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Black Marble

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Black Marble

Bigger Than Life 15th Anniversary Edition

LP | 2019 | US | Reissue (Sacred Bones)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Third album from Chris Stewar as Black Marble, back then newly living in Los Angeles, fresh off a move from New York. As with every Black Marble album, Stewart recorded, produced, and played everything you hear on Bigger Than Life using entirely analog gear, though the process was new. This time around, he wrote everything on his MPC and sequenced it live to his synths - only using the computer to record, not to create. He also approached his vocals in a new way this time, bringing them forward in the mix and retreating from the reverb-drenched affect he has utilized in the past. "Everything about this record from the album art to the title, to the themes to all the sounds on the record is my response to this particular time," Stewart says.

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Black Marble

Fast Idol Golden Nugget Vinyl Edition

LP | 2021 | US | Original (Sacred Bones)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Rock & Indie

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On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson's San Francisco. `Somewhere' opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on `Bodies' and `Try' sits in a lineage with cult bands like Asylum Party. `The Garden' is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas `Ship To Shore' could be a lost Oppenheimer Analysis B-side, and the album's closer `Brighter and Bigger' catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury's atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard's Sympathy for the Devil, as in `Preoccupation', the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity. Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

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Black Marble

Fast Idol Black Vinyl Edition

LP | 2021 | US | Original (Sacred Bones)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Rock & Indie

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Black Marble

I Must Be Living Twice Pink Vinyl Edition

LP | 2022 | US | Original (Sacred Bones)

21,99 €*

Incl. VAT plus Shipping Costs

Release: 2022 / US – Original

Genre: Rock & Indie

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Pink vinyl repress of covers EP including Black Marble live favorites by Robert Palmer, Lives of Angels, Wire, The Field Mice, and Grouper."I've always loved the cover song aspect of live performance. Most musicians are fans first and covers are a way for bands to show this. They can add an improvisational tone to an otherwise rehearsed feeling set, and give a sense that songs are owned not only by the people who write them but by the fans that know them and the other musicians that take influence from them. About three years ago we started playing cover songs on stage, and a couple of unforseen things started happening. First off, people would ask me - not knowing it was a cover - when the new songs they heard were coming out on an upcoming Black Marble LP. Sadly, I'd have to tell them that a) I didn't write the song, and b) me playing this new material was not evidence of the impending new release they were hoping for. The other thing that would sometimes happen is people would come up to me who already knew the songs I was playing. These people were stoked to hear an old favorite worked into our set, but again they would often wonder if they could ever hear them outside of the live setting. After awhile it became obvious that we eventually wanted to record the covers we'd been playing live for the fans that wanted to hear them. Also, we've played a lot of shows in the past three years. We crossed the full U.S. several times and met a lot of great people and this covers EP is a cool way for us to remember that time as well. As far as process, I recorded and mixed this one myself shortly after, and as a way to come down from, the process of writing and recording the Bigger Than Life LP. I took some of the mixing and arranging things I was working through for a year on Bigger Than Life and was able to apply to this record fairly quickly and easily, so I think from an engineering perspective this recording is the culmination of that way of thinking about presentation before I move on to the ne...

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