equally indebted to UK Garage and Jeff Mills. There are „The Grandeur Of Delusion“ and „God's Green Earth“ invoking the forgotten transantlanticism between West London and Detroit.

Having relocated to London and immersed himself in the local scenes and culture, Brother Nebula connects the dots of his past, present and future. Smooth melancholia meets icy beat science creating vivid contrast which makes this ep such an intriguing offering.

22-24/7 365 days a year in order to dance.

Disko Universal

When confronting progressive sound, there are times when it is almost like attacking countless past vinyls.
We are on Planet, a journey to expand Disco then and now.
Just as a point in space and time is undefinable, so are music genres...we are not just genre producers and DJ, we are human.

Eddie C x Keita Sano

oo many phones on dancefloors? Not nearly enough…

Phone Traxxx is back with the record they said they’d never make.

Favourites from the live set make a limited appearance on vinyl.

Life is short… 5G is forever

2024 Repress

The second release on Objekt’s newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, it’s the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side “Worm Dance” leans into Hertz’s headsier inclinations – constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.

The vinyl comes with a free lossless download.

Mastered by Kassian Troyer at Dubplates & Mastering

Artwork by Brodie Kaman

Nearly a decade after the release of his breakthrough debut album 'Sunday', Swedish producer HNNY (aka Johan Cederberg) returns with the album Light Shines Through, released independently via HNNY's own imprint.

For his first album in almost a decade, HNNY has returned to the electronic soundscapes that inspired his earliest releases. It's made for the quiet, brain-tingling moments of solitude at home and contains a consistent thread throughout, not just in the ambient sounds used, but also more conceptually with what the songs evoke and what they are about: the album lands at a particularly pivotal moment of HNNY's life after the birth of his two daughters which have given him a new perspective on life.

HNNY's melodies are a gentle alternative to the more complicated corners of dance music. Debuting on Studio Barnhus in 2011, HNNY aka Johan Cederberg quickly became one of house music's most talked about artists with a signature sample driven style. He has won a Swedish Grammy in the electronic music category, toured the world globally and created a following both in and outside of the dance music community for his bittersweet strain of dance music.
Shortly after the release of his critically acclaimed debut album Sunday, the producer stopped touring solely focusing on production. Since then, HNNY has racked up hundreds of millions of streams, released a number of singles and EPs on the likes of Let's Play House, Puss and Omena and he is now finally ready to return to the LP format for the first time in nearly a decade with the album Light Shines Through.

A new French label, Attention Spin! showcasing amazing talents from Parisian rumbling new scene, showcasing the newest release from French artist DJ Dawidu. The label is focused on reaffirming the importance of vocals as an instrument in electronic music.

R.A.N.D. Muzik Recordings welcomes Berlin based, Asphalt DJ to the label for a four tracker of progressive house and breaks.

Vinyl copy in a Liquid Wax housebag with a white inner sleeve. Pressed on 180g bespoke Colored Vinyl, could be any colour, but mostly likely to be a darker red. Mastered by Dapz at Compound Audio. Cut by Beau at Ten Eight Seven. Limited run of 140.

For the imprint’s latest release, Last Year in Marienbad is pleased to welcome French producer Moonee back into the fold, who brings to the table an EP filled to the brim with his signature blend of euphoric and emotive grooves…

Moonee’s music, one of François Lefevre’s main aliases, touches upon the airer side of dance music, tapping into the feeling of inner reflection and escapism. His ability to create impactful but softly spoken songs leaves impressions on those who come across it, and his records are deep dives into these carefully constructed sonic experiences. Originally focusing on deep house, Lefevre has taken Moonee on recent releases into a number of new spaces, perhaps best demonstrated on the LP ‘Sandquest’ which came out on parent label Oath last year. The manner in which Moonee curated that experience helped expand his musical universe immensely, and when it comes to palettes of sound, there isn’t much better than his finely tuned discography. Finding spaces in-between is a joy on his records, with the attention to detail and emphasis on the free flows and intuitive make repeat listens all the more enjoyable.

‘Brotherhood’ is his latest offering, and it is perhaps his most finely packed and delicately poised record to date. As soon as the ‘Glitched’ version of the title track begins, there is a sense of latent urgency but also a story found within waiting to be told. The steppin’ garage beat acts as a pivot between the lo-fi vocal sample up top and the intensely deep low-end bass and kicks, with the listener bouncing along within the mids to great effect. ‘Existenz’ comes next, and this takes the 4 to the floor energy to new heights. The kicks provide the core for hi end rhythmic elements to offer texture, with focus drawn to the emerging melodic palette, that feels almost orchestral in its depth and reach. One to drift into, for sure.

‘Panorama’ builds on some of the key motifs from the opening two tracks, almost rounding off that chapter of the EP to great effect. The skipping vocal samples shift around up top whilst an upbeat bass line drifts up and down beneath the drums. A playful and joyous track, this one feels like mid-morning wrapped up with late night all at once – one to soundtrack that late-night voyage through the city. Finally, fellow Oath affiliate Moomin is brought on board to remix the title track, and he brings a slice of electro to proceedings. Whilst the original is presented with a gloss of high energy, this version is more understated and laid back, butt this focus on rolling provides an excellent counterpoint. Slowly building, quietly shifting, it is a mini-masterclass in allowing energy to build and release – a perfect ender to this EP.

If enriching grooves, enticing melodies and warmth are what you wish for in life, then ‘Brotherhood’ has you covered. Trailblazing across the electronic slipstreams, gathering energy at canters then gallops, this EP has a bit of everything – press play, and dive right in….

Bakey has been smashing out hit after hit this year, sharing beats cooked up with his brother, Breaka and collabing with Bristol head Sam Binga. The young producer comes back to Time Is Now, following up the best-seller Take It Further EP from last year with a tasty five tracker of UKG experimentation.

Title track, "Bring It Back", uses a playful sound palette of 00s grime that swirls into a hardcore onslaught of breaks, bassline and screeching ruffage, kicking of the record with a statement. Manchester vocalist Slay joins the party on "Vibing Season", building up in long atmospheric chords before Slay's bars spiral into play, pacey, dirty and clever over explosive glitches and ear candy pops. Bringing it right back down to minimalism with sparing two-step, "No Name Groove" features Kasia's soulful piano echoing throughout with call-and-response sampling, a classy take on early garage tracks.

On "Reduced Vision", otherworldly sub bass chases down vocal stabs, rumbling underneath this expansive heads down number. "Poison Dart" rounds off the instant hit EP with sirens, dnb tension and ragga mc lines.