Jazz | Fusion Sale 129 Items

Apart from the overall trend in the contemporary music industry, the second collection album on the Hydeout Productions label, a rare independent label that has gained a large following among listeners by releasing purely sound=works without any advertising activities, the 2nd Collection is the second 2LP album on the label. It was released on. It is another world of Hydeout, parallel to the Nujabes' albums Metaphorical Music and Modal Soul, with a wider range of works and people. The album is a label collection album, including 'Another Reflection', which is another chapter of 'Reflection Eternal' from the last album 'Modal soul', but also shows the label's direction after Nujabes' second album 'Modal Soul'. This work shows the direction of the label after Nujabes' second album 'Modal Soul'.

INCLUDES:
3 DISCS PRESSED ON 180g BLACK VINYL
PRINTED INNER SLEEVES
24" x 24" FOLDOUT POSTER
(8) 4" x 6" POSTCARDS WITH ORIGINAL DRAWINGS FROM THE ARTIST
8.5" x 11" LETTER FROM THE ARTIST

"New Blue Sun represents a continuation of adventure and discovery for me. Even inherent in the meaning of my name André 3000, there is a wonder or looking forward to the new or what is next. This discovery has happened many times in my life and career and it’s very exciting to witness. I say 'witness' because I am also watching it happen along with you all and I never really know what will come or how I will respond or interpret the inspiration. We all have aspirations, ideas or plans but isn’t it the most awesome when life surprises us in a way that becomes greater than anything we could have imagined? New Blue Sun and the process in which it was recorded is that discovery and witnessing being played out in real time, alive, breathing, and improvised. It’s much more than 'Andre’s flute album'. Ha." — André 3000

Blue Note Re:imagined was first released in 2020 featuring fresh takes on music from the illustrious Blue Note Records vaults recorded by a heavyweight line-up of the UK jazz, soul, and R&B scene’s most hotly-tipped rising stars. This incredible compilation includes artists such as Jorja Smith, Jordan Rakai, Ezra Collective, Poppy Ajudha and more. This new version of Blue Note Re:imagined, pressed exclusively for Record Store Day on Smokey Clear & Blue vinyl with new blue cover, includes an exclusive bonus track - Jorja Smith – Rose Rouge (Joy Orbison Remix)

The legendary TBN tag team, Tsuyoshi Yamamoto Trio and Yoshihiko Kannari, have revived and newly recorded this superb Erroll Garner album. Tsuyoshi Yamamoto and Yoshihiko Kannari, a former engineer for the TBM label, reunited on their last album "Blues for K" (scol-1062). The duo have also produced numerous world-class recordings from Japan, including "Midnight Sugar" and "Misty". Then in 2023, Yoshihiko Kaminari made his return to the Onkio Haus in Tokyo! They will once again be at this iconic studio, where the TBM label used to do recordings. The songs for this album are a collection of ballads, mainly by Erroll Garner, whom Tsuyoshi Yamamoto has always admired and loved. The result is a return to their roots and a challenging work for both of them.

Washington calls Fearless Movement his dance album. “It’s not literal,” Washington says. “Dance is movement and expression, and in a way it’s the same thing as music—expressing your spirit through your body. That’s what this album is pushing.” Dance as an embodied form of expression signals a shift in focus for Washington. Where previous albums dealt with cosmic ideas and existential concepts, Fearless Movement focuses in on the everyday, an exploration of life on earth. This change in scope is due in large part to the birth of Washington’s first child a few years ago. “Being a father means the horizon of your life all of a sudden shows up,” says Washington. “My mortality became more apparent to me, but also my immortality—realizing that my daughter is going to live on and see things that I’m never going to see. I had to become comfortable with this, and that affected the music that I was making.” The album features Washington’s daughter—who wrote the melody to “Asha The First” during some of her first experimentations on the piano—as well as a host of collaborators new and old. André 3000 appears on flute, George Clinton lends his voice, as do BJ The Chicago Kid, Inglewood rapper D-Smoke and Taj and Ras Austin of Coast Contra, the twin sons of West Coast legend Ras Kass. Washington further enlisted lifelong friends and collaborators Thundercat, Terrace Martin, Patrice Quinn, Brandon Coleman, DJ Battlecat and more. The album also features “The Garden Path,” a song Washington performed for the first time ever, making his late-night television debut, on “The Tonight Show Starring Jimmy Fallon.”

This edition is limited to 500 copies worldwide and is only available at HHV. Following the highly acclaimed first volume in the series, Japanese jazz expert Yusuke Ogawa continues the WaJazz exploration with another essential collection of music that contains something uniquely Japanese — focusing this time on the King Records catalog. Featuring timeless music by Isao Suzuki, Toshiaki Yokota, Akira Miyazawa, Takeru Muraoka, Yasuaki Shimizu, Masahiko Togashi, George Otsuka, and more!

Gatefold 180g heavy double vinyl LP, reverse board print. Comes with extensive track-by-track liner notes by Yusuke Ogawa.
All tracks licensed by King Record Co., Ltd., Tokyo, Japan.
Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.
Artwork by Nker.

TEXT:

“It is my great pleasure to introduce you to the second volume of the “Japanese Jazz Spectacle” series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels having an extensive archive of jazz music - we may be able to glimpse a part of its allure and essence. This time again, I have made the music selection with this idea in mind. The music in this compilation was recorded between 1962 and 1985 and is a brief history of Japanese jazz on King Records. Listening is believing, so I hope these tracks will capture your heart and that you will enjoy the charms of Japanese jazz.” - Yusuke Ogawa

Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.

Pharoah Sanders’ third Impulse! album, 1969’s „Karma“, is a milestone of the Spiritual Jazz movement and a natural progression in the sonic exploration that Sanders, along with John and Alice Coltrane, had spearheaded over the previous five years. "The Creator Has a Master Plan", one of the two long tracks on the album, is as close as Spiritual Jazz comes to having its own anthem.



Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.

Emerald City Nights: Live At The Penthouse 1966-1968 is the third set of previously unreleased recordings of the iconic pianist Ahmad Jamal, captured live at the Penthouse jazz club in Seattle with bassist Jamil Nasser and drummer Frank Gant. This RSD Black Friday release features a deluxe 2 LP on 180g vinyl in gatefold jacket includes an extensive booklet with rare photos and essays. Also included are interviews with pianists Les McCann, Monty Alexander and Emmet Cohen, plus producer Marshall Chess of Chess/Argo Records and others.

Record Store Day 2021 Release.

2023 repress, limited to 500 with Original Stoughton Tip On Sleeve!

Im August 1961 spielte das John Coltrane Quintet ein Engagement im legendären Village Gate in Greenwich Village, New York. Mitglied der Gruppe: der visionäre Multiinstrumentalist Eric Dolphy. Neunzig Minuten nie zuvor gehörte Musik dieser Gruppe wurden kürzlich in der New York Public Library entdeckt und werfen ein Schlaglicht auf eine musikalische Partnerschaft, die viel zu früh endete. Zusätzlich zu bekanntem Coltrane-Material („My Favourite Things“, „Impressions“, „Greensleeves“) gibt es mit „When Lights Are Low“ ein beeindruckendes Feature für Eric Dolphys Bassklarinette und die bislang einzige bekannte Nicht-Studioaufnahme von Coltranes Komposition „Africa“ aus dem berühmten „Africa/Brass“-Album.

Afrobeat legend Tony Allen will release “The Source”, the Nigerian-born Paris-based drummer's debut full-length album for Blue Note Records, following the tantalizing 4-track EP release “A Tribute to Art Blakey and the Jazz Messengers”.

“The Source” is the next step in Allen’s musical and spiritual voyage, and a further exploration of his early jazz influences. To share writing tasks and take care of the arrangements, he called on saxophonist Yann Jankielewicz, with whom he has worked since 2009 and the album Secret Agent. They began by getting together to listen to and exchange their favorite jazz records: Lester Bowie, Charles Mingus, Art Blakey, Gil Evans… albums that served as a compass to guide them on their way.

“Tony has never played drums as well as this,” says Jankielewicz. “He's never had as much freedom, never had as much power as he does today.”

Surrounding Allen are some of the best musicians on a Paris scene that is difficult to call “jazz” due to its highly changeable nature: Jankielewicz alongside saxophonists Rémi Sciuto and Jean-Jacques Elangue, trumpeter Nicolas Giraud, trombonist Daniel Zimmermann, bassist Mathias Allamane, pianist Jean-Philippe Dary, and keyboardist Vincent Taurelle, who produced the album with Bertrand Fresel… a French cast to begin with, but with the addition of guitarist Indy Dibongue from Cameroon who, like Allen, contributes an indispensable African sound to this palette. 11 excellent players in total would finally deliver The Source, including one notable guest: Damon Albarn, who adds an ethereal piano part to “Cool Cats.”

The album sparkles in the variety of its timbres and the diversity of its colors. Each of the 11 instrumental tracks—all new originals co-written by Allen and Jankielewicz—bring forward a particular instrument: Giraud's trumpet on “Bad Roads”; the bass of Allamane on “Crusin’”; Dary's piano inside “On Fire,” and Sciuto's bari sax on “Woro Dance.” With “Cool Cats,” it's the turn of Elangue and his tenor, while Zimmerman's trombone is featured on “Wolf Eats Wolf.” And throughout, Tony’s indelible signature, a unique way of hitting skins or a cymbal, its main characteristics a caressing, almost ethereal energy, and a formidable efficiency.

Catch The Groove: Live At The Penthouse 1963-1967 is a collection of previously unreleased live recordings of the iconic vibraphonist Cal Tjader from the Penthouse jazz club in Seattle, with the legendary percussionist Armando Peraza and bassist Monk Montgomery. This release is culled from six different performances, recorded by Seattle radio DJ Jim Wilke and broadcast live. Deluxe 3 LP set on 180g vinyl includes an extensive booklet with rare photos, essays and interviews for RSD Black Friday.

Blue vinyl version!

First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.

Japanese Obi-strip Pressed on Black Vinyl Originally released in 1974 Note: Artwork to be updated "An American jazz drummer Roy Brooks started his career in the 1950s, and he had joined the Horace Silver Combo the early 1960s. Subsequently, he became a part of the bands led by notable artists like Stanley Turrentine, Yusef Lateef, and Charles Mingus. He was also a significant influence on the legendary Tribe label, which was based in his hometown of Detroit, and he spent his career at the forefront of the American jazz scene until his passing in 2005.



As a bandleader with Roy Brooks And The Artistic Truth, he pursued spiritual jazz guided by a refined sense of spirituality. Among his discography, the live recording "The Sahel Concert" from 1974 stands out as one of the most expressive showcases of his artistry, much like his previous work, "Ethnic Expressions."

Limited edition of 300 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The fifteen-piece kaleidoscopic ensemble IzangoMa might only be releasing its debut offering on the esteemed UK-based label Brownswood Recording this coming Northern Hemisphere Spring, but the collective’s roots stretch back to the meeting of Sibusile Xaba (vox/keys) and Ashley Kgabo (synths/snare drum/drum machine) in 2016. The album is the logical next step in a journey. Sibusile Xaba reveals a side to his virtuosic talent at cardinal opposites with the familiar folk sound the largesse knew him for. Kings rejoice in laughter on album opener “Agenda Re-member”, while the music cascades carefree over frequencies expressing joy and positive living. In this world, IzangoMa’s world, the moon sings sweet melodies and the children rejoice in laughter. Worries are but a distraction, and joy is the ultimate quest. It’s a declaration of love in its highest, lucid, uninhibited form.

Limited pressing of 400 copies on clear blue vinyl

Light ring wear on cover

Copy close to VG+. Vinyl with a couple of light scuffs

The latest in our ongoing Rsd/bf series of rare grooves and soulful Jazz from the Craft vaults. Pressed on colored vinyl.

Vinyl shows a few scuffs, close to NM!

Simultaneous double release of the percussionist / composer Steve Shehan's legendary albums!! The world's first LP reissue of his 1990 CD album "Arrows" from First on Vinyl, and his 1995 CD album "Indigo Dreams" from Silent River Runs Deep.

Simultaneous double release of the percussionist / composer Steve Shehan's legendary albums!! The world's first LP reissue of his 1990 CD album "Arrows" from First on Vinyl, and his 1995 CD album "Indigo Dreams" from Silent River Runs Deep.

A new spirit to the old gods. Is this the standard? This is THE Standard! Alessandro Galati has created a beautiful and profound "Standards Song Book". Alessandro Galati, who until now has been thoroughly devoted to being an original, dares to put a "fetter" on all of the standard numbers. The profound resonance created by the carefully chosen sequence of notes brings back to life melodies that you should have known well. We hope you will simply savor this music.

“I love Horace Tapscott! I love his music, his philosophies, and everything he did for the community that I grew up in” Kamasi Washington
Soul Jazz Records are proud to release the first in a series of albums by the legendary Los Angeles radical jazz artist, Horace Tapscott and The Pan-Afrikan Peoples Arkestra. Horace Tapscott is the key figure in the Los Angeles political and underground jazz scene of the late 20th century – his stridently independent and radical music, as far-reaching, cosmic and spiritual in scope as it was rooted in the Watts community of Los Angeles where he lived.
This superb rare, deep and spiritual jazz opus album was recorded at the Immanuel United Church of Christ, Los Angeles, in 1979, and has been unavailable on vinyl for over 40 years. ‘I had a vision of the inside of this church, and I went there, and it was just like I had dreamed it.’ This location remained the residence of the musical collective for most of the 1970s.
The music of Horace Tapscott and The Pan-Afrikan Peoples Arkestra is part Sun Ra Arkestra, part John Coltrane, part Art Ensemble of Chicago. This ground-breaking and monumental album (released here for the first time ever on expanded triple vinyl and double CD) explores the multi-faceted deep and spiritual jazz of Tapscott – Afro-centric rhythms, hypnotic bass lines, Tapscott’s stabbing modal piano playing and stunning flute and horn arrangements. ‘The Pan-Afrikan Peoples Arkestra – Live at I.U.C.C.’ is a true high point in the cannon of great independent underground jazz music recorded during this era.

Lift off lid box with crushed emerald felt lining, Includes Embossed Gatefold edition Double Tri-Colour Splatter Vinyl.

Includes Signed Insert, Limited edition Black Classical Music branded ProMark Drum Sticks, and branded Afro Comb.

On "Winds Of War And Peace", conductor Lowell Graham takes the National Symphonic Winds ensemble through a program of stirring orchestrations and marches. "Liberty Fanfare" was composed for the centennial celebration of the Statue of Liberty in 1986. The fanfare set the stage for one of the most spectacular celebrations in America's history. Samuel Barber's "Commando March" composed in 1943, represents Barber's first band work. Written in a quadruple meter, this work utilizes the constant contrast of dotted and triplet rhythms. Roger Nixon's "Festival Fanfare March" was recognized for superb composition by the American Bandmasters Association in 1973. It is a work that's technical, bright in color and effervescent in spirit. The album also includes "Victory at Sea", "El Camino Real", "A Santa Cecilla" and "Symphonic Dance No. 3". Although the 33 1/3 reissue of this recording by Analogue Productions was outstanding, our 45 RPM version raises the quality bar even higher. With wider grooves, you'll hear sound that reveals more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for. Graham, a native of Greeley, Colorado, has earned recognition as one of America's most talented young conductors. He graduated from the University of Northern Colorado with both his Bachelor of Arts and Master of Arts degrees. He was also the first person to be awarded the Doctor of Musical Arts Degree in Orchestral Conducting from the Catholic University of America. Graham has led orchestras and bands on record and in performance throughout the world. He is the current conductor and commander of the United States Air Force Tactical Air Command Band.

Vinyl with a couple of light scuffs

Wojtek Mazolewski Quintet - Live Spirit is a recording of a two-day residency at Katowice's Hipnoza club, released especially for RSD 2024.

New times, new lineup, new formula. Wojtek Mazolewski Quintet, with a new refreshed lineup, played a series of concerts in a new unusual formula called Live Spirit. Instead of hitting the road and playing single concerts, the band held several-day club residencies in several Polish cities. At first it was Krakow and Katowice. Here, WMQ brings back the best jazz traditions of club residencies by such masters as Eric Dolphy, John Coltrane and Miles Davis.

WMQ has once again challenged itself and you.

With the best of intentions, we pushed the boundaries and appealed to tradition, bringing something new to the here and now.

Wojtek Mazolewski - double bass Pola Atmanska - piano Piotr Checki - saxophone Oskar Torok - trumpet Tymek Papior - percussion

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Tracklist: Side A Live Spirit / NEW Energy

Side B Skoki DO Wody Spirit TO ALL

Artists Kyoko Takenaka + Tomoki Sanders team with In Sheep’s Clothing Hi-Fi & Pure Person Press to release their breathtaking debut record as Planet Q.

Gatefold Single LP w/ OBI & Insert

To explore and absorb Planet Q, the new record by artists Kyoko Takenaka + Tomoki Sanders, is to become untethered from structural expectations, to reside in a realm where genre vanishes and a profound musical space remains, where the absence of gravity causes curious things to occur.

It’s a spot where handclaps may not move in time, where sonic gurgles of unknown origin offer texture, where a deep, hooky rhythm can propel a groove into the stratosphere.

At various times the tracks move like Dilla pieces, at others like Terry Riley explorations, like Flying Lotus or Milford Graves or Alice Coltrane meditations. But every time you think you’ve got the sound figured out, it hits from another angle. Though a brief missive at 33 minutes, you exit Planet Q as if leaving an utterly alien spot.

Setting: In 2021, during the covid lockdown in America, Takenaka and Sanders were both living in Tokyo without any gigs or work to be found back home. They met at a mutual friend’s cafe in the Higashi-Koenji neighborhood, and the connection was immediate. “The chances of us meeting not only someone else of the diaspora when the borders are closed, but also queer and non-binary, and also a musician? Pretty slim, and pretty fateful,” Takenaka says.

In early 2022, the Omicron variant prompted a new round of isolation. Returning to New York, they united with kindred musicians by going to private jam sessions, but at the time those evenings didn't tap the magic they were seeking. They decided to quarantine and create together. Takenaka was living alone at the time so they invited Sanders to crash there. Says Takenaka, “We made rice, ate natto, meditated and made music for seven days straight.”

That they would create something masterful does seem somehow predestined. Sanders’ late father is the brilliant composer and saxophonist Pharoah Sanders, their mother a life-long music fanatic who nurtured the same. The younger Sanders, who grew up in New York and Tokyo, has been playing music – drums, saxophone, clarinet, piano – and absorbing profound sound since they had baby teeth. Takenaka is a first-generation Nikkei Japanese American actor, butoh dancer and filmmaker who also grew up with music; their father was a jazz pianist, and by age 7 they were already singing at jam sessions in Boston. Planet Q is Takenaka and Sanders’ debut musical collaboration.

That week together in isolation was pretty ritualized. Their aim, Takenaka says, was to create “a really beautiful, secluded safe space for ourselves as qtpoc folx – a planet where we both belong – and to make music as we created the space. Basking in it. Being inside it.”

They quickly fell into a daily routine that commenced with an improvised spoken meditation, tidbits of which made it onto the record. The layout of Takenaka’s apartment – an open kitchen looking out on the living room – afforded them the chance to mix rituals. They prepped meals and sampled parts of the process. Cooking rice, making curry, eating natto – the sounds simmer throughout Planet Q. Dancing and calligraphy also informed the compositions. Takenaka calls it “embodying the process, the textures.”

Tomoki says, “Before Hip hop, in my dad’s age, the saxophone was where the rapper, or the electric guitar spotlighted. It was only $500 to buy a saxophone in the 50’s...now its anywhere from $3000-$10,000. However, we fortunately are in a current time to have a whole studio literally in our laptops – and you can get a $50 midi device from a music store or online. Time of technology has advanced the music, the sound, the production – I’m challenged to reimagine things in ways never been thought before.”

Though each piece has distinct traits, Planet Q feels more like a suite of tracks, a gathering of waveforms that, despite their differences, when woven together create an utterly striking piece. The intention-setting opening piece was born through their improvised morning meditations. Tomoki uses bells their father gifted them.

“‘My Sweet, My Tender, My Loving, Home’ is dedicated to my dad and his metaphysical and galactic sounds, that is grounding,” Tomoki says. “Every intention I put into the style of music or energy comes from him and the ancestors, or god, ‘subconsciously’ – being a continuation of his DNA but in a completely different generation and time; me matching his point of view in spirituality and raising a level of self-consciousness.”

Borders blur. Rhythms lope and gallop. “竹” is a beat-driven rush featuring Takenaka on guitar. When Sanders grabs their tenor saxophone for “Grow,” the result vibes like a funky film-noir soundtrack, with Takenaka reciting the title.

Their tools: bells, electric guitar, piano, shakers, saxophone, African thumb piano, flute, keyboard, drum programming and voice. Most importantly, Planet Q is the sound of two devoted artists committing in full to exploring the mystic, hellbent on mastering the ways that two mortals can, with focus, desire and ancestral guidance, unite in music to create something that transcends the here-and-now.

Wojciech Mazolewski is an artist who is impossible to pigeonhole musically. For years he has been famous for combining jazz and rock in his various projects, including Pink Freud and the Wojtek Mazolewski Quintet. In his Quintet, which already has five studio albums to its credit, the bassist is accompanied by Joanna Duda (keyboards), Marek Pospieszalski (saxophone), Oskar Torok (trumpet) and Qba Janicki (drums).

The special edition of Spirit To All on RSD 2024 combines tracks from the Polish and UK releases and includes all the songs that appeared on the album released by WMQ Rec/Agora and Whirlwind Rec. It is the essence of what the band had to say with this album.

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Tracklist: Side A 1. Slavic Spirits 2. Harmony 3. The Year of Magical Thinking 4. Alchemia 5. The Power of Spirit

Side B 1. Spirit to All 2. My Heart 3. Grey Day 4. Ghost Town

Tricatel is proud to present, in a limited edition of 777 hand-numbered copies, the superb double vinyl/book dedicated to 7×7, inspired by Bertrand Burgalat.
Seven notes in the scale, seven days in the week, seven colors in the rainbow, seven wonders of the world, seven virtues and seven sins, seven ages of life, seven samurai, seven dwarfs for Snow White… Under the sign of 7, Belgian artist Jean Pierre Müller, in close collaboration with seven music legends (Robert Wyatt, Archie Shepp, Sean O’Hagan, Mulatu Astatke, Kassin, Nile Rodgers, Terry Riley), has conceived a magical project combining visual and sound compositions, in all senses and meanings.
In the summer of 2012, 7×7 was first presented to the public in its entirety at Edinburgh’s Summerhall, the start of a series of high-profile exhibitions and shows that have taken 7×7 from New York to Cannes. Ten years later, Jean Pierre and Tricatel would like to dream again with you, this time of a physical object celebrating 7×7 and offering the general public the opportunity to own a piece of the 7 colors dream.
This art and music object is a Gatefold double-vinyl, comprising two white vinyl records in printed inner sleeves and a 64-page booklet in the center, like a book.

‘the Congregation - Jazz Alliance International’ compilation is the latest offering from Mono Jazz label. Compiled by Massimiliano ‘Jazzcat’ Conti - a DJ, broadcaster and internationally respected selector with over 150,000 followers on Mixcloud - and featuring liner notes by Paul Bradshaw (from the iconic ‘Straight no Chaser’ magazine), ‘the Congregation’ is an innovative, largely contemporary selection of tracks that they feel is representative of the current era - a true manifesto of the international jazz scene of the present days. The release was received with great enthusiasm by some of the leading DJs and music critics of the scene – from the UK, to Germany, to Japan – getting early radio support by Patrick Forge (nts), Colin Curtis (Hitmix Radio), Kevin Beadle (twr), Rainer Trüby (Compost Records), Shuya Okino (Kyoto Jazz Massive), Raffaele Costantino (Rai Radio 2), Ilya Rasskazov (Headz.FM), Michael Rütten (Soul Searching), David Patterson (jfsr), Simon Harrison (Basic Soul) & more. Built around a near mythical, unreleased song by Japanese producer Yellowtail featuring legendary beat generation jazz singer Mark Murphy, the selection of tunes contained in this album ventures far and wide. Soulful offerings by Anthony Joseph and Jimetta Rose & The Voices of Creation, percussive and spiritual renditions by the likes of Malcolm Strachan, Right Tempo’s own Francesco Sotgiu and Nicola Conte, Latin-flavoured explorations by Mexican giant Tino Contreras and Acid Jazz’s signed Mama Terra and a hip-hop spiced cut by Portuguese producer Azar Azar are some of the many moods that can be found in ‘the Congregation’.

Mikio Masuda, who went to the U.S. as an independent member of Terumasa Hino's group, formed the crossover/fusion group 'Mickey's Mouth' after returning to Japan. This is the band's first album, featuring mainly original compositions.

180g pressing

2LP - 180 Gram Vinyl / Handnumbered Edition limited to 300 Units, grey marble vinyl.Sisu marks the beginning of a new chapter for esteemed Estonian pianist and composer Kristjan Randalu - as his first large ensemble project recording with the New Wind Jazz Orchestra conducted by Wolf Kerschek, featuring special guest trumpeter Ingrid Jensen and guitarist Ben Monder. This nine-track record combines brand new, large ensemble arrangements of original compositions by Randalu, as well as reworkings of established pieces from the Estonian canon. Mixed and mastered by the multi-Grammy-Award winning engineers Klaus Genuit and Tyler McDiarmid.

2LP - 180 Gram Vinyl / Handnumbered Edition limited to 300 Units, grey marble vinyl.Pianist John Escreet, hailed by Time Out London as a "transatlantic jazz genius," continues his artistic ascent with the bold, exploratory new album Seismic Shift. The UK native teams up with Eric Revis (bass) and Damion Reid (drums) for a set brimming with fire and invention. Seismic Shift offers ground-shaking evidence that Escreet ranks as one of the top pianist-auteurs of our time. The album gives what the title implies: it involves tumult, rupture, earthquake. Escreet and his colleagues unleash a lot of power, whether freely improvising, sculpting sound with extended techniques, or for that matter playing elegant tonal harmony.

Jazz master Chick Corea’s unconventional vision of a classical performance shines through in his interaction with the Orchestra da Camera Della Sardegna, turning the acclaimed chamber orchestra into a large-scale jazz ensemble. His unorthodox approach adds a touch of playfulness to the Mozart & Gershwin pieces performed while upholding Corea’s obvious reverence for their music. His joyous fusion sets the tone for the musicians and the audience, creating a truly captivating and boundary- pushing experience.

The recording captures the essence of Corea’s musical vision, his appreciation for classical traditions, and his undeniable genius as a performer and improviser. It stands as a testament to his lasting influence and his eternal quest to push the boundaries of music.

Through his work as a composer and a performer, he sought to bridge the gap between genres, embracing the universality and enduring power of classical music. Corea realized this ambition fully during this live performance as was eager to release the recording as an album that would inspire jazz and classical music lovers equally.

Urpa i musell is pleased to present our sixth record. We have joined paths with pianist Agustí Fernández on a
double disc that includes both the reissue of the LP Suite Nofres (originally released in 1987) and
Interseccions. Música i arts escèniques (1985-1990) (meaning Intersections. Music and performing arts (1985-
1990)), a set of previously unreleased works that Agustí recorded during this period at various performances.
Agustí Fernández (Palma, 1954) is a seminal figure in the improvised music scene. Few musicians in Spain
enjoy such international fame and respect. Peter Kowald, Derek Bailey, Lawrence D. "Butch" Morris, Evan
Parker, Barry Guy, Mats Gustafsson, Joel Ryan, Joe Morris, Nate Wooley and Peter Evans are some of the
musicians Fernández has been able to converse with artistically. He has shaped his creativity by leading free
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music formations, composing for the world of cinema, television and theatre, directing musical events in our
country and abroad in addition to his work in the field of teaching (until very recently he was professor of
improvisation at the Escola Superior de Música de Catalunya). We could define his musical identity as the result
of the interaction between the tradition of classical piano and the improvisation of jazz roots, which has led to
new sonic places, the sum of language and intuition.
Fernández settled in Barcelona at a very young age. From the very beginning he received very diverse
commissions and one of them was to play in the dance classes of the Institut del Teatre. There he met many
young dancers. In 1986 he debuted in the recording world with Ardent, a set of piano pieces that includes a
piece composed for the dancer Margarita Guergué. Shortly after, he took charge of the music for a
contemporary ballet by Ramon Oller, another of the dance students he had met at the Institut del Teatre. Suite
Nofres, released in 1987, is the recording of the music that Agustí played live in the show.
Three years later, "El mar" was recorded, a video-dance work that he and the dancer Àngels Margarit
produced for Glasnost, the fringe TVE-2 program directed by Lulu Martorell. This short piece was reinterpreted
as Les nenes no en tenen mai prou, a theatrical show for piano and five voices, one of them Lulu herself.
The second album of this release, Interseccions. Música i arts escèniques (1985-1990), includes these
pieces, as well as unpublished extra material from Suite Nofres.
Agustí then combined work with training. In those years, he immersed himself fully in the musical avant-garde
of the moment: he discovered the music of Cecil Taylor and took courses with Xenakis and Stockhausen. He
also encountered some artists returning to Catalonia from the United States, such as the dancers Lydia
Azzopardi and Cesc Gelabert and the musician Carles Santos, all of them influenced by the American
minimalism of Steve Reich and Philip Glass. Agustí Fernández collaborated with Carles Santos closely for
many years after 1982.
Santos' approach to minimalism was particular, passionate (as Tom Johnson explains in "Passionate
minimalism") and heterodox. The limitations of minimalistic explorations —repetition of short musical
patterns and phrases, persistent drones and harmony tending to be static— were understood above all as a
starting point from which to express himself with complete freedom. Fernández received this influence and
adopted Santos' attitude both in Suite Nofres and in the works included in Interseccions. Minimalism here
acts as a structural support. It serves as a framework from which to explore a variety of interesting topics,
including research on the piano and brief bursts of free improvisation, meticulous work with timbre, phrasing,
and form, where we discover, among other things, structures used in various locations and instrumentations,
and interaction with the environment, including other musicians, singers, dancers and audiences.
The sonority of these pieces is rich and mature. Agustí, in fact, recorded Ardent with twenty years of musical
experience already behind him, but at the same time it is also a learning record. As he explained in an interview
with José Francisco Tapiz: "From ‘85 to ‘95 I was working on my own, trying to develop a language and have
the tools to improvise. Privately, above all." If we look at his discography, Suite Nofres marks a point in time,
after which he released very sparsely until 1996. After using the minimalist approach, he had to abandon it. The
yearning for completely free music meant intense personal work without too many sound testimonies
(Interseccions is one of them). The result of this intense search is the sensational Tempranillo (1996), an
album by duet with Evan Parker and which constitutes a declaration of intentions. Here we could say that the
mature and most intense stage of Agustí begins –an essential part, but not one that we will relate here.
The two albums that make up the sixth release from Urpa i musell bear witness to the decisive period of
impasse in the artistic growth of one of the most stimulating musicians that has emerged from our country. At
the same time, it perfectly captures where experimental music was then. It is lovely to be able to hear the
wonderful ideas that came from the head and hands of Agustí Fernández that represented the first flowering of
his unmistakable character.
Manel Peña & Urpa i musell
Translation: Mark Dix